This is one of a set of four (of an original seven) choirbooks. It was copied largely from the prints RISM D3018 and Resinarius: Responsoriorum numero octoginta de tempore (Wittenberg, 1543) [RISMR1196]. Copied by Johannes Härtung, at the Cistercian monastery in Heilsbronn. Nevertheless, the repertory is of a Lutheran character and thus reflects the sympathetic attitude towards the Reformation at the monastery. The manuscript came to Erlangen in the eighteenth century.
| Archive | Universitätsbibliothek, Erlangen, Germany (D-ERu) |
|---|---|
| Shelfmark | 473/2 |
| Surface | Paper |
| Numbering System | Foliation |
| Format | portrait |
| Measurements | 440 x 300 mm |
| Other Identifiers |
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| Contents | Contains 54 compositions from 7 composers. |
General Description
Binding
Original covers of white leather over boards, with tooled allegorical figures, busts, and ornamental designs; metal edges and studs remain, but metal clasps have been lost
Liminary Note
Inscription on f. 1: 'Precum vesperarum: hunc sextum Tomus: Joannes Harttung apud Fontem Salutis Judex conscripsit Anno 1548.'
Notation
not indicated
Foliation
Original foliation, 2-320
Index
Original index on ff. ii-iii; pieces are arranged according to liturgical order.
Surface
paper
DIAMM Note
Photographed in openings to microfiche, and digitized from the microfiche by ICAM archive systems.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
9 Magnificats, 26 hymns, 16 motets = 51
Crecquillon-4, Dietrich-20, Mahu-1, Morales-1, Resinarius-15, Senfl-8, Stahel-1, anon-1
vi + 325 paper folios, 440 x 300. Original foliation, 2-320; ff. 320-325 have blank staves only. Original covers of white leather over boards, with tooled allegorical figures, busts, and ornamental designs; metal edges and studs remain, but metal clasps have been lost. Original index on ff. ii-iii; pieces are arranged according to liturgical order. Copied by Johannes Härtung.
This is one of a set of four (of an original seven) choirbooks. It was copied largely from the prints RISM D3018 and Resinarius: Responsoriorum numero octoginta de tempore (Wittenberg, 1543). Inscription on f. 1: "Precum vesperarum: hunc sextum Tomus: Joannes Harttung apud Fontem Salutis Judex conscripsit Anno 1548."
Copied at the Cistercian monastery in Heilsbronn. The repertory, however, is Lutheran, reflecting the sympathetic attitude toward the Reformation at the monastery. Brought to Erlangen in the 18th century.
Physical: Resinarius print = RISMR1196.
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Sets
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Copied by Johannes Härtung
Copyist or Scribal Concordance · 4 sources
‡ denotes primary source study
Walter, George R. 1975. The Five-Voice Motets of Thomas Crecquillon. University of West Virginia, Unpublished Ph.D. dissertation. Pages: I,246,315,345-6; II,1-5,851-5. Notes: physical description (partial); contents list (partial); transcription (partial); texts (partial).
Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 134. Notes: physical description; mention of MS; discussion.
Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies, vol. 21. Brooklyn. Pages: IV, i, plate xxxi. Notes: concordances (partial); facsimile (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 135. Notes: contents list (partial); concordances (partial); incipits (partial).
Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 25 & 27: 273-324:(XXV)253-82:(XXVII). Notes: physical description; contents list; incipitsfacsimile (partial); additional bibliography.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VI, 37-8. Notes: physical description; mention of MS; discussion.
Fischer, Hans. 1936. Die lateinischen Papierhandschriften der Universitätsbibliothek Erlangen. 700S. Erlangen. Pages: II, 56. Notes: physical description; contents list.
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 338-9. Notes: physical description.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Liminary Note; Notation Note; Foliation Note; Contents Note; Surface Note; DIAMM Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description