Preseves two fragmentary sacred pieces. The ?recto contains the second cantus and contratenor of Antonius Zachara de Teramo's Gloria, Micinella. The ?verso contains an anonymous lauda. Recovered from a binding. Copied by a single scribe. Copied in Italy, perhaps at Atri (ZiinoNF).
I-AT Frammento 17
Museo della Basilica Cattedrale d'Atri, Biblioteca del Capitolo della Cattedrale, Atri, Italy
fragment: Early 15th century
| Archive | Museo della Basilica Cattedrale d'Atri, Biblioteca del Capitolo della Cattedrale, Atri, Italy (I-AT) |
|---|---|
| Shelfmark | Frammento 17 |
| Surface | Parchment |
| Format | portrait |
| Measurements | 300 x 240 mm |
| Other Identifiers |
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| Notations |
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| External Links | |
| Provenance |
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| Contents | Contains 2 compositions, 1 from 1 composer, 1 is anonymous. |
General Description
Physical Description
The ?verso is nearly illegible due to dirt and abrasion.
Notation
black full mensural
Foliation
recto & verso
Decoration
No initials or decoration.
Surface
parchment
Census Catalogue of Music Description
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1 Gloria (incomplete), 1 Italian secular? piece (fragmentary) = 2
(Zachara da Teramo)-1, anon-1
1 parchment folio, 300 x 240, recovered from binding. Italian piece on verso(?) nearly illegible due to dirt and abrasion. Black mensural notation. Copied by a single scribe. No initials or decoration.
Early 15th century. Copied in Italy, perhaps at Atri (ZiinoNF)
verso
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‡ denotes primary source study
Janke, Andreas, Sebastian Bosch, Claudia Colini, Oliver Hahn, and Ivan Shevchuk. 2018. The Atri Fragment Revisited I: Multispectral Imaging and Ink Identification. Manuscript Cultures, 11: 141-56.ISSN 1867–9617. https://www.manuscript-cultures.uni-hamburg.de/MC/articles/mc11_bosch_et_al.pdf.
Gozzi, Marco. 2007. Liturgia e musica mensurale nel Trecento italiano: i canti dell'Ordinarium. Kontinuität und Transformation in der italienschen Vokalmusik zwischen Due- und Quattrocento, edited by Marco Gozzi, 53-98. Hildesheim: Georg Olms Verlag.
Di Bacco, Giuliano, and John Nadas. 1998. The Papal Chapels and Italian Sources of Polyphony during the Great Schism. Papal Music and Musicians in Late Medieval and Renaissance Rome, edited by Giuliano Di Bacco and John Nadas, 44-92. Oxford: Clarendon Press.
Bent, Margaret. 1980. New Sacred Polyphonic Fragments of the Early Quattrocento. Studi Musicali, 9: 171-89. Pages: 172-3.
Ziino, Agostino, and Giuseppe Donato. 1973. Nuove Fonti di Polifonia Italiana dell'Ars Nova. Studi Musicali, 2: 235-55.
Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae, vol. 11, 1-6. Rome: American Institute of Musicology. Pages: VI, xli.
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Karen Cook
Saturday, 2 June, 2018
the composer of the Gloria marked as Zacara [?]
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Notation Note; Foliation Note; Decoration Note; Surface Note; DIAMM Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description