D-Mbs Mus. MS 53

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: c. 1510

Archive	Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark	Mus. MS 53
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	465 x 325 mm
Other Identifiers	CCM: MunBS 53 olim (Former shelfmark): H.C. 49; MaiM 12
Notations	black void mensural
Copyists	? Senfl, Ludwig (ca. 1486–ca. 1543) Music
Relationships	Senfl, Ludwig (ca. 1486–ca. 1543) (owner) Bavarian ducal Court Chapel (Hofkapelle) (owner) Wilhelm IV (1493–1550) (patron) Maximilian I (1459–1519) (patron)
External Links	images
External Authorities	RISM Online (sources/456051073)
Provenance	court chapel of Emperor Maximilian I (1459-1519) , Wien (Vienna), Bavaria, Germany
Contents	18 pieces from 5 composers

General Description

Possibly copied by Ludwig Senfl (BenteNW). Presumably copied in Vienna, for use by the imperial court chapel of Maximilian I (1459-1519). Probably taken to Munich by Ludwig Senfl c. 1523, when he began serving at the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). Kept in Munich Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

DIAMM, 2017

Binding

Original covers of white leather over boards, stamped with ornamental designs.

DIAMM, 2017

Watermark

Watermark generally resembles Briquet #6884, #6890, and #6892

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Ca. 1510 (BenteNW).

DIAMM, 2017

Foliation

Modern pencil foliation, 1-217, by J. J. Maier

DIAMM, 2017

Foliation

Other numberings: Original numbering of pieces, 1-18; modern pencil numbering of pieces, 1-18.

DIAMM, 2017

Decoration

Painted initials

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

18 Credos

Brumel-1, Brumel/(Josquin)-2, (Compère)-1, Isaac-13, La Rue-1

217 paper folios, 465 x 325. Modern pencil foliation, 1-217, by J. J. Maier. Original numbering of pieces, 1-18; modern pencil numbering of pieces, 1-18. Original covers of white leather over boards, stamped with ornamental designs. No index. Possibly copied by Ludwig Senfl (BenteNW); see general index for other manuscripts copied by the same scribe. Painted initials. Watermark generally resembles Briquet #6884, #6890, and #6892.

Ca. 1510 (BenteNW). Presumably copied in Vienna, for use by the imperial court chapel of Maximilian I (1459-1519). Probably taken to Munich by Ludwig Senfl ca. 1523, when he began serving at the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). Kept in Munich Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Vol 4

Composers: Change "Lockenburg-1" to "Lockenburg/(Lassus)-l."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2v–11	Patrem omnipotentem [Credo] (M1)	Heinricus: Yzac [= Isaac]	Isaac, Heinrich (ca. 1450–1517)
Patrem omnipotentem [Credo] (M1) Isaac, Heinrich (ca. 1450–1517) Appears on: 2v–11 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Heinricus: Yzac [= Isaac] Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem
11v–27	Patrem omnipotentem [Credo] (M2)	H: Yzac	Isaac, Heinrich (ca. 1450–1517)
Patrem omnipotentem [Credo] (M2) Isaac, Heinrich (ca. 1450–1517) Appears on: 11v–27 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: H: Yzac Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem
28v–47	Patrem omnipotentem [Credo] (M3)	H: Yzac	Isaac, Heinrich (ca. 1450–1517)
Patrem omnipotentem [Credo] (M3) Isaac, Heinrich (ca. 1450–1517) Appears on: 28v–47 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: H: Yzac Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem
47v–55	Patrem omnipotentem [Credo] (M4)	H. Yzac	Isaac, Heinrich (ca. 1450–1517)
Patrem omnipotentem [Credo] (M4) Isaac, Heinrich (ca. 1450–1517) Appears on: 47v–55 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: H. Yzac Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem
55v–74	Patrem omnipotentem [Credo] (M5)	H. Yzac	Isaac, Heinrich (ca. 1450–1517)
Patrem omnipotentem [Credo] (M5) Isaac, Heinrich (ca. 1450–1517) Appears on: 55v–74 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: H. Yzac Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem
74v–85	Patrem omnipotentem [Credo] (M6)	H: Yzac	Isaac, Heinrich (ca. 1450–1517)
Patrem omnipotentem [Credo] (M6) Isaac, Heinrich (ca. 1450–1517) Appears on: 74v–85 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: H: Yzac Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem
85v–99	Patrem omnipotentem [Credo] (M7)	H: Yzac	Isaac, Heinrich (ca. 1450–1517)
Patrem omnipotentem [Credo] (M7) Isaac, Heinrich (ca. 1450–1517) Appears on: 85v–99 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: H: Yzac Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem
99v–111	Patrem omnipotentem [Credo] (M8)	H: Yzac	Isaac, Heinrich (ca. 1450–1517)
Patrem omnipotentem [Credo] (M8) Isaac, Heinrich (ca. 1450–1517) Appears on: 99v–111 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: H: Yzac Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem
111v–119	Patrem omnipotentem [Credo] (M9)	H: Yzac	Isaac, Heinrich (ca. 1450–1517)
Patrem omnipotentem [Credo] (M9) Isaac, Heinrich (ca. 1450–1517) Appears on: 111v–119 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: H: Yzac Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem
119v–130	Credo [Patrem omnipotentem] (4vv)	Petrus de La Rue	Rue, Pierre de la (ca. 1452–1518)
Credo [Patrem omnipotentem] (4vv) Rue, Pierre de la (ca. 1452–1518) Appears on: 119v–130 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Petrus de La Rue Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem
130v–139	Patrem omnipotentem [Credo] (M10)	H: Yzac	Isaac, Heinrich (ca. 1450–1517)
Patrem omnipotentem [Credo] (M10) Isaac, Heinrich (ca. 1450–1517) Appears on: 130v–139 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: H: Yzac Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem
139v–151	Patrem omnipotentem [Credo] (M11)	H: Yzac	Isaac, Heinrich (ca. 1450–1517)
Patrem omnipotentem [Credo] (M11) Isaac, Heinrich (ca. 1450–1517) Appears on: 139v–151 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: H: Yzac Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem
151v–162	Patrem omnipotentem [Credo] (M12)	H: Yzac	Isaac, Heinrich (ca. 1450–1517)
Patrem omnipotentem [Credo] (M12) Isaac, Heinrich (ca. 1450–1517) Appears on: 151v–162 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: H: Yzac Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem General Note MD VII, p. 80
162v–174	Patrem omnipotentem [Credo] (M13)	H: Yzac	Isaac, Heinrich (ca. 1450–1517)
Patrem omnipotentem [Credo] (M13) Isaac, Heinrich (ca. 1450–1517) Appears on: 162v–174 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: H: Yzac Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem
174v–182	Missa Sine nomine. Credo	[Compère]	Compère, Loyset (ca. 1445–1518)
Missa Sine nomine. Credo Compère, Loyset (ca. 1445–1518) Appears on: 174v–182 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [Compère] Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem General Note CMM 15/I, p. 55
182v–192	Patrem de village (II) 13.6 [Credo]	Antho: Brumel/[Josquin]	Despres, Josquin (ca. 1450–1521) (?) Brumel, Antoine (ca. 1460–ca. 1513)
Patrem de village (II) 13.6 [Credo] Despres, Josquin (ca. 1450–1521) (?) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 182v–192 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Antho: Brumel/[Josquin] Voice: [no designation] Languages: Latin Voice Text: [Credo Vilayge II]: Patrem omnipotentem 13.6 General Note CMM 5/IV, p. 87
193v–205	Patrem omnipotentem [Credo]	A. B. [= Brumel]	Brumel, Antoine (ca. 1460–ca. 1513)
Patrem omnipotentem [Credo] Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 193v–205 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: A. B. [= Brumel] Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem General Note CMM 5/IV, p. 92
205v–216	Missa Chacun me crie: Patrem omnipotentem [Credo] 13.1	A: B./[Josquin]	Despres, Josquin (ca. 1450–1521) (?) Brumel, Antoine (ca. 1460–ca. 1513)
Missa Chacun me crie: Patrem omnipotentem [Credo] 13.1 Despres, Josquin (ca. 1450–1521) (?) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 205v–216 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: A: B./[Josquin] Voice: [no designation] Languages: Latin Voice Text: [Credo Ciaschun me crie]: Patrem omnipotentem 13.1 General Note CMM 5/IV, p. 99

Composer	Compositions
Brumel, Antoine (ca. 1460–ca. 1513)	Missa Chacun me crie: Patrem omnipotentem [Credo] 13.1 – 205v–216 Patrem de village (II) 13.6 [Credo] – 182v–192 Patrem omnipotentem [Credo] – 193v–205
Compère, Loyset (ca. 1445–1518)	Missa Sine nomine. Credo – 174v–182
Despres, Josquin (ca. 1450–1521)	(?) Missa Chacun me crie: Patrem omnipotentem [Credo] 13.1 – 205v–216 (?) Patrem de village (II) 13.6 [Credo] – 182v–192
Isaac, Heinrich (ca. 1450–1517)	Patrem omnipotentem [Credo] (M1) – 2v–11 Patrem omnipotentem [Credo] (M10) – 130v–139 Patrem omnipotentem [Credo] (M11) – 139v–151 Patrem omnipotentem [Credo] (M12) – 151v–162 Patrem omnipotentem [Credo] (M13) – 162v–174 Patrem omnipotentem [Credo] (M2) – 11v–27 Patrem omnipotentem [Credo] (M3) – 28v–47 Patrem omnipotentem [Credo] (M4) – 47v–55 Patrem omnipotentem [Credo] (M5) – 55v–74 Patrem omnipotentem [Credo] (M6) – 74v–85 Patrem omnipotentem [Credo] (M7) – 85v–99 Patrem omnipotentem [Credo] (M8) – 99v–111 Patrem omnipotentem [Credo] (M9) – 111v–119
Rue, Pierre de la (ca. 1452–1518)	Credo [Patrem omnipotentem] (4vv) – 119v–130

Composition	Composers (? Uncertain)	Folios / Pages
Credo [Patrem omnipotentem] (4vv)	Rue, Pierre de la (ca. 1452–1518)	119v–130
Missa Chacun me crie: Patrem omnipotentem [Credo] 13.1	Despres, Josquin (ca. 1450–1521) (?) Brumel, Antoine (ca. 1460–ca. 1513)	205v–216
Missa Sine nomine. Credo	Compère, Loyset (ca. 1445–1518)	174v–182
Patrem de village (II) 13.6 [Credo]	Despres, Josquin (ca. 1450–1521) (?) Brumel, Antoine (ca. 1460–ca. 1513)	182v–192
Patrem omnipotentem [Credo]	Brumel, Antoine (ca. 1460–ca. 1513)	193v–205
Patrem omnipotentem [Credo] (M1)	Isaac, Heinrich (ca. 1450–1517)	2v–11
Patrem omnipotentem [Credo] (M10)	Isaac, Heinrich (ca. 1450–1517)	130v–139
Patrem omnipotentem [Credo] (M11)	Isaac, Heinrich (ca. 1450–1517)	139v–151
Patrem omnipotentem [Credo] (M12)	Isaac, Heinrich (ca. 1450–1517)	151v–162
Patrem omnipotentem [Credo] (M13)	Isaac, Heinrich (ca. 1450–1517)	162v–174
Patrem omnipotentem [Credo] (M2)	Isaac, Heinrich (ca. 1450–1517)	11v–27
Patrem omnipotentem [Credo] (M3)	Isaac, Heinrich (ca. 1450–1517)	28v–47
Patrem omnipotentem [Credo] (M4)	Isaac, Heinrich (ca. 1450–1517)	47v–55
Patrem omnipotentem [Credo] (M5)	Isaac, Heinrich (ca. 1450–1517)	55v–74
Patrem omnipotentem [Credo] (M6)	Isaac, Heinrich (ca. 1450–1517)	74v–85
Patrem omnipotentem [Credo] (M7)	Isaac, Heinrich (ca. 1450–1517)	85v–99
Patrem omnipotentem [Credo] (M8)	Isaac, Heinrich (ca. 1450–1517)	99v–111
Patrem omnipotentem [Credo] (M9)	Isaac, Heinrich (ca. 1450–1517)	111v–119

‡ denotes primary source study

Marx, Hans Joachim. 1980. Neues zur Tabulatur-Handschrift St. Gallen, Stiftsbibliothek, Cod. 530. Archiv für Musikwissenschaft, 264-91. Pages: 279. Notes: contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xxxiii, 42-4, 75, 84, 47*-51*; III, 119, 142-51. Notes: physical description; contents list (partial); concordances (partial); incipits (partial).

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS. American Institute of Musicology. Pages: 56, 116. Notes: contents list (partial); concordances (partial).

Josephson, Nors S. 1975. Kanon und Parodie: Zu einigen JosquinNachahmungen. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 23-32. Pages: 29. Notes: mention of MS.

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Kindermann, Jürgen. 1974. Verzeichnis von Konkordanzen zu Kompositionen aus den Annaberger Chorbüchern Ms. 1126 and Ms. 1248. Die Musikforschung, 86-92. Notes: contents list (partial); concordances (partial).

Noblitt, Thomas L. 1974. Manuscript Mus. l/D/506 of the Sächsische Landesbibliothek, Dresden {olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1126). Musica Disciplina, 81-127. Pages: 102. Notes: contents list (partial); concordances (partial).

Staehelin, Martin. 1971. Der Grüne Codex der Viadrina: Eine wenig beachtete Quelle zur Musik des späten 15. und frühen 16. Jahrhunderts in Deutschland. Abhandlungen der Akademie der Wissenschaften und der Literatur (Geistes- und Sozialwissenschaftlichen Klasse) Jahrgang 1970. Mainz. Pages: 32, 56. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xvii-xviii, 87-91, 99-105. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Noblitt, Thomas L. 1969. Das Chorbuch des Nikolaus Leopold (München, Staatsbibliothek, Mus. Ms. 3154): Repertorium. Archiv für Musikwissenschaft, 169-208. Pages: 183. Notes: contents list (partial); concordances (partial).

Staehelin, Martin. 1969. Zu einigen unter Josquins Namen gehenden Ordinariumskompositionen. Die Musikforschung, 195-7. Pages: 197. Notes: mention of MS.

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 25ff, 33ff, 42, 49, 62-3, 227. Notes: physical description; contents list; discussion.

Crawford, David Eugene. 1967. Vespers Polyphony at Modem's Cathedral in the First Half of the Sixteenth Century. University of Illinois, Unpublished Ph.D. dissertation. Pages: 97. Notes: contents list (partial); concordances (partial); incipits (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents. American Institute of Musicology. Pages: 33, 43. Notes: contents list (partial); concordances (partial).

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, viii. Notes: facsimile (partial).

Hermelink, Siegfried (editor). 1956-. Orlando di Lasso: Sämtliche Werke, Neue Reihe. Kassel and Basel. Pages: XI.xii.xvi, 113-32. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VII, 80-7, 91, 97. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Robijns, Jozef. 1954. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie. Brussels. Pages: 48, 164. Notes: contents list (partial).

Biggie, Lloyd Jr. 1953. The Masses of Antoine Brumel. University of Michigan, Unpublished Ph.D. dissertation. Pages: I, 294. Notes: contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VI, Tafel 63. Notes: facsimile (partial).

Loge, Eckhard. 1931. Eine Messen- und Motettenhandschrift des Kantors Matthias Krüger aus der Musikbibliothek Herzog Albrechts von Preussen. Königsberger Studien zur Musikwissenschaft. Kassel. Pages: 32-3. Notes: contents list (partial); concordances (partial).

Wagner, Peter. 1913. Geschichte der Messe. Pages: 309-11. Notes: transcription (partial); mention of MS; discussion.

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen. Munich. Pages: 7. Notes: physical description; contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-Mbs Mus. MS 53

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: c. 1510

General Description

Binding

Watermark

Notation

Date

Foliation

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note

General Note

General Note

General Note

General Note

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017