Copied by Johannes Härtung. 'Septimus Tomus' on cover; this is one of a set of four (of an original seven) choirbooks. Pieces from various prints have been arranged for the feasts of Pentecost and Trinity (WindhLM). Copied at the Cistercian monastery in Heilsbronn. The repertory, however, is Lutheran, reflecting the sympathetic attitude toward the Reformation at the monastery. Brought to Erlangen in the 18th century.
| Archive | Universitätsbibliothek, Erlangen, Germany (D-ERu) |
|---|---|
| Shelfmark | 473/3 |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 460 x 310 mm |
| Other Identifiers |
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| Contents | Contains 46 compositions, 44 from 21 composers, 2 are anonymous. |
General Description
Physical Description
f. 189 is missing
Binding
Original covers of white leather over boards, with tooled allegorical figures, busts, and ornamental designs; metal edges and studs remain, but metal clasps have been lost
Liminary Note
Inscription on f. 1: 'Joannes Harttung apud Fontem Salutis Iudex sibi suisq[ue] conscripsit Anno 1545.'
Notation
not indicated
Date
1545; the last three pieces are later additions, the last two in another hand probably from the 1560's.
Foliation
Original foliation, 1-281
Index
Original index on f. 2, arranged according to number of voices.
Surface
paper
DIAMM Note
Photographed in openings to microfiche, and digitized from the microfiche by ICAM archive systems.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Mass, 1 Mass Proper cycle, 1 Magnificat, 5 psalms, 1 Passion, 13 motets, 3 German sacred pieces = 25
Breitengraser-1, Brück [Pruck]-1, Contini-1, Gombert-4, Hellinck-1, (Isaac)-1, Jaquet of Mantua-3, (Mouton)-1, Obrecht/(Longaval/Venture)-1, Paminger-2, Payen-1, Senfl-3, Verdelot -1, (Walter)-2, Willaert-1, anon-1
ii + 305 paper folios, 460 x 310. Original foliation, 1-281; f. 189 is missing. Original covers of white leather over boards, with tooled allegorical figures, busts, and ornamental designs; metal edges and studs remain, but metal clasps have been lost. Original index on f. 2, arranged according to number of voices. Copied by Johannes Härtung. "Septimus Tomus" on cover; this is one of a set of four (of an original seven) choirbooks. Pieces from various prints have been arranged here for the feasts of Pentecost and Trinity (WindhLM). Inscription on f. 1: "Joannes Harttung apud Fontem Salutis Iudex sibi suisq[ue] conscripsit Anno 1545."
1545; the last three pieces are later additions, the last two in another hand probably from the 1560's. Copied at the Cistercian monastery in Heilsbronn. The repertory, however, is Lutheran, reflecting the sympathetic attitude toward the Reformation at the monastery. Brought to Erlangen in the 18th century.
Vol 4
Composers: Change "Hellinck-1" to "Hellinck/tSenfl/Verdelot)-1."
Opening 186
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Sets
Select a set to see its sources.
Copied by Johannes Härtung
Copyist or Scribal Concordance · 4 sources
‡ denotes primary source study
Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 155-6. Notes: contents list (partial); concordances (partial).
Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 135-7. Notes: physical description; mention of MS; discussion; contents list.
Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 365, passim. Notes: mention of MS; concordances (partial).
Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V. Chicago. Pages: III, 108, passim. Notes: mention of MS; concordances (partial).
Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 247, 312-6. Notes: mention of MS; concordances (partial); incipits (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 135. Notes: contents list (partial); concordances (partial); incipits (partial).
Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 25 & 27: 273-324:(XXV)253-82:(XXVII). Notes: physical description; contents list; incipitsfacsimile (partial); additional bibliography.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VI, 37-8. Notes: physical description; mention of MS; discussion.
Fischer, Hans. 1936. Die lateinischen Papierhandschriften der Universitätsbibliothek Erlangen. 700S. Erlangen. Pages: II, 56-7. Notes: physical description; contents list.
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 448. Notes: mention of MS.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Liminary Note; Notation Note; Date Note; Foliation Note; Contents Note; Surface Note; DIAMM Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description