I-Fl MS Mediceo Palatino 7

Biblioteca Medicea-Laurenziana, Firenze (Florence), Italy

manuscript of polyphony: Before 1544

Archive	Biblioteca Medicea-Laurenziana, Firenze (Florence), Italy (I-Fl)
Shelfmark	MS Mediceo Palatino 7
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	418 x 284 mm
Other Identifiers	CCM: FlorL Med. Pal. 7
Notations	black void mensural
Copyists	Federighi, Michele Music
Relationships	de' Medici, Cosimo I (1519–1574) (dedicatee)
External Links	search page for online image collection
Provenance	Church of San Lorenzo , Firenze (Florence), Italy
Contents	32 pieces from 1 composers

General Description

Hymns of Corteccia, copied by Michele Federighi, prior at Church of San Lorenzo, Florence, and a pupil and friend of Corteccia; Federighi also wrote most of FlorD 46, FlorSL C, ff. 81'-95 of FlorD 45, and one piece in FlorSL O. Copied in Florence. Dedicated to Duke Cosimo de' Medici (1519-74).

DIAMM, 2024

Binding

Original covers of brown leather, gold tooled with ornamental designs.

DIAMM, 2017

Watermark

One watermark resembles Briquet #744 (a similar mark is also found in FlorBN II.I.350 and RomeV 35-40); another mark resembles Briquet #5926 (a similar mark is also found in BrusC 27511, BrusC 27731, FlorBN Magl. 99-102, 122-5, 125bis, and RomeV 35-40)

DIAMM, 2024

Liminary Note

Title: 'Hinnario di France/sco Corteccia / secondo l'uso / della chie/sa roma/na, et fior/enti/na.'

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Before 1544 (MckiFC).

DIAMM, 2017

Foliation

Original ink foliation, II-CIII; modern pencil foliation, 1-106

DIAMM, 2017

Decoration

Inked calligraphic initials; edges of leaves are painted red.

DIAMM, 2017

Index

Original index on new f. 2' groups pieces alphabetically by first letter of text, with subgrouping under some letters by order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

32 hymns

Corteccia-32

iii + 104 paper folios, 420 x 280. Modern foliation, 2-103. Original covers of brown tooled leather. Original index on f. iii. Copied by a certain "Michael"; he also copied ff. 81'-95 of FlorD 45, and is the main scribe of FlorD 46 (Rifkin). Inked calligraphic initials; edges of leaves are painted red. Title: "Hinnario di France/sco Corteccia / secondo l'uso / della chie/sa roma/na, et fior/enti/na." Dedicated to Duke Cosimo de' Medici (1519-74). One watermark resembles Briquet #744 (a similar mark is also found in FlorBN II.I.350 and RomeV 35-40); another mark resembles Briquet #5926 (a similar mark is also found in BrusC 27511, BrusC 27731, FlorBN Magl. 99-102, 122-5, 125bis, and RomeV 35-40).

Before 1544 (MckiFC). Copied in Florence.

Vol 4

Contents: 33 hymns

Composer: Corteccia-33

Physical: i + 106 + iii paper folios, 418 x 284. Original ink foliation, II-CIII; modern pencil foliation, 1-106. Original covers of brown leather, gold tooled with ornamental designs. Original index on new f. 2' groups pieces alphabetically by first letter of text, with subgrouping under some letters by order of appearance. Copied by Michele Federighi, prior at Church of San Lorenzo, Florence, and a pupil and friend of Corteccia; Federighi also wrote most of FlorD 46, FlorSL C, ff. 81'-95 of FlorD 45, and one piece in FlorSL O.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
3v–7	Conditor alme siderum	-	Corteccia, (Pier) Francesco
Conditor alme siderum Corteccia, (Pier) Francesco Appears on: 3v–7 Genres: Hymn
7v–11	Christe redemptor / Tu lumen tu splendor	-	Corteccia, (Pier) Francesco
Christe redemptor / Tu lumen tu splendor Corteccia, (Pier) Francesco Appears on: 7v–11 Genres: Hymn
11v–13	Deus tuorum militum (I)	-	Corteccia, (Pier) Francesco
Deus tuorum militum (I) Corteccia, (Pier) Francesco Appears on: 11v–13 Genres: Hymn
13v–18	Exsultet caelum laudibus (I)	-	Corteccia, (Pier) Francesco
Exsultet caelum laudibus (I) Corteccia, (Pier) Francesco Appears on: 13v–18 Genres: Hymn
18v–20	Hostis Herodes impie	-	Corteccia, (Pier) Francesco
Hostis Herodes impie Corteccia, (Pier) Francesco Appears on: 18v–20 Genres: Hymn
20v–24	Aures ad nostras	-	Corteccia, (Pier) Francesco
Aures ad nostras Corteccia, (Pier) Francesco Appears on: 20v–24 Genres: Hymn
24v–28	Ad coenam agni	-	Corteccia, (Pier) Francesco
Ad coenam agni Corteccia, (Pier) Francesco Appears on: 24v–28 Genres: Hymn
28v–32	Tristes erant apostoli	-	Corteccia, (Pier) Francesco
Tristes erant apostoli Corteccia, (Pier) Francesco Appears on: 28v–32 Genres: Hymn
32v–35	Vexilla regis (I)	-	Corteccia, (Pier) Francesco
Vexilla regis (I) Corteccia, (Pier) Francesco Appears on: 32v–35 Genres: Hymn
35v–37	Jesu nostra redemptio	-	Corteccia, (Pier) Francesco
Jesu nostra redemptio Corteccia, (Pier) Francesco Appears on: 35v–37 Genres: Hymn
37v–41	Veni creator spiritus	-	Corteccia, (Pier) Francesco
Veni creator spiritus Corteccia, (Pier) Francesco Appears on: 37v–41 Genres: Hymn, Veni creator spiritus
41v–44	Adesto sancta trinitas	-	Corteccia, (Pier) Francesco
Adesto sancta trinitas Corteccia, (Pier) Francesco Appears on: 41v–44 Genres: Hymn
44v–48	Pange lingua gloriosi	-	Corteccia, (Pier) Francesco
Pange lingua gloriosi Corteccia, (Pier) Francesco Appears on: 44v–48 Genres: Hymn
48v–49	Doctor egregie	-	Corteccia, (Pier) Francesco
Doctor egregie Corteccia, (Pier) Francesco Appears on: 48v–49 Genres: Hymn
49v–51	Quodcumque vinclis	-	Corteccia, (Pier) Francesco
Quodcumque vinclis Corteccia, (Pier) Francesco Appears on: 49v–51 Genres: Hymn
52v–55	Ut queant laxis	-	Corteccia, (Pier) Francesco
Ut queant laxis Corteccia, (Pier) Francesco Appears on: 52v–55 Genres: Hymn
55v–57	Aurea luce	-	Corteccia, (Pier) Francesco
Aurea luce Corteccia, (Pier) Francesco Appears on: 55v–57 Genres: Hymn
57v–58	Nardi Maria	-	Corteccia, (Pier) Francesco
Nardi Maria Corteccia, (Pier) Francesco Appears on: 57v–58 Genres: Hymn
58v–61	Ave maris stella	-	Corteccia, (Pier) Francesco
Ave maris stella Corteccia, (Pier) Francesco Appears on: 58v–61 Genres: Ave maris stella, Hymn
61v–64	Gaude mater	-	Corteccia, (Pier) Francesco
Gaude mater Corteccia, (Pier) Francesco Appears on: 61v–64 Genres: Hymn
64v–69	Martyris Christi	-	Corteccia, (Pier) Francesco
Martyris Christi Corteccia, (Pier) Francesco Appears on: 64v–69 Genres: Hymn
69v–72	Vexilla regis (II)	-	Corteccia, (Pier) Francesco
Vexilla regis (II) Corteccia, (Pier) Francesco Appears on: 69v–72 Genres: Hymn
72v–76	Tibi Christe splendor patris	-	Corteccia, (Pier) Francesco
Tibi Christe splendor patris Corteccia, (Pier) Francesco Appears on: 72v–76 Genres: Hymn
77v–83	Christe redemptor omnium / Beata quoque agmina	-	Corteccia, (Pier) Francesco
Christe redemptor omnium / Beata quoque agmina Corteccia, (Pier) Francesco Appears on: 77v–83 Genres: Hymn
83v–88	Lucis creator optime	-	Corteccia, (Pier) Francesco
Lucis creator optime Corteccia, (Pier) Francesco Appears on: 83v–88 Genres: Hymn
88v–92	Exsultet caelum laudibus (II)	-	Corteccia, (Pier) Francesco
Exsultet caelum laudibus (II) Corteccia, (Pier) Francesco Appears on: 88v–92 Genres: Hymn
92v–94	Deus tuorum militum (II)	-	Corteccia, (Pier) Francesco
Deus tuorum militum (II) Corteccia, (Pier) Francesco Appears on: 92v–94 Genres: Hymn
94v–97	Sanctorum meritis	-	Corteccia, (Pier) Francesco
Sanctorum meritis Corteccia, (Pier) Francesco Appears on: 94v–97 Genres: Hymn
97v–99	Iste confessor (I)	-	Corteccia, (Pier) Francesco
Iste confessor (I) Corteccia, (Pier) Francesco Appears on: 97v–99 Genres: Hymn
99v–101	Iste confessor (II)	-	Corteccia, (Pier) Francesco
Iste confessor (II) Corteccia, (Pier) Francesco Appears on: 99v–101 Genres: Hymn
101v–103	Jesu corona virginum	-	Corteccia, (Pier) Francesco
Jesu corona virginum Corteccia, (Pier) Francesco Appears on: 101v–103 Genres: Hymn
103v–104	Urbs beata Jerusalem	-	Corteccia, (Pier) Francesco
Urbs beata Jerusalem Corteccia, (Pier) Francesco Appears on: 103v–104 Genres: Hymn

Composer	Compositions
Corteccia, (Pier) Francesco	Ad coenam agni – 24v–28 Adesto sancta trinitas – 41v–44 Aurea luce – 55v–57 Aures ad nostras – 20v–24 Ave maris stella – 58v–61 Christe redemptor / Tu lumen tu splendor – 7v–11 Christe redemptor omnium / Beata quoque agmina – 77v–83 Conditor alme siderum – 3v–7 Deus tuorum militum (I) – 11v–13 Deus tuorum militum (II) – 92v–94 Doctor egregie – 48v–49 Exsultet caelum laudibus (I) – 13v–18 Exsultet caelum laudibus (II) – 88v–92 Gaude mater – 61v–64 Hostis Herodes impie – 18v–20 Iste confessor (I) – 97v–99 Iste confessor (II) – 99v–101 Jesu corona virginum – 101v–103 Jesu nostra redemptio – 35v–37 Lucis creator optime – 83v–88 Martyris Christi – 64v–69 Nardi Maria – 57v–58 Pange lingua gloriosi – 44v–48 Quodcumque vinclis – 49v–51 Sanctorum meritis – 94v–97 Tibi Christe splendor patris – 72v–76 Tristes erant apostoli – 28v–32 Urbs beata Jerusalem – 103v–104 Ut queant laxis – 52v–55 Veni creator spiritus – 37v–41 Vexilla regis (I) – 32v–35 Vexilla regis (II) – 69v–72

Composer

Compositions

Corteccia, (Pier) Francesco

Ad coenam agni – 24v–28
Adesto sancta trinitas – 41v–44
Aurea luce – 55v–57
Aures ad nostras – 20v–24
Ave maris stella – 58v–61
Christe redemptor / Tu lumen tu splendor – 7v–11
Christe redemptor omnium / Beata quoque agmina – 77v–83
Conditor alme siderum – 3v–7
Deus tuorum militum (I) – 11v–13
Deus tuorum militum (II) – 92v–94
Doctor egregie – 48v–49
Exsultet caelum laudibus (I) – 13v–18
Exsultet caelum laudibus (II) – 88v–92
Gaude mater – 61v–64
Hostis Herodes impie – 18v–20
Iste confessor (I) – 97v–99
Iste confessor (II) – 99v–101
Jesu corona virginum – 101v–103
Jesu nostra redemptio – 35v–37
Lucis creator optime – 83v–88
Martyris Christi – 64v–69
Nardi Maria – 57v–58
Pange lingua gloriosi – 44v–48
Quodcumque vinclis – 49v–51
Sanctorum meritis – 94v–97
Tibi Christe splendor patris – 72v–76
Tristes erant apostoli – 28v–32
Urbs beata Jerusalem – 103v–104
Ut queant laxis – 52v–55
Veni creator spiritus – 37v–41
Vexilla regis (I) – 32v–35
Vexilla regis (II) – 69v–72

Composition	Composers (? Uncertain)	Folios / Pages
Ad coenam agni	Corteccia, (Pier) Francesco	24v–28
Adesto sancta trinitas	Corteccia, (Pier) Francesco	41v–44
Aurea luce	Corteccia, (Pier) Francesco	55v–57
Aures ad nostras	Corteccia, (Pier) Francesco	20v–24
Ave maris stella	Corteccia, (Pier) Francesco	58v–61
Christe redemptor / Tu lumen tu splendor	Corteccia, (Pier) Francesco	7v–11
Christe redemptor omnium / Beata quoque agmina	Corteccia, (Pier) Francesco	77v–83
Conditor alme siderum	Corteccia, (Pier) Francesco	3v–7
Deus tuorum militum (I)	Corteccia, (Pier) Francesco	11v–13
Deus tuorum militum (II)	Corteccia, (Pier) Francesco	92v–94
Doctor egregie	Corteccia, (Pier) Francesco	48v–49
Exsultet caelum laudibus (I)	Corteccia, (Pier) Francesco	13v–18
Exsultet caelum laudibus (II)	Corteccia, (Pier) Francesco	88v–92
Gaude mater	Corteccia, (Pier) Francesco	61v–64
Hostis Herodes impie	Corteccia, (Pier) Francesco	18v–20
Iste confessor (I)	Corteccia, (Pier) Francesco	97v–99
Iste confessor (II)	Corteccia, (Pier) Francesco	99v–101
Jesu corona virginum	Corteccia, (Pier) Francesco	101v–103
Jesu nostra redemptio	Corteccia, (Pier) Francesco	35v–37
Lucis creator optime	Corteccia, (Pier) Francesco	83v–88
Martyris Christi	Corteccia, (Pier) Francesco	64v–69
Nardi Maria	Corteccia, (Pier) Francesco	57v–58
Pange lingua gloriosi	Corteccia, (Pier) Francesco	44v–48
Quodcumque vinclis	Corteccia, (Pier) Francesco	49v–51
Sanctorum meritis	Corteccia, (Pier) Francesco	94v–97
Tibi Christe splendor patris	Corteccia, (Pier) Francesco	72v–76
Tristes erant apostoli	Corteccia, (Pier) Francesco	28v–32
Urbs beata Jerusalem	Corteccia, (Pier) Francesco	103v–104
Ut queant laxis	Corteccia, (Pier) Francesco	52v–55
Veni creator spiritus	Corteccia, (Pier) Francesco	37v–41
Vexilla regis (I)	Corteccia, (Pier) Francesco	32v–35
Vexilla regis (II)	Corteccia, (Pier) Francesco	69v–72

‡ denotes primary source study

D'Accone, Frank A. 1985. Updating the Style: Francesco Corteccia's Revisions in His Responsories for Holy Week. Music and Context: Essays for John M. Ward, Cambridge, Massachusetts. Pages: 38. Notes: mention of MS.

Weidensaul, Jane Bennett. 1978. The Polyphonic Hymns of Adrian Willaert. Rutgers University, Unpublished Ph.D. dissertation. Pages: 115-29, passim. Notes: physical description; contents list; transcription (partial); mention of MS; discussion.

Sutherland, David Angus. 1972. A Second Corteccia Manuscript in the Archives of Santa Maria del Fiore. Journal of the American Musicological Society, 79-85. Notes: physical description; mention of MS; discussion; facsimile (partial).

McKinley, Ann Watson. 1962. Francesco Corteccia's Music to Latin Texts. University of Michigan, Unpublished Ph.D. dissertation. Pages: 86-105, passim. Notes: physical description; contents list; transcription (partial); facsimile (partial).

Haydon, Glen. 1960. The Dedication of Francesco Corteccia's Hinnario. Journal of the American Musicological Society, 112-6. Notes: physical description; mention of MS; discussion.

Haydon, Glen (editor). 1958-60. Francesco Corteccia: Hinnario Secondo l'Uso della Chiesa Romana et Fiorentina. Musica Liturgica. Notes: physical description; mention of MS; discussion; transcription (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Liminary Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description