A Bassus partbook of a set originally of six volumes. Copied and compiled by the humanist and schoolmaster Clemens Hör (d. 1572). Copied in Saint Gall.
| Archive | Zentralbibliothek, Zurich, Switzerland (CH-Zz) |
|---|---|
| Shelfmark | Car.V.169d |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Pagination |
| Measurements | 104 x 158 mm |
| Other Identifiers |
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| Copyists | |
| Relationships |
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| Provenance |
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| Contents | Contains 26 compositions, 20 from 6 composers, 6 are anonymous. |
General Description
Binding
Original covers of brown leather over cardboard, tooled in gold with ornamental designs.
Watermark
castle? (only fragments visible).
Notation
not indicated
Dedication
preface at beginning of T book includes dedication to Hör's friend, Johannes Fries, of Zürich
Ruling
Staff height 12
Foliation
Original ink pagination in each book.
Decoration
Small inked initials in red and black; some titles and text in red ink; voice designations at beginning of each book have large calligraphic initials in red/black ink and gold leaf.
Index
Original indices on flyleaves at end of each book list pieces in order of appearance.
Surface
Paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 plenary Mass, 3 motets, 1 Latin/German sacred piece, 4 German secular pieces, 1 French secular piece = 10
A. Févin-1, Hör-1, Hör-Isaac-1, Lebrun-1, (Lemlin)-1, (Senil)-1, anon-4
4 paper partbooks of an original 6 (Dl-iv + 43 + xii folios, D2-i + 8 + vii, T-vii + 40 + vi, B-iv + 40 + vii), 104 x 158. Original ink pagination in each book. Original covers of brown leather over cardboard, tooled in gold with ornamental designs. Original indices on flyleaves at end of each book list pieces in order of appearance. Copied by Clemens Hör, named in dedicatory preface (see below). Staff height 12. Small inked initials in red and black; some titles and text in red ink; voice designations at beginning of each book have large calligraphic initials in red/black ink and gold leaf. Watermark: castle? (only fragments visible).
1552-3 (dates in manuscript). Copied in Saint Gall. Compiled by the humanist and schoolmaster Clemens Hör (d. 1572); preface at beginning of T book includes dedication to Hör's friend, Johannes Fries, of Zürich.
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Sets
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Car. V. 169 a-d
Partbooks · 4 sources
‡ denotes primary source study
Deutsches Musikgeschichtliches Archiv Kassel and Staatliches Institut für Musikforschung Preußischer Kulturbesitz Berlin (editor). 1983. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. Band 2: Handschriften. Catalogus Musicus, vol. X. Kassel, Basel, Tours, and London. Pages: 340-l. Notes: contents list (partial); incipits (partial).
Schuler, Manfred. 1979. Zur Überlieferung des 'Choralis Constantinus' von Heinrich Isaac. Archiv für Musikwissenschaft, 36: 68-76,146-54. Pages: 150. Notes: mention of MS.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xlv, 35, 80-1. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae, vol. 65. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, x. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Gottwald, Clytus. 1974. Die Musikhandschriften der Staats- und Stadtbibliothek Augsburg. Handschriftenkataloge der Staats- und Stadtbibliothek Augsburg, vol. I. Wiesbaden. Pages: 135. Notes: contents list (partial); concordances (partial).
Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 57. Notes: contents list (partial); concordances (partial).
Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 62, 87; II, 215. Notes: physical description (partial); contents list (partial); concordances (partial).
Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 110, 113. Notes: physical description (partial); contents list (partial); concordances (partial).
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV, 143, 152. Notes: physical description (partial); contents list (partial); concordances (partial).
Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, 6: . Pages: 194-6, 237-9. Notes: contents list; concordances (partial); mention of MS; discussion.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Dedication Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description