GB-Lbl Egerton 2010

British Library, London, England

partbook: Early 17th century

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Egerton 2010
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	135 x 213 mm
Other Identifiers	CCM: LonBLE 2010
Relationships	Puttick [and Simpson], auctioneers (owner) Paston, Edward (1550–1630) (patron) Aldhouse of Matlask (Norfolk), Stephen (mentioned in liminary text)
External Links	BL online catalogue entry
Provenance	Norfolk, England
Contents	58 pieces from 9 composers

General Description

An Altus partbook from a set originally of five volumes (much of repertory concordant with LonBLE 2009, 2011, and 2012, but this volume does not belong to that set although it provides the missing Altus for many pieces). Music copied by a single scribe, employed by Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music.

Subsequent history parallels that of MSS Egerton 2009, 2011, and 2012. These three books bear inscriptions indicating ownership in 1669 by Stephen Aldhouse, of Matlask, Norfolk, a witness to Paston's will; LonBLE 2010 is not similarly inscribed, but Aldhouse's ownership is virtually certain. Purchased by British Museum at a Puttick's sale in 1866.

DIAMM, 2017

Binding

New covers of red cloth and leather on cardboard; glued inside, front and back, are original covers of brown leather stamped with ornamental designs (flowers and fleurs-de-lis); some gold leaf applied to bindings, but not completed

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Original ink foliation, 1-48 (f. 49 numbered in modern pencil)

DIAMM, 2017

Decoration

No initials or decoration

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 carol, 35 English secular pieces (most are English adaptations of French or Italian secular pieces), 3 French secular pieces = 39 + 1 duplicate = 40

(Byrd)-1, (Crecquillon)-1, (A. Ferrabosco I)-17, (A. Gabrieli)-1, (Lassus)-1, (Philippe de Monte)-3, (Palestrina)-1, (Striggio)-1, (Orazio Vecchi)-1, (Vespa)-1, (Vinci)-1, (Wilder)-2, anon-8

1 paper partbook of an original 5 (A-ii + i + 49 + iii folios), 135 x 213. Original ink foliation, 1-48 (f. 49 numbered in modern pencil). New covers of red cloth and leather on cardboard; glued inside, front and back, are original covers of brown leather stamped with ornamental designs (flowers and fleurs-de-lis); some gold leaf applied to bindings, but not completed. No index. Music copied by a single scribe, employed by Edward Paston (see BrettEP for list of other books in the same hand and for discussion of related manuscripts from Paston's circle). No initials or decoration. Most of repertory concordant with MSS Egerton 2009, 2011, and 2012 in this library, but latter three do not belong to same set as present book (see entry for LonBLE 2009).

Early 17th century. Of English provenance; originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Subsequent history parallels that of MSS Egerton 2009, 2011, and 2012. Three latter books bear inscriptions indicating ownership in 1669 by Stephen Aldhouse, of Matlask, Norfolk, a witness to Paston's will. LonBLE 2010 not similarly inscribed, but Aldhouse's ownership virtually certain. Purchased by British Museum at a Puttick's sale in 1866.

Vol 4

Composers: Change "(Wilder)-2" to "(Wilder)-1"; add "(R. Parsons I/Wilder)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–1v	From my delight - 1a pars (of 2): From my delight	-	Anonymous
From my delight - 1a pars (of 2): From my delight Anonymous Appears on: 1–1v Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: From my delight
1v–2	From my delight - 2a pars (of 2): O sighs o sobs	-	Anonymous
From my delight - 2a pars (of 2): O sighs o sobs Anonymous Appears on: 1v–2 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: O sighes o sobbes
2v	In love where is denying - 1a pars (of 2): In love where is denying (= Non e lasso martire)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
In love where is denying - 1a pars (of 2): In love where is denying (= Non e lasso martire) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 2v Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: In love wher is denieng
3	In love where is denying - 2a pars (of 2): A marvel rare (= Non e lasso martire, 2p.)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
In love where is denying - 2a pars (of 2): A marvel rare (= Non e lasso martire, 2p.) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 3 Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: A marvele rare
3v–4	The nymphs that in the groves do sport	-	Ferrabosco, Alfonso (the elder) (1543–1588)
The nymphs that in the groves do sport Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 3v–4 Genres: Madrigal (English) Voice: Modulus Languages: English Voice Text: The Nimphes yt in ye groves
4v–5	Fair Phillida those wanton eyes (= Aupres de vous)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Fair Phillida those wanton eyes (= Aupres de vous) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 4v–5 Genres: Contrafactum, Song Voice: Altus Languages: English Voice Text: Faire Phillida
5–5v	What thing more rare - 1a pars (of 2): What thing more rare (= Voi volete ch'io moia)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
What thing more rare - 1a pars (of 2): What thing more rare (= Voi volete ch'io moia) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 5–5v Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: What thing more rare
5v–6	What thing more rare - 2a pars (of 2): No garden green (= Voi volete, 2p.)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
What thing more rare - 2a pars (of 2): No garden green (= Voi volete, 2p.) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 5v–6 Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: No garden green
6v	He that enjoyed - 1a pars (of 2): He that enjoyed (=Cara la mia vita)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
He that enjoyed - 1a pars (of 2): He that enjoyed (=Cara la mia vita) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 6v Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: He that injoyed
7	He that enjoyed - 2a pars (of 2): For when that he had tasted (=Cara la mia vita, 2p.)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
He that enjoyed - 2a pars (of 2): For when that he had tasted (=Cara la mia vita, 2p.) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 7 Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: For when yt he had tasted
7v–8	Cambises' somne [dream]	-	Anonymous
Cambises' somne [dream] Anonymous Appears on: 7v–8 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: Cambises somne [sic]
8v–9	List not to Sirens singing (= Chi ha cor da partire)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
List not to Sirens singing (= Chi ha cor da partire) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 8v–9 Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: Lyst not to syrens
9v–10	When Flora fair - 1a pars (of 2): When Flora fair	-	Anonymous
When Flora fair - 1a pars (of 2): When Flora fair Anonymous Appears on: 9v–10 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: When Flora fayre
10v–11	When Flora fair - 2a pars (of 2): All creatures then	-	Anonymous
When Flora fair - 2a pars (of 2): All creatures then Anonymous Appears on: 10v–11 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: All creatures then
11v–12	O love thy fire - 1a pars (of 2): O love thy fire exceedeth (= Non ardo e son nel foco)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
O love thy fire - 1a pars (of 2): O love thy fire exceedeth (= Non ardo e son nel foco) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 11v–12 Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: O love thy fyre excedeth
12v–13	O love thy fire - 2a pars (of 2): My heart is fire (= Foco e 'l mio cor)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
O love thy fire - 2a pars (of 2): My heart is fire (= Foco e 'l mio cor) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 12v–13 Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: My hart is fire
13v	Upon a stage of silver - 1a pars (of 4): Upon a stage of silver (= Vorrei lagnarmi)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Upon a stage of silver - 1a pars (of 4): Upon a stage of silver (= Vorrei lagnarmi) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 13v Genres: Song Voice: Altus Languages: English Voice Text: Uppon a stage of sylver
14	Upon a stage of silver - 2a pars (of 4): Her hands full sore she wringed (= Vorrei lagnarmi)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Upon a stage of silver - 2a pars (of 4): Her hands full sore she wringed (= Vorrei lagnarmi) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 14 Genres: Song Voice: Altus Languages: English Voice Text: Her hands full sore she wringed
14v	Upon a stage of silver - 3a pars (of 4): O Richard cruel tyrant' (= S'io taccio)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Upon a stage of silver - 3a pars (of 4): O Richard cruel tyrant' (= S'io taccio) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 14v Genres: Song Voice: Altus Languages: English Voice Text: O Rychard cruell Tyrant
15	Upon a stage of silver - 4a pars (of 4): How didst thou slay my children (= S'io taccio)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Upon a stage of silver - 4a pars (of 4): How didst thou slay my children (= S'io taccio) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 15 Genres: Song Voice: Altus Languages: English Voice Text: How didst thou slay my children
15v–16	Phillis a herdmaid - 1a pars (of 2): Phillis, a herdmaid dainty	-	Ferrabosco, Alfonso (the elder) (1543–1588) (?)
Phillis a herdmaid - 1a pars (of 2): Phillis, a herdmaid dainty Ferrabosco, Alfonso (the elder) (1543–1588) (?) Appears on: 15v–16 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: Phyllys a heardmayd
16v–17	Phillis a herdmaid - 2a pars (of 2): Thyrsis this said lamenting	-	Ferrabosco, Alfonso (the elder) (1543–1588) (?)
Phillis a herdmaid - 2a pars (of 2): Thyrsis this said lamenting Ferrabosco, Alfonso (the elder) (1543–1588) (?) Appears on: 16v–17 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: Thyrsis this said
17v–18	Eliza fair - 1a pars (of 2): Eliza fair	-	Anonymous
Eliza fair - 1a pars (of 2): Eliza fair Anonymous Appears on: 17v–18 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: Elysa faire
18v–19	Eliza fair - 2a pars (of 2): If great renown	-	Anonymous
Eliza fair - 2a pars (of 2): If great renown Anonymous Appears on: 18v–19 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: If great Renowne
19v–20	O spiteful love (= Non ha tante)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
O spiteful love (= Non ha tante) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 19v–20 Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: O spightfull love
20v–21	You that do stand	-	Anonymous
You that do stand Anonymous Appears on: 20v–21 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: You that doe stand
21v–22	Though time has torn	-	Anonymous
Though time has torn Anonymous Appears on: 21v–22 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: Though tyme hath torne
22v–23	Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies	-	Byrd, William (ca. 1540–1623)
Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies Byrd, William (ca. 1540–1623) Appears on: 22v–23 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: Crowned with flowers and lyllies
23v–24	Crowned with flowers - 2a pars (of 2): O worthy queen	-	Byrd, William (ca. 1540–1623)
Crowned with flowers - 2a pars (of 2): O worthy queen Byrd, William (ca. 1540–1623) Appears on: 23v–24 Genres: Madrigal (English)
24v–25	Crowned with flowers ... I saw fair Amarillis	-	Monte, Philippe de
Crowned with flowers ... I saw fair Amarillis Monte, Philippe de Appears on: 24v–25 Genres: Tablature Voice: Altus Languages: English Voice Text: Crowned with flowers ... I saw faire Amarillis
25v–26	Where Troy stood	-	Anonymous
Where Troy stood Anonymous Appears on: 25v–26 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: Wher Troy stood
26v	In fountain clear - 1a pars (of 2): In fountain clear (= Tu dolce anima mia)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
In fountain clear - 1a pars (of 2): In fountain clear (= Tu dolce anima mia) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 26v Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: In fountaine clere
27	In fountain clear - 2a pars (of 2): Actaeon (= Ond'e come se sia non so)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
In fountain clear - 2a pars (of 2): Actaeon (= Ond'e come se sia non so) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 27 Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: Actaeon
27v–28	What rose - 1a pars (of 2): What rose is like the virgin (= Che nuova Cinthia e questa)	-	Vecchi, Orazio (1550–1605)
What rose - 1a pars (of 2): What rose is like the virgin (= Che nuova Cinthia e questa) Vecchi, Orazio (1550–1605) Appears on: 27v–28 Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: What Rose is like the virgen
28v–29	What rose - 2a pars (of 2): O beauty most admired (= Ma maggior meraviglia è)	-	Vecchi, Orazio (1550–1605)
What rose - 2a pars (of 2): O beauty most admired (= Ma maggior meraviglia è) Vecchi, Orazio (1550–1605) Appears on: 28v–29 Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: O beawtie most admired
29v–30	O sighs by love inflamed	-	Anonymous
O sighs by love inflamed Anonymous Appears on: 29v–30 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: O sighs by love inflamed
30v–31	Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies	-	Anonymous
Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies Anonymous Appears on: 30v–31 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: Crowned with flowers and lyllies
31v–32	Crowned with flowers - 2a pars (of 2): O worthy queen	-	Anonymous
Crowned with flowers - 2a pars (of 2): O worthy queen Anonymous Appears on: 31v–32 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: O worthy queen
32v–33	How shall he sing (= Las voulez vous)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
How shall he sing (= Las voulez vous) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 32v–33 Genres: Contrafactum, Song Voice: Altus Languages: English Voice Text: How shall he sing
33v	Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver)	-	Ferrabosco, Alfonso (the elder) (1543–1588) Byrd, William (ca. 1540–1623) (?)
Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver) Ferrabosco, Alfonso (the elder) (1543–1588) Byrd, William (ca. 1540–1623) (?) Appears on: 33v Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: Penelope ever was praysed
34	Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto)	-	Ferrabosco, Alfonso (the elder) (1543–1588) Byrd, William (ca. 1540–1623) (?)
Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto) Ferrabosco, Alfonso (the elder) (1543–1588) Byrd, William (ca. 1540–1623) (?) Appears on: 34 Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: Who trusts to fortune's smyling
34v	Who trusts - 1a pars (of 2): Who trusts to fortune's smiling (= O crude pene)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Who trusts - 1a pars (of 2): Who trusts to fortune's smiling (= O crude pene) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 34v Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: Of Cupid
35	Who trusts - 2a pars (of 2): Of Cupid (= O crude pene, 2p.)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Who trusts - 2a pars (of 2): Of Cupid (= O crude pene, 2p.) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 35 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: In trust is hidden treason
35v–36	In trust is hidden treason	-	Anonymous
In trust is hidden treason Anonymous Appears on: 35v–36 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: Ye shepeards of feilds and mountaynes
36v	Ye Shepherds - 1a pars (of 2): Ye shepherds of fields and mountains (= Non fingo egli e pur)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Ye Shepherds - 1a pars (of 2): Ye shepherds of fields and mountains (= Non fingo egli e pur) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 36v Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: By fair Aurora's springing
37	Ye Shepherds - 2a pars (of 2): By fair Aurora's springing (= Non fingo egli e pur, 2p.)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Ye Shepherds - 2a pars (of 2): By fair Aurora's springing (= Non fingo egli e pur, 2p.) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 37 Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: She that was named Queene
37v–38	She that was named Queen	-	Anonymous
She that was named Queen Anonymous Appears on: 37v–38 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: How happie is yt sheperd
38v–39	How happy is that shepherd	-	Anonymous
How happy is that shepherd Anonymous Appears on: 38v–39 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: The Phrigian Knight
39v–40	The Phrigian Knight	-	Anonymous
The Phrigian Knight Anonymous Appears on: 39v–40 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: I saw not love
40v–41	I saw not love (= Di questa bionda)	-	Striggio, Alessandro (ca. 1536–1592)
I saw not love (= Di questa bionda) Striggio, Alessandro (ca. 1536–1592) Appears on: 40v–41 Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: From stately Tow'r
41v–42	From stately tower - 1a pars (of 2): From stately tower	-	Anonymous
From stately tower - 1a pars (of 2): From stately tower Anonymous Appears on: 41v–42 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: With her sweete lookes
42v–43	From stately tower - 2a pars (of 2): With her sweet looks	-	Anonymous
From stately tower - 2a pars (of 2): With her sweet looks Anonymous Appears on: 42v–43 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: What vaileth it to rule
43v–44	What vaileth it to rule	-	Byrd, William (ca. 1540–1623)
What vaileth it to rule Byrd, William (ca. 1540–1623) Appears on: 43v–44 Genres: Consort song Voice: Altus Languages: English Voice Text: O Bright and shinning
44v–45	O bright and shining	-	Anonymous
O bright and shining Anonymous Appears on: 44v–45 Genres: Madrigal (English) Voice: Altus Languages: English Voice Text: I heard a messe of merry shepards
45v–46	I heard a mess of merry shepherds (= Je file quand Dieu)	-	Van Wilder, Phillip (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?)
I heard a mess of merry shepherds (= Je file quand Dieu) Van Wilder, Phillip (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?) Appears on: 45v–46 Genres: Contrafactum, Madrigal (English) Voice: Altus Languages: English Voice Text: I heard a messe of merry shepards
46v–47	Pis ne me peult venir que j'ai jusques ici	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Pis ne me peult venir que j'ai jusques ici Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 46v–47 Genres: Chanson Voice: Altus Languages: French Voice Text: Pis ne me peut
47v	Cy je ne plais	-	Anonymous
Cy je ne plais Anonymous Appears on: 47v Genres: Chanson Voice: Altus Languages: French Voice Text: Cy je ne plais
48	Ce vostre beaute	-	Van Wilder, Phillip
Ce vostre beaute Van Wilder, Phillip Appears on: 48 Genres: none Voice: Altus Languages: French Voice Text: Ce vostre beaute

Composer	Compositions
Anonymous	Cambises' somne [dream] – 7v–8 Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies – 30v–31 Crowned with flowers - 2a pars (of 2): O worthy queen – 31v–32 Cy je ne plais – 47v Eliza fair - 1a pars (of 2): Eliza fair – 17v–18 Eliza fair - 2a pars (of 2): If great renown – 18v–19 From my delight - 1a pars (of 2): From my delight – 1–1v From my delight - 2a pars (of 2): O sighs o sobs – 1v–2 From stately tower - 1a pars (of 2): From stately tower – 41v–42 From stately tower - 2a pars (of 2): With her sweet looks – 42v–43 How happy is that shepherd – 38v–39 In trust is hidden treason – 35v–36 O bright and shining – 44v–45 O sighs by love inflamed – 29v–30 She that was named Queen – 37v–38 The Phrigian Knight – 39v–40 Though time has torn – 21v–22 When Flora fair - 1a pars (of 2): When Flora fair – 9v–10 When Flora fair - 2a pars (of 2): All creatures then – 10v–11 Where Troy stood – 25v–26 You that do stand – 20v–21
Byrd, William (ca. 1540–1623)	Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies – 22v–23 Crowned with flowers - 2a pars (of 2): O worthy queen – 23v–24 (?) Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver) – 33v (?) Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto) – 34 What vaileth it to rule – 43v–44
Crecquillon, Thomas (ca. 1505–ca. 1557)	Pis ne me peult venir que j'ai jusques ici – 46v–47
Ferrabosco, Alfonso (the elder) (1543–1588)	Fair Phillida those wanton eyes (= Aupres de vous) – 4v–5 He that enjoyed - 1a pars (of 2): He that enjoyed (=Cara la mia vita) – 6v He that enjoyed - 2a pars (of 2): For when that he had tasted (=Cara la mia vita, 2p.) – 7 How shall he sing (= Las voulez vous) – 32v–33 In fountain clear - 1a pars (of 2): In fountain clear (= Tu dolce anima mia) – 26v In fountain clear - 2a pars (of 2): Actaeon (= Ond'e come se sia non so) – 27 In love where is denying - 1a pars (of 2): In love where is denying (= Non e lasso martire) – 2v In love where is denying - 2a pars (of 2): A marvel rare (= Non e lasso martire, 2p.) – 3 List not to Sirens singing (= Chi ha cor da partire) – 8v–9 O love thy fire - 1a pars (of 2): O love thy fire exceedeth (= Non ardo e son nel foco) – 11v–12 O love thy fire - 2a pars (of 2): My heart is fire (= Foco e 'l mio cor) – 12v–13 O spiteful love (= Non ha tante) – 19v–20 Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver) – 33v Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto) – 34 (?) Phillis a herdmaid - 1a pars (of 2): Phillis, a herdmaid dainty – 15v–16 (?) Phillis a herdmaid - 2a pars (of 2): Thyrsis this said lamenting – 16v–17 The nymphs that in the groves do sport – 3v–4 Upon a stage of silver - 1a pars (of 4): Upon a stage of silver (= Vorrei lagnarmi) – 13v Upon a stage of silver - 2a pars (of 4): Her hands full sore she wringed (= Vorrei lagnarmi) – 14 Upon a stage of silver - 3a pars (of 4): O Richard cruel tyrant' (= S'io taccio) – 14v Upon a stage of silver - 4a pars (of 4): How didst thou slay my children (= S'io taccio) – 15 What thing more rare - 1a pars (of 2): What thing more rare (= Voi volete ch'io moia) – 5–5v What thing more rare - 2a pars (of 2): No garden green (= Voi volete, 2p.) – 5v–6 Who trusts - 1a pars (of 2): Who trusts to fortune's smiling (= O crude pene) – 34v Who trusts - 2a pars (of 2): Of Cupid (= O crude pene, 2p.) – 35 Ye Shepherds - 1a pars (of 2): Ye shepherds of fields and mountains (= Non fingo egli e pur) – 36v Ye Shepherds - 2a pars (of 2): By fair Aurora's springing (= Non fingo egli e pur, 2p.) – 37
Monte, Philippe de	Crowned with flowers ... I saw fair Amarillis – 24v–25
Parsons (I), Robert (ca. 1535–ca. 1572)	(?) I heard a mess of merry shepherds (= Je file quand Dieu) – 45v–46
Striggio, Alessandro (ca. 1536–1592)	I saw not love (= Di questa bionda) – 40v–41
Van Wilder, Phillip	Ce vostre beaute – 48 (?) I heard a mess of merry shepherds (= Je file quand Dieu) – 45v–46
Vecchi, Orazio (1550–1605)	What rose - 1a pars (of 2): What rose is like the virgin (= Che nuova Cinthia e questa) – 27v–28 What rose - 2a pars (of 2): O beauty most admired (= Ma maggior meraviglia è) – 28v–29

Composition	Composers (? Uncertain)	Folios / Pages
Cambises' somne [dream]	Anonymous	7v–8
Ce vostre beaute	Van Wilder, Phillip	48
Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies	Byrd, William (ca. 1540–1623)	22v–23
Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies	Anonymous	30v–31
Crowned with flowers - 2a pars (of 2): O worthy queen	Byrd, William (ca. 1540–1623)	23v–24
Crowned with flowers - 2a pars (of 2): O worthy queen	Anonymous	31v–32
Crowned with flowers ... I saw fair Amarillis	Monte, Philippe de	24v–25
Cy je ne plais	Anonymous	47v
Eliza fair - 1a pars (of 2): Eliza fair	Anonymous	17v–18
Eliza fair - 2a pars (of 2): If great renown	Anonymous	18v–19
Fair Phillida those wanton eyes (= Aupres de vous)	Ferrabosco, Alfonso (the elder) (1543–1588)	4v–5
From my delight - 1a pars (of 2): From my delight	Anonymous	1–1v
From my delight - 2a pars (of 2): O sighs o sobs	Anonymous	1v–2
From stately tower - 1a pars (of 2): From stately tower	Anonymous	41v–42
From stately tower - 2a pars (of 2): With her sweet looks	Anonymous	42v–43
He that enjoyed - 1a pars (of 2): He that enjoyed (=Cara la mia vita)	Ferrabosco, Alfonso (the elder) (1543–1588)	6v
He that enjoyed - 2a pars (of 2): For when that he had tasted (=Cara la mia vita, 2p.)	Ferrabosco, Alfonso (the elder) (1543–1588)	7
How happy is that shepherd	Anonymous	38v–39
How shall he sing (= Las voulez vous)	Ferrabosco, Alfonso (the elder) (1543–1588)	32v–33
I heard a mess of merry shepherds (= Je file quand Dieu)	Van Wilder, Phillip (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?)	45v–46
I saw not love (= Di questa bionda)	Striggio, Alessandro (ca. 1536–1592)	40v–41
In fountain clear - 1a pars (of 2): In fountain clear (= Tu dolce anima mia)	Ferrabosco, Alfonso (the elder) (1543–1588)	26v
In fountain clear - 2a pars (of 2): Actaeon (= Ond'e come se sia non so)	Ferrabosco, Alfonso (the elder) (1543–1588)	27
In love where is denying - 1a pars (of 2): In love where is denying (= Non e lasso martire)	Ferrabosco, Alfonso (the elder) (1543–1588)	2v
In love where is denying - 2a pars (of 2): A marvel rare (= Non e lasso martire, 2p.)	Ferrabosco, Alfonso (the elder) (1543–1588)	3
In trust is hidden treason	Anonymous	35v–36
List not to Sirens singing (= Chi ha cor da partire)	Ferrabosco, Alfonso (the elder) (1543–1588)	8v–9
O bright and shining	Anonymous	44v–45
O love thy fire - 1a pars (of 2): O love thy fire exceedeth (= Non ardo e son nel foco)	Ferrabosco, Alfonso (the elder) (1543–1588)	11v–12
O love thy fire - 2a pars (of 2): My heart is fire (= Foco e 'l mio cor)	Ferrabosco, Alfonso (the elder) (1543–1588)	12v–13
O sighs by love inflamed	Anonymous	29v–30
O spiteful love (= Non ha tante)	Ferrabosco, Alfonso (the elder) (1543–1588)	19v–20
Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver)	Ferrabosco, Alfonso (the elder) (1543–1588) Byrd, William (ca. 1540–1623) (?)	33v
Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto)	Ferrabosco, Alfonso (the elder) (1543–1588) Byrd, William (ca. 1540–1623) (?)	34
Phillis a herdmaid - 1a pars (of 2): Phillis, a herdmaid dainty	Ferrabosco, Alfonso (the elder) (1543–1588) (?)	15v–16
Phillis a herdmaid - 2a pars (of 2): Thyrsis this said lamenting	Ferrabosco, Alfonso (the elder) (1543–1588) (?)	16v–17
Pis ne me peult venir que j'ai jusques ici	Crecquillon, Thomas (ca. 1505–ca. 1557)	46v–47
She that was named Queen	Anonymous	37v–38
The nymphs that in the groves do sport	Ferrabosco, Alfonso (the elder) (1543–1588)	3v–4
The Phrigian Knight	Anonymous	39v–40
Though time has torn	Anonymous	21v–22
Upon a stage of silver - 1a pars (of 4): Upon a stage of silver (= Vorrei lagnarmi)	Ferrabosco, Alfonso (the elder) (1543–1588)	13v
Upon a stage of silver - 2a pars (of 4): Her hands full sore she wringed (= Vorrei lagnarmi)	Ferrabosco, Alfonso (the elder) (1543–1588)	14
Upon a stage of silver - 3a pars (of 4): O Richard cruel tyrant' (= S'io taccio)	Ferrabosco, Alfonso (the elder) (1543–1588)	14v
Upon a stage of silver - 4a pars (of 4): How didst thou slay my children (= S'io taccio)	Ferrabosco, Alfonso (the elder) (1543–1588)	15
What rose - 1a pars (of 2): What rose is like the virgin (= Che nuova Cinthia e questa)	Vecchi, Orazio (1550–1605)	27v–28
What rose - 2a pars (of 2): O beauty most admired (= Ma maggior meraviglia è)	Vecchi, Orazio (1550–1605)	28v–29
What thing more rare - 1a pars (of 2): What thing more rare (= Voi volete ch'io moia)	Ferrabosco, Alfonso (the elder) (1543–1588)	5–5v
What thing more rare - 2a pars (of 2): No garden green (= Voi volete, 2p.)	Ferrabosco, Alfonso (the elder) (1543–1588)	5v–6
What vaileth it to rule	Byrd, William (ca. 1540–1623)	43v–44
When Flora fair - 1a pars (of 2): When Flora fair	Anonymous	9v–10
When Flora fair - 2a pars (of 2): All creatures then	Anonymous	10v–11
Where Troy stood	Anonymous	25v–26
Who trusts - 1a pars (of 2): Who trusts to fortune's smiling (= O crude pene)	Ferrabosco, Alfonso (the elder) (1543–1588)	34v
Who trusts - 2a pars (of 2): Of Cupid (= O crude pene, 2p.)	Ferrabosco, Alfonso (the elder) (1543–1588)	35
Ye Shepherds - 1a pars (of 2): Ye shepherds of fields and mountains (= Non fingo egli e pur)	Ferrabosco, Alfonso (the elder) (1543–1588)	36v
Ye Shepherds - 2a pars (of 2): By fair Aurora's springing (= Non fingo egli e pur, 2p.)	Ferrabosco, Alfonso (the elder) (1543–1588)	37
You that do stand	Anonymous	20v–21

Set: Paston Manuscripts

Type: Linked by Origin or Contents

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

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GB-Lbl Add. MS 29246 (Paston MS)

GB-Lbl Add. MS 29247 (Paston MS)

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GB-Lbl Madrigal Society G. 9

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GB-Lbl Madrigal Society G. 10

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GB-Lbl Madrigal Society G. 11

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GB-Lbl Madrigal Society G. 12

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GB-Lbl Madrigal Society G. 13

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GB-Lbl Madrigal Society G. 14

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GB-Lbl Madrigal Society G. 15

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GB-Lbl Madrigal Society G. 16

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GB-Lbl Madrigal Society G. 17

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GB-Lbl Madrigal Society G. 18

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GB-Lbl Madrigal Society G. 19

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GB-Lbl Madrigal Society G. 20

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GB-Lbl Madrigal Society G. 21

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GB-Lbl Madrigal Society G. 22

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GB-Lbl Madrigal Society G. 23

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GB-Lbl Madrigal Society G. 24

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GB-Lbl Madrigal Society G. 25

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GB-Lbl Madrigal Society G. 26

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GB-Lbl Madrigal Society G. 27

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GB-Lcm MS 2035 [Altus]

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GB-Lcm MS 2035 [Bassus]

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GB-Lcm MS 2035 [Discantus]

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GB-Lcm MS 2036 [Altus]

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GB-Lcm MS 2036 [Bassus]

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GB-Lcm MS 2036 [Discantus]

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GB-Lcm MS 2041

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

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GB-Ob MS. Tenbury 349

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GB-Ob MS. Tenbury 350

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GB-Ob MS. Tenbury 351

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GB-Ob MS. Tenbury 352

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GB-Ob MS. Tenbury 353

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GB-Ob MS. Tenbury 354

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GB-Ob MS. Tenbury 355

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GB-Ob MS. Tenbury 356

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GB-Ob MS. Tenbury 357

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GB-Ob MS. Tenbury 358

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GB-Ob MS. Tenbury 359

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GB-Ob MS. Tenbury 360

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GB-Ob MS. Tenbury 361

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GB-Ob MS. Tenbury 362

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GB-Ob MS. Tenbury 363

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GB-Ob MS. Tenbury 369

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GB-Ob MS. Tenbury 370

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GB-Ob MS. Tenbury 371

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GB-Ob MS. Tenbury 372

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GB-Ob MS. Tenbury 373

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GB-Ob MS. Tenbury 374

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GB-Ob MS. Tenbury 375

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GB-Ob MS. Tenbury 376

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GB-Ob MS. Tenbury 377

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GB-Ob MS. Tenbury 378

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GB-Ob MS. Tenbury 1469 (Harmsworth Manuscript)

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GB-Ob MS. Tenbury 1470 (Harmsworth Manuscript)

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GB-Ob MS. Tenbury 1471 (Harmsworth Manuscript)

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US-Ws V.a. 405

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US-Ws V.a. 406

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US-Ws V.a. 407

‡ denotes primary source study

Charteris, Richard (editor). 1984. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,xiv-xv,48-56; IV,xviii-xx,92-7, 130-43,150-67. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 106, 166ff, 189. Notes: contents list (partial); concordances (partial).

Charteris, Richard. 1983. The English Songs of Alfonso Ferrabosco the Elder. Studies in Music [Nedlands, Australia], 79-86. Pages: 81-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Charteris, Richard. 1982. New Light on Ferrabosco's Chansons. The Consort, 461-2. Notes: contents list (partial); concordances (partial); texts (partial).

Charteris, Richard. 1982. Newly Identified Italian Madrigals Englished. Music & Letters, 276-280. Pages: 278-279. Notes: contents list (partial); concordances (partial);.

Bernstein, Jane Agar. 1979. Philip van Wilder and the Netherlandish Chanson in England. Musica Disciplina, 55-75. Pages: 70-1. Notes: contents list (partial); concordances (partial).

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 109-10, 257-9. Notes: contents list; concordances (partial); mention of MS; discussion.

Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 51-69. Pages: 60, 64-5, 69. Notes: mention of MS; contents list (partial).

Brett, Philip. 1961-62. The English Consort Song, 1570-1625. Proceedings of the Royal Musical Association, 73-88. Pages: 78, 83-5. Notes: contents list (partial); mention of MS; discussion.

Brett, Philip, and Thurston Dart. 1960. Songs by William Byrd in Manuscripts at Harvard. Harvard Library Bulletin, 343-65. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Noble, Jeremy. 1955. La Répertoire Instrumental Anglais: 1550-1585. La Musique Instrumentale de la Renaissance, 91-114. Paris. Pages: 99, 105. Notes: contents list (partial); concordances (partial).

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 143; II, 146-8. Notes: physical description (partial); contents list.

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XV, 167, 175. Notes: mention of MS; contents list (partial); concordances (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: II, xxi. Notes: physical description (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1861-75], 946. Notes: physical description (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

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