I-Sas Frammenti Musicali busta n. 1, ins. n. 11

Archivio di Stato Siena, Siena, Italy

fragment: c. 1430-50

Archive Archivio di Stato Siena, Siena, Italy (I-Sas)
Shelfmark Frammenti Musicali busta n. 1, ins. n. 11
Surface Parchment
Numbering System None
Measurements 290 x 212 and ca. 274 x 202 mm
Other Identifiers
  • RISM: I-Sas 326-327
  • CCM: SienAS 207
  • olim (Former shelfmark): 326 and 327 a.k.a. Frammenti Musicali N. 207, or Siena Fragments
Notations
  • black full mensural
  • coloration in red full
  • coloration in red void
Provenance
  • Italy
Contents 8 pieces from 3 composers
General Description

Apparently the only surviving remnants of a single musical manuscript. Copied by one main scribe and one additional scribe. Copied in Italy.

DIAMM, 2017
Physical Description

The upper right corner of the single folio is cut off diagonally. One side of bifolio badly faded, but most music still legible.

DIAMM, 2017
Notation

black full mensural notation with red full and red void coloration

DIAMM, 2017
Ruling

Staff height 13.5 mm

DIAMM, 2017
Foliation

No foliation visible

DIAMM, 2017
Decoration

One painted initial (partly trimmed away): gold on blue and gold ground, with red and purple infill; two red inked initials.

DIAMM, 2017
Surface

parchment

DIAMM, 2017
RISM Description

RISM B/IV 5: II s'agit de 2 fragments d'un même ms. italien, d'une même main pour les pièces religieuses, ayant servi de couverture pour des documents d'archives et, de ce fait, assez détériorés. Les concordances avec le ms. de Bologna Q 15 (nos 3, 4, 8), ainsi que la notation et le répertoire, placent le ms. dans la 1ère moitié du XVe s., entre ca. 1430-35 et 1450, les pièces profanes ayant été ajoutées d'une autre main, mais peu après pour le ms. 326.

FRAMMENTO 326

XVe s., 2ff. Parchemin, 290 x 213 mm. (rognés à la partie supérieure). Pas de foliotation. Notation mesurée noire et rouge. A l'origine, 9 portées rouges par p., dont mq. maintenant la portée supérieure. Restes de capitales ornées, or et couleurs.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Glorias, 2 Credos, 1 motet, 3 Italian secular pieces = 8 (most are fragmentary and incomplete)

(Zachara da Teramo)-4, anon-4

2 parchment folios (= 1 bifolio), 290 x 212, and 1 parchment folio, ca. 274 x 202 (upper right corner cut off diagonally). Apparently the only surviving remnants of a single musical manuscript. One side of bifolio badly faded, but most music still legible. No foliation visible. Black mensural notation with red full and red void coloration. Copied by one main scribe and one additional scribe. Staff height 13.5. One painted initial (partly trimmed away): gold on blue and gold ground, with red and purple infill; two red inked initials.

Ca. 1430-50 (FischBT). Copied in Italy.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

3v

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
326, 1r Constat in Altari -
... de Eugubio

Constat in Altari

... de Eugubio
Appears on: 326, 1r
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: ... de pane ...
General Note

Fragment de T ou Ct. Texte sporadique.
326, 1r Ay (Ahi) vermeglietta rosa - Anonymous

Ay (Ahi) vermeglietta rosa

Anonymous
Appears on: 326, 1r
Genres: Ballata, Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Ay vermeglietta rosa
General Note

unicum (partial transcription by Ghisi; modern edition by Calvia)

Item Bibliography

Calvia, Antonio. 2018. «Ahi vermeglietta rosa»: ulteriori aggiunte per i frammenti di Siena. Fonti musicali senesi Storie, prassi e prospettive di ricerca, 67-88. Siena: Accademia Senese degli Intronati. Pages: 87-88. Notes: full transcription/edition.

Ghisi, Federico. 1948. A Second Sienese Fragment of Italian Ars Nova. Musica Disciplina, 173-7. Notes: partial transcription.

326, 1rv–326, 1v Et in terra pax [Gloria], [Tro] Gloria Laus Honor [A. ZACARA DA TERAMO]
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)

Et in terra pax [Gloria], [Tro] Gloria Laus Honor

Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Appears on: 326, 1rv–326, 1v
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [A. ZACARA DA TERAMO]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria].… ramus te glorificamus te
General Note

Fragment du Sup. et T seul' Publ. cf. Bc 15 n° 69

Item Bibliography

Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.

326, 2r–326, 2v Et in terra pax [Gloria] 'Fior gentil' [A.ZACARA DA TERAMO]
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)

Et in terra pax [Gloria] 'Fior gentil'

Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Appears on: 326, 2r–326, 2v
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [A.ZACARA DA TERAMO]
Voice: [no designation]
Languages: Latin
Voice Text: Benedicimus te
General Note

Fragments du T et du Ct seul'Publ. cf. Bc 15 n" 58
326, 2v Adio Adio, amore mio - Anonymous

Adio Adio, amore mio

Anonymous
Appears on: 326, 2v
Genres: Ballata, Italian secular
Voice: [no designation]
Languages: French
Voice Text: Adio adio amore
General Note

Fragment, Unicum

Item Bibliography

Ghisi, Federico. 1948. A Second Sienese Fragment of Italian Ars Nova. Musica Disciplina, 173-7. Pages: (début seul1).

327, 1 Patrem omnipotentem [Credo] (II) [A. ZACARA DA TERAMO]*
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)

Patrem omnipotentem [Credo] (II)

Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Appears on: 327, 1
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [A. ZACARA DA TERAMO]*
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Et in spiritum
General Note

fin du Ct seul1

Concordances

*PL-Wn 52

Item Bibliography

Feicht, Hieronim (editor). 1963-. Antiquitates Musicae in Polonia.  Warsaw & Graz: Polish Scientific Publishers/Akademische Druck- und Verlagsanstalt. Pages: XIV.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, VI.

327, 1 Amore amaro - Anonymous

Amore amaro

Anonymous
Appears on: 327, 1
Genres: Ballata, Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Amore amaro
General Note

Unicum

Item Bibliography

Ghisi, Federico. 1946-47. Italian Ars-Nova Music: The Perugia and Pistoia fragments of the Lucca musical codex and other unpublished early 15th century sources. Journal of Renaissance and Baroque Music, 173-91.

327, 1v Patrem omnipotentem [Credo] 'Scabioso' [A. ZACARA DA TERAMO]
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)

Patrem omnipotentem [Credo] 'Scabioso'

Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Appears on: 327, 1v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [A. ZACARA DA TERAMO]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo. Patrem scabroso] Patrem
General Note

Début du Sup. et du T seul'

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, VI.

Composer Compositions
... de Eugubio
Anonymous
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Composition Composers (? Uncertain) Folios / Pages
Adio Adio, amore mio Anonymous 326, 2v
Amore amaro Anonymous 327, 1
Ay (Ahi) vermeglietta rosa Anonymous 326, 1r
Constat in Altari
... de Eugubio
326, 1r
Et in terra pax [Gloria] 'Fior gentil'
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
326, 2r–326, 2v
Et in terra pax [Gloria], [Tro] Gloria Laus Honor
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
326, 1rv–326, 1v
Patrem omnipotentem [Credo] 'Scabioso'
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
327, 1v
Patrem omnipotentem [Credo] (II)
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
327, 1

Images © Archivio di Stato, Siena

‡ denotes primary source study

Calvia, Antonio. 2018. «Ahi vermeglietta rosa»: ulteriori aggiunte per i frammenti di Siena. Fonti musicali senesi Storie, prassi e prospettive di ricerca, 67-88. Siena: Accademia Senese degli Intronati. Notes: inventory, concordances, texts (partial), transcription (partial).

Di Bacco, Giuliano, and John Nadas. 1998. The Papal Chapels and Italian Sources of Polyphony during the Great Schism. Papal Music and Musicians in Late Medieval and Renaissance Rome, edited by Giuliano Di Bacco and John Nadas, 44-92. Oxford: Clarendon Press.

Günther, Ursula. 1970. Quelques remarques sur des feuillets récemment découverts à Grottaferrata. L'Ars Nova Italiana del Trecento III, 315-97. Pages: 318-9, 340-2. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Perz, Miroslaw. 1970. Die Einflüsse der Ausgehenden Italienischen Ars Nova in Polen. L'Ars Nova Italiana del Trecento, 465-83. Pages: 471-7. Notes: contents list (partial); concordances (partial).

Bent, Margaret, and Andrew Hughes (editors). 1969. The Old Hall Manuscript. Corpus Mensurabilis Musicae. 3 vols. Pages: III, 20. Notes: contents list (partial); concordances (partial).

Fischer, Kurt von. 1968. Una Ballata Trecentesca Sconosciuta: Aggiunte per i Frammenti di Siena. L'Ars Nova Italiana del Trecento II, 39-47. Notes: physical description; contents list; concordances; mention of MS; discussion.

Layton, Billy Jim. 1960. Italian Music for the Ordinary of the Mass 1300-1450. Harvard University, Unpublished Ph.D. dissertation. Pages: 244, 383. Notes: contents list (partial); concordances (partial).

Bukofzer, Manfred F. 1958. Changing Aspects of Medieval and Renaissance Music. The Musical Quarterly, 1-18. Pages: 6. Notes: mention of MS.

Fischer, Kurt von. 1956. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Publikationen der Schweizerischen Musikforschenden Gesellschaft.  Bern: Paul Haupt. Pages: 38-41, 72-3. Notes: contents list (partial).

Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae.  Rome: American Institute of Musicology. Pages: VI, xxi, xxviii-xxix. Notes: contents list (partial); concordances (partial).

Ghisi, Federico. 1948. A Second Sienese Fragment of Italian Ars Nova. Musica Disciplina, 173-7. Pages: 173ff. Notes: physical description (partial); contents list (partial); transcription (partial); texts (partial); mention of MS; discussion.

Ghisi, Federico (editor). 1946-47. 'Italian Ars-Nova Music', musical supplement . Journal of Renaissance and Baroque Music, . Pages: 19-20. Notes: transcription (partial).

Ghisi, Federico. 1946-47. Italian Ars-Nova Music: The Perugia and Pistoia fragments of the Lucca musical codex and other unpublished early 15th century sources. Journal of Renaissance and Baroque Music, 173-91. Pages: 182-3, 189. Notes: contents list (partial); texts (partial); mention of MS; discussion.

Adler, Guido. 1929. Handbuch der Musikgeschichte. 2 vols. Frankfurt am Main. Pages: I, 242.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 230. Notes: mention of MS; contents list (partial).

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Antonio Calvia

Wednesday, 3 June, 2020

Language of 'Ay vermeglietta rosa' changed to Italian

Antonio Calvia

Saturday, 30 May, 2020

Title of 'Ay vi neglecta rosa' corrected to "Ay (Ahi) vermeglietta rosa"; bibliography updated to include modern edition (CalviaAVR); concordances reviewed and amplified

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description