I-Fsl MS C

Archivio di San Lorenzo, Florence, Italy

manuscript of polyphony: 1562; revisions and additions extending to 17th century (CorteCS)

Archive Archivio di San Lorenzo, Florence, Italy (I-Fsl)
Shelfmark MS C
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 425 x 285 mm
Other Identifiers
  • CCM: FlorSL C
Inventory This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Copyists
Relationships
Provenance
Contents Contains 37 compositions from 1 composer.
General Description

The main scribe (ff. 1-52, a complete set of Corteccia's responsories, with revisions to adapt them to the versions in the print of 1570) was Michele Federighi (see below), who also wrote FlorL Med. Pal. 7, most of FlorD 46, ff. 81 '-95 of FlorD 45, and one piece in FlorSL O. Later additions by two other scribes. Copied in Florence. Original owner and compiler was Michele Federighi, prior at Church of San Lorenzo, Florence, and a pupil and friend of Corteccia. Manuscript presented by Federighi to Church of San Lorenzo in 1576.

DIAMM, 2024
Binding

Original covers of parchment over boards.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Original ink foliation, 1-83, on upper right rectos

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Index

Index on f. [ii], added by later scribe, lists pieces in order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 canticle (fragmentary), 4 Passions, 32 motets = 37 (Corteccia)-28 + 2?, Gagliano-4, anon-3

iii + 83 + i paper folios, 425 x 285. Original ink foliation, 1-83, on upper right rectos. Original covers of parchment over boards. Index on f. [ii], added by later scribe, lists pieces in order of appearance. The main scribe was Michele Federighi (see below), who also wrote FlorL Med. Pal. 7, most of FlorD 46, ff. 81 '-95 of FlorD 45, and one piece in FlorSL O. Later additions by two other scribes. Inked calligraphic initials.

1562 (main layer), with additions and revisions extending into early 17th century (CorteCS). Copied in Florence. Original owner and compiler was Michele Federighi, prior at Church of San Lorenzo, Florence, and a pupil and friend of Corteccia. Manuscript presented by Federighi to Church of San Lorenzo in 1576.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

D'Accone, Frank A (editor). 1985-. Collected Sacred Works. Vol. XI [several additional volumes projected] of Music of the Florentine Renaissance. Corpus mensurabilis musicae, vol. 32.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: XI.xvii-xix.xxii-ff, 170. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

D'Accone, Frank A. 1985. Updating the Style: Francesco Corteccia's Revisions in His Responsories for Holy Week. Music and Context: Essays for John M. Ward,  Cambridge, Massachusetts. Pages: 37ff. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

D'Accone, Frank A. 1983. Singolarità di Alcuni Aspetti della Musica Sacra Fiorentina del Cinquecento," in Firenze e la Toscana dei Medici nell'Europa del '500, 513-37. Biblioteca di Storia Toscana Moderna e Contemporanea: Studi e Documenti, vol. 26.  Pages: 519. Notes: physical description; mention of MS; discussion.

Strainchamps. 1980. New Polyphony from Sixteenth- and Seventeenth-Century Italy. Paper read at the Annual Meeting of the American Musicological Society, November, 1980, . Notes: physical description; mention of MS; discussion.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description