D-Mbs Cgm. 810 (Schedelsches Liederbuch)

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: c. 1460-70

Archive	Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark	Cgm. 810 (Schedelsches Liederbuch)
Image Availability	The images on this record are linked using IIIF.
Surface	Paper
Numbering System	Foliation
Measurements	149 x 104 (one folio measures ca. 95 x 100) mm
Other Identifiers	CCM: MunBS Germ. 810 olim (Former shelfmark): Mus. 3232; Cim.351a; MaiM 208
Notations	black void mensural
Copyists	Schedel of Nuremberg, Hartmann Text and Music
Relationships	Albrecht V (1528–1579) (owner) Fugger, Johann Jakob (1516–1575) (owner) Schedel of Nuremberg, Hartmann (compiler)
External Links	External Images IIIF Manifest
External Authorities	RISM Online (sources/456053274)
Provenance	Leipzig, Bavaria, Germany
Contents	159 pieces from 19 composers

General Description

The main scribe was Hartmann Schedel, but there is evidence of eight additional music hands and 12 additional text hands. French texts generally corrupt; some pieces have text incipits or titles only. Manuscript also contains 23 German secular texts without music; several of these can be fitted to musical settings which appear elsewhere in manuscript with text incipits only. Copied in Leipzig, Augsburg, and Nuremberg. The compiler and original owner was Hartmann Schedel (1440-1514), a physician and humanist. Acquired in 1552 by Johann Jakob Fugger (1516-75); sold in 1571 to Albrecht V, Duke of Bavaria. Placed in Bavarian ducal court library at Munich, whose holdings formed foundation of present Bayerische Staatsbibliothek.

DIAMM, 2017

Binding

Original covers of leather over wooden boards, stamped with ornamental design (lozenge decorated with four-petalled flowers); remnants of clasps and buckles

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Ca. 1460-70 (dates 1461, 1465, 1467 in manuscript)

DIAMM, 2017

Foliation

Original ink foliation, 1-170, on upper right rectos (omits one folio following f. 28); modern foliation, 1-28; 28a-170, on lower right rectos.

DIAMM, 2017

Decoration

A few small inked initials; no other decoration.

DIAMM, 2017

Index

Original index on ff. 167-168 lists most pieces in main corpus; pieces grouped alphabetically by first letter of text or first letter of composer's surname, with sub-grouping under each letter by order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Magnificat, 18 motets, 70 German secular pieces (2 monophonic), 19 French secular pieces, 2 Italian secular pieces, 17 textless pieces (2 monophonic) = 127 + 1 duplicate = 128

Barbingant-1, Bedingham [Jo. Bodigham]-1, (Bedingham/Dufay) -1, Binchois? [Binchois]-1, (Binchois/Dufay)-1, (Brolo)-1, (Dufay)-2, Frye-4, (Morton)-1, Nodler-1, Ockeghem-1, Paumann [M con C]-1, Pullois-2 + 1?, (Ruby)-1, Ruslein-1, Seam-2 + 1?, Touront-4, Walterus de Salice-1, anon-98

ii + 171 paper folios, 149 x 104 (one folio measures ca. 95 x 100). Original ink foliation, 1-170, on upper right rectos (omits one folio following f. 28); modern foliation, 1-28; 28a-170, on lower right rectos. Original covers of leather over wooden boards, stamped with ornamental design (lozenge decorated with four-petalled flowers); remnants of clasps and buckles. Original index on ff. 167-168 lists most pieces in main corpus; pieces grouped alphabetically by first letter of text or first letter of composer's surname, with sub-grouping under each letter by order of appearance.

The main scribe was Hartmann Schedel; eight additional music hands and 12 additional text hands. A few small inked initials; no other decoration. French texts generally corrupt; some pieces have text incipits or titles only. Manuscript also contains 23 German secular texts without music; several of these can be fitted to musical settings which appear elsewhere in manuscript with text incipits only.

Ca. 1460-70 (dates 1461, 1465, 1467 in manuscript). Copied in Leipzig, Augsburg, and Nuremberg. The compiler and original owner was Hartmann Schedel (1440-1514), a physician and humanist. Acquired in 1552 by Johann Jakob Fugger (1516-75); sold in 1571 to Albrecht V, Duke of Bavaria. Placed in Bavarian ducal court library at Munich, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Vol 4

Composers: Add "(Plummer?)-1" and "Xilobalsamus-1"; change "anon-98" to "anon-96."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–2	Der schönsten zu gefallen	-	Anonymous
Der schönsten zu gefallen Anonymous Appears on: 1v–2 Genres: Song Voice: [no designation] Languages: German Voice Text: Der schonesten czu gefallen General Note 3 verses. Auf 1v unter dem Text in Rot: Vivite Leti dum fata sinumt / properat cursu vita: citao / volucris die
2v–3	In hoffenung thu ich	-	Anonymous
In hoffenung thu ich Anonymous Appears on: 2v–3 Genres: Song Voice: [no designation] Languages: Latin Voice Text: In hoffenung thu ich General Note 3 verses
3v–4	Hubsch czertlich feyn	-	Anonymous
Hubsch czertlich feyn Anonymous Appears on: 3v–4 Genres: Song Voice: [no designation] Languages: German Voice Text: Hubsch czertlich feyn General Note 3 verses
4v–5	In süsser Wonne	-	Anonymous
In süsser Wonne Anonymous Appears on: 4v–5 Genres: Song Voice: [no designation] Languages: German Voice Text: In suser wonne General Note 3 verses
5v–6	Die Blümlein	-	Anonymous
Die Blümlein Anonymous Appears on: 5v–6 Genres: Song Voice: [no designation] Languages: German Voice Text: Die plumlein General Note textless
6v–7	Senlich thut sich verlangen	-	Anonymous
Senlich thut sich verlangen Anonymous Appears on: 6v–7 Genres: Song Voice: [no designation] Languages: German Voice Text: Senlich thut sich verlangen General Note 5 verses
7v–8	Ein Lieb hat ich mir	-	Anonymous
Ein Lieb hat ich mir Anonymous Appears on: 7v–8 Genres: Song Voice: [no designation] Languages: German Voice Text: Ein lip hat ich mir General Note 3 verses
8v–9	Der Sommer hat sich	-	Anonymous
Der Sommer hat sich Anonymous Appears on: 8v–9 Genres: Song Voice: [no designation] Languages: German Voice Text: Der Somer hat sich General Note 3 verses
9v–10	In lieb ist mir mein Herz inzund	-	Anonymous
In lieb ist mir mein Herz inzund Anonymous Appears on: 9v–10 Genres: Song Voice: [no designation] Languages: German Voice Text: In lyb ist mir meyn hercz ynczund General Note 1 verse
10v–11	Durch dich ich all mein Zeit	-	Anonymous
Durch dich ich all mein Zeit Anonymous Appears on: 10v–11 Genres: Song Voice: [no designation] Languages: German Voice Text: Durch dich ich al meyn zeit General Note 3 verses
11v–12	Elend du hast umfangen	-	Morton, Robert (?)
Elend du hast umfangen Morton, Robert (?) Appears on: 11v–12 Genres: Song Voice: [no designation] Languages: German Voice Text: Elend du hast umbfangen General Note 1 verse
12v	Hercz liplich lip	-	Anonymous
Hercz liplich lip Anonymous Appears on: 12v Genres: Song Voice: [no designation] Languages: German Voice Text: Hercz liplich lip General Note 2 verses
13v–14	Recht girlich gir	-	Anonymous
Recht girlich gir Anonymous Appears on: 13v–14 Genres: Song Voice: [no designation] Languages: German Voice Text: Recht girlich gir General Note 1 verse
14v–16	Entrepris suis par grant	-	Brouck, Jacob de
Entrepris suis par grant Brouck, Jacob de Appears on: 14v–16 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Entre prison (=Entrepris suis par grant)
16v–18	O intemerata castitas = Videte videte Quia ego sum solus	-	Anonymous
O intemerata castitas = Videte videte Quia ego sum solus Anonymous Appears on: 16v–18 Genres: Ballade, Contrafactum, Motet Voice: [no designation] Languages: Latin Voice Text: O intemerata castitas
16v–18	Gratissimum Dei templum	-	Anonymous
Gratissimum Dei templum Anonymous Appears on: 16v–18 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gratissimum dei templum
18v–19	Hubsch czertlich	-	Anonymous
Hubsch czertlich Anonymous Appears on: 18v–19 Genres: Song Voice: [no designation] Languages: German Voice Text: Hubsch czertlich
19v–20	Ich het mir auserwelet	-	Walter, Johann (1496–1570) (?)
Ich het mir auserwelet Walter, Johann (1496–1570) (?) Appears on: 19v–20 Genres: Song Voice: [no designation] Languages: German Voice Text: Ich het mir auserwelet General Note 1 verse
20v–21	Meyn hercz ist mir umbegen	-	Anonymous
Meyn hercz ist mir umbegen Anonymous Appears on: 20v–21 Genres: Song Voice: [no designation] Languages: German Voice Text: Meyn hercz ist mir umbegen General Note 5 verses
21v–22	Ich las nicht ab	-	Anonymous
Ich las nicht ab Anonymous Appears on: 21v–22 Genres: Song Voice: [no designation] Languages: German Voice Text: Ich las nicht ab General Note 5 verses
22c–23	Mon seul plaisir, ma douce joie	-	Bedingham, John (–ca. 1460) Du Fay, Guillaume (1397–1474) (?)
Mon seul plaisir, ma douce joie Bedingham, John (–ca. 1460) Du Fay, Guillaume (1397–1474) (?) Appears on: 22c–23 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon seul plaisir, ma douce joie
23v–24	Nu leid und meid	-	Seam, Walterus
Nu leid und meid Seam, Walterus Appears on: 23v–24 Genres: Song Voice: [no designation] Languages: German Voice Text: Nu leid und meid General Note 1 ve0rse
25	O florens rosa mater Domini speciosa	-	Touront, Johannes (ca. 1450–ca. 1475)
O florens rosa mater Domini speciosa Touront, Johannes (ca. 1450–ca. 1475) Appears on: 25 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O florens rosa mater Domini speciosa
25v–26	O florens rosa mater Domini speciosa	-	Touront, Johannes (ca. 1450–ca. 1475)
O florens rosa mater Domini speciosa Touront, Johannes (ca. 1450–ca. 1475) Appears on: 25v–26 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O florens rosa mater domini speciosa General Note 1 verse
26v–28	Mein hercz in hohen Freuden	-	Anonymous
Mein hercz in hohen Freuden Anonymous Appears on: 26v–28 Genres: Song Voice: [no designation] Languages: German Voice Text: Mein hercz in hohen
28v–30	Kömm mir ein Trost	-	Anonymous
Kömm mir ein Trost Anonymous Appears on: 28v–30 Genres: Song Voice: [no designation] Languages: German Voice Text: Köm mir ein trost General Note 3 verses
30v–31	Mein hercz in steten	-	Anonymous
Mein hercz in steten Anonymous Appears on: 30v–31 Genres: Song Voice: [no designation] Languages: German Voice Text: Mein hercz in steten
31v–32	O lib wie süss [i]	-	Anonymous
O lib wie süss [i] Anonymous Appears on: 31v–32 Genres: Song Voice: [no designation] Languages: German Voice Text: O lib wie süss
32v–33	Begib nich nit	-	Anonymous
Begib nich nit Anonymous Appears on: 32v–33 Genres: Song Voice: [no designation] Languages: German Voice Text: Begib nich nit General Note 3 verses
33v–34	Mein hercz ist gancz	-	Anonymous
Mein hercz ist gancz Anonymous Appears on: 33v–34 Genres: Song Voice: [no designation] Languages: German Voice Text: Mein hercz ist gancz General Note 3 verses
34v–35	Ich hoff und hab	-	Anonymous
Ich hoff und hab Anonymous Appears on: 34v–35 Genres: Song Voice: [no designation] Languages: German Voice Text: Ich hoff und hab General Note 6 verses
35v–36	Verlossne treu teglich neu	-	Anonymous
Verlossne treu teglich neu Anonymous Appears on: 35v–36 Genres: Song Voice: [no designation] Languages: German Voice Text: Verlossne treu teglich neu General Note 3 verses
36v–37	Das leppisch gut	-	Anonymous
Das leppisch gut Anonymous Appears on: 36v–37 Genres: Song Voice: [no designation] Languages: German Voice Text: Das leppisch gut General Note 3 verses. Signed "Hoc composuit dux ludwicus bavarie"
37v–39	Ave regina caelorum I	-	Frye, Walter (–ca. 1475)
Ave regina caelorum I Frye, Walter (–ca. 1475) Appears on: 37v–39 Genres: BVM Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum
39v–41	O rosa bella	-	Anonymous
O rosa bella Anonymous Appears on: 39v–41 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: O rosa bella o deitatis
39v–41	Ay lasso me	-	Anonymous
Ay lasso me Anonymous Appears on: 39v–41 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Alasamire (= Ay lasso me)
41v–42	Puisque je vis le regard gratieux	-	Anonymous
Puisque je vis le regard gratieux Anonymous Appears on: 41v–42 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Puisque je vis Concordances Same S & T as f.45-46 but different Ct
42v–43	Si j'ai votre grace requise	-	Anonymous
Si j'ai votre grace requise Anonymous Appears on: 42v–43 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Jay grate (= Se j'ai vostre grace)
43v–44	Ave virgo speciosa = Der Pfauenschwanz = O quam clara testimonia	-	Barbingant, Pierre (fl. c1445-60)
Ave virgo speciosa = Der Pfauenschwanz = O quam clara testimonia Barbingant, Pierre (fl. c1445-60) Appears on: 43v–44 Genres: Contrafactum Voice: [no designation] Languages: German Voice Text: Der pfobenswancz
44v–45	untexted	-	Touront, Johannes (ca. 1450–ca. 1475)
untexted Touront, Johannes (ca. 1450–ca. 1475) Appears on: 44v–45 Genres: textless Voice: [no designation] Languages: none Voice Text: (Textless)
45v–46	Puisque je vis le regard gratieux	-	Anonymous
Puisque je vis le regard gratieux Anonymous Appears on: 45v–46 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Puis que je vis Concordances Same S & T as f.41-42 but different Ct
46v–48	Virgo restauratrix mundique	-	Touront, Johannes (ca. 1450–ca. 1475)
Virgo restauratrix mundique Touront, Johannes (ca. 1450–ca. 1475) Appears on: 46v–48 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Virgo restauratrix mundique
48v–49	Fortune helas (= Gentil madona)	-	Bedingham, John (–ca. 1460)
Fortune helas (= Gentil madona) Bedingham, John (–ca. 1460) Appears on: 48v–49 Genres: Chanson, Contrafactum Voice: [no designation] Languages: French Voice Text: Fortune elas
49v–50	Lib ist leides	-	Anonymous
Lib ist leides Anonymous Appears on: 49v–50 Genres: Song Voice: [no designation] Languages: German Voice Text: Lib ist leides
50v–51	O florida roscida gemmea stella [i]	-	Anonymous
O florida roscida gemmea stella [i] Anonymous Appears on: 50v–51 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O florida roscida gemmea stella General Note 1 verse
51v–52	O florida roscida gemmea stella [ii]	-	Anonymous
O florida roscida gemmea stella [ii] Anonymous Appears on: 51v–52 Genres: textless Voice: [no designation] Languages: Latin Voice Text: O florida roscida gemmea stella General Note Index: Sine nomine
52v–53	Mir ist czustort	-	Anonymous
Mir ist czustort Anonymous Appears on: 52v–53 Genres: Song Voice: [no designation] Languages: German Voice Text: Mir ist czustort General Note 3 verses
53v–54	Mein hercz ist mir gemenget	-	Anonymous
Mein hercz ist mir gemenget Anonymous Appears on: 53v–54 Genres: Song Voice: [no designation] Languages: German Voice Text: Mein hercz ist mir gemenget General Note 3 verses
54v–55	Die vasenacht tut her nahen	-	Seam, Walterus
Die vasenacht tut her nahen Seam, Walterus Appears on: 54v–55 Genres: Song Voice: [no designation] Languages: German Voice Text: Die vasenacht tut her nahen General Note 2 verses
55v–56	Gedenk dir an du werdes ein	-	Anonymous
Gedenk dir an du werdes ein Anonymous Appears on: 55v–56 Genres: Song Voice: [no designation] Languages: German Voice Text: Gedencj dir an du werdes ein General Note 3 verses
56v–57	Bei wunnicklichem scherczen	-	Anonymous
Bei wunnicklichem scherczen Anonymous Appears on: 56v–57 Genres: Song Voice: [no designation] Languages: German Voice Text: Bey wunnicklichem scherczen General Note 3 verses
57v–58	Gross senen ich im herczen	-	Anonymous
Gross senen ich im herczen Anonymous Appears on: 57v–58 Genres: Song Voice: [no designation] Languages: German Voice Text: Gross senen ich im herczen General Note 5 verses
58v–59	Ich clag dir frau	-	Anonymous
Ich clag dir frau Anonymous Appears on: 58v–59 Genres: Song Voice: [no designation] Languages: German Voice Text: Ich clag dir frau General Note 5 verses
59v–60	O hertiglich verlangen	-	Anonymous
O hertiglich verlangen Anonymous Appears on: 59v–60 Genres: Song Voice: [no designation] Languages: German Voice Text: O hertiglich verlangen General Note 5 verses
60v–61	Ach scheiden wie gar wetrubstu	-	Anonymous
Ach scheiden wie gar wetrubstu Anonymous Appears on: 60v–61 Genres: Song Voice: [no designation] Languages: German Voice Text: Ach scheiden wie gar wetrubstu General Note 5 verses
61v–62	untexted	-	-
untexted Appears on: 61v–62 Voice: [no designation] Languages: none Voice Text: (Without text) General Note (Index: Sine nomine)
62v–64	Ma bouche rit et ma pensée pleure	-	Ockeghem, Jean de (ca. 1410–1497)
Ma bouche rit et ma pensée pleure Ockeghem, Jean de (ca. 1410–1497) Appears on: 62v–64 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ma bouche rit
64v–65	Haultain treser	-	Anonymous
Haultain treser Anonymous Appears on: 64v–65 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Haultain treser
65v–66	Er het mein lib	-	Anonymous
Er het mein lib Anonymous Appears on: 65v–66 Genres: Song Voice: [no designation] Languages: German Voice Text: Er het mein lib
66v–67	untexted	-	Touront, Johannes (ca. 1450–ca. 1475)
untexted Touront, Johannes (ca. 1450–ca. 1475) Appears on: 66v–67 Genres: textless Voice: [no designation] Languages: none Voice Text: (Without text)
67v–68	Vox dilecti mei Felix porta paradisi	-	Anonymous
Vox dilecti mei Felix porta paradisi Anonymous Appears on: 67v–68 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vox dilecti mei [Felix porta paradisi]
68v–69	Vox dilecti mei Felix porta paradisi	-	Anonymous
Vox dilecti mei Felix porta paradisi Anonymous Appears on: 68v–69 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Vox dilecti mei [Felix porta paradisi]
69v–70	Candida virginitas paradisi cara colonis	-	Du Fay, Guillaume (1397–1474)
Candida virginitas paradisi cara colonis Du Fay, Guillaume (1397–1474) Appears on: 69v–70 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Candida virginitas paradisi cara colonis
69v–70	Se la face ay pale	-	Du Fay, Guillaume (1397–1474)
Se la face ay pale Du Fay, Guillaume (1397–1474) Appears on: 69v–70 Genres: Ballade, Chanson General Note this version has an entirely different contratenor from that in Ox213/NY Boorman (and from that in Escorial Iv.a.24)
70v–71	Tant me desplet	-	Anonymous
Tant me desplet Anonymous Appears on: 70v–71 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Tant me desplet
71v–72	untexted	-	Busnoys, Antoine (ca. 1430–1492) (?)
untexted Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 71v–72 Genres: textless Voice: [no designation] Languages: none Voice Text: (Without text)
72v–73	Trinitatis dies promittitur	-	Frye, Walter (–ca. 1475)
Trinitatis dies promittitur Frye, Walter (–ca. 1475) Appears on: 72v–73 Genres: Magnificat Voice: [no designation] Languages: Latin Voice Text: Trinitatis dies promittitur
73v–75	Magnificat primi toni [K.187]	-	Anonymous
Magnificat primi toni [K.187] Anonymous Appears on: 73v–75 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Trinitatis dies promittitur General Note Magnificat = 1.toni
75v–76	Sela venture	-	Anonymous
Sela venture Anonymous Appears on: 75v–76 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Sela venture
76v–77	untexted	-	-
untexted Appears on: 76v–77 Voice: [no designation] Languages: none Voice Text: (Without text) General Note (Index: Sine nomine)
77v–78	Surtantes	-	Anonymous
Surtantes Anonymous Appears on: 77v–78 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Surtantes
78v–79	O sacrum convivium = Alas alas alas = Helas tres	-	Anonymous
O sacrum convivium = Alas alas alas = Helas tres Anonymous Appears on: 78v–79 Genres: Chanson, Contrafactum, Motet Voice: [no designation] Languages: French Voice Text: O sacrum convivium [= Alas alas alas = Helas tres]
79v–80	O pulcherrima mulierum surge propera	-	Plummer, John (ca. 1410–ca. 1484) (?)
O pulcherrima mulierum surge propera Plummer, John (ca. 1410–ca. 1484) (?) Appears on: 79v–80 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O pulcerrima mulierum surge
80v–81r	De ma dame = O pastor aeterne = O beata Maria filia Dei	-	Pullois, Johannes
De ma dame = O pastor aeterne = O beata Maria filia Dei Pullois, Johannes Appears on: 80v–81r Genres: Chanson, Contrafactum, Motet, Rondeau Concordances Texted 'O beata maria' (with 'De madame' written at top of page) 'De madame' in Escorial IV.a.24 & in Tr.90 textless in Strahov but labelled 'O pater eterne'
80v–82	O pulcherrima mulierum	-	Lantins, Hugo de (fl. 1420-30) (?)
O pulcherrima mulierum Lantins, Hugo de (fl. 1420-30) (?) Appears on: 80v–82 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O pulcherrima mulierum surge propera
80v–82	O sacrum convivium (= Alas alas alas)	-	Frye, Walter (–ca. 1475)
O sacrum convivium (= Alas alas alas) Frye, Walter (–ca. 1475) Appears on: 80v–82 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: O sacrum convivium [= Alas alas alas] General Note Kontrafaktur der Ballade: 'Alas is my chief song'
82v–83	Tresoriere de plaisir amoureux	-	-
Tresoriere de plaisir amoureux - Appears on: 82v–83 Genres: Rondeau Voice: [no designation] Languages: Latin Voice Text: Sancta Maria virgo intercede pro toto = Tresorerie de plaisir
83v–84	Sancta Maria virgo intercede pro toto = Tresorerie de plaisir	-	Anonymous
Sancta Maria virgo intercede pro toto = Tresorerie de plaisir Anonymous Appears on: 83v–84 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Sancta Maria virgo intercede pro toto [= Tresorerie de plaisir]
84v–85	Pour prison	-	Pullois, Johannes
Pour prison Pullois, Johannes Appears on: 84v–85 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Pour prison
85v–86	Benedicite Dominus et ea quae conspecturi sunt	-	Anonymous
Benedicite Dominus et ea quae conspecturi sunt Anonymous Appears on: 85v–86 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedicite Dominus et ea quae conspecturi sunt
85v–86	Benedicat dextera Christi	-	Anonymous
Benedicat dextera Christi Anonymous Appears on: 85v–86 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedicat dextera cristi
86v–87	Benedicite Dominus et ea quae conspecturi sunt	-	Anonymous
Benedicite Dominus et ea quae conspecturi sunt Anonymous Appears on: 86v–87 Genres: textless Voice: [no designation] Languages: Latin Voice Text: Benedicite Dominus et ea quae conspecturi sunt
87v–88	Ecce tu pulchra es amica mea	-	Anonymous
Ecce tu pulchra es amica mea Anonymous Appears on: 87v–88 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Ecce tu pulchra
88v–89	Ecce tu pulchra es amica mea	-	Anonymous
Ecce tu pulchra es amica mea Anonymous Appears on: 88v–89 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Ecce tu pulchra es amica mea
89v–90	Aquinoi porroi	-	Anonymous
Aquinoi porroi Anonymous Appears on: 89v–90 Genres: Secular Voice: [no designation] Languages: Italian Voice Text: Aquinoi porroi
90v–91	De ma dame = O pastor aeterne = O beata Maria filia Dei	-	Pullois, Johannes
De ma dame = O pastor aeterne = O beata Maria filia Dei Pullois, Johannes Appears on: 90v–91 Genres: Chanson, Contrafactum, Motet, Rondeau Voice: [no designation] Languages: Latin Voice Text: O beata Maria filia dei [= De ma dame] Concordances texted 'O beata Maria', with 'De madame' written at top of page 'De madame' in Tr.90 and Escorial IV.a.24 textless but labelled 'O pastor eterne' in Strahov
90v–91	Soror angelorum domina	-	Anonymous
Soror angelorum domina Anonymous Appears on: 90v–91 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Soror angelorum domina
91v–92	De ma dame = O pastor aeterne = O beata Maria filia Dei	-	Pullois, Johannes
De ma dame = O pastor aeterne = O beata Maria filia Dei Pullois, Johannes Appears on: 91v–92 Genres: Chanson, Contrafactum, Motet, Rondeau Voice: [no designation] Languages: Latin Voice Text: O beata Maria filia dei [= De ma dame]
92v–93	Pour toutes fleurs	-	Pullois, Johannes
Pour toutes fleurs Pullois, Johannes Appears on: 92v–93 Genres: Chanson Voice: [no designation] Languages: none Voice Text: Pour toutes fleurs (without text)
93v–94	O liplich	-	Anonymous
O liplich Anonymous Appears on: 93v–94 Genres: Song Voice: [no designation] Languages: none Voice Text: O liplich (without text)
94v–95	Je ne vis oncques la pareille de vous	-	Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?)
Je ne vis oncques la pareille de vous Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 94v–95 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Jene vis onques
95v–96	Amouis mon segnior	-	Anonymous
Amouis mon segnior Anonymous Appears on: 95v–96 Voice: [no designation] Languages: Italian Voice Text: Amouis mon segnior
96v–97	Que me fault	-	Anonymous
Que me fault Anonymous Appears on: 96v–97 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Que me fault
97v–98	Xilobalsamus	-	Anonymous
Xilobalsamus Anonymous Appears on: 97v–98 Genres: textless Voice: [no designation] Languages: none Voice Text: Xilobalsamus (without text)
98v–101	O florens rosa - 1a pars (of 3): O florens rosa mater Domini speciosa	-	Frye, Walter (–ca. 1475)
O florens rosa - 1a pars (of 3): O florens rosa mater Domini speciosa Frye, Walter (–ca. 1475) Appears on: 98v–101 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O florens rosa mater domini speciosa
98v–101	O florens rosa - 2a pars (of 3): Clarior aurora pro nobis	-	Frye, Walter (–ca. 1475)
O florens rosa - 2a pars (of 3): Clarior aurora pro nobis Frye, Walter (–ca. 1475) Appears on: 98v–101 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Clarior aurora pro nobis
98v–101	O florens rosa - 3a pars (of 3): Ut simus digni	-	Frye, Walter (–ca. 1475)
O florens rosa - 3a pars (of 3): Ut simus digni Frye, Walter (–ca. 1475) Appears on: 98v–101 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ut simus digni
101v–103	O florens rosa mater Domini speciosa	-	Frye, Walter (–ca. 1475)
O florens rosa mater Domini speciosa Frye, Walter (–ca. 1475) Appears on: 101v–103 Genres: Marian antiphon Voice: [no designation] Languages: Latin Voice Text: O florens rosa mater domini speciosa
103v–105	Se je fais deuil	-	Rouge, Guillaume le
Se je fais deuil Rouge, Guillaume le Appears on: 103v–105 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Si ie fais duel
105v–106	Du desir que tant	-	Anonymous
Du desir que tant Anonymous Appears on: 105v–106 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Du desir que tant
106v–107	Se vous ne manen	-	Anonymous
Se vous ne manen Anonymous Appears on: 106v–107 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Se vous ne manen
107v–108	Ach Scheiden bitter ist	-	Anonymous
Ach Scheiden bitter ist Anonymous Appears on: 107v–108 Genres: Song Voice: [no designation] Languages: German Voice Text: Ach scheyden bitter ist General Note 5 verses
108v–109	Ach Gott, was meint	-	Anonymous
Ach Gott, was meint Anonymous Appears on: 108v–109 Genres: Song Voice: [no designation] Languages: German Voice Text: Ach got was maynt General Note 3 verses
109v–110	Aus far ich hin	-	Anonymous
Aus far ich hin Anonymous Appears on: 109v–110 Genres: Song Voice: [no designation] Languages: German Voice Text: Aus far ich hin General Note Akrostichon: ANNA 4 verses
110v–112	Mein gemüt das wüt	-	Anonymous
Mein gemüt das wüt Anonymous Appears on: 110v–112 Genres: Song Voice: [no designation] Languages: German Voice Text: Mein gemüt das wüt
112v–113	Helas mon tetin = O beatissima	-	Anonymous
Helas mon tetin = O beatissima Anonymous Appears on: 112v–113 Genres: Chanson, Contrafactum Voice: [no designation] Languages: Latin Voice Text: O beatissima [= Helas mon tetin]
114–115	Kein Fröd mag ich	-	Anonymous
Kein Fröd mag ich Anonymous Appears on: 114–115 Genres: Song Voice: [no designation] Languages: German Voice Text: Kayn fröd mag ich General Note 3 verses
115v–116	O czeit wi schnel	-	Anonymous
O czeit wi schnel Anonymous Appears on: 115v–116 Genres: Song Voice: [no designation] Languages: German Voice Text: O czeit wi schnel General Note 5 verses
116v–117	In lib ist mir mein hercz bekliben	-	Anonymous
In lib ist mir mein hercz bekliben Anonymous Appears on: 116v–117 Genres: Song Voice: [no designation] Languages: German Voice Text: In lib ist mir mein hercz bekliben General Note 5 verses
117v–118	Dass ich dich lieb	-	Anonymous
Dass ich dich lieb Anonymous Appears on: 117v–118 Genres: Song Voice: [no designation] Languages: German Voice Text: Das ich dich lib General Note 3 verses
118v–119	Der Mai und auch die Sommerzeit	-	Anonymous
Der Mai und auch die Sommerzeit Anonymous Appears on: 118v–119 Genres: Song Voice: [no designation] Languages: German Voice Text: Der mey und auch die sumer czeit General Note 2 verses
119v–121	Ach Gott ich klag	-	Nodler, Wencz
Ach Gott ich klag Nodler, Wencz Appears on: 119v–121 Genres: Song Voice: [no designation] Languages: German Voice Text: Ach got ich klag General Note 3 verses
121	Ave regina caelorum	-	Anonymous
Ave regina caelorum Anonymous Appears on: 121 Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum General Note 5 verses
121v–122	Ave regina caelorum - 1a pars (of 2): Ave regina caelorum mater	-	Anonymous
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum mater Anonymous Appears on: 121v–122 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum mater
121v–122	Ave regina caelorum - 2a pars (of 2): Funde preces ad filium	-	Anonymous
Ave regina caelorum - 2a pars (of 2): Funde preces ad filium Anonymous Appears on: 121v–122 Genres: Song Voice: [no designation] Languages: Latin Voice Text: Funde preces ad filium
122v–123	Celebris hic dies agitur = Le serviteur infortuné	-	Anonymous
Celebris hic dies agitur = Le serviteur infortuné Anonymous Appears on: 122v–123 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Celebris hic dies agitur [= Le serviteur infortuné]
123v–125	Beata Dei genitrix Maria	-	Lassus, Orlande de (ca. 1532–1594)
Beata Dei genitrix Maria Lassus, Orlande de (ca. 1532–1594) Appears on: 123v–125 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beata dei genitrix Maria
125v–126	Was in den augen	-	Anonymous
Was in den augen Anonymous Appears on: 125v–126 Genres: Song Voice: [no designation] Languages: German Voice Text: Was in den augen General Note 3 verses
126v–127	Der Mai ist hin	Der Mai ist hin	Anonymous
Der Mai ist hin Anonymous Appears on: 126v–127 Genres: Song Source Attribution: Der Mai ist hin Voice: [no designation] Languages: German Voice Text: Der mey ist hin
127v–129	O winter kalt	-	Anonymous
O winter kalt Anonymous Appears on: 127v–129 Genres: Song Voice: [no designation] Languages: German Voice Text: O winter kalt General Note 3 verses
129v–130	Adest finis mestitiae / Zu aller Zeit	Zu aller Zeit	Anonymous
Adest finis mestitiae / Zu aller Zeit Anonymous Appears on: 129v–130 Genres: Cantio Source Attribution: Zu aller Zeit Voice: [no designation] Languages: German Voice Text: Zu aller zeit General Note 3 verses
131	Carmina ytalica utilia pro coreis	-	Anonymous
Carmina ytalica utilia pro coreis Anonymous Appears on: 131 Genres: Song Voice: [no designation] Languages: Latin Voice Text: Carmina ytalica utilia pro coreis General Note 2 tenors without text
131v–132	untexted	-	-
untexted Appears on: 131v–132 Voice: [no designation] Languages: none Voice Text: (Without text)
132v–133	Wunschliche Schöne	-	Anonymous
Wunschliche Schöne Anonymous Appears on: 132v–133 Genres: Song Voice: [no designation] Languages: German Voice Text: Wunsliche schone
133v–134	Ich freu mich sere der wiederfart	-	Anonymous
Ich freu mich sere der wiederfart Anonymous Appears on: 133v–134 Genres: Song Voice: [no designation] Languages: none Voice Text: Ich freu mich sere der wiederfart (without text)
134v–135	O plasmator summe Deus = Seit ich dich herzlieb	Seit ich dich hercz lib leiden muss	Anonymous
O plasmator summe Deus = Seit ich dich herzlieb Anonymous Appears on: 134v–135 Genres: Contrafactum Source Attribution: Seit ich dich hercz lib leiden muss Voice: [no designation] Languages: German Voice Text: Seit ich dich hercz lib General Note 3 verses Concordances This is NOT the same piece as the similarly-titled one at Seville 5-1-43, f. 110v-111r
135v–136	In Feuers hitz	In feurs hytz	Anonymous
In Feuers hitz Anonymous Appears on: 135v–136 Genres: Lied Source Attribution: In feurs hytz Voice: [no designation] Languages: German Voice Text: In feurs hytz General Note 3 verses
136v–137	Der voglein art	-	Anonymous
Der voglein art Anonymous Appears on: 136v–137 Genres: Song Voice: [no designation] Languages: German Voice Text: Der voglein art General Note 3 verses
137v–138	Ich freu mich ser zu der ich ker	-	Anonymous
Ich freu mich ser zu der ich ker Anonymous Appears on: 137v–138 Genres: Song Voice: [no designation] Languages: German Voice Text: Ich freu mich ser zu der ich ker
138v–140	Se hin mein hercz	-	Anonymous
Se hin mein hercz Anonymous Appears on: 138v–140 Genres: Song Voice: [no designation] Languages: German Voice Text: Se hin mein hercz General Note 3 verses
140v–141	O wie gern und doch (= O preclare Barbarae)	-	Anonymous
O wie gern und doch (= O preclare Barbarae) Anonymous Appears on: 140v–141 Genres: Song Voice: [no designation] Languages: German Voice Text: O wie gern und doch General Note 3 verses
141v–142	Es ist kein schercz	-	Anonymous
Es ist kein schercz Anonymous Appears on: 141v–142 Genres: Song Voice: [no designation] Languages: German Voice Text: Es ist kein schercz General Note 3 verses
142v–143	Was mir in frewden	-	Anonymous
Was mir in frewden Anonymous Appears on: 142v–143 Genres: Song Voice: [no designation] Languages: German Voice Text: Was mir in frewden General Note 3 verses
143v–144	Beata Dei genitrix Maria	Zärtlich geschont lieblich	Anonymous
Beata Dei genitrix Maria Anonymous Appears on: 143v–144 Genres: Marian antiphon Source Attribution: Zärtlich geschont lieblich Voice: [no designation] Languages: German Voice Text: Zertlich geschont liplich General Note 3 verses
145	Ach Gott wem soll ichs klagen das heimliche leiden	-	Anonymous
Ach Gott wem soll ichs klagen das heimliche leiden Anonymous Appears on: 145 Genres: Song Voice: [no designation] Languages: German Voice Text: Ach got wem sol ich clagen General Note 5 verses
146	Es ist ein schne	-	Anonymous
Es ist ein schne Anonymous Appears on: 146 Genres: Song Voice: [no designation] Languages: German Voice Text: Es ist ein schne General Note 6 verses
146v	Mein hercz ist mir betrubet	-	Anonymous
Mein hercz ist mir betrubet Anonymous Appears on: 146v Genres: Song Voice: [no designation] Languages: German Voice Text: Mein hercz ist mir betrubet General Note 5 verses
147	Ein schwarzes rusiges Dirnelein	-	Anonymous
Ein schwarzes rusiges Dirnelein Anonymous Appears on: 147 Genres: Song Voice: [no designation] Languages: German Voice Text: Ein swarczes rusiges dirnelein General Note 3 verses
147v–148	Liep han und selden	-	Anonymous
Liep han und selden Anonymous Appears on: 147v–148 Genres: Song Voice: [no designation] Languages: German Voice Text: Liep han und selden General Note 7 verses
148v	O lib wie suss [ii]	-	Anonymous
O lib wie suss [ii] Anonymous Appears on: 148v Genres: Song Voice: [no designation] Languages: German Voice Text: O lib wie suss General Note 5 verses
149	Kund ich der reynan	-	Anonymous
Kund ich der reynan Anonymous Appears on: 149 Genres: Song Voice: [no designation] Languages: German Voice Text: Kund ich der reynan General Note 4 verses
149v–150	Gnad lip ich far	-	Anonymous
Gnad lip ich far Anonymous Appears on: 149v–150 Genres: Song Voice: [no designation] Languages: German Voice Text: Gnad lip ich far General Note 7 verses
150v	Wohl hin es schol gescheiden	-	Anonymous
Wohl hin es schol gescheiden Anonymous Appears on: 150v Genres: Song Voice: [no designation] Languages: German Voice Text: Wol hin es schol gescheiden General Note 2 verses
151	Es leit mir hart	-	Anonymous
Es leit mir hart Anonymous Appears on: 151 Genres: Song Voice: [no designation] Languages: German Voice Text: Es leit mir hart General Note 5 verses
152	Ach meiden du vil sendepein	-	Anonymous
Ach meiden du vil sendepein Anonymous Appears on: 152 Genres: Song Voice: [no designation] Languages: German Voice Text: Ach meiden du vil sendepein General Note 2 verses
153	Der Mai mit seinem Schalle	-	Anonymous
Der Mai mit seinem Schalle Anonymous Appears on: 153 Genres: Song Voice: [no designation] Languages: German Voice Text: Der mey mit seynem schalle General Note 3 verses
161v–162	So so mein liebste zartt	-	Anonymous
So so mein liebste zartt Anonymous Appears on: 161v–162 Genres: Song Voice: [no designation] Languages: German Voice Text: So so mein liebste zartt
153v	Die ich in meynem synne	-	Anonymous
Die ich in meynem synne Anonymous Appears on: 153v Genres: Song Voice: [no designation] Languages: German Voice Text: Die ich in meynem synne General Note 4 verses
154–155	Elend hat mich umfangen	-	Anonymous
Elend hat mich umfangen Anonymous Appears on: 154–155 Genres: Song Voice: [no designation] Languages: German Voice Text: Elend hat mich umb fangen General Note 13 verses
155v	Ein weiplich bild	-	Anonymous
Ein weiplich bild Anonymous Appears on: 155v Genres: Song Voice: [no designation] Languages: German Voice Text: Ein weiplich bild General Note 5 verses
156	Blass abe den hunden	-	Anonymous
Blass abe den hunden Anonymous Appears on: 156 Genres: Song Voice: [no designation] Languages: German Voice Text: Blass abe den hunden General Note 3 verses
156v–157	All mein Begier	-	Anonymous
All mein Begier Anonymous Appears on: 156v–157 Genres: Song Voice: [no designation] Languages: German Voice Text: All mein pegir General Note 3 verses
169v	Awe meins pleiben	-	Anonymous
Awe meins pleiben Anonymous Appears on: 169v Genres: Song Voice: [no designation] Languages: German Voice Text: Awe meins pleiben General Note 3 verses
159v–160	Man singt und sagt	-	Anonymous
Man singt und sagt Anonymous Appears on: 159v–160 Genres: Song Voice: [no designation] Languages: German Voice Text: Man singt und sagt General Note 8 verses. Acrostic: MAGDALENa
160	Owe wie gehn	-	Anonymous
Owe wie gehn Anonymous Appears on: 160 Genres: Song Voice: [no designation] Languages: German Voice Text: Owe wie gehn General Note 3 verses
163v–164	Es taget vor dem Walde	-	Anonymous
Es taget vor dem Walde Anonymous Appears on: 163v–164 Genres: Song Voice: [no designation] Languages: German Voice Text: Es taget vor dem Walde General Note (Textless)
164v–166	Ein Fräulein fein	-	Anonymous
Ein Fräulein fein Anonymous Appears on: 164v–166 Genres: Song Voice: [no designation] Languages: German Voice Text: Ein frewlein fein General Note 3 verses. Signature above text: JCA
168v	O reiserey du hartte	-	Anonymous
O reiserey du hartte Anonymous Appears on: 168v Genres: Song Voice: [no designation] Languages: German Voice Text: O reiserey du hartte General Note 2 verses
168v–169	Was ich selb viert	-	Anonymous
Was ich selb viert Anonymous Appears on: 168v–169 Genres: Song Voice: [no designation] Languages: German Voice Text: Was ich selb viert General Note 5 verses

Composer	Compositions
Anonymous	Ach Gott wem soll ichs klagen das heimliche leiden – 145 Ach Gott, was meint – 108v–109 Ach Scheiden bitter ist – 107v–108 Ach meiden du vil sendepein – 152 Ach scheiden wie gar wetrubstu – 60v–61 Adest finis mestitiae / Zu aller Zeit – 129v–130 All mein Begier – 156v–157 Amouis mon segnior – 95v–96 Aquinoi porroi – 89v–90 Aus far ich hin – 109v–110 Ave regina caelorum – 121 Ave regina caelorum - 1a pars (of 2): Ave regina caelorum mater – 121v–122 Ave regina caelorum - 2a pars (of 2): Funde preces ad filium – 121v–122 Awe meins pleiben – 169v Ay lasso me – 39v–41 Beata Dei genitrix Maria – 143v–144 Begib nich nit – 32v–33 Bei wunnicklichem scherczen – 56v–57 Benedicat dextera Christi – 85v–86 Benedicite Dominus et ea quae conspecturi sunt – 85v–86 Benedicite Dominus et ea quae conspecturi sunt – 86v–87 Blass abe den hunden – 156 Carmina ytalica utilia pro coreis – 131 Celebris hic dies agitur = Le serviteur infortuné – 122v–123 Das leppisch gut – 36v–37 Dass ich dich lieb – 117v–118 Der Mai ist hin – 126v–127 Der Mai mit seinem Schalle – 153 Der Mai und auch die Sommerzeit – 118v–119 Der Sommer hat sich – 8v–9 Der schönsten zu gefallen – 1v–2 Der voglein art – 136v–137 Die Blümlein – 5v–6 Die ich in meynem synne – 153v Du desir que tant – 105v–106 Durch dich ich all mein Zeit – 10v–11 Ecce tu pulchra es amica mea – 87v–88 Ecce tu pulchra es amica mea – 88v–89 Ein Fräulein fein – 164v–166 Ein Lieb hat ich mir – 7v–8 Ein schwarzes rusiges Dirnelein – 147 Ein weiplich bild – 155v Elend hat mich umfangen – 154–155 Er het mein lib – 65v–66 Es ist ein schne – 146 Es ist kein schercz – 141v–142 Es leit mir hart – 151 Es taget vor dem Walde – 163v–164 Gedenk dir an du werdes ein – 55v–56 Gnad lip ich far – 149v–150 Gratissimum Dei templum – 16v–18 Gross senen ich im herczen – 57v–58 Haultain treser – 64v–65 Helas mon tetin = O beatissima – 112v–113 Hercz liplich lip – 12v Hubsch czertlich – 18v–19 Hubsch czertlich feyn – 3v–4 Ich clag dir frau – 58v–59 Ich freu mich ser zu der ich ker – 137v–138 Ich freu mich sere der wiederfart – 133v–134 Ich hoff und hab – 34v–35 Ich las nicht ab – 21v–22 In Feuers hitz – 135v–136 In hoffenung thu ich – 2v–3 In lib ist mir mein hercz bekliben – 116v–117 In lieb ist mir mein Herz inzund – 9v–10 In süsser Wonne – 4v–5 Kein Fröd mag ich – 114–115 Kund ich der reynan – 149 Kömm mir ein Trost – 28v–30 Lib ist leides – 49v–50 Liep han und selden – 147v–148 Magnificat primi toni [K.187] – 73v–75 Man singt und sagt – 159v–160 Mein gemüt das wüt – 110v–112 Mein hercz in hohen Freuden – 26v–28 Mein hercz in steten – 30v–31 Mein hercz ist gancz – 33v–34 Mein hercz ist mir betrubet – 146v Mein hercz ist mir gemenget – 53v–54 Meyn hercz ist mir umbegen – 20v–21 Mir ist czustort – 52v–53 O czeit wi schnel – 115v–116 O florida roscida gemmea stella [i] – 50v–51 O florida roscida gemmea stella [ii] – 51v–52 O hertiglich verlangen – 59v–60 O intemerata castitas = Videte videte Quia ego sum solus – 16v–18 O lib wie suss [ii] – 148v O lib wie süss [i] – 31v–32 O liplich – 93v–94 O plasmator summe Deus = Seit ich dich herzlieb – 134v–135 O reiserey du hartte – 168v O rosa bella – 39v–41 O sacrum convivium = Alas alas alas = Helas tres – 78v–79 O wie gern und doch (= O preclare Barbarae) – 140v–141 O winter kalt – 127v–129 Owe wie gehn – 160 Puisque je vis le regard gratieux – 41v–42 Puisque je vis le regard gratieux – 45v–46 Que me fault – 96v–97 Recht girlich gir – 13v–14 Sancta Maria virgo intercede pro toto = Tresorerie de plaisir – 83v–84 Se hin mein hercz – 138v–140 Se vous ne manen – 106v–107 Sela venture – 75v–76 Senlich thut sich verlangen – 6v–7 Si j'ai votre grace requise – 42v–43 So so mein liebste zartt – 161v–162 Soror angelorum domina – 90v–91 Surtantes – 77v–78 Tant me desplet – 70v–71 Tresoriere de plaisir amoureux – 82v–83 Verlossne treu teglich neu – 35v–36 Vox dilecti mei Felix porta paradisi – 67v–68 Vox dilecti mei Felix porta paradisi – 68v–69 Was ich selb viert – 168v–169 Was in den augen – 125v–126 Was mir in frewden – 142v–143 Wohl hin es schol gescheiden – 150v Wunschliche Schöne – 132v–133 Xilobalsamus – 97v–98 [No description] – 76v–77 [No description] – 61v–62 [No description] – 131v–132
Barbingant, Pierre (fl. c1445-60)	Ave virgo speciosa = Der Pfauenschwanz = O quam clara testimonia – 43v–44
Bedingham, John (–ca. 1460)	Fortune helas (= Gentil madona) – 48v–49 Mon seul plaisir, ma douce joie – 22c–23
Binchois, Gilles (ca. 1400–1460)	(?) Je ne vis oncques la pareille de vous – 94v–95
Brouck, Jacob de	Entrepris suis par grant – 14v–16
Busnoys, Antoine (ca. 1430–1492)	(?) untexted – 71v–72
Du Fay, Guillaume (1397–1474)	Candida virginitas paradisi cara colonis – 69v–70 (?) Je ne vis oncques la pareille de vous – 94v–95 (?) Mon seul plaisir, ma douce joie – 22c–23 Se la face ay pale – 69v–70
Frye, Walter (–ca. 1475)	Ave regina caelorum I – 37v–39 O florens rosa - 1a pars (of 3): O florens rosa mater Domini speciosa – 98v–101 O florens rosa - 2a pars (of 3): Clarior aurora pro nobis – 98v–101 O florens rosa - 3a pars (of 3): Ut simus digni – 98v–101 O florens rosa mater Domini speciosa – 101v–103 O sacrum convivium (= Alas alas alas) – 80v–82 Trinitatis dies promittitur – 72v–73
Lantins, Hugo de (fl. 1420-30)	(?) O pulcherrima mulierum – 80v–82
Lassus, Orlande de (ca. 1532–1594)	Beata Dei genitrix Maria – 123v–125
Morton, Robert	(?) Elend du hast umfangen – 11v–12
Nodler, Wencz	Ach Gott ich klag – 119v–121
Ockeghem, Jean de (ca. 1410–1497)	Ma bouche rit et ma pensée pleure – 62v–64
Plummer, John (ca. 1410–ca. 1484)	(?) O pulcherrima mulierum surge propera – 79v–80
Pullois, Johannes	De ma dame = O pastor aeterne = O beata Maria filia Dei – 91v–92 De ma dame = O pastor aeterne = O beata Maria filia Dei – 80v–81r De ma dame = O pastor aeterne = O beata Maria filia Dei – 90v–91 Pour prison – 84v–85 Pour toutes fleurs – 92v–93
Rouge, Guillaume le	Se je fais deuil – 103v–105
Seam, Walterus	Die vasenacht tut her nahen – 54v–55 Nu leid und meid – 23v–24
Touront, Johannes (ca. 1450–ca. 1475)	O florens rosa mater Domini speciosa – 25 O florens rosa mater Domini speciosa – 25v–26 Virgo restauratrix mundique – 46v–48 untexted – 66v–67 untexted – 44v–45
Walter, Johann (1496–1570)	(?) Ich het mir auserwelet – 19v–20

Composition	Composers (? Uncertain)	Folios / Pages
Ach Gott ich klag	Nodler, Wencz	119v–121
Ach Gott wem soll ichs klagen das heimliche leiden	Anonymous	145
Ach Gott, was meint	Anonymous	108v–109
Ach meiden du vil sendepein	Anonymous	152
Ach Scheiden bitter ist	Anonymous	107v–108
Ach scheiden wie gar wetrubstu	Anonymous	60v–61
Adest finis mestitiae / Zu aller Zeit	Anonymous	129v–130
All mein Begier	Anonymous	156v–157
Amouis mon segnior	Anonymous	95v–96
Aquinoi porroi	Anonymous	89v–90
Aus far ich hin	Anonymous	109v–110
Ave regina caelorum	Anonymous	121
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum mater	Anonymous	121v–122
Ave regina caelorum - 2a pars (of 2): Funde preces ad filium	Anonymous	121v–122
Ave regina caelorum I	Frye, Walter (–ca. 1475)	37v–39
Ave virgo speciosa = Der Pfauenschwanz = O quam clara testimonia	Barbingant, Pierre (fl. c1445-60)	43v–44
Awe meins pleiben	Anonymous	169v
Ay lasso me	Anonymous	39v–41
Beata Dei genitrix Maria	Lassus, Orlande de (ca. 1532–1594)	123v–125
Beata Dei genitrix Maria	Anonymous	143v–144
Begib nich nit	Anonymous	32v–33
Bei wunnicklichem scherczen	Anonymous	56v–57
Benedicat dextera Christi	Anonymous	85v–86
Benedicite Dominus et ea quae conspecturi sunt	Anonymous	85v–86
Benedicite Dominus et ea quae conspecturi sunt	Anonymous	86v–87
Blass abe den hunden	Anonymous	156
Candida virginitas paradisi cara colonis	Du Fay, Guillaume (1397–1474)	69v–70
Carmina ytalica utilia pro coreis	Anonymous	131
Celebris hic dies agitur = Le serviteur infortuné	Anonymous	122v–123
Das leppisch gut	Anonymous	36v–37
Dass ich dich lieb	Anonymous	117v–118
De ma dame = O pastor aeterne = O beata Maria filia Dei	Pullois, Johannes	80v–81r
De ma dame = O pastor aeterne = O beata Maria filia Dei	Pullois, Johannes	90v–91
De ma dame = O pastor aeterne = O beata Maria filia Dei	Pullois, Johannes	91v–92
Der Mai ist hin	Anonymous	126v–127
Der Mai mit seinem Schalle	Anonymous	153
Der Mai und auch die Sommerzeit	Anonymous	118v–119
Der schönsten zu gefallen	Anonymous	1v–2
Der Sommer hat sich	Anonymous	8v–9
Der voglein art	Anonymous	136v–137
Die Blümlein	Anonymous	5v–6
Die ich in meynem synne	Anonymous	153v
Die vasenacht tut her nahen	Seam, Walterus	54v–55
Du desir que tant	Anonymous	105v–106
Durch dich ich all mein Zeit	Anonymous	10v–11
Ecce tu pulchra es amica mea	Anonymous	87v–88
Ecce tu pulchra es amica mea	Anonymous	88v–89
Ein Fräulein fein	Anonymous	164v–166
Ein Lieb hat ich mir	Anonymous	7v–8
Ein schwarzes rusiges Dirnelein	Anonymous	147
Ein weiplich bild	Anonymous	155v
Elend du hast umfangen	Morton, Robert (?)	11v–12
Elend hat mich umfangen	Anonymous	154–155
Entrepris suis par grant	Brouck, Jacob de	14v–16
Er het mein lib	Anonymous	65v–66
Es ist ein schne	Anonymous	146
Es ist kein schercz	Anonymous	141v–142
Es leit mir hart	Anonymous	151
Es taget vor dem Walde	Anonymous	163v–164
Fortune helas (= Gentil madona)	Bedingham, John (–ca. 1460)	48v–49
Gedenk dir an du werdes ein	Anonymous	55v–56
Gnad lip ich far	Anonymous	149v–150
Gratissimum Dei templum	Anonymous	16v–18
Gross senen ich im herczen	Anonymous	57v–58
Haultain treser	Anonymous	64v–65
Helas mon tetin = O beatissima	Anonymous	112v–113
Hercz liplich lip	Anonymous	12v
Hubsch czertlich	Anonymous	18v–19
Hubsch czertlich feyn	Anonymous	3v–4
Ich clag dir frau	Anonymous	58v–59
Ich freu mich ser zu der ich ker	Anonymous	137v–138
Ich freu mich sere der wiederfart	Anonymous	133v–134
Ich het mir auserwelet	Walter, Johann (1496–1570) (?)	19v–20
Ich hoff und hab	Anonymous	34v–35
Ich las nicht ab	Anonymous	21v–22
In Feuers hitz	Anonymous	135v–136
In hoffenung thu ich	Anonymous	2v–3
In lib ist mir mein hercz bekliben	Anonymous	116v–117
In lieb ist mir mein Herz inzund	Anonymous	9v–10
In süsser Wonne	Anonymous	4v–5
Je ne vis oncques la pareille de vous	Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?)	94v–95
Kein Fröd mag ich	Anonymous	114–115
Kund ich der reynan	Anonymous	149
Kömm mir ein Trost	Anonymous	28v–30
Lib ist leides	Anonymous	49v–50
Liep han und selden	Anonymous	147v–148
Ma bouche rit et ma pensée pleure	Ockeghem, Jean de (ca. 1410–1497)	62v–64
Magnificat primi toni [K.187]	Anonymous	73v–75
Man singt und sagt	Anonymous	159v–160
Mein gemüt das wüt	Anonymous	110v–112
Mein hercz in hohen Freuden	Anonymous	26v–28
Mein hercz in steten	Anonymous	30v–31
Mein hercz ist gancz	Anonymous	33v–34
Mein hercz ist mir betrubet	Anonymous	146v
Mein hercz ist mir gemenget	Anonymous	53v–54
Meyn hercz ist mir umbegen	Anonymous	20v–21
Mir ist czustort	Anonymous	52v–53
Mon seul plaisir, ma douce joie	Bedingham, John (–ca. 1460) Du Fay, Guillaume (1397–1474) (?)	22c–23
Nu leid und meid	Seam, Walterus	23v–24
O czeit wi schnel	Anonymous	115v–116
O florens rosa - 1a pars (of 3): O florens rosa mater Domini speciosa	Frye, Walter (–ca. 1475)	98v–101
O florens rosa - 2a pars (of 3): Clarior aurora pro nobis	Frye, Walter (–ca. 1475)	98v–101
O florens rosa - 3a pars (of 3): Ut simus digni	Frye, Walter (–ca. 1475)	98v–101
O florens rosa mater Domini speciosa	Touront, Johannes (ca. 1450–ca. 1475)	25
O florens rosa mater Domini speciosa	Touront, Johannes (ca. 1450–ca. 1475)	25v–26
O florens rosa mater Domini speciosa	Frye, Walter (–ca. 1475)	101v–103
O florida roscida gemmea stella [i]	Anonymous	50v–51
O florida roscida gemmea stella [ii]	Anonymous	51v–52
O hertiglich verlangen	Anonymous	59v–60
O intemerata castitas = Videte videte Quia ego sum solus	Anonymous	16v–18
O lib wie suss [ii]	Anonymous	148v
O lib wie süss [i]	Anonymous	31v–32
O liplich	Anonymous	93v–94
O plasmator summe Deus = Seit ich dich herzlieb	Anonymous	134v–135
O pulcherrima mulierum	Lantins, Hugo de (fl. 1420-30) (?)	80v–82
O pulcherrima mulierum surge propera	Plummer, John (ca. 1410–ca. 1484) (?)	79v–80
O reiserey du hartte	Anonymous	168v
O rosa bella	Anonymous	39v–41
O sacrum convivium (= Alas alas alas)	Frye, Walter (–ca. 1475)	80v–82
O sacrum convivium = Alas alas alas = Helas tres	Anonymous	78v–79
O wie gern und doch (= O preclare Barbarae)	Anonymous	140v–141
O winter kalt	Anonymous	127v–129
Owe wie gehn	Anonymous	160
Pour prison	Pullois, Johannes	84v–85
Pour toutes fleurs	Pullois, Johannes	92v–93
Puisque je vis le regard gratieux	Anonymous	41v–42
Puisque je vis le regard gratieux	Anonymous	45v–46
Que me fault	Anonymous	96v–97
Recht girlich gir	Anonymous	13v–14
Sancta Maria virgo intercede pro toto = Tresorerie de plaisir	Anonymous	83v–84
Se hin mein hercz	Anonymous	138v–140
Se je fais deuil	Rouge, Guillaume le	103v–105
Se la face ay pale	Du Fay, Guillaume (1397–1474)	69v–70
Se vous ne manen	Anonymous	106v–107
Sela venture	Anonymous	75v–76
Senlich thut sich verlangen	Anonymous	6v–7
Si j'ai votre grace requise	Anonymous	42v–43
So so mein liebste zartt	Anonymous	161v–162
Soror angelorum domina	Anonymous	90v–91
Surtantes	Anonymous	77v–78
Tant me desplet	Anonymous	70v–71
Tresoriere de plaisir amoureux	-	82v–83
Trinitatis dies promittitur	Frye, Walter (–ca. 1475)	72v–73
untexted	Touront, Johannes (ca. 1450–ca. 1475)	44v–45
untexted	Touront, Johannes (ca. 1450–ca. 1475)	66v–67
untexted	Busnoys, Antoine (ca. 1430–1492) (?)	71v–72
Verlossne treu teglich neu	Anonymous	35v–36
Virgo restauratrix mundique	Touront, Johannes (ca. 1450–ca. 1475)	46v–48
Vox dilecti mei Felix porta paradisi	Anonymous	67v–68
Vox dilecti mei Felix porta paradisi	Anonymous	68v–69
Was ich selb viert	Anonymous	168v–169
Was in den augen	Anonymous	125v–126
Was mir in frewden	Anonymous	142v–143
Wohl hin es schol gescheiden	Anonymous	150v
Wunschliche Schöne	Anonymous	132v–133
Xilobalsamus	Anonymous	97v–98

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‡ denotes primary source study

Kirnbauer, Martin. 2001. Hartmann Schedel und sein “Liederbuch”. Bern.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus. Kassel, Basel, and London.

Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance. New York. Pages: xxiii,xxviii-xxix,95-101. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: I, 15; II, 165, 311ff, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Fallows, David. 1978. Robert Morton's Songs: A Study in Styles in the Mid-Fifteenth Century. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 384, 401ff, 490-1. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Wackernagel, Bettina (editor). 1978. Das Liederbuch des Dr. Hartmann Schedel: Faksimile. Das Erbe deutscher Musik. Kassel.

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I, 164ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Birmingham, Hugh Myers, Jr. 1973. Schedel's Song Book and Its Role in the Development of the German Tenor Song. Indiana University, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances (partial); inventory; transcription (partial); texts (partial); mention of MS; discussion.

Apel, Willi. 1972. The History of Keyboard Music to 1700. Bloomington, Indiana. Pages: 63-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Schmalz, Robert F, II. 1971. Selected Fifteenth Century Polyphonic Mass Ordinaries Based Upon Pre-existent German Material. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 77, 84-6, 125. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Feurich, Hans-Jürgen. 1970. Die deutschen weltlichen Lieder der Glogauer Handschrift (ca. 1470). Neue Musikgeschichtliche Forschungen. Wiesbaden. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 84, passim. Notes: physical description (partial); contents list (partial); concordances (partial).

Crane, Frederick. 1968. Materials for the Study of the Fifteenth Century Basse Danse. Musicological Studies. Brooklyn: Institute of Mediaeval Music. Pages: 5, 25, 84-5, 103, 105. Notes: physical description (partial); contents list (partial); transcription (partial).

Bezzel, Irmgard. 1967. Bayerische Staatsbibliothek München Bibliotheksführer: Geschichte und Bestände. Munich. Pages: 73. Notes: facsimile (partial).

Osthoff, Helmuth. 1967. Die Niederländer und das deutsche Lied (1400-1640). Tutzing. Pages: 38-43. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 150. Notes: contents list (partial); incipits (partial).

Kenney, Sylvia W. 1964. Walter Frye and the Contenance Angloise. New Haven and London. Pages: 18, 62-7, 70-87, 149. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Kenney, Sylvia W (editor). 1960. Walter Frye: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: vii, ix-xii, 8-9, 20. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Pages: 67, 72-3, 78, 81, 86. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae. Rome: American Institute of Musicology. Pages: V, xxi, 74-6. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Meier, Bernhard (editor). 1954-7. Jacobi Barbireau: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, ii, 9-10. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Salmen, Walter. 1951. Das Lochamer Liederbuch: Eine musikgeschichtliche Studie. Leipzig. Pages: 14, 26. Notes: physical description (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II, 1338; XI, 1609-12, Tafel 79. Notes: physical description; facsimile (partial).

Kirnbauer, Martin. 1949-79. Schedelsches Liederbuch. Die Musik in Geschichte und Gegenwart, 2nd Edition (Sachteil), col.1050-1053. Pages: Sachteil 8;1050-53.

Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: 136-7. Notes: facsimile (partial); mention of MS; discussion.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXXIV-LXXV, LXXXIV, LXXXVI,347,355ff. Notes: physical description; contents list; concordances; texts; facsimile; discussion.

Rosenberg, Herbert. 1933. Das Schedel'sche Liederbuch. Kassel. Notes: transcription (partial).

Rosenberg, Herbert. 1931. Übertragungen einiger bisher nicht aufgelöster Melodienotierungen des Locheimer Liederbuchs. Zeitschrift für Musikwissenschaft, 67-88. Pages: 67-78. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Schering, Arnold. 1914. Studien zur Musikgeschichte der Frührenaissance. Leipzig. Pages: 18, 96-7, 187. Notes: contents list (partial); facsimile (partial).

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen. Munich. Pages: 125-30. Notes: physical description; contents list (partial); concordances (partial).

Eitner, Robert. 1876-80. Das deutsche Lied des XV. und XVI. Jahrhunderts. Berlin. Pages: I, xiv; II, frontispiece, 1-166. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

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DIAMM, 2016

Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description