I-AT Frammento 17

Museo della Basilica Cattedrale d'Atri, Biblioteca del Capitolo della Cattedrale, Atri, Italy

fragment: Early 15th century

Archive Museo della Basilica Cattedrale d'Atri, Biblioteca del Capitolo della Cattedrale, Atri, Italy (I-AT)
Shelfmark Frammento 17
Surface Parchment
Format portrait
Measurements 300 x 240 mm
Other Identifiers
  • CCM: AtriC 5
  • olim (Former shelfmark): Sala Innocenzo IV, Cartella A, frammento n. 5
Notations
  • black full mensural
External Links
Provenance
  • Atri? Italy
Contents Contains 2 compositions, 1 from 1 composer, 1 is anonymous.
General Description

Preseves two fragmentary sacred pieces. The ?recto contains the second cantus and contratenor of Antonius Zachara de Teramo's Gloria, Micinella. The ?verso contains an anonymous lauda. Recovered from a binding. Copied by a single scribe. Copied in Italy, perhaps at Atri (ZiinoNF).

Stinson Database, LaTrobe University
Physical Description

The ?verso is nearly illegible due to dirt and abrasion.

Stinson Database, LaTrobe University
Notation

black full mensural

Stinson Database, LaTrobe University
Foliation

recto & verso

Stinson Database, LaTrobe University
Decoration

No initials or decoration.

Stinson Database, LaTrobe University
Surface

parchment

Stinson Database, LaTrobe University
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Gloria (incomplete), 1 Italian secular? piece (fragmentary) = 2

(Zachara da Teramo)-1, anon-1

1 parchment folio, 300 x 240, recovered from binding. Italian piece on verso(?) nearly illegible due to dirt and abrasion. Black mensural notation. Copied by a single scribe. No initials or decoration.

Early 15th century. Copied in Italy, perhaps at Atri (ZiinoNF)

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

recto

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
[-] Ben lo sa Dio lauda - - Anonymous

Ben lo sa Dio lauda

Anonymous
Appears on: [-]
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Ben lo sa Dio (lauda)
[-] Et in terra pax [Gloria] 'Micinella' - -
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)

Et in terra pax [Gloria] 'Micinella'

Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Appears on: [-]
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria Micinella. Et in terra
Composer Compositions
Anonymous
Zacara da Teramo, Antonio (ca. 1350-ca. 1413)
Composition Composers (? Uncertain) Folios / Pages
Ben lo sa Dio lauda Anonymous [-]
Et in terra pax [Gloria] 'Micinella'
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
[-]

Images © Museo della Basilica Cattedrale, Biblioteca Capitolare, Atri

‡ denotes primary source study

Janke, Andreas, Sebastian Bosch, Claudia Colini, Oliver Hahn, and Ivan Shevchuk. 2018. The Atri Fragment Revisited I: Multispectral Imaging and Ink Identification. Manuscript Cultures, 11: 141-56.ISSN 1867–9617. https://www.manuscript-cultures.uni-hamburg.de/MC/articles/mc11_bosch_et_al.pdf.

Gozzi, Marco. 2007. Liturgia e musica mensurale nel Trecento italiano: i canti dell'Ordinarium. Kontinuität und Transformation in der italienschen Vokalmusik zwischen Due- und Quattrocento, edited by Marco Gozzi, 53-98. Hildesheim: Georg Olms Verlag.

Di Bacco, Giuliano, and John Nadas. 1998. The Papal Chapels and Italian Sources of Polyphony during the Great Schism. Papal Music and Musicians in Late Medieval and Renaissance Rome, edited by Giuliano Di Bacco and John Nadas, 44-92. Oxford: Clarendon Press.

Bent, Margaret. 1980. New Sacred Polyphonic Fragments of the Early Quattrocento. Studi Musicali, 9: 171-89. Pages: 172-3.

Ziino, Agostino, and Giuseppe Donato. 1973. Nuove Fonti di Polifonia Italiana dell'Ars Nova. Studi Musicali, 2: 235-55.

Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae, vol. 11, 1-6.  Rome: American Institute of Musicology. Pages: VI, xli.

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Karen Cook

Saturday, 2 June, 2018

the composer of the Gloria marked as Zacara [?]

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Notation Note; Foliation Note; Decoration Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description