The main scribe (ff. 1-52, a complete set of Corteccia's responsories, with revisions to adapt them to the versions in the print of 1570) was Michele Federighi (see below), who also wrote FlorL Med. Pal. 7, most of FlorD 46, ff. 81 '-95 of FlorD 45, and one piece in FlorSL O. Later additions by two other scribes. Copied in Florence. Original owner and compiler was Michele Federighi, prior at Church of San Lorenzo, Florence, and a pupil and friend of Corteccia. Manuscript presented by Federighi to Church of San Lorenzo in 1576.
I-Fsl MS C
Archivio di San Lorenzo, Florence, Italy
manuscript of polyphony: 1562; revisions and additions extending to 17th century (CorteCS)
| Archive | Archivio di San Lorenzo, Florence, Italy (I-Fsl) |
|---|---|
| Shelfmark | MS C |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 425 x 285 mm |
| Other Identifiers |
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| Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
| Copyists |
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| Relationships |
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| Provenance |
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| Contents | Contains 37 compositions from 1 composer. |
General Description
Binding
Original covers of parchment over boards.
Notation
not indicated
Foliation
Original ink foliation, 1-83, on upper right rectos
Decoration
Inked calligraphic initials.
Index
Index on f. [ii], added by later scribe, lists pieces in order of appearance.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 canticle (fragmentary), 4 Passions, 32 motets = 37 (Corteccia)-28 + 2?, Gagliano-4, anon-3
iii + 83 + i paper folios, 425 x 285. Original ink foliation, 1-83, on upper right rectos. Original covers of parchment over boards. Index on f. [ii], added by later scribe, lists pieces in order of appearance. The main scribe was Michele Federighi (see below), who also wrote FlorL Med. Pal. 7, most of FlorD 46, ff. 81 '-95 of FlorD 45, and one piece in FlorSL O. Later additions by two other scribes. Inked calligraphic initials.
1562 (main layer), with additions and revisions extending into early 17th century (CorteCS). Copied in Florence. Original owner and compiler was Michele Federighi, prior at Church of San Lorenzo, Florence, and a pupil and friend of Corteccia. Manuscript presented by Federighi to Church of San Lorenzo in 1576.
The inventory could not be loaded.
‡ denotes primary source study
D'Accone, Frank A (editor). 1985-. Collected Sacred Works. Vol. XI [several additional volumes projected] of Music of the Florentine Renaissance. Corpus mensurabilis musicae, vol. 32. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: XI.xvii-xix.xxii-ff, 170. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
D'Accone, Frank A. 1985. Updating the Style: Francesco Corteccia's Revisions in His Responsories for Holy Week. Music and Context: Essays for John M. Ward, Cambridge, Massachusetts. Pages: 37ff. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
D'Accone, Frank A. 1983. Singolarità di Alcuni Aspetti della Musica Sacra Fiorentina del Cinquecento," in Firenze e la Toscana dei Medici nell'Europa del '500, 513-37. Biblioteca di Storia Toscana Moderna e Contemporanea: Studi e Documenti, vol. 26. Pages: 519. Notes: physical description; mention of MS; discussion.
Strainchamps. 1980. New Polyphony from Sixteenth- and Seventeenth-Century Italy. Paper read at the Annual Meeting of the American Musicological Society, November, 1980, . Notes: physical description; mention of MS; discussion.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description