Copied by Johannes Härtung. Inscription 'Secundus Tomus' on cover; one of a set of four (of an original seven) choirbooks. Copied at the Cistercian monastery in Heilsbronn. The repertory, however, is Lutheran, reflecting the sympathetic attitude toward the Reformation at the monastery. Brought to Erlangen in the 18th century.
| Archive | Universitätsbibliothek, Erlangen, Germany (D-ERu) |
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| Shelfmark | 473/1 |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 470 x 315 mm |
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| Contents | Contains 32 compositions, 26 from 17 composers, 6 are anonymous. |
General Description
Binding
Original covers of white leather over boards, with tooled allegorical figures, busts, and ornaments; metal edges and studs remain, but metal closing clasps have been lost
Notation
not indicated
Date
1541 (date on f. 1)
Foliation
Original foliation, 1-232
Index
Original index on f. 2, grouping pieces for Advent, Annunciation, and Nativity.
Surface
paper
DIAMM Note
Photographed in openings to microfiche, and digitized from the microfiche for DIAMM by ICAM archive systems.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
2 Masses, 2 Mass Proper cycles, 1 Te Deum, 1 hymn, 10 motets = 16
Arthopius-1, (Isaac)-1, Jaquet of Mantua [Jacquet]/(Berchem)-1, (Josquin/Mouton/Silva)-1, Lupus-1, Mahu-1, Rein-1, Richafort/(Lupus)-1, Senfl-2, Verdelot/(Sermisy)-1, Willaert-1, anon-4
iv + 248 paper folios, 470 x 315. Original foliation, 1-232; ff. 226-248 are ruled, but have no music on them. Original covers of white leather over boards, with tooled allegorical figures, busts, and ornaments; metal edges and studs remain, but metal closing clasps have been lost. Original index on f. 2, grouping pieces for Advent, Annunciation, and Nativity. Copied by Johannes Härtung. Inscription "Secundus Tomus" on cover; this is one of a set of four (of an original seven) choirbooks.
1541 (date on f. 1). Copied at the Cistercian monastery in Heilsbronn. The repertory, however, is Lutheran, reflecting the sympathetic attitude toward the Reformation at the monastery. Brought to Erlangen in the 18th century.
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Sets
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Copied by Johannes Härtung
Copyist or Scribal Concordance · 4 sources
‡ denotes primary source study
Brusniak, Friedhelm. 1980. Conrad Rein (ca. 1475-1522)-Schulmeister und Komponist. Neue Musikgeschichtliche Forschungen, vol. 10. Wiesbaden. Pages: 171-93,344. Notes: contents list (partial); incipits (partial); mention of MS; discussion.
Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 147. Notes: concordances (partial).
Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 131-4. Notes: physical description; mention of MS; discussion.
Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 365, passim. Notes: mention of MS; concordances (partial).
Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 247, 276. Notes: mention of MS; concordances (partial); incipits (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 134. Notes: concordances (partial); incipits (partial).
Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 25 & 27: 273-324:(XXV)253-82:(XXVII). Notes: physical description; contents list; concordances; incipits; facsimile (partial); additional bibliography.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VI, 37-8, Tafel 2. Notes: physical description; mention of MS; discussion; facsimile (partial).
Fischer, Hans. 1936. Die lateinischen Papierhandschriften der Universitätsbibliothek Erlangen. 700S. Erlangen. Pages: II, 55-6. Notes: physical description; contents list.
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXV, 77. Notes: physical description.
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 448. Notes: physical description.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Contents Note; Surface Note; DIAMM Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description