GB-Lbl Add. MS 35087 (Chansonnier of Jérôme Lauweryn of Watervliet)

British Library, London, England

manuscript of polyphony: Early 16th century

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 35087 (Chansonnier of Jérôme Lauweryn of Watervliet)
Image Availability	DIAMM does not have images of this source.
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	293 x 198-203 mm
Other Identifiers	CCM: LonBL 35087
Copyists	scribal concordance [45] Text and Music
Relationships	Thompson, Herbert (owner) Lauweryn, of Watervliet, Jerome (–1509) (commissioned/made for)
External Links	British Library online catalogue entry CMME online edition
Provenance	Bruges? Belgium
Contents	Contains 78 compositions, 31 from 20 composers, 47 are anonymous.

General Description

Copied by one main scribe, whose hand also appears in BrusBR IV.90 and TourBV 94 (Rifkin); last two pieces are additions in different hands. Perhaps copied in Bruges (scribal concordance with BrusBR IV.90/TourBV 94). Compiled for Jérôme Lauweryn (d. 1509) of Watervliet, an official at the Netherlands court during reigns of Maximilian I, Philip the Fair, and Margaret of Austria (inscription on f. 1: 'Hieronymus Laurinus est meus herus'). Two English inscriptions (ff. 37', 75') apparently in 16th-century hands; manuscript probably came to England through connections between Lauweryn family and English humanists. Subsequent owners unknown until 19th century. Presented to British Museum by Herbert Thompson in 1897.

DIAMM, 2017

Binding

Modern covers of red cloth on boards, with white spine.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Date

1505-6 (McmuB).

DIAMM, 2017

Foliation

New pencil foliation, 1-95 (one folio torn out between new ff. 3/4, leaving stub; one folio missing at end, making last piece incomplete). Original ink foliation, ii-xciiii, begins on new f. 3, counts stub as 'iii,' and runs congruently with new foliation until end (except that two consecutive folios are numbered 'lxxxxiii').

DIAMM, 2017

Decoration

Inked calligraphic initials, in red or blue, but these are sporadic after f. 28

DIAMM, 2017

Surface

iv paper + 95 parchment + iii paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 hymn, 13 motets, 1 motet-chanson, 36 French secular pieces, 25 Dutch secular pieces, 2 Italian secular pieces = 78

A. Agricola-2, Appenzeller-2, (Brumel/Josquin)-1, (Busnois)-1, Compère-2, (Compère/Obrecht)-1, (Compère/Pietrequin)-1, A. Févin-3, (A. Févin/Josquin)-1, Ghiselin [Verbonnet]-2, (Hayne van Ghizeghem)-1, (Isaac/Japart/Obrecht)-1, (Janequin/Ninot le Petit/Willaert)-1, (Josquin)-4, Mouton-4, (Obrecht)-1, (Prioris)-2, Vorda? [Laurentius d.a.?]-1, Vyzeto-1, anon-46

iv paper + 95 parchment + iii paper folios, 293 x 198-203. New pencil foliation, 1-95 (one folio torn out between new ff. 3/4, leaving stub; one folio missing at end, making last piece incomplete). Original ink foliation, ii-xciiii, begins on new f. 3, counts stub as "iii," and runs congruently with new foliation until end (except that two consecutive folios are numbered "lxxxxiii"). Modern covers of red cloth on boards, with white spine. No index. Copied by one main scribe, whose hand also appears in BrusBR IV.90 and TourBV 94 (Rifkin); last two pieces are additions in different hands. Inked calligraphic initials, in red or blue, through f. 28; sporadically thereafter.

1505-6 (McmuB). Perhaps copied in Bruges (scribal concordance with BrusBR IV.90/TourBV 94). Compiled for Jérôme Lauweryn (d. 1509) of Watervliet, an official at the Netherlands court during reigns of Maximilian I, Philip the Fair, and Margaret of Austria (inscription on f. 1: "Hieronymus Laurinus est meus herus"). Two English inscriptions (ff. 37', 75') apparently in 16th-century hands; manuscript probably came to England through connections between Lauweryn family and English humanists. Subsequent owners unknown until 19th century. Presented to British Museum by Herbert Thompson in 1897.

Vol 4

Contents: 1 hymn, 12 motets (3 incomplete), 2 motet-chansons, 36 French secular pieces, 25 Dutch secular pieces, 2 Italian secular pieces = 78

Composers: Change "(Brumel/Josquin)-1" to "(Brumel)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
1v–2r	O vos omnes qui transitis / O devots coeurs	3	O vos omnes	Compère, Loyset (ca. 1445–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
O vos omnes qui transitis / O devots coeurs Compère, Loyset (ca. 1445–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 1v–2r Genres: Chanson, Contrafactum, Motet Source Attribution: O vos omnes Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O devotz cueurs /O vos omnes qui transitis per viam
2v–3r	Erubescat Judeus infelix qui dicit	3	-	Anonymous
Erubescat Judeus infelix qui dicit Anonymous Appears on: 2v–3r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Erubescat Judeus infelix qui dicit
3v	Miserere nobis domine et exaudi orationem	[3]	-	Anonymous
Miserere nobis domine et exaudi orationem Anonymous Appears on: 3v Genres: Motet Number of voices: [3] Voice: [no designation] Languages: Latin Voice Text: Miserere nobis domine et exaudi orationem General Note incomplete: folio torn out removing T
4r	Parce Domine populo tuo quia pius es	[3]	-	Obrecht, Jacobus (ca. 1457–1505)
Parce Domine populo tuo quia pius es Obrecht, Jacobus (ca. 1457–1505) Appears on: 4r Genres: Motet Number of voices: [3] Voice: [no designation] Languages: Latin Voice Text: Parce domine populo tuo quia pius es General Note incomplete: folio torn out removing Ct & Bs
4v–5r	Du bon du coeur ma chère dame	3	-	Anonymous
Du bon du coeur ma chère dame Anonymous Appears on: 4v–5r Genres: Chanson Number of voices: 3
5v–6r	Mijn morken gaf mij een jonck wijff	3	-	Anonymous
Mijn morken gaf mij een jonck wijff Anonymous Appears on: 5v–6r Genres: Lied Number of voices: 3
6v–7r	Ic weet een molenarynne	3	-	Anonymous
Ic weet een molenarynne Anonymous Appears on: 6v–7r Genres: Lied Number of voices: 3
7v–9r	Quant je vous voye 27.32	3	-	Despres, Josquin (ca. 1450–1521)
Quant je vous voye 27.32 Despres, Josquin (ca. 1450–1521) Appears on: 7v–9r Genres: Chanson Number of voices: 3
9v–10r	Adieu m'amour	3	-	Anonymous
Adieu m'amour Anonymous Appears on: 9v–10r Genres: Chanson Number of voices: 3
10v–11r	Tristis est anima mea usque ad mortem (Maundy Thursday, responsory 2)	3	-	Pisano, Bernardo
Tristis est anima mea usque ad mortem (Maundy Thursday, responsory 2) Pisano, Bernardo Appears on: 10v–11r Genres: Responsory Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Tristis est anima mea usque ad mortem
11v–12r	Fortuna desperata quae te dementia	3	-	Anonymous
Fortuna desperata quae te dementia Anonymous Appears on: 11v–12r Genres: Italian secular Number of voices: 3
12v–13r	En l'ombre d'ung buissonet (3vv) 27.7	3	-	Despres, Josquin (ca. 1450–1521)
En l'ombre d'ung buissonet (3vv) 27.7 Despres, Josquin (ca. 1450–1521) Appears on: 12v–13r Genres: Chanson Number of voices: 3
13v–14r	Dort derven van u, mijn lief	3	-	Anonymous
Dort derven van u, mijn lief Anonymous Appears on: 13v–14r Genres: Lied Number of voices: 3
14v–15r	Mijns liefkins claer anscauwen	3	-	Anonymous
Mijns liefkins claer anscauwen Anonymous Appears on: 14v–15r Genres: Lied Number of voices: 3
15v–16r	Ic truere ende ic ben van mynnen alzo sieck	3	-	Anonymous
Ic truere ende ic ben van mynnen alzo sieck Anonymous Appears on: 15v–16r Genres: Lied Number of voices: 3
16v–17r	Pauper sum ego / Ce pouvre mendiant / Fortune d'estrange plumaige 27.5	3	-	Despres, Josquin (ca. 1450–1521)
Pauper sum ego / Ce pouvre mendiant / Fortune d'estrange plumaige 27.5 Despres, Josquin (ca. 1450–1521) Appears on: 16v–17r Genres: Chanson, Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Pauper sum ego/Ce povre mendiant General Note incipit "Pauper sum ego" in all voices (no other text in this copy)
17v–19r	Peccantem me quotidie	3	-	Anonymous
Peccantem me quotidie Anonymous Appears on: 17v–19r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Peccantem me quotidie
19v–21r	Mijns liefkens bruun ooghen	3	-	Anonymous
Mijns liefkens bruun ooghen Anonymous Appears on: 19v–21r Genres: Lied Number of voices: 3
21v–22	Mon mari m'a diffamée 27.27	3	-	Despres, Josquin (ca. 1450–1521) (?)
Mon mari m'a diffamée 27.27 Despres, Josquin (ca. 1450–1521) (?) Appears on: 21v–22 Genres: Chanson Number of voices: 3
22v–23r	Ma maistresse m'amye	3	-	Anonymous
Ma maistresse m'amye Anonymous Appears on: 22v–23r Genres: Chanson Number of voices: 3
23v–24r	Helas dame que j'ayme tant	3	-	Anonymous
Helas dame que j'ayme tant Anonymous Appears on: 23v–24r Genres: Chanson Number of voices: 3
24v–25r	Si j'ayme mon amy	3	-	Anonymous
Si j'ayme mon amy Anonymous Appears on: 24v–25r Genres: Chanson Number of voices: 3
25v–26r	Wan ick ghedincke der alderliefster mijn	3	-	Anonymous
Wan ick ghedincke der alderliefster mijn Anonymous Appears on: 25v–26r Genres: Lied Number of voices: 3
26v–27r	Mij heeft een piperken dach ghesteilt	3	-	Anonymous
Mij heeft een piperken dach ghesteilt Anonymous Appears on: 26v–27r Genres: Lied Number of voices: 3
27v–28r	Consumo la mia vita a poco a poco	3	-	Prioris, Johannes (Denis, Dionisius) (–1515)
Consumo la mia vita a poco a poco Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 27v–28r Genres: Motet Number of voices: 3
28v–29r	Mon souvenir mi fait morir pour les regrets	3	Heyne	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Mon souvenir mi fait morir pour les regrets Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 28v–29r Genres: Chanson Source Attribution: Heyne Number of voices: 3
29v–30r	Mais que ce fut le plaisir d'elle	3	-	Bonnel, Pietrequin (?) Compère, Loyset (ca. 1445–1518) (?)
Mais que ce fut le plaisir d'elle Bonnel, Pietrequin (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 29v–30r Genres: Chanson Number of voices: 3
30v–31r	N'est il point bien infortune	3	-	Anonymous
N'est il point bien infortune Anonymous Appears on: 30v–31r Genres: Chanson Number of voices: 3
31v–32r	Nostre saison est bien fortunee	3	-	Anonymous
Nostre saison est bien fortunee Anonymous Appears on: 31v–32r Genres: Chanson Number of voices: 3
32v–33r	Lessiez parler / Si j'ayme mon amy	3	-	Anonymous
Lessiez parler / Si j'ayme mon amy Anonymous Appears on: 32v–33r Genres: Chanson Number of voices: 3
33v–34r	Verlanghen ghij doet mijn herte pijn	3	-	Anonymous
Verlanghen ghij doet mijn herte pijn Anonymous Appears on: 33v–34r Genres: Lied Number of voices: 3
34v–35r	Ut queant laxis	3	-	Anonymous
Ut queant laxis Anonymous Appears on: 34v–35r Genres: Hymn Number of voices: 3
35v–36r	Een boer so willic waghen	3	-	Anonymous
Een boer so willic waghen Anonymous Appears on: 35v–36r Genres: Lied Number of voices: 3
36v–37r	Comment peult avoir joye	3	Jo. de Vyzeto	Vyzeto, Jo. de
Comment peult avoir joye Vyzeto, Jo. de Appears on: 36v–37r Genres: Chanson Source Attribution: Jo. de Vyzeto Number of voices: 3
37v–38r	C'est mal serché votre avantage (I)	3	Agricola	Agricola, Alexander (ca. 1445–1506)
C'est mal serché votre avantage (I) Agricola, Alexander (ca. 1445–1506) Appears on: 37v–38r Genres: Chanson Source Attribution: Agricola Number of voices: 3
38v–39r	Verlanghen ghij doet mijinder herten pijn	3	-	Anonymous
Verlanghen ghij doet mijinder herten pijn Anonymous Appears on: 38v–39r Genres: Lied Number of voices: 3
39v–40r	Da pacem Domine in diebus nostris	3	Agricola	Agricola, Alexander (ca. 1445–1506)
Da pacem Domine in diebus nostris Agricola, Alexander (ca. 1445–1506) Appears on: 39v–40r Genres: Motet Source Attribution: Agricola Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
40v–41r	Die crudekins die spruten	3	-	Anonymous
Die crudekins die spruten Anonymous Appears on: 40v–41r Genres: Lied Number of voices: 3
41v–42r	Waer is hij nu	3	Laurentius D[er?] A[ltere?]	Laurentius the Elder
Waer is hij nu Laurentius the Elder Appears on: 41v–42r Genres: Lied Source Attribution: Laurentius D[er?] A[ltere?] Number of voices: 3
42v–43r	Qui est celuy qui dira mal	3	-	Anonymous
Qui est celuy qui dira mal Anonymous Appears on: 42v–43r Genres: Chanson Number of voices: 3
43v–44r	Je vois je viens mon coeur s'en volle	3	-	Anonymous
Je vois je viens mon coeur s'en volle Anonymous Appears on: 43v–44r Genres: Chanson Number of voices: 3
44v–45r	J'ayme bien mon amy	3	Verbonnet	Ghiselin (Verbonnet), Johannes
J'ayme bien mon amy Ghiselin (Verbonnet), Johannes Appears on: 44v–45r Genres: Chanson Source Attribution: Verbonnet Number of voices: 3
45v–46r	Wy en sullen niet bedien	3	-	Anonymous
Wy en sullen niet bedien Anonymous Appears on: 45v–46r Genres: Lied Number of voices: 3
46v–47r	Ic ben so nau bedwonghen	3	-	Anonymous
Ic ben so nau bedwonghen Anonymous Appears on: 46v–47r Genres: Lied Number of voices: 3
47v–49r	Ghisternavent was ic maecht	3	-	Anonymous
Ghisternavent was ic maecht Anonymous Appears on: 47v–49r Genres: Lied Number of voices: 3
49v–51r	Tout plain d'ennuy et de desconfort	3	-	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Tout plain d'ennuy et de desconfort Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 49v–51r Genres: Chanson Number of voices: 3
51v–52r	Eij laes aij mij	3	-	Anonymous
Eij laes aij mij Anonymous Appears on: 51v–52r Genres: Lied Number of voices: 3
52v–53r	T'meiskin was jonck	3	-	Isaac, Heinrich (ca. 1450–1517) (?) Japart, Jean (?) Obrecht, Jacobus (ca. 1457–1505) (?)
T'meiskin was jonck Isaac, Heinrich (ca. 1450–1517) (?) Japart, Jean (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 52v–53r Genres: Chanson Number of voices: 3 General Note Petrucci Odhecaton A (1501) attributed this song to "Isac" but later (1503, 1504) editions removed that attribution. The 3vv contrafact setting in FlorBN Magl.178 (ff. 75v-76) is attributed to Japart. NOE editors comment "Whether Japart is an acceptable candidate for the authorship remains doubtful, as Tmeiskin was jonck would be his only Flemish song. The Segovia manuscript might bear the most authority in naming Obrecht as the composer of the song. As Obrecht's authorship cannot be excluded on the basis of stylistic arguments, Tmeiskin was jonck has been included in the New Obrecht Edition as a composition that may be by Obrecht." ( (Information supplied by Robert Nosow.)
53v–54r	Adieu soulas tout plaisir et liesse	3	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Adieu soulas tout plaisir et liesse Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 53v–54r Genres: Chanson Number of voices: 3
54v–55r	O Venus vrauwe wat dedic gheboren	3	-	Anonymous
O Venus vrauwe wat dedic gheboren Anonymous Appears on: 54v–55r Genres: Lied Number of voices: 3
55v–56r	Jamais n'aimerai machon je suis trop belle	3	Jo. Mouton	Mouton, Jean (ca. 1459–1522)
Jamais n'aimerai machon je suis trop belle Mouton, Jean (ca. 1459–1522) Appears on: 55v–56r Genres: Chanson Source Attribution: Jo. Mouton Number of voices: 3
56v–57r	Je le laray puisqu'il me bat	3	-	Mouton, Jean (ca. 1459–1522)
Je le laray puisqu'il me bat Mouton, Jean (ca. 1459–1522) Appears on: 56v–57r Genres: Chanson Number of voices: 3
57v–59r	Troest mij scoen lief	3	-	Anonymous
Troest mij scoen lief Anonymous Appears on: 57v–59r Genres: Lied Number of voices: 3
59v–61r	Een sotte cluytte wil ic ons singhen	3	-	Anonymous
Een sotte cluytte wil ic ons singhen Anonymous Appears on: 59v–61r Genres: Lied Number of voices: 3
61v–62r	Dulcis amica Dei rosa vernans stella	3	-	Prioris, Johannes (Denis, Dionisius) (–1515)
Dulcis amica Dei rosa vernans stella Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 61v–62r Genres: Lauda Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Dulcis amica dei rosa vernans stella
62v–64r	Ryc god wien sal ic claghen	3	-	Anonymous
Ryc god wien sal ic claghen Anonymous Appears on: 62v–64r Genres: Song Number of voices: 3
64v–66r	Ic weet een vraukin wel bereit	3	-	Anonymous
Ic weet een vraukin wel bereit Anonymous Appears on: 64v–66r Genres: Lied Number of voices: 3
66v–68r	Quant je vous voy parmy les rues	3	-	Anonymous
Quant je vous voy parmy les rues Anonymous Appears on: 66v–68r Genres: Chanson Number of voices: 3
68v–69r	Que n'est il vray ma joye	3	-	Anonymous
Que n'est il vray ma joye Anonymous Appears on: 68v–69r Genres: Chanson Number of voices: 3
69v–71r	Rijck god nu moet ic trueren	3	-	Anonymous
Rijck god nu moet ic trueren Anonymous Appears on: 69v–71r Genres: Lied Number of voices: 3
71v–73r	Sourdez regrets avironnez mon coeur	3	-	Compère, Loyset (ca. 1445–1518)
Sourdez regrets avironnez mon coeur Compère, Loyset (ca. 1445–1518) Appears on: 71v–73r Genres: Chanson Number of voices: 3
73v–75r	Noch weet ic een jonc vraukin fijn	3	-	Anonymous
Noch weet ic een jonc vraukin fijn Anonymous Appears on: 73v–75r Genres: Lied Number of voices: 3
75v–76r	Vivo ego dicit Dominus nolo mortem	3	-	Anonymous
Vivo ego dicit Dominus nolo mortem Anonymous Appears on: 75v–76r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Vivo ego dicit Dominus
76v–78r	Sancta Maria piarum piissima intercede	3	-	Anonymous
Sancta Maria piarum piissima intercede Anonymous Appears on: 76v–78r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Sancta Maria piarum piissima intercede
78v–79r	Buvons ma com[m]ere	3	Benedictus Appescelders	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Buvons ma com[m]ere Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 78v–79r Genres: Chanson Source Attribution: Benedictus Appescelders Number of voices: 3
79v–80r	Helas pour quoy ne suys je marye	3	-	Anonymous
Helas pour quoy ne suys je marye Anonymous Appears on: 79v–80r Genres: Chanson Number of voices: 3
80v–81r	Fors seulement	-	-	Anonymous
Fors seulement Anonymous Appears on: 80v–81r Genres: Chanson
81v–83r	C'est donc par moy que je suis fortune	3	Ninon le Petit	Willaert, Adrian (ca. 1490–1562) (?) Petit, Nino le (fl. c1500) (?) Janequin, Clement (ca. 1485–ca. 1558) (?)
C'est donc par moy que je suis fortune Willaert, Adrian (ca. 1490–1562) (?) Petit, Nino le (fl. c1500) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Appears on: 81v–83r Genres: Chanson Source Attribution: Ninon le Petit Number of voices: 3
83v–84r	Salve mater salvatoris vas electum	3	-	Mouton, Jean (ca. 1459–1522)
Salve mater salvatoris vas electum Mouton, Jean (ca. 1459–1522) Appears on: 83v–84r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Salve mater salvatoris vas electum
84v–86r	Vrai dieu d'amours confortez moi vous m'avez mis	3	-	Brumel, Antoine (ca. 1460–ca. 1513)
Vrai dieu d'amours confortez moi vous m'avez mis Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 84v–86r Genres: Chanson Number of voices: 3
86v–87r	Plaine d'ennuy de longue main / Anima mea	3	Loyset Compere	Compère, Loyset (ca. 1445–1518)
Plaine d'ennuy de longue main / Anima mea Compère, Loyset (ca. 1445–1518) Appears on: 86v–87r Genres: Chanson Source Attribution: Loyset Compere Number of voices: 3
87v–88r	Petite camusete à la mort m'avez mis 27.31	3	-	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Despres, Josquin (ca. 1450–1521) (?)
Petite camusete à la mort m'avez mis 27.31 Fevin, Antoine de (ca. 1470–ca. 1512) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 87v–88r Genres: Chanson Number of voices: 3
88v–89r	Fuyes regretz	3	Anthoine Fevin	Fevin, Antoine de (ca. 1470–ca. 1512)
Fuyes regretz Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 88v–89r Genres: Chanson Source Attribution: Anthoine Fevin Number of voices: 3
89v–90r	L'amy l'arez vous donc fortune II. Mires vous en moy vrais amours	3	-	Anonymous
L'amy l'arez vous donc fortune II. Mires vous en moy vrais amours Anonymous Appears on: 89v–90r Genres: Chanson Number of voices: 3
90v–91r	Je me soloye aller esbatre	3	-	Anonymous
Je me soloye aller esbatre Anonymous Appears on: 90v–91r Genres: Chanson Number of voices: 3
91v–93r	Dieu gard de mal de deshonneur	3	-	Mouton, Jean (ca. 1459–1522)
Dieu gard de mal de deshonneur Mouton, Jean (ca. 1459–1522) Appears on: 91v–93r Genres: Chanson Number of voices: 3
93v–94	On [Tu] a mal dit de mon amy	-	-	Fevin, Antoine de (ca. 1470–ca. 1512)
On [Tu] a mal dit de mon amy Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 93v–94 Genres: Chanson
94v–95v	Dicant nunc Judaei quomodo Judaei militis	3	-	Anonymous
Dicant nunc Judaei quomodo Judaei militis Anonymous Appears on: 94v–95v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Dicant nunc Iudei quomodo Judei militis General Note incomplete: last folio torn out

Composer	Compositions
Agricola, Alexander (ca. 1445-1506)	C'est mal serché votre avantage (I) – 37v–38r Da pacem Domine in diebus nostris – 39v–40r
Anonymous	Adieu m'amour – 9v–10r Dicant nunc Judaei quomodo Judaei militis – 94v–95v Die crudekins die spruten – 40v–41r Dort derven van u, mijn lief – 13v–14r Du bon du coeur ma chère dame – 4v–5r Een boer so willic waghen – 35v–36r Een sotte cluytte wil ic ons singhen – 59v–61r Eij laes aij mij – 51v–52r Erubescat Judeus infelix qui dicit – 2v–3r Fors seulement – 80v–81r Fortuna desperata quae te dementia – 11v–12r Ghisternavent was ic maecht – 47v–49r Helas dame que j'ayme tant – 23v–24r Helas pour quoy ne suys je marye – 79v–80r Ic ben so nau bedwonghen – 46v–47r Ic truere ende ic ben van mynnen alzo sieck – 15v–16r Ic weet een molenarynne – 6v–7r Ic weet een vraukin wel bereit – 64v–66r Je me soloye aller esbatre – 90v–91r Je vois je viens mon coeur s'en volle – 43v–44r L'amy l'arez vous donc fortune II. Mires vous en moy vrais amours – 89v–90r Lessiez parler / Si j'ayme mon amy – 32v–33r Ma maistresse m'amye – 22v–23r Mij heeft een piperken dach ghesteilt – 26v–27r Mijn morken gaf mij een jonck wijff – 5v–6r Mijns liefkens bruun ooghen – 19v–21r Mijns liefkins claer anscauwen – 14v–15r Miserere nobis domine et exaudi orationem – 3v N'est il point bien infortune – 30v–31r Noch weet ic een jonc vraukin fijn – 73v–75r Nostre saison est bien fortunee – 31v–32r O Venus vrauwe wat dedic gheboren – 54v–55r Peccantem me quotidie – 17v–19r Quant je vous voy parmy les rues – 66v–68r Que n'est il vray ma joye – 68v–69r Qui est celuy qui dira mal – 42v–43r Rijck god nu moet ic trueren – 69v–71r Ryc god wien sal ic claghen – 62v–64r Sancta Maria piarum piissima intercede – 76v–78r Si j'ayme mon amy – 24v–25r Troest mij scoen lief – 57v–59r Ut queant laxis – 34v–35r Verlanghen ghij doet mijinder herten pijn – 38v–39r Verlanghen ghij doet mijn herte pijn – 33v–34r Vivo ego dicit Dominus nolo mortem – 75v–76r Wan ick ghedincke der alderliefster mijn – 25v–26r Wy en sullen niet bedien – 45v–46r
Appenzeller, Benedictus (ca. 1480-ca. 1558)	Buvons ma com[m]ere – 78v–79r Tout plain d'ennuy et de desconfort – 49v–51r
Bonnel, Pietrequin	(?) Mais que ce fut le plaisir d'elle – 29v–30r
Brumel, Antoine (ca. 1460-ca. 1513)	Vrai dieu d'amours confortez moi vous m'avez mis – 84v–86r
Compère, Loyset (ca. 1445-1518)	(?) Mais que ce fut le plaisir d'elle – 29v–30r (?) O vos omnes qui transitis / O devots coeurs – 1v–2r Plaine d'ennuy de longue main / Anima mea – 86v–87r Sourdez regrets avironnez mon coeur – 71v–73r
Despres, Josquin (ca. 1450-1521)	En l'ombre d'ung buissonet (3vv) 27.7 – 12v–13r (?) Mon mari m'a diffamée 27.27 – 21v–22 Pauper sum ego / Ce pouvre mendiant / Fortune d'estrange plumaige 27.5 – 16v–17r (?) Petite camusete à la mort m'avez mis 27.31 – 87v–88r Quant je vous voye 27.32 – 7v–9r
Fevin, Antoine de (ca. 1470-ca. 1512)	Adieu soulas tout plaisir et liesse – 53v–54r Fuyes regretz – 88v–89r On [Tu] a mal dit de mon amy – 93v–94 (?) Petite camusete à la mort m'avez mis 27.31 – 87v–88r
Ghiselin (Verbonnet), Johannes	J'ayme bien mon amy – 44v–45r
Ghizeghem, Hayne van (ca. 1445-ca. 1497)	Mon souvenir mi fait morir pour les regrets – 28v–29r
Isaac, Heinrich (ca. 1450-1517)	(?) T'meiskin was jonck – 52v–53r
Janequin, Clement (ca. 1485-ca. 1558)	(?) C'est donc par moy que je suis fortune – 81v–83r
Japart, Jean	(?) T'meiskin was jonck – 52v–53r
Laurentius the Elder	Waer is hij nu – 41v–42r
Mouton, Jean (ca. 1459-1522)	Dieu gard de mal de deshonneur – 91v–93r Jamais n'aimerai machon je suis trop belle – 55v–56r Je le laray puisqu'il me bat – 56v–57r Salve mater salvatoris vas electum – 83v–84r
Obrecht, Jacobus (ca. 1457-1505)	(?) O vos omnes qui transitis / O devots coeurs – 1v–2r Parce Domine populo tuo quia pius es – 4r (?) T'meiskin was jonck – 52v–53r
Petit, Nino le (c1500)	(?) C'est donc par moy que je suis fortune – 81v–83r
Pisano, Bernardo	Tristis est anima mea usque ad mortem (Maundy Thursday, responsory 2) – 10v–11r
Prioris, Johannes (Denis, Dionisius) (-1515)	Consumo la mia vita a poco a poco – 27v–28r Dulcis amica Dei rosa vernans stella – 61v–62r
Vyzeto, Jo. de	Comment peult avoir joye – 36v–37r
Willaert, Adrian (ca. 1490-1562)	(?) C'est donc par moy que je suis fortune – 81v–83r

Composition	Composers (? Uncertain)	Folios / Pages
Adieu m'amour	Anonymous	9v–10r
Adieu soulas tout plaisir et liesse	Fevin, Antoine de (ca. 1470–ca. 1512)	53v–54r
Buvons ma com[m]ere	Appenzeller, Benedictus (ca. 1480–ca. 1558)	78v–79r
C'est donc par moy que je suis fortune	Willaert, Adrian (ca. 1490–1562) (?) Petit, Nino le (fl. c1500) (?) Janequin, Clement (ca. 1485–ca. 1558) (?)	81v–83r
C'est mal serché votre avantage (I)	Agricola, Alexander (ca. 1445–1506)	37v–38r
Comment peult avoir joye	Vyzeto, Jo. de	36v–37r
Consumo la mia vita a poco a poco	Prioris, Johannes (Denis, Dionisius) (–1515)	27v–28r
Da pacem Domine in diebus nostris	Agricola, Alexander (ca. 1445–1506)	39v–40r
Dicant nunc Judaei quomodo Judaei militis	Anonymous	94v–95v
Die crudekins die spruten	Anonymous	40v–41r
Dieu gard de mal de deshonneur	Mouton, Jean (ca. 1459–1522)	91v–93r
Dort derven van u, mijn lief	Anonymous	13v–14r
Du bon du coeur ma chère dame	Anonymous	4v–5r
Dulcis amica Dei rosa vernans stella	Prioris, Johannes (Denis, Dionisius) (–1515)	61v–62r
Een boer so willic waghen	Anonymous	35v–36r
Een sotte cluytte wil ic ons singhen	Anonymous	59v–61r
Eij laes aij mij	Anonymous	51v–52r
En l'ombre d'ung buissonet (3vv) 27.7	Despres, Josquin (ca. 1450–1521)	12v–13r
Erubescat Judeus infelix qui dicit	Anonymous	2v–3r
Fors seulement	Anonymous	80v–81r
Fortuna desperata quae te dementia	Anonymous	11v–12r
Fuyes regretz	Fevin, Antoine de (ca. 1470–ca. 1512)	88v–89r
Ghisternavent was ic maecht	Anonymous	47v–49r
Helas dame que j'ayme tant	Anonymous	23v–24r
Helas pour quoy ne suys je marye	Anonymous	79v–80r
Ic ben so nau bedwonghen	Anonymous	46v–47r
Ic truere ende ic ben van mynnen alzo sieck	Anonymous	15v–16r
Ic weet een molenarynne	Anonymous	6v–7r
Ic weet een vraukin wel bereit	Anonymous	64v–66r
J'ayme bien mon amy	Ghiselin (Verbonnet), Johannes	44v–45r
Jamais n'aimerai machon je suis trop belle	Mouton, Jean (ca. 1459–1522)	55v–56r
Je le laray puisqu'il me bat	Mouton, Jean (ca. 1459–1522)	56v–57r
Je me soloye aller esbatre	Anonymous	90v–91r
Je vois je viens mon coeur s'en volle	Anonymous	43v–44r
L'amy l'arez vous donc fortune II. Mires vous en moy vrais amours	Anonymous	89v–90r
Lessiez parler / Si j'ayme mon amy	Anonymous	32v–33r
Ma maistresse m'amye	Anonymous	22v–23r
Mais que ce fut le plaisir d'elle	Bonnel, Pietrequin (?) Compère, Loyset (ca. 1445–1518) (?)	29v–30r
Mij heeft een piperken dach ghesteilt	Anonymous	26v–27r
Mijn morken gaf mij een jonck wijff	Anonymous	5v–6r
Mijns liefkens bruun ooghen	Anonymous	19v–21r
Mijns liefkins claer anscauwen	Anonymous	14v–15r
Miserere nobis domine et exaudi orationem	Anonymous	3v
Mon mari m'a diffamée 27.27	Despres, Josquin (ca. 1450–1521) (?)	21v–22
Mon souvenir mi fait morir pour les regrets	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	28v–29r
N'est il point bien infortune	Anonymous	30v–31r
Noch weet ic een jonc vraukin fijn	Anonymous	73v–75r
Nostre saison est bien fortunee	Anonymous	31v–32r
O Venus vrauwe wat dedic gheboren	Anonymous	54v–55r
O vos omnes qui transitis / O devots coeurs	Compère, Loyset (ca. 1445–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	1v–2r
On [Tu] a mal dit de mon amy	Fevin, Antoine de (ca. 1470–ca. 1512)	93v–94
Parce Domine populo tuo quia pius es	Obrecht, Jacobus (ca. 1457–1505)	4r
Pauper sum ego / Ce pouvre mendiant / Fortune d'estrange plumaige 27.5	Despres, Josquin (ca. 1450–1521)	16v–17r
Peccantem me quotidie	Anonymous	17v–19r
Petite camusete à la mort m'avez mis 27.31	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Despres, Josquin (ca. 1450–1521) (?)	87v–88r
Plaine d'ennuy de longue main / Anima mea	Compère, Loyset (ca. 1445–1518)	86v–87r
Quant je vous voy parmy les rues	Anonymous	66v–68r
Quant je vous voye 27.32	Despres, Josquin (ca. 1450–1521)	7v–9r
Que n'est il vray ma joye	Anonymous	68v–69r
Qui est celuy qui dira mal	Anonymous	42v–43r
Rijck god nu moet ic trueren	Anonymous	69v–71r
Ryc god wien sal ic claghen	Anonymous	62v–64r
Salve mater salvatoris vas electum	Mouton, Jean (ca. 1459–1522)	83v–84r
Sancta Maria piarum piissima intercede	Anonymous	76v–78r
Si j'ayme mon amy	Anonymous	24v–25r
Sourdez regrets avironnez mon coeur	Compère, Loyset (ca. 1445–1518)	71v–73r
T'meiskin was jonck	Isaac, Heinrich (ca. 1450–1517) (?) Japart, Jean (?) Obrecht, Jacobus (ca. 1457–1505) (?)	52v–53r
Tout plain d'ennuy et de desconfort	Appenzeller, Benedictus (ca. 1480–ca. 1558)	49v–51r
Tristis est anima mea usque ad mortem (Maundy Thursday, responsory 2)	Pisano, Bernardo	10v–11r
Troest mij scoen lief	Anonymous	57v–59r
Ut queant laxis	Anonymous	34v–35r
Verlanghen ghij doet mijinder herten pijn	Anonymous	38v–39r
Verlanghen ghij doet mijn herte pijn	Anonymous	33v–34r
Vivo ego dicit Dominus nolo mortem	Anonymous	75v–76r
Vrai dieu d'amours confortez moi vous m'avez mis	Brumel, Antoine (ca. 1460–ca. 1513)	84v–86r
Waer is hij nu	Laurentius the Elder	41v–42r
Wan ick ghedincke der alderliefster mijn	Anonymous	25v–26r
Wy en sullen niet bedien	Anonymous	45v–46r

‡ denotes primary source study

Maes, Francis. 1999. The Dutch song and the Chansonnier of Hieronymus Lauweryn van Watervliet. The Empire resounds: music in the days of Charles V, Leuven University Press.

Boorman, Stanley. 1983. Notational Spelling and Scribal Habit. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, vol. 26. Wiesbaden. Pages: 76,86-9,95-6,101-3. Notes: mention of MS; contents list (partial); transcription (partial).

Keahey, Thomas Herman, and Conrad Edward Mary Douglas (editors). 1982-85. Johannes Prioris: Opera Omnia. Corpus mensurabilis musicae, vol. 90. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,xi-xii, xix-xx, 126-8. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Adams, Courtney S. 1977. Some Aspects of the Chanson for Three Voices during the Sixteenth Century. Acta Musicologica, 49: 227ff. Pages: 229-32, 241. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Benthem, Jaap van. 1976. Josquin's Three-part 'Chansons rustiques': A Critique of the Readings in Manuscripts and Prints. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, London, New York, and Toronto. Pages: 422ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies, vol. 27. Brooklyn. Pages: I, 111ff, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Thompson, Glenda Goss. 1975. Benedictus Appenzeller: Maître de la Chapelle to Mary of Hungary and Chansonnier. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 12-3, 70-1, 297-301, 498, 537. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae, vol. 65. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VII,xliv, 138-9. Notes: contents list (partial); transcription (partial); texts (partial).

Adams, Courtney S. 1974. The Three-Part Chanson during the Sixteenth Century: Changes in Its Style and Importance. University of Pennsylvania, Unpublished Ph.D. dissertation. Pages: 368ff, 548-9, 633-6, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 227-8, 373, 377. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bernstein, Lawrence F. 1973. La Courone et fleur des chansons a troys; A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano. Journal of the American Musicological Society, 26: 1-68. Pages: 9-13, 16, 59, 63,66. Notes: physical description (partial); contents list (partial); concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, 110-4. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Bernstein, Lawrence F. 1969. Cantus Firmus in the French Chanson for Two and Three Voices, 1500-1550. New York University, Unpublished Ph.D. dissertation. Pages: 219-21, 228-9, 345ff. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Swing, Peter Gram. 1969. Parody and Form in Five Polyphonic Masses by Mathieu Gascongne. University of Chicago, Unpublished Ph.D. dissertation. Pages: 630-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II, 67, passim. Notes: physical description; contents list (partial); concordances (partial).

Braithwaite, James Roland. 1967. The Introduction of Franco-Netherlandish Manuscripts to Early Tudor England: The Motet Repertory. Boston University, Unpublished Ph.D. dissertation. Pages: I-II, passim; V, 199-254. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Hewitt, Helen Margaret (editor). 1967. Ottaviano Petrucci: Canti B Numero Cinquanta Venice, 1502. Monuments of Renaissance Music, vol. II. Chicago and London. Pages: 13, 37, 45-8. Notes: contents list (partial); facsimile (partial); texts (partial); mention of MS; discussion.

McMurtry, William M. 1967. The British Museum Manuscript Additional 35087: A Transcription of the French, Italian, and Latin Compositions with Concordance and Commentary. North Texas State University, Unpublished Ph.D. dissertation. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Clinkscale, Edward Henry. 1965. The Complete Works of Antoine de Févin. New York University, Ph.D. dissertation. Pages: I,229-31; II,460-1. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 170, 174, 279, 283, 371. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Gottwald, Clytus (editor). 1961-68. Johannes Ghiselin- Verbonnet: Opera Omnia. Corpus mensurabilis musicae, vol. 23. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, 13-4. Notes: transcription (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 361-2. Notes: physical description; contents list (partial); concordances (partial).

Bruning, Elisens (editor). 1959-. Monumenta Musica Neerlandica. Amsterdam. Pages: XIV,vii,x,xii,1. Notes: contents list (partial); transcription (partial); texts (partial).

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 262; II, 128-9. Notes: physical description (partial); contents list.

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 59, 133ff. Notes: contents list (partial); concordances (partial); facsimile (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XLV, 14-7; XCII, iii. Notes: mention of MS; contents list (partial); transcription (partial).

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken. Amsterdam. Pages: IV, xv, xviii, 25-7; V, xii, xv. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Wolf, Johannes (editor). 1910. 25 Driestemmige Oud-Nederlandsche Liederen uil het einde der vijftiende eeuw naar den Codex London British Museum Add. Mss. 35087. Amsterdam and Leipzig. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: IV, v-vi, x; XXX, vi, ix. Notes: physical description; contents list (partial); concordances (partial).

Priebsch, Robert. 1896-1901. Deutsche Handschriften in England. Erlangen. Pages: II, 289-93. Notes: physical description; contents list.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXXII, 203-4, 238. Notes: physical description; contents list; incipitsst of contents (partial); transcription (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1894-9], 146. Notes: physical description (partial).

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Robert Nosow

Sunday, 4 January, 2026

Added concordances of "T'mesikin was jonck" in Segovia etc, and an attribution note clarifying claims to authorship

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description