D-Mu MS 8° 331

Universitätsbibliothek, München (Munich), Germany

partbook: After 1523

Archive Universitätsbibliothek, München (Munich), Germany (D-Mu)
Shelfmark MS 8° 331
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 139 x 214 mm
Other Identifiers
  • CCM: MunU 328-31
  • olim (Former shelfmark): Cim. 44c
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Bavaria, Germany
Contents 114 pieces from 17 composers
General Description

A Bassus partbook from a set originally of five volumes. Copied by a single scribe, identified by Rifkin & Fallows as Bernard Rem, who also wrote VienNB Mus. 18745, VienNB Mus. 18810, and ZürZ 438. Perhaps written for Hieronymus Welser; a coat of arms with his name and the year 1527 (in A, T, and B partbooks) was discovered after a restoration in 1974. It seems that Welser sold the partbooks even before binding, probably to Glarean (Meconi 2009). Full texts for many pieces copied separately on rectos of Tenor book after each piece; otherwise, pieces have text incipits or titles only. Repertorial connections (39 concordances) with VienNB 18810. Presumably copied in Munich (BenteNW); probably copied in Augsburg (Rifkin & Fallows).

DIAMM, 2017
Extent

v + 85 + ii folios

DIAMM, 2023
Binding

Original covers of brown leather over cardboard, tooled with ornamental designs and voice designations; remnants of leather ties

DIAMM, 2017
Watermark

Main watermark resembles Briquet #490. Two additional watermarks on indices and flyleaves; one resembles Briquet #9898

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Mostly original foliation, but indices at beginning of each book have modern foliation in Roman numerals

DIAMM, 2017
Decoration

Inked calligraphic initials

DIAMM, 2017
Index

Original alphabetical indices on flyleaves I(r)-IV(v) at beginning of each book

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 motets, 13 German sacred pieces, 106 German secular pieces, 5 French secular pieces, 3 Dutch secular pieces, 2 Italian secular pieces, 14 textless pieces (most entitled "Carmen") = 145 (many incomplete)

(Barbireau/Isaac/Obrecht)-1, (Bauldeweyn/Grefinger)-1, (Bauldeweyn/La Rue)-1, (Brumel)-1, (Finck)-1, (Grefinger/Senfl)-2, (Hofhaimer)-6 + 2?, (Hofhaimer/Isaac)-2, (Isaac)-20 + 1?, (Josquin)-2, (La Rue)-2, (La Rue/Pietrequin)-1, (Rener)-2, (Senfl)-46 + 28?*, (Singer)-1, (Sygler)-1, anon-24

*See BenteNW, 253ff.

4 paper partbooks of an original 5 (D-vi + 100 + i folios, A-v + 73 + i, T-v + 156 + ii, B-v + 85 + ii), 139 x 214. Mostly original foliation, but indices at beginning of each book have modern foliation in Roman numerals. Original covers of brown leather over cardboard, tooled with ornamental designs and voice designations; remnants of leather ties. Original alphabetical indices on flyleaves at beginning of each book. Copied by a single scribe. Inked calligraphic initials. Main watermark resembles Briquet #490. Two additional watermarks on indices and flyleaves; one resembles Briquet #9898 (also appears in VienNB 18810). Full texts for many pieces copied separately on rectos of T book; otherwise, pieces have text incipits or titles only. Repertorial connections (39 concordances) with VienNB 18810.

After 1523 (BenteNW); 1526-30 (GottUM). Presumably copied in Munich (BenteNW); probably copied in Augsburg (Rifkin).

Vol 4

Composers: Change "(Bauldeweyn/La Rue)-1" to "(Bauldeweyn/Büchner/ La Rue)-1."

Physical: Copied by a single scribe, who also wrote VienNB Mus. 18745, VienNB Mus. 18810, and ZürZ 438.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Wohl kommt der Mai [S349] [Senfl]
Appears on: 1
Genres: Lied
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Wol kumpt der maÿ mit mangerlaÿ
1v–2 Man hat bis her no further text Anon.
Appears on: 1v–2
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Man hat bis her [no further text]
2–2v Hab grossen dank der liebe Dein [Senfl]
Appears on: 2–2v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Hab grossen danck der liebe dein
2v–3 Erfrew dich werde Christenhait das Got Anon.
Appears on: 2v–3
Genres: Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Erfrew dich werde Christenhait das Got
3–3v Ungnad begehr ich nit von ihr, hoff auch [Senfl]
Appears on: 3–3v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Ungnad beger ich nit von ÿr hoff auch
4 Tag und auch nacht leid ich gross not Anon.
Appears on: 4
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Tag und auch nacht leÿd ich gros not
4v–5 Schön wol zu loben mit geperd und wol [Senfl?]
Appears on: 4v–5
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Schön wol zu loben mit geperd und wol
5v–6 Ach Jupiter hetzt du gewalt so manigfalt [Senfl]
Appears on: 5v–6
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Ach Jupitter hetzt du gewalt so manigfalt
6v Fortuna desperata iniqua e maledecta (S107) [Senfl?]
Appears on: 6v
Genres: Chanson
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: Italian
Voice Text: Fortuna [desperata iniqua e maledecta]
7 Wann ich lang such der Gsellschaft viel [Senfl]
Appears on: 7
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Wann ich lang such der gsellschafft vil
7v Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II) [Isaac]
Appears on: 7v
Genres: Contrafactum, Kyrie eleison, Mass Ordinary, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: Insprugk ich mus dich lassen [= Christe II from Missa Carminum]
8 Bruder Conrat Anon. Anonymous

Bruder Conrat

Anonymous
Appears on: 8
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Bruder Conrat
8v–9 Virgo prudentissima quo progrederis quasi aurora / Fortuna desperata (S113) [Senfl?]
Appears on: 8v–9
Genres: Contrafactum, Motet
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: Italian
Voice Text: Fortuna [desperata iniqua e maledecta]
9v–10 In Gottes namen fahren wir [Isaac]
Appears on: 9v–10
Genres: Sacred Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: In Gottes namen faren wir
10–10v Es wollt ein Maidlein waschen gahn [Isaac]
Appears on: 10–10v
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: Es wolt ain maydlein grasen gan
10v–11 Inn meinem sÿnn hadde ick vercoren (i) [Isaac]
Appears on: 10v–11
Genres: Lied
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: Inn meinem sÿnn [hadde ick vercoren]
11v–12 Inn meinem sÿnn hadde ick vercoren (ii) [Isaac]
Appears on: 11v–12
Genres: Lied
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: Inn meinem sÿnn [hadde ick vercoren]
12 Den meinen Sack hab ich verloren Anon. Anonymous
Appears on: 12
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Den meinen sack hab ich verloren
12v–13 Allez regrets vuides de ma présence [Senfl]
Appears on: 12v–13
Genres: Chanson
Source Attribution: [Senfl]
Voice: [no designation]
Languages: French
Voice Text: Alles regretz [vuides de ma présence]
13v–14 Entre je suis en grand pensée 28.13 [Josquin]
Appears on: 13v–14
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Entre je suis [en grant pensée] 28.13
14–14v Leal schray tante! [La Rue]
Appears on: 14–14v
Genres: Secular
Source Attribution: [La Rue]
Voice: [no designation]
Languages: German
Voice Text: Carmen in re [= Leal schray tante]
14v–15 Secrets regrets de nature ennemis par grief [La Rue]
Appears on: 14v–15
Genres: Chanson
Source Attribution: [La Rue]
Voice: [no designation]
Languages: French
Voice Text: Carmen in la [= Secretz regretz de nature ennemis par grief]
15v–16v Missa Wohlauf gut Gsell von hinnen: Qui tollis peccata [Isaac]
Appears on: 15v–16v
Genres: Agnus Dei, Contrafactum, Mass Ordinary, Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Wol auff gut gsell von hinnen [= Qui tollis peccata from Missa Wohlauff gut gesell von hinnen]
16v Die Brünnlein, die da fliessen [Hofhaimer/Isaac]
Appears on: 16v
Genres: Song
Source Attribution: [Hofhaimer/Isaac]
Voice: [no designation]
Languages: German
Voice Text: Die prünlein die da fliessen
17–17v Parcere prostratis (= Pour vous plaisiers) [Isaac]
Appears on: 17–17v
Genres: Chanson
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Parcere prostratis [= Pour vous plaisiers]
17v–18v Gottes namen faren wir [Senfl]
Appears on: 17v–18v
Genres: Chorale, Sacred Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Gottes namen faren wir [seiner gnaden]
18v–19 Will niemand singen, so sing aber ich [Senfl]
Appears on: 18v–19
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Will nÿemandt singen so sing aber ich
19–19v Wann ich des morgens früh aufstan' [S320] [Senfl]
Appears on: 19–19v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Wann ich des morgens früe auff stan
20 Ach Elslein liebes Elslein mein / Es taget vor dem walde / Wann ich des morgens frhüe [S005] [Senfl]
Appears on: 20
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: O Elslein [liebes Elslein mein]/Es taget vor dem walde/Wann ich des morgens früe
20v So man lang macht betracht und acht [S283, 4vv] [Senfl]
Appears on: 20v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: So man lang macht betracht und acht
21–21v Geduld und Huld will haben ich und leiden [Senfl]
Appears on: 21–21v
Genres: Sacred Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Geduld umb huld will haben ich
21v–22 Mach mich mein glück mit fug und gschick (S216) [Senfl]
Appears on: 21v–22
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mach mich mein glück mit fug und gschick
22v–23 Willig geneigt [Senfl?]
Appears on: 22v–23
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Willig genaÿgt
23–23v Mein Ding erfreut für als auf Erd Anon.
Appears on: 23–23v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Main ding erfrewt für als auf erd
23v–24 Man sing, man sag hab freud all Tag [Senfl]
Appears on: 23v–24
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Man sing man sag [hab freud all tag]
24 Es taget vor dem walde steh auff [S92] [Senfl]
Appears on: 24
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Es taget vor dem walde [stand uff]
24v–25 Maria, du bist gnadenvoll / Maria zart von edler Art [S225] [Senfl]
Appears on: 24v–25
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Maria du bist gnaden vol/[Maria zart von edler art]
25v Wohlauf, wir wöllens wecken, dann er ist an der zeit [Senfl]
Appears on: 25v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Wol auff wir wöllens wecken [dann er ist an der zeit]
25v–26 Ach Gott wem soll ichs klagen das heimliche leiden [Bauldeweyn/Grefinger]
Appears on: 25v–26
Genres: Song
Source Attribution: [Bauldeweyn/Grefinger]
Voice: [no designation]
Languages: German
Voice Text: Ach Got wem soll ichs clagen
26v–27 O du armer Judas was hast du getan [Senfl]
Appears on: 26v–27
Genres: Motet, Sacred Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: O du armer Judas [was hast du getan]
27v–29 Tandernacken am rine lagk [Senfl]
Appears on: 27v–29
Genres: Contrafactum, Secular
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Tanndernac am rine lagk [= Felices quicunque deo confidere]
29v Mein fleiss [vleiss] und müh ich nie hab g'spart (S230) [Senfl]
Appears on: 29v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mein vleÿss und müe ich nÿe hab gspart
30 Mag gleÿch wol sein die schuld seÿ mein [Senfl]
Appears on: 30
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mag gleÿch wol sein die schuld seÿ mein
30v–31 Mein höchste frucht Dein schön und zucht [Rener]
Appears on: 30v–31
Genres: Song
Source Attribution: [Rener]
Voice: [no designation]
Languages: German
Voice Text: Mein höchste frucht dein schön und zucht
31–31v Jetz hat vollbracht Unfall sein Macht [Rener]
Appears on: 31–31v
Genres: Song
Source Attribution: [Rener]
Voice: [no designation]
Languages: German
Voice Text: Jetz hat volpracht unfal sein macht
31v–32 Mag ich dem glück nit danken vil [Senfl?]
Appears on: 31v–32
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Mag ich dem glück nit dancken vil
32v Die not sucht weg der ich jetzt pfleg [Senfl]
Appears on: 32v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Die not sucht weg der ich jetzt pfleg
32v–33 Ursach hab ich zu klagen mich [Senfl?]
Appears on: 32v–33
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Ursach hab ich zu klagen mich
33v Annehmlich schön ich krön ihr Tugend sehr [Senfl]
Appears on: 33v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: An nemlich schön ich krön ÿr tugendt ser
34–34v Mich wundert seer ÿe mer und mer [Senfl]
Appears on: 34–34v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mich wundert seer ÿe mer und mer
35–35v Kundt ich herzlieb erwerben dich [Hofhaimer?]
Appears on: 35–35v
Genres: Song
Source Attribution: [Hofhaimer?]
Voice: [no designation]
Languages: German
Voice Text: Kundt ich hertzlieb erwerben dich
36–36v Ey fraintlichs herz was grossen schmertz Anon.
Appears on: 36–36v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ey fraintlichs hertz was grossen schmertz
36v–37 An aller welte zier in mir wirt gsehen [Senfl]
Appears on: 36v–37
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: An aller welte zier in mir wirt gsehen
37–37v Mach mich mein glück mit fug und gschick (S215) [Senfl]
Appears on: 37–37v
Genres: Lied
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mach mich mein glück mit fug und gschick
38 Das uns der Winter [Senfl?]
Appears on: 38
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Das uns der winter
38v–39 Jetz scheiden bringt mir schwer und macht [Senfl]
Appears on: 38v–39
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Jetzt schaÿden pringt mir schwer
39v–40 All mein Gemüht und Sinn setz ich dahin Anon.
Appears on: 39v–40
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: All mein gemüet und sÿn setz ich dahin
40–43 Tandernaken al op den Rijn [Brumel]
Appears on: 40–43
Genres: Secular, Song
Source Attribution: [Brumel]
Voice: [no designation]
Languages: Dutch
Voice Text: Tandernac [= Tandernaken al op den Rijn]
43v Der veh lienlin solt sein der lest Anon. Anonymous
Appears on: 43v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Der veh lienlin solt sein der lest
44–44v Aus Herzen bin ich dir geneigt Anon. Anonymous
Appears on: 44–44v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Aus hertzen bin ich dir genaÿgt
45 Sich hat hewr gmert und nit verkert Anon. Anonymous
Appears on: 45
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Sich hat hewr gmert und nit verkert
45v–46 Kum edle zeit Anon.
Appears on: 45v–46
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Kum edle zeÿt
46–46v Mich freudt ein pild so mild und schön [Senfl?]
Appears on: 46–46v
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Mich frewdt ain pild so mild und schön
46v–47 Dein gestalt fieng mich mit gwalt [Senfl?]
Appears on: 46v–47
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: C dein gestalt fieng mich mit gwalt
47v Gsellschafft ist gut gibt hochen mut [Senfl]
Appears on: 47v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Gsellschafft ist gut gibt hochen mut
48 Wes ich mich leyd reyd ich die pein [Sygler]
Appears on: 48
Genres: Song
Source Attribution: [Sygler]
Voice: [no designation]
Languages: German
Voice Text: Wes ich mich leyd reyd ich die pein
48v–49 O Venus bant O vierich brand Anon. Anonymous
Appears on: 48v–49
Genres: Secular
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, German
Voice Text: O Venus pand [O vierich brand]
49v–50 Hab ich Lieb [Isaac]
Appears on: 49v–50
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: French, German
Voice Text: Hab mich lieb [= Par ung jour de matinée]
50–50v Auf dieser Erd ist gar kein Lust [Senfl?]
Appears on: 50–50v
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Auff diser erd ist gar kain lust
51 Ein adel plau im Schopf fast grau [Senfl?]
Appears on: 51
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Ain adel plaw im schopff fast graw
51v–52 Plus oultre pretens parvenir Anon. Anonymous
Appears on: 51v–52
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Plus oultre pretens
52v–53 Es taget vor dem walde stand auff / O Elslin liebes Elslin [S004] [Senfl]
Appears on: 52v–53
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Es taget vor dem walde/O Elslin liebes Elslin
53–53v Erst weis ich was die liebe ist (Carmen in sol) [Hofhaimer/Isaac]
Appears on: 53–53v
Genres: Song
Source Attribution: [Hofhaimer/Isaac]
Voice: [no designation]
Languages: German
Voice Text: Carmen in sol [= Erst weis ich was die liebe ist]
53v Mir leÿt ser an das ich nit kan Anon. Anonymous
Appears on: 53v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Mir leÿt ser an das ich nit kan
54–55 Eyffrer greiner = Greiner zanner eifrer wie gefelt dir das [Finck]
Appears on: 54–55
Genres: Song
Source Attribution: [Finck]
Voice: [no designation]
Languages: German
Voice Text: Eyffrer greiner [= Greiner zanner eifrer wie gefelt dir das]
55v Ein grosser, dicker Kutten Mann Anon. Anonymous
Appears on: 55v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ain grosser dicker kutten man
56 Zwischen Berg und tiefe Tal, da liegt [Senfl]
Appears on: 56
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Zwischen perg und tieffen tal [da ligt]
56v–57v Comme femme desconfortée [Senfl?]
Appears on: 56v–57v
Genres: Chanson
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: French
Voice Text: Comme feme [desconfortée sur toutes autres]
58–58v Ein frölich wesen hab ich erlesen [Barbireau/Isaac/Obrecht]
Appears on: 58–58v
Genres: Song
Source Attribution: [Barbireau/Isaac/Obrecht]
Voice: [no designation]
Languages: German
Voice Text: Ain frölich wesen [hab ich erlesen] [= Een vroelic wesen myn oogskins saghen, Quen dites vous feres vous rien, Se une fois avant]
58v–59 Christ ist erstanden von der marter alle [Isaac]
Appears on: 58v–59
Genres: Hymn, Motet, Sacred Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German, Greek
Voice Text: Christ ist erstanden [von der marter alle]
59v Es wolt ein maidlein waschen Anon. Anonymous
Appears on: 59v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Es wolt ain maÿdlin waschen gan
60 Parce Domine parce populo tuo qui pius [Isaac]
Appears on: 60
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Parce domine [parce populo tuo qui pius]
60v–61 Gottes namen fahren wir seiner gnaden [Hofhaimer]
Appears on: 60v–61
Genres: Sacred Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Gottes namen faren wir [seiner gnaden]
61v–62 Carmen in fa = Carmen Hercules [Hofhaimer?]
Appears on: 61v–62
Genres: Song
Source Attribution: [Hofhaimer?]
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen in fa [= Carmen Hercules]
62v–63 Carmen in re [Hofhaimer]
Appears on: 62v–63
Genres: Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen in re
63–64 Qui belles amours 28.29 [Josquin]
Appears on: 63–64
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Qui belles amours 28.28
64v–65 Maudit soit cil qui trouva jaulosie (Carmen in sol) [Isaac]
Appears on: 64v–65
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: French
Voice Text: Carmen in sol [= Maudit soit cil qui trouva jaulosie]
65v Lass rauschen lieb, ist acht nit [Isaac]
Appears on: 65v
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: La[s] rauschen [lieb ist acht nit]
66 Froh bin ich Dein Herz, liebste mein (I) [Hofhaimer]
Appears on: 66
Genres: Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Fro bin ich dein [hertz liebste mein]
66v Froh bin ich Dein Herz, liebste mein (II) [Hofhaimer]
Appears on: 66v
Genres: Lied
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: German
Voice Text: Fro bin ich dein [hertz liebste mein]
66v–67 Missa Lalahe: Pleni sunt caeli [Isaac]
Appears on: 66v–67
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Carmen in fa [= Pleni sunt caeli from Missa Lalahe]
67v–68 Vous marchez du bout du pied marionette [Busnois/Isaac]
Appears on: 67v–68
Genres: Chanson
Source Attribution: [Busnois/Isaac]
Voice: [no designation]
Languages: French
Voice Text: Carmen in fa [= Vous marchez du bout du pie]
68–69 Ach hulf mich leid und sendlich Klag 28.2 -
Appears on: 68–69
Genres: Song
69–70v En l'ombre d'un buissonet au matinet [Isaac]
Appears on: 69–70v
Genres: Chanson
Source Attribution: [Isaac]
Voice: [no designation]
Languages: French
Voice Text: Carmen in re [= En l'ombre d'ung buisonnet au matinet]
70v–71 Adieux Florens la jolie = Carmen in sol [La Rue/Pietrequin]
Appears on: 70v–71
Genres: Chanson
Source Attribution: [La Rue/Pietrequin]
Voice: [no designation]
Languages: French
Voice Text: Carmen in sol [= Adieu Florens la yolye]
71v Carmen in fa [Isaac]
Appears on: 71v
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen in fa
72–72v Carmen in sol [Hofhaimer]
Appears on: 72–72v
Genres: Song
Source Attribution: [Hofhaimer]
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen in sol
73 Zwischen Berg und tiefe Tal, da liegt [Isaac]
Appears on: 73
Genres: Song
Source Attribution: [Isaac]
Voice: [no designation]
Languages: German
Voice Text: Zwischen perg und tieffe tal [da ligt]
73v–74 Mit Lust tritt ich in diesen Tanz [Senfl]
Appears on: 73v–74
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mit lust tritt ich an disen dantz
74v Es wollt ein Maidlein Wasser hol'n [S100] [Senfl?]
Appears on: 74v
Genres: Lied
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Es wolt ain maÿdlin wasser holln
74v–75 Wann Glück wohl wollt als sollt und vor [Senfl?]
Appears on: 74v–75
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Wann glück wol wolt als solt und vor
75v–76 O Herr was last antast uns nemen hie [Senfl?]
Appears on: 75v–76
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: O Herr was last antast uns nemen hie
76–76v Theur hoch erleicht sein Nam' vergleicht [Senfl]
Appears on: 76–76v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Theur hoch erleÿcht sein nam vergleÿcht
77 Wann ich nit wer [Senfl]
Appears on: 77
Genres: Lied
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Wann ich nit wer des fürwitz gwant
77v–78 O schaÿden hin bist mir beschert [Senfl]
Appears on: 77v–78
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: O schaÿden hin [bist mir beschert]
78–78v Holdseligs lieb (= Kein lieb ohn treu beleiben) [Senfl]
Appears on: 78–78v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Holdseligs lieb [= Kein lieb ohn treu beleiben]
78v–79 Es wer mein ger von Herzen ser [Senfl?]
Appears on: 78v–79
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Es wer mein ger von hertzen ser
79v–80 Jederman gut auf ubermut will ainr den anderen [Senfl]
Appears on: 79v–80
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Jederman gut auf ubermut will ainr den anderen
80v Des claffers art der sich nit spart Anon.
Appears on: 80v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Des claffers art der sich nit spart
81–81v Missa Lalahe: Gloria [Isaac]
Appears on: 81–81v
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [L]alla hoe hoe [= Gloria from Missa Lalahe]
82–82v Was schat nu das ob ich fürbas [Senfl]
Appears on: 82–82v
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Was schat nu das ob ich fürbas
82v Alls ab on sie, die ich mir erwählet [Senfl?]
Appears on: 82v
Genres: Song
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: German
Voice Text: Alls ab on sÿ die ich mir erwelet
83 Ob glück hat neÿd und unfal freyd [Senfl]
Appears on: 83
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Ob glück hat neÿd und unfal freÿd
84 Mein herz in hohen Freuden steht [Senfl]
Appears on: 84
Genres: Song
Source Attribution: [Senfl]
Voice: [no designation]
Languages: German
Voice Text: Mein hertz in hohen frewden [steht]
Composer Compositions
Anonymous
Barbireau, Jacobus (1455–1491)
Bauldeweyn, Noel (ca. 1480–1529)
Binchois, Gilles (ca. 1400–1460)
Brumel, Antoine (ca. 1460–ca. 1513)
Buchner, Hans
Busnoys, Antoine (ca. 1430–1492)
Despres, Josquin (ca. 1450–1521)
Finck, Heinrich
Grefinger, Wolfgang
Hofhaimer, Paul
Isaac, Heinrich (ca. 1450–1517)
Obrecht, Jacobus (ca. 1457–1505)
Rener, Adam (ca. 1485–ca. 1520)
Rue, Pierre de la (ca. 1452–1518)
Senfl, Ludwig (ca. 1486–ca. 1543)
Sigler, Hans
Composition Composers (? Uncertain) Folios / Pages
Ach Elslein liebes Elslein mein / Es taget vor dem walde / Wann ich des morgens frhüe [S005] 20
Ach Gott wem soll ichs klagen das heimliche leiden 25v–26
Ach hulf mich leid und sendlich Klag 28.2 68–69
Ach Jupiter hetzt du gewalt so manigfalt 5v–6
Adieux Florens la jolie = Carmen in sol 70v–71
All mein Gemüht und Sinn setz ich dahin 39v–40
Allez regrets vuides de ma présence 12v–13
Alls ab on sie, die ich mir erwählet 82v
An aller welte zier in mir wirt gsehen 36v–37
Annehmlich schön ich krön ihr Tugend sehr 33v
Auf dieser Erd ist gar kein Lust 50–50v
Aus Herzen bin ich dir geneigt Anonymous 44–44v
Bruder Conrat Anonymous 8
Carmen in fa 71v
Carmen in fa = Carmen Hercules 61v–62
Carmen in re 62v–63
Carmen in sol 72–72v
Christ ist erstanden von der marter alle 58v–59
Comme femme desconfortée 56v–57v
Das uns der Winter 38
Dein gestalt fieng mich mit gwalt 46v–47
Den meinen Sack hab ich verloren Anonymous 12
Der veh lienlin solt sein der lest Anonymous 43v
Des claffers art der sich nit spart 80v
Die Brünnlein, die da fliessen 16v
Die not sucht weg der ich jetzt pfleg 32v
Ein adel plau im Schopf fast grau 51
Ein frölich wesen hab ich erlesen 58–58v
Ein grosser, dicker Kutten Mann Anonymous 55v
En l'ombre d'un buissonet au matinet 69–70v
Entre je suis en grand pensée 28.13 13v–14
Erfrew dich werde Christenhait das Got 2v–3
Erst weis ich was die liebe ist (Carmen in sol) 53–53v
Es taget vor dem walde stand auff / O Elslin liebes Elslin [S004] 52v–53
Es taget vor dem walde steh auff [S92] 24
Es wer mein ger von Herzen ser 78v–79
Es wollt ein Maidlein waschen gahn 10–10v
Es wollt ein Maidlein Wasser hol'n [S100] 74v
Es wolt ein maidlein waschen Anonymous 59v
Ey fraintlichs herz was grossen schmertz 36–36v
Eyffrer greiner = Greiner zanner eifrer wie gefelt dir das 54–55
Fortuna desperata iniqua e maledecta (S107) 6v
Froh bin ich Dein Herz, liebste mein (I) 66
Froh bin ich Dein Herz, liebste mein (II) 66v
Geduld und Huld will haben ich und leiden 21–21v
Gottes namen fahren wir seiner gnaden 60v–61
Gottes namen faren wir 17v–18v
Gsellschafft ist gut gibt hochen mut 47v
Hab grossen dank der liebe Dein 2–2v
Hab ich Lieb 49v–50
Holdseligs lieb (= Kein lieb ohn treu beleiben) 78–78v
In Gottes namen fahren wir 9v–10
Inn meinem sÿnn hadde ick vercoren (i) 10v–11
Inn meinem sÿnn hadde ick vercoren (ii) 11v–12
Innsbruck ich muss dich lassen ich fahr' dahin (=Missa Carminum: Christe II) 7v
Jederman gut auf ubermut will ainr den anderen 79v–80
Jetz hat vollbracht Unfall sein Macht 31–31v
Jetz scheiden bringt mir schwer und macht 38v–39
Kum edle zeit 45v–46
Kundt ich herzlieb erwerben dich 35–35v
Lass rauschen lieb, ist acht nit 65v
Leal schray tante! 14–14v
Mach mich mein glück mit fug und gschick (S215) 37–37v
Mach mich mein glück mit fug und gschick (S216) 21v–22
Mag gleÿch wol sein die schuld seÿ mein 30
Mag ich dem glück nit danken vil 31v–32
Man hat bis her no further text 1v–2
Man sing, man sag hab freud all Tag 23v–24
Maria, du bist gnadenvoll / Maria zart von edler Art [S225] 24v–25
Maudit soit cil qui trouva jaulosie (Carmen in sol) 64v–65
Mein Ding erfreut für als auf Erd 23–23v
Mein fleiss [vleiss] und müh ich nie hab g'spart (S230) 29v
Mein herz in hohen Freuden steht 84
Mein höchste frucht Dein schön und zucht 30v–31
Mich freudt ein pild so mild und schön 46–46v
Mich wundert seer ÿe mer und mer 34–34v
Mir leÿt ser an das ich nit kan Anonymous 53v
Missa Lalahe: Gloria 81–81v
Missa Lalahe: Pleni sunt caeli 66v–67
Missa Wohlauf gut Gsell von hinnen: Qui tollis peccata 15v–16v
Mit Lust tritt ich in diesen Tanz 73v–74
O du armer Judas was hast du getan 26v–27
O Herr was last antast uns nemen hie 75v–76
O schaÿden hin bist mir beschert 77v–78
O Venus bant O vierich brand Anonymous 48v–49
Ob glück hat neÿd und unfal freyd 83
Parce Domine parce populo tuo qui pius 60
Parcere prostratis (= Pour vous plaisiers) 17–17v
Plus oultre pretens parvenir Anonymous 51v–52
Qui belles amours 28.29 63–64
Schön wol zu loben mit geperd und wol 4v–5
Secrets regrets de nature ennemis par grief 14v–15
Sich hat hewr gmert und nit verkert Anonymous 45
So man lang macht betracht und acht [S283, 4vv] 20v
Tag und auch nacht leid ich gross not 4
Tandernacken am rine lagk 27v–29
Tandernaken al op den Rijn 40–43
Theur hoch erleicht sein Nam' vergleicht 76–76v
Ungnad begehr ich nit von ihr, hoff auch 3–3v
Ursach hab ich zu klagen mich 32v–33
Virgo prudentissima quo progrederis quasi aurora / Fortuna desperata (S113) 8v–9
Vous marchez du bout du pied marionette 67v–68
Wann Glück wohl wollt als sollt und vor 74v–75
Wann ich des morgens früh aufstan' [S320] 19–19v
Wann ich lang such der Gsellschaft viel 7
Wann ich nit wer 77
Was schat nu das ob ich fürbas 82–82v
Wes ich mich leyd reyd ich die pein 48
Will niemand singen, so sing aber ich 18v–19
Willig geneigt 22v–23
Wohl kommt der Mai [S349] 1
Wohlauf, wir wöllens wecken, dann er ist an der zeit 25v
Zwischen Berg und tiefe Tal, da liegt 56
Zwischen Berg und tiefe Tal, da liegt 73

Set: MSS 8° 328-331

Type: Partbooks

No images available

D-Mu MS 8° 328

No images available

D-Mu MS 8° 329

No images available

D-Mu MS 8° 330

No images available

D-Mu MS 8° 331

denotes primary source study

Meconi, Honey. 2009. The Ghost of Perfection: Some Thoughts on the Munich Partbooks. The Sounds and Sights of Performance in Early Music: Essays in Honour of Timothy J. McGee, 85-101. Farnham.

Fallows, David. 2006. The Copyist Formerly Known as Lucas Wagenrieder – Bernhard Rem and his Circle. Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext: Bericht über das internationale Symposion der Musikhistorischen Kommission der Bayerischen Akademie der Wissenschaften in Verbindung mit der Gesellschaft für Bayerische Musikgeschichte, München 02.–04. August 2004, Phil.-Hist. Klasse, Abhandlungen, Neue Folge. 212-223. Munich: Bayerische Akademie der Wissenschaften.

Rifkin, Joshua. 2005. Jean Michel and 'Lucas Wagenrieder' : some new findings. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 113-126. Notes: identifies scribe as Bernard Rem; proposes Augsburg origin.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten.  Munich and Salzburg. Pages: II,11, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1981. Aus 'Lukas Wagenrieders' Werkstatt: ein unbekanntes Lieder-Manuskript des frühen 16. Jahrhunderts in Zürich. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 71-94. Munich. Pages: 72,75-9,90-1. Notes: facsimile (partial); mention of MS; discussion.

Marx, Hans Joachim. 1980. Neues zur Tabulatur-Handschrift St. Gallen, Stiftsbibliothek, Cod. 530. Archiv für Musikwissenschaft, 264-91. Pages: 269-70, 280-1. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xxxiii-xxxiv, 27-8, 30, 49, 78; III, 49, 57, 201. Notes: physical description; contents list (partial); concordances (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies.  Brooklyn. Pages: I, 65ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Smithers, Don. 1970. A Textual-Musical Inventory and Concordance of Munich University MS 328-331. Royal Musical Association Research Chronicle, 34-89. Notes: physical description; contents list; concordances.

Loach, Donald Glenn. 1969. Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 72-4, 267, 295, 313. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 83-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 253-70. Notes: physical description; contents list; concordances; facsimile (partial); mention of MS; discussion.

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München.  Wiesbaden. Pages: 83-97. Notes: physical description; contents list; concordances.

Parker, Robert LeRoy. 1966. The Polyphonic Lieder of Adam Rener: A Postscript to Recent Studies of the Composer's Works. Paul A Pisk: Essays in His Honor, 38-56. Austin, Texas. Pages: 43, 46. Notes: contents list (partial); concordances (partial); facsimile (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 363-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler.  Basel. Pages: V, 163-4, 175 [sometimes erroneously referred to as MSS 228-231]. Notes: contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: IX, 903. Notes: physical description (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: V, 109; VI, 56-7, 94, 99. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X, xi, 82-106, 124ff; XV, 142ff, LXX, 184-8, 193,209. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); texts (partial).

Moser, Hans Joachim. 1929. Paul Hofhaimer: Ein Lied- und Orgelmeister des Deutschen Humanismus.  Stuttgart and Berlin. Pages: I, 121ff, passim; II, 184-7. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I, 455. Notes: physical description (partial).

Bernoulli, Eduard. 1910. Aus Liederbüchern der Humanistenzeit: Eine Bibliographische und Notentypographische Studie.  Leipzig. Pages: 16ff, 33ff. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XV/XVI, xi, xxii. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Eitner, Robert. 1900. Ein deutsches Liederbuch im Manuscript. Monatshefte für Musikgeschichte, 97-109,113-5. Notes: physical description (partial); contents list; concordances (partial); texts (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: XXVIII, 172, passim; LXXII, 101ff. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

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