CH-Zz Car.V.169b

Zentralbibliothek, Zurich, Switzerland

partbook: 1552-3 (dates in manuscript)

Archive	Zentralbibliothek, Zurich, Switzerland (CH-Zz)
Shelfmark	Car.V.169b
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Pagination
Measurements	104 x 158 mm
Other Identifiers	CCM: ZurZ 169
Copyists	Hör, Clemens (ca. 1515–1572) Music
Relationships	Fries, Johannes (dedicatee) Hör, Clemens (ca. 1515–1572) (compiler)
Provenance	Saint Gall (Sankt Gallen), Switzerland
Contents	26 pieces from 7 composers

General Description

A Discantus II partbook of a set originally of six volumes. Copied and compiled by the humanist and schoolmaster Clemens Hör (d. 1572). Copied in Saint Gall.

DIAMM, 2017

Binding

Original covers of brown leather over cardboard, tooled in gold with ornamental designs.

DIAMM, 2017

Watermark

castle? (only fragments visible).

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Dedication

preface at beginning of T book includes dedication to Hör's friend, Johannes Fries, of Zürich

DIAMM, 2017

Ruling

Staff height 12

DIAMM, 2017

Foliation

Original ink pagination in each book.

DIAMM, 2017

Decoration

Small inked initials in red and black; some titles and text in red ink; voice designations at beginning of each book have large calligraphic initials in red/black ink and gold leaf.

DIAMM, 2017

Index

Original indices on flyleaves at end of each book list pieces in order of appearance.

DIAMM, 2017

Surface

Paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 plenary Mass, 3 motets, 1 Latin/German sacred piece, 4 German secular pieces, 1 French secular piece = 10

A. Févin-1, Hör-1, Hör-Isaac-1, Lebrun-1, (Lemlin)-1, (Senil)-1, anon-4

4 paper partbooks of an original 6 (Dl-iv + 43 + xii folios, D2-i + 8 + vii, T-vii + 40 + vi, B-iv + 40 + vii), 104 x 158. Original ink pagination in each book. Original covers of brown leather over cardboard, tooled in gold with ornamental designs. Original indices on flyleaves at end of each book list pieces in order of appearance. Copied by Clemens Hör, named in dedicatory preface (see below). Staff height 12. Small inked initials in red and black; some titles and text in red ink; voice designations at beginning of each book have large calligraphic initials in red/black ink and gold leaf. Watermark: castle? (only fragments visible).

1552-3 (dates in manuscript). Copied in Saint Gall. Compiled by the humanist and schoolmaster Clemens Hör (d. 1572); preface at beginning of T book includes dedication to Hör's friend, Johannes Fries, of Zürich.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–2, 4-5	Resurrexi (6vv) Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti	Hain: Isac	Isaac, Heinrich (ca. 1450–1517)
Resurrexi (6vv) Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti Isaac, Heinrich (ca. 1450–1517) Appears on: 1–2, 4-5 Genres: Introit Source Attribution: Hain: Isac
2–4	Gloria patri - Sicut erat	C. H. (=Clemens Hör)	Hör, Clemens (ca. 1515–1572)
Gloria patri - Sicut erat Hör, Clemens (ca. 1515–1572) Appears on: 2–4 Genres: Doxology Source Attribution: C. H. (=Clemens Hör)
6–12	Missa Pascale: Kyrie	C. H. (=Clemens Hör)	Hör, Clemens (ca. 1515–1572)
Missa Pascale: Kyrie Hör, Clemens (ca. 1515–1572) Appears on: 6–12 Genres: Kyrie eleison, Mass Ordinary Source Attribution: C. H. (=Clemens Hör) General Note Hor wrote mass movements to 'complete' Isaac's alternatim setting of the Easter mass. Each section carries a composer attribution.
7–12	Missa Pascale a6: Kyrie	H. Is(aac)	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a6: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 7–12 Genres: Kyrie eleison, Mass Ordinary Source Attribution: H. Is(aac) General Note Isaac's alternatim setting of the Easter mass is 'completed' by Hor writing the sections omitted by Isaac. Each section carries a composer attribution.
13–23	Missa Pascale a6: Gloria	H. Is(aac)	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a6: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 13–23 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: H. Is(aac)
14–23	Missa Pascale: Gloria	C. H. (=Clemens Hör)	Hör, Clemens (ca. 1515–1572)
Missa Pascale: Gloria Hör, Clemens (ca. 1515–1572) Appears on: 14–23 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: C. H. (=Clemens Hör)
24	Haec dies	Hain: Is(aac)	Isaac, Heinrich (ca. 1450–1517)
Haec dies Isaac, Heinrich (ca. 1450–1517) Appears on: 24 Genres: Gradual Source Attribution: Hain: Is(aac)
25–26	Alleluia. Pascha nostrum immolatus est [Proper for Easter]	-	Isaac, Heinrich (ca. 1450–1517) (?)
Alleluia. Pascha nostrum immolatus est [Proper for Easter] Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 25–26 Genres: Alleluia
27–40	Victimae paschali	-	Anonymous
Victimae paschali Anonymous Appears on: 27–40 Genres: Sequence
41–49	Missa Pascale: Credo	-	Hör, Clemens (ca. 1515–1572) (?)
Missa Pascale: Credo Hör, Clemens (ca. 1515–1572) (?) Appears on: 41–49 Genres: Credo (patrem omnipotentem), Mass Ordinary General Note the Credo and remaining sections of the mass are not attributed; Hor's authorship is assumed
49–53	Adjuva nos	-	Hör, Clemens (ca. 1515–1572) (?)
Adjuva nos Hör, Clemens (ca. 1515–1572) (?) Appears on: 49–53 Genres: Motet
53–58	Missa Pascale a6: Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a6: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 53–58 Genres: Mass Ordinary, Sanctus [& Benedictus] General Note No composer attributions in the Sanctus; assumed to mirror the alternatim format of earlier sections
53–58	Missa Pascale: Sanctus	-	Hör, Clemens (ca. 1515–1572) (?)
Missa Pascale: Sanctus Hör, Clemens (ca. 1515–1572) (?) Appears on: 53–58 Genres: Mass Ordinary, Sanctus [& Benedictus] General Note No composer attributions in the Sanctus; assumed to mirror the alternatim format of earlier sections
58–60	Missa Pascale a6: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a6: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 58–60 Genres: Agnus Dei, Mass Ordinary General Note No composer attributions in the Agnus; assumed to mirror the alternatim format of earlier sections
58–60	Missa Pascale: Agnus Dei	-	Hör, Clemens (ca. 1515–1572) (?)
Missa Pascale: Agnus Dei Hör, Clemens (ca. 1515–1572) (?) Appears on: 58–60 Genres: Agnus Dei, Mass Ordinary General Note No composer attributions in the Agnus; assumed to mirror the alternatim format of earlier sections
61–62	Pasca nostrum immolatus [Proprium de resurrectione Domini]	-	Isaac, Heinrich (ca. 1450–1517)
Pasca nostrum immolatus [Proprium de resurrectione Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 61–62 Genres: Communion
63–64	Gling glang / Nun kumbt hieher all und helft mir (= Das Glaut zu Speyr)	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Gling glang / Nun kumbt hieher all und helft mir (= Das Glaut zu Speyr) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 63–64 Genres: Song General Note Here texted "Nu kompt hiehar"
65	Von edler Art	-	Anonymous
Von edler Art Anonymous Appears on: 65 Genres: Quodlibet
65	Der Felbinger sprach	-	Anonymous
Der Felbinger sprach Anonymous Appears on: 65 Genres: Quodlibet
65	Ich hab mich treulich g'halten	-	Anonymous
Ich hab mich treulich g'halten Anonymous Appears on: 65 Genres: Quodlibet
66–67	Drei gens in haberstro	-	Anonymous
Drei gens in haberstro Anonymous Appears on: 66–67 Genres: Lied
68–69	Bona dies (6vv)	Le Brun	le Brun, Jean (fl. early 16th century)
Bona dies (6vv) le Brun, Jean (fl. early 16th century) Appears on: 68–69 Genres: Motet Source Attribution: Le Brun
70	Christus surrexit - O du armer Judas	-	Anonymous
Christus surrexit - O du armer Judas Anonymous Appears on: 70 Genres: Motet
70	Der gutzgauch auf dem zaune sass	-	Lemlin, Lorenz (ca. 1495–ca. 1549)
Der gutzgauch auf dem zaune sass Lemlin, Lorenz (ca. 1495–ca. 1549) Appears on: 70 Genres: Song General Note Here called 'Der Gugker'
71	Dies est laetitiae	C. H. (=Clemens Hör)	Hör, Clemens (ca. 1515–1572)
Dies est laetitiae Hör, Clemens (ca. 1515–1572) Appears on: 71 Genres: Motet Source Attribution: C. H. (=Clemens Hör)
72	Pardonnez moi se je foloye verdin goie	Anth: Fevin	Fevin, Antoine de (ca. 1470–ca. 1512)
Pardonnez moi se je foloye verdin goie Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 72 Genres: Song Source Attribution: Anth: Fevin

Composer	Compositions
Anonymous	Christus surrexit - O du armer Judas – 70 Der Felbinger sprach – 65 Drei gens in haberstro – 66–67 Ich hab mich treulich g'halten – 65 Victimae paschali – 27–40 Von edler Art – 65
Fevin, Antoine de (ca. 1470–ca. 1512)	Pardonnez moi se je foloye verdin goie – 72
Hör, Clemens (ca. 1515–1572)	(?) Adjuva nos – 49–53 Dies est laetitiae – 71 Gloria patri - Sicut erat – 2–4 (?) Missa Pascale: Agnus Dei – 58–60 (?) Missa Pascale: Credo – 41–49 Missa Pascale: Gloria – 14–23 Missa Pascale: Kyrie – 6–12 (?) Missa Pascale: Sanctus – 53–58
Isaac, Heinrich (ca. 1450–1517)	(?) Alleluia. Pascha nostrum immolatus est [Proper for Easter] – 25–26 Haec dies – 24 Missa Pascale a6: Agnus Dei – 58–60 Missa Pascale a6: Gloria – 13–23 Missa Pascale a6: Kyrie – 7–12 Missa Pascale a6: Sanctus – 53–58 Pasca nostrum immolatus [Proprium de resurrectione Domini] – 61–62 Resurrexi (6vv) Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti – 1–2, 4-5
Lemlin, Lorenz (ca. 1495–ca. 1549)	Der gutzgauch auf dem zaune sass – 70
Senfl, Ludwig (ca. 1486–ca. 1543)	Gling glang / Nun kumbt hieher all und helft mir (= Das Glaut zu Speyr) – 63–64
le Brun, Jean (fl. early 16th century)	Bona dies (6vv) – 68–69

Composition	Composers (? Uncertain)	Folios / Pages
Adjuva nos	Hör, Clemens (ca. 1515–1572) (?)	49–53
Alleluia. Pascha nostrum immolatus est [Proper for Easter]	Isaac, Heinrich (ca. 1450–1517) (?)	25–26
Bona dies (6vv)	le Brun, Jean (fl. early 16th century)	68–69
Christus surrexit - O du armer Judas	Anonymous	70
Der Felbinger sprach	Anonymous	65
Der gutzgauch auf dem zaune sass	Lemlin, Lorenz (ca. 1495–ca. 1549)	70
Dies est laetitiae	Hör, Clemens (ca. 1515–1572)	71
Drei gens in haberstro	Anonymous	66–67
Gling glang / Nun kumbt hieher all und helft mir (= Das Glaut zu Speyr)	Senfl, Ludwig (ca. 1486–ca. 1543)	63–64
Gloria patri - Sicut erat	Hör, Clemens (ca. 1515–1572)	2–4
Haec dies	Isaac, Heinrich (ca. 1450–1517)	24
Ich hab mich treulich g'halten	Anonymous	65
Missa Pascale a6: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	58–60
Missa Pascale a6: Gloria	Isaac, Heinrich (ca. 1450–1517)	13–23
Missa Pascale a6: Kyrie	Isaac, Heinrich (ca. 1450–1517)	7–12
Missa Pascale a6: Sanctus	Isaac, Heinrich (ca. 1450–1517)	53–58
Missa Pascale: Agnus Dei	Hör, Clemens (ca. 1515–1572) (?)	58–60
Missa Pascale: Credo	Hör, Clemens (ca. 1515–1572) (?)	41–49
Missa Pascale: Gloria	Hör, Clemens (ca. 1515–1572)	14–23
Missa Pascale: Kyrie	Hör, Clemens (ca. 1515–1572)	6–12
Missa Pascale: Sanctus	Hör, Clemens (ca. 1515–1572) (?)	53–58
Pardonnez moi se je foloye verdin goie	Fevin, Antoine de (ca. 1470–ca. 1512)	72
Pasca nostrum immolatus [Proprium de resurrectione Domini]	Isaac, Heinrich (ca. 1450–1517)	61–62
Resurrexi (6vv) Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti	Isaac, Heinrich (ca. 1450–1517)	1–2, 4-5
Victimae paschali	Anonymous	27–40
Von edler Art	Anonymous	65

Set: Car. V. 169 a-d

Type: Partbooks

No images available

No images available

No images available

No images available

‡ denotes primary source study

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus. Kassel, Basel, and London. Pages: 340-l. Notes: contents list (partial); incipits (partial).

Schuler, Manfred. 1979. Zur Überlieferung des 'Choralis Constantinus' von Heinrich Isaac. Archiv für Musikwissenschaft, 68-76,146-54. Pages: 150. Notes: mention of MS.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xlv, 35, 80-1. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, x. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Gottwald, Clytus. 1974. Die Musikhandschriften der Staats- und Stadtbibliothek Augsburg. Handschriftenkataloge der Staats- und Stadtbibliothek Augsburg. Wiesbaden. Pages: 135. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart. Wiesbaden. Pages: 57. Notes: contents list (partial); concordances (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 62, 87; II, 215. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 110, 113. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV, 143, 152. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, . Pages: 194-6, 237-9. Notes: contents list; concordances (partial); mention of MS; discussion.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Dedication Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

CH-Zz Car.V.169b

Zentralbibliothek, Zurich, Switzerland

partbook: 1552-3 (dates in manuscript)

General Description

Binding

Watermark

Notation

Dedication

Ruling

Foliation

Decoration

Index

Surface

Census Catalogue of Music Description

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

Set: Car. V. 169 a-d

Type: Partbooks

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017