D-ERu 473/2

Universitätsbibliothek, Erlangen, Germany

manuscript of polyphony: 1548

Archive	Universitätsbibliothek, Erlangen, Germany (D-ERu)
Shelfmark	473/2
Surface	Paper
Numbering System	Foliation
Format	portrait
Measurements	440 x 300 mm
Other Identifiers	CCM: ErlU 473/2 olim (Former shelfmark): 791
Copyists	Härtung, Johannes Music
Relationships	Heilsbronn Abbey (copied at)
Provenance	Salem Abbey (Cistercian) , Heilsbronn, Bavaria, Germany
Contents	55 pieces from 8 composers

General Description

This is one of a set of four (of an original seven) choirbooks. It was copied largely from the prints RISM D3018 and Resinarius: Responsoriorum numero octoginta de tempore (Wittenberg, 1543) [RISMR1196]. Copied by Johannes Härtung, at the Cistercian monastery in Heilsbronn. Nevertheless, the repertory is of a Lutheran character and thus reflects the sympathetic attitude towards the Reformation at the monastery. The manuscript came to Erlangen in the eighteenth century.

DIAMM, 2017

Binding

Original covers of white leather over boards, with tooled allegorical figures, busts, and ornamental designs; metal edges and studs remain, but metal clasps have been lost

DIAMM, 2017

Liminary Note

Inscription on f. 1: 'Precum vesperarum: hunc sextum Tomus: Joannes Harttung apud Fontem Salutis Judex conscripsit Anno 1548.'

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Original foliation, 2-320

DIAMM, 2017

Index

Original index on ff. ii-iii; pieces are arranged according to liturgical order.

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

Photographed in openings to microfiche, and digitized from the microfiche by ICAM archive systems.

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

9 Magnificats, 26 hymns, 16 motets = 51

Crecquillon-4, Dietrich-20, Mahu-1, Morales-1, Resinarius-15, Senfl-8, Stahel-1, anon-1

vi + 325 paper folios, 440 x 300. Original foliation, 2-320; ff. 320-325 have blank staves only. Original covers of white leather over boards, with tooled allegorical figures, busts, and ornamental designs; metal edges and studs remain, but metal clasps have been lost. Original index on ff. ii-iii; pieces are arranged according to liturgical order. Copied by Johannes Härtung.

This is one of a set of four (of an original seven) choirbooks. It was copied largely from the prints RISM D3018 and Resinarius: Responsoriorum numero octoginta de tempore (Wittenberg, 1543). Inscription on f. 1: "Precum vesperarum: hunc sextum Tomus: Joannes Harttung apud Fontem Salutis Judex conscripsit Anno 1548."

Copied at the Cistercian monastery in Heilsbronn. The repertory, however, is Lutheran, reflecting the sympathetic attitude toward the Reformation at the monastery. Brought to Erlangen in the 18th century.

Physical: Resinarius print = RISMR1196.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[i recto]–[ii verso]	index	-	-
index Appears on: [i recto]–[ii verso]
1v–7	[A solis ortus cardine] Beatus auctor saeculi	-	Resinarius, Balthasar
[A solis ortus cardine] Beatus auctor saeculi Resinarius, Balthasar Appears on: 1v–7 Genres: Hymn General Note verses 2, 4, 6. "De nativitate Christi. Hymnus"
7v–13	Judea et Jerusalem nolite timere R. Cras egrediemini et Dominus erit Vs. Constantes estote videbitis auxilium)	Baltasar Resinarius	Resinarius, Balthasar
Judea et Jerusalem nolite timere R. Cras egrediemini et Dominus erit Vs. Constantes estote videbitis auxilium) Resinarius, Balthasar Appears on: 7v–13 Genres: Motet Source Attribution: Baltasar Resinarius
13v–19	Veni redemptor gentium ostende partum	Joannes Stael	Stahel, Johann
Veni redemptor gentium ostende partum Stahel, Johann Appears on: 13v–19 Genres: Hymn Source Attribution: Joannes Stael
19v–25	[Veni redemptor gentium] Non ex virili semine	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
[Veni redemptor gentium] Non ex virili semine Dietrich, Sixt (ca. 1493–1548) Appears on: 19v–25 Genres: Hymn Source Attribution: Sixtus Dieterich
25v–34	Verbum caro factum est; R: Plenum gratiae; Vs. In principio erat verbum	Baltasar Resinarius	Resinarius, Balthasar
Verbum caro factum est; R: Plenum gratiae; Vs. In principio erat verbum Resinarius, Balthasar Appears on: 25v–34 Genres: Responsory Source Attribution: Baltasar Resinarius
34v–38	A solis ortu cardine	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
A solis ortu cardine Dietrich, Sixt (ca. 1493–1548) Appears on: 34v–38 Genres: Hymn Source Attribution: Sixtus Dieterich
38v–42	Ibant magi quam viderant	-	Dietrich, Sixt (ca. 1493–1548)
Ibant magi quam viderant Dietrich, Sixt (ca. 1493–1548) Appears on: 38v–42 Genres: Hymn
42v–49	Gaude Maria virgo Dum virgo Deum	Baltha[sa]r Resina:	Resinarius, Balthasar
Gaude Maria virgo Dum virgo Deum Resinarius, Balthasar Appears on: 42v–49 Genres: Hymn Source Attribution: Baltha[sa]r Resina:
49v–52	Quod chorus vatum	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
Quod chorus vatum Dietrich, Sixt (ca. 1493–1548) Appears on: 49v–52 Genres: Hymn Source Attribution: Sixtus Dieterich
52v–57	Gloria laus et honor	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
Gloria laus et honor Dietrich, Sixt (ca. 1493–1548) Appears on: 52v–57 Genres: Hymn Source Attribution: Sixtus Dieterich
57v–60	Salve festa dies	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
Salve festa dies Dietrich, Sixt (ca. 1493–1548) Appears on: 57v–60 Genres: Hymn Source Attribution: Sixtus Dieterich
60v–63	Vita sanctorum	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
Vita sanctorum Dietrich, Sixt (ca. 1493–1548) Appears on: 60v–63 Genres: Hymn Source Attribution: Sixtus Dieterich
63v–69	Ad cenam agni providi	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
Ad cenam agni providi Dietrich, Sixt (ca. 1493–1548) Appears on: 63v–69 Genres: Hymn Source Attribution: Sixtus Dieterich
69v–74	Ite in orbem universum Vs. Qui crediderit R. In nomine patris	Baltasar Resinarius	Resinarius, Balthasar
Ite in orbem universum Vs. Qui crediderit R. In nomine patris Resinarius, Balthasar Appears on: 69v–74 Genres: Responsory Source Attribution: Baltasar Resinarius
74v–82	Conscendit jubilans	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
Conscendit jubilans Dietrich, Sixt (ca. 1493–1548) Appears on: 74v–82 Genres: Hymn Source Attribution: Sixtus Dieterich
82v–88	[Apparuerunt apostolis] Seditque supra singulos	Baltasar Resinarius	Resinarius, Balthasar
[Apparuerunt apostolis] Seditque supra singulos Resinarius, Balthasar Appears on: 82v–88 Genres: Hymn Source Attribution: Baltasar Resinarius
88v–92	Veni creator spiritus	Thomas Cricquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Veni creator spiritus Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 88v–92 Genres: Hymn Source Attribution: Thomas Cricquillon
92v–96	[Veni creator spiritus] Accende lumen sensibus	Thomas Cricquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
[Veni creator spiritus] Accende lumen sensibus Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 92v–96 Genres: Hymn Source Attribution: Thomas Cricquillon General Note although perhaps the final verse of the preceding hymn (expanding to 5vv) this is presented as a separate piece
96v–103	Summae trinitati simplici Deo (R: Qui totum subdit, Vs. Praestet nobis gratiam)	Baltasar Resinarius	Resinarius, Balthasar
Summae trinitati simplici Deo (R: Qui totum subdit, Vs. Praestet nobis gratiam) Resinarius, Balthasar Appears on: 96v–103 Genres: Hymn Source Attribution: Baltasar Resinarius
103v–106	O lux beata trinitas	Thomas Cricquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
O lux beata trinitas Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 103v–106 Genres: Hymn Source Attribution: Thomas Cricquillon
106v–110	[O lux beata trinitas] Te mane laudum carmine	Thomas Cricquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
[O lux beata trinitas] Te mane laudum carmine Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 106v–110 Genres: Hymn Source Attribution: Thomas Cricquillon General Note although perhaps the final verse of the preceding hymn (expanding to 5vv) this is presented as a separate piece
110v–116	Inter natos mulierum (R: Qui viam Domino praeparavit; Vs: Fuit homo missus a Deo)	Baltasar Resinarius	Resinarius, Balthasar
Inter natos mulierum (R: Qui viam Domino praeparavit; Vs: Fuit homo missus a Deo) Resinarius, Balthasar Appears on: 110v–116 Genres: Responsory Source Attribution: Baltasar Resinarius
116v–119	[Ut queant laxis] Nuntius celso	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
[Ut queant laxis] Nuntius celso Dietrich, Sixt (ca. 1493–1548) Appears on: 116v–119 Genres: Hymn Source Attribution: Sixtus Dieterich
119v–125	Petre amas me Pasce oves meas	Baltasar Resinarius	Resinarius, Balthasar
Petre amas me Pasce oves meas Resinarius, Balthasar Appears on: 119v–125 Genres: Hymn Source Attribution: Baltasar Resinarius
125v–129	Exultet caelum laudibus	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
Exultet caelum laudibus Dietrich, Sixt (ca. 1493–1548) Appears on: 125v–129 Genres: Hymn Source Attribution: Sixtus Dieterich
129v–135	Exurgens autem Maria Exclamavit Elisabeth	Baltasar Resinarius	Resinarius, Balthasar
Exurgens autem Maria Exclamavit Elisabeth Resinarius, Balthasar Appears on: 129v–135 Genres: Hymn Source Attribution: Baltasar Resinarius
135v–138	[En miranda prodigia] Salutat mater domini	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
[En miranda prodigia] Salutat mater domini Dietrich, Sixt (ca. 1493–1548) Appears on: 135v–138 Genres: Hymn Source Attribution: Sixtus Dieterich
138v–140	Accessit ad pedes - 1a pars (of 3): Accessit ad pedes Jesu peccatrix mulier	Stephanus Mahu	Mahu, Stephan
Accessit ad pedes - 1a pars (of 3): Accessit ad pedes Jesu peccatrix mulier Mahu, Stephan Appears on: 138v–140 Genres: Motet Source Attribution: Stephanus Mahu
140v–142	Accessit ad pedes - 2a pars (of 3): Et osculata est et lavit lachrimis	-	Mahu, Stephan
Accessit ad pedes - 2a pars (of 3): Et osculata est et lavit lachrimis Mahu, Stephan Appears on: 140v–142 Genres: Motet
142v–144	Accessit ad pedes - 3a pars (of 3): Dimissa sunt ei peccata multa	-	Mahu, Stephan
Accessit ad pedes - 3a pars (of 3): Dimissa sunt ei peccata multa Mahu, Stephan Appears on: 142v–144 Genres: Motet
144v–147	Jesu Christe auctor vitae	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
Jesu Christe auctor vitae Dietrich, Sixt (ca. 1493–1548) Appears on: 144v–147 Genres: Hymn Source Attribution: Sixtus Dieterich
147v–151	Levita Laurentius - Et thesauros ecclesiae	Baltasar Resinarius	Resinarius, Balthasar
Levita Laurentius - Et thesauros ecclesiae Resinarius, Balthasar Appears on: 147v–151 Genres: Hymn Source Attribution: Baltasar Resinarius
151v–154	Martyris Christi	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
Martyris Christi Dietrich, Sixt (ca. 1493–1548) Appears on: 151v–154 Genres: Hymn Source Attribution: Sixtus Dieterich
154v–159	Te sanctum Dominum (R: Te decet laus et honor, Vs. Cherubin quoque)	(index:) Resinarius	Resinarius, Balthasar
Te sanctum Dominum (R: Te decet laus et honor, Vs. Cherubin quoque) Resinarius, Balthasar Appears on: 154v–159 Genres: Response Source Attribution: (index:) Resinarius
159v–161	Christe sanctorum	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
Christe sanctorum Dietrich, Sixt (ca. 1493–1548) Appears on: 159v–161 Genres: Hymn Source Attribution: Sixtus Dieterich
161v–165	Martinus Abrahae sinu laetus Caelum dives	Baltha: Resinarius	Resinarius, Balthasar
Martinus Abrahae sinu laetus Caelum dives Resinarius, Balthasar Appears on: 161v–165 Genres: Hymn Source Attribution: Baltha: Resinarius
165v–168	[Martinus confessor Dei] Qui pace Christi affluens	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
[Martinus confessor Dei] Qui pace Christi affluens Dietrich, Sixt (ca. 1493–1548) Appears on: 165v–168 Genres: Hymn Source Attribution: Sixtus Dieterich
168v–175	Cives sanctorum Dare pacem gentibus	Baltas: Resinarius	Resinarius, Balthasar
Cives sanctorum Dare pacem gentibus Resinarius, Balthasar Appears on: 168v–175 Genres: Hymn Source Attribution: Baltas: Resinarius
175v–181	Isti sunt sancti Et in sanguine agni	(index:) Resinarius	Resinarius, Balthasar
Isti sunt sancti Et in sanguine agni Resinarius, Balthasar Appears on: 175v–181 Genres: Hymn Source Attribution: (index:) Resinarius
181v–184	Rex gloriose martyrum	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
Rex gloriose martyrum Dietrich, Sixt (ca. 1493–1548) Appears on: 181v–184 Genres: Hymn Source Attribution: Sixtus Dieterich
184v–186	[Rex gloriose martirum] Aurem benignam protinus	(anon)	Dietrich, Sixt (ca. 1493–1548)
[Rex gloriose martirum] Aurem benignam protinus Dietrich, Sixt (ca. 1493–1548) Appears on: 184v–186 Genres: Hymn Source Attribution: (anon)
186v–193	Justum deduxit dominus Et complevit labores	Resinarius	Resinarius, Balthasar
Justum deduxit dominus Et complevit labores Resinarius, Balthasar Appears on: 186v–193 Genres: Hymn Source Attribution: Resinarius
193v–196	Iste confessor	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
Iste confessor Dietrich, Sixt (ca. 1493–1548) Appears on: 193v–196 Genres: Hymn Source Attribution: Sixtus Dieterich
196v–199	[Iste confessor] Qui pius prudens	Sixtus Dieterich	Dietrich, Sixt (ca. 1493–1548)
[Iste confessor] Qui pius prudens Dietrich, Sixt (ca. 1493–1548) Appears on: 196v–199 Genres: Hymn Source Attribution: Sixtus Dieterich General Note though perhaps the last verse of the preceding hymn, this is presented as a separate piece
200v–223	Magnificat primi toni: Anima Mea [K.914]	Moralis	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Anima Mea [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 200v–223 Genres: BVM, Canticle, Magnificat Source Attribution: Moralis
200v–223	Magnificat primi toni: Et exultavit [K.914]	[Morales]	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Et exultavit [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 200v–223 Genres: BVM, Canticle, Magnificat Source Attribution: [Morales] General Note Copied as one setting of all verses - i.e. the sections of the 'Anima mea' and 'Et exsultavit' settings alternate
223v–235	Magnificat primi toni: Et exultavit spiritus meus	Ludovicus Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat primi toni: Et exultavit spiritus meus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 223v–235 Genres: BVM, Canticle, Magnificat Source Attribution: Ludovicus Senfl General Note Copied as one setting of all verses - i.e. the sections of the 'Anima mea' and 'Et exsultavit' settings alternate
235v–246	Magnificat secundi toni: Et exultavit spiritus meus	Ludovicus Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat secundi toni: Et exultavit spiritus meus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 235v–246 Genres: BVM, Canticle, Magnificat Source Attribution: Ludovicus Senfl
246v–259	Magnificat tertii toni: Et exultavit spiritus meus	Ludovicus Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat tertii toni: Et exultavit spiritus meus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 246v–259 Genres: BVM, Canticle, Magnificat Source Attribution: Ludovicus Senfl
259v–272	Magnificat quarti toni: Et exultavit spiritus meus	Ludovicus Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat quarti toni: Et exultavit spiritus meus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 259v–272 Genres: BVM, Canticle, Magnificat Source Attribution: Ludovicus Senfl
272v–283	Magnificat quinti toni: Et exultavit spiritus meus	Ludo: Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat quinti toni: Et exultavit spiritus meus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 272v–283 Genres: BVM, Canticle, Magnificat Source Attribution: Ludo: Senfl
283v–295	Magnificat sexti toni: Et exultavit spiritus meus	Ludo: Sen[fl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat sexti toni: Et exultavit spiritus meus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 283v–295 Genres: BVM, Canticle, Magnificat Source Attribution: Ludo: Sen[fl]
295v–307	Magnificat septimi toni: Et exultavit spiritus meus	Ludovicus Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat septimi toni: Et exultavit spiritus meus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 295v–307 Genres: BVM, Canticle, Magnificat Source Attribution: Ludovicus Senfl
307v–319	Magnificat octavi toni: Et exultavit	Ludovicus Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat octavi toni: Et exultavit Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 307v–319 Genres: BVM, Canticle, Magnificat Source Attribution: Ludovicus Senfl

Composer	Compositions
Anonymous	[No description] – [i recto]–[ii verso]
Crecquillon, Thomas (ca. 1505–ca. 1557)	O lux beata trinitas – 103v–106 Veni creator spiritus – 88v–92 [O lux beata trinitas] Te mane laudum carmine – 106v–110 [Veni creator spiritus] Accende lumen sensibus – 92v–96
Dietrich, Sixt (ca. 1493–1548)	A solis ortu cardine – 34v–38 Ad cenam agni providi – 63v–69 Christe sanctorum – 159v–161 Conscendit jubilans – 74v–82 Exultet caelum laudibus – 125v–129 Gloria laus et honor – 52v–57 Ibant magi quam viderant – 38v–42 Iste confessor – 193v–196 Jesu Christe auctor vitae – 144v–147 Martyris Christi – 151v–154 Quod chorus vatum – 49v–52 Rex gloriose martyrum – 181v–184 Salve festa dies – 57v–60 Vita sanctorum – 60v–63 [En miranda prodigia] Salutat mater domini – 135v–138 [Iste confessor] Qui pius prudens – 196v–199 [Martinus confessor Dei] Qui pace Christi affluens – 165v–168 [Rex gloriose martirum] Aurem benignam protinus – 184v–186 [Ut queant laxis] Nuntius celso – 116v–119 [Veni redemptor gentium] Non ex virili semine – 19v–25
Mahu, Stephan	Accessit ad pedes - 1a pars (of 3): Accessit ad pedes Jesu peccatrix mulier – 138v–140 Accessit ad pedes - 2a pars (of 3): Et osculata est et lavit lachrimis – 140v–142 Accessit ad pedes - 3a pars (of 3): Dimissa sunt ei peccata multa – 142v–144
Morales, Cristóbal de (ca. 1500–1553)	Magnificat primi toni: Anima Mea [K.914] – 200v–223 Magnificat primi toni: Et exultavit [K.914] – 200v–223
Resinarius, Balthasar	Cives sanctorum Dare pacem gentibus – 168v–175 Exurgens autem Maria Exclamavit Elisabeth – 129v–135 Gaude Maria virgo Dum virgo Deum – 42v–49 Inter natos mulierum (R: Qui viam Domino praeparavit; Vs: Fuit homo missus a Deo) – 110v–116 Isti sunt sancti Et in sanguine agni – 175v–181 Ite in orbem universum Vs. Qui crediderit R. In nomine patris – 69v–74 Judea et Jerusalem nolite timere R. Cras egrediemini et Dominus erit Vs. Constantes estote videbitis auxilium) – 7v–13 Justum deduxit dominus Et complevit labores – 186v–193 Levita Laurentius - Et thesauros ecclesiae – 147v–151 Martinus Abrahae sinu laetus Caelum dives – 161v–165 Petre amas me Pasce oves meas – 119v–125 Summae trinitati simplici Deo (R: Qui totum subdit, Vs. Praestet nobis gratiam) – 96v–103 Te sanctum Dominum (R: Te decet laus et honor, Vs. Cherubin quoque) – 154v–159 Verbum caro factum est; R: Plenum gratiae; Vs. In principio erat verbum – 25v–34 [A solis ortus cardine] Beatus auctor saeculi – 1v–7 [Apparuerunt apostolis] Seditque supra singulos – 82v–88
Senfl, Ludwig (ca. 1486–ca. 1543)	Magnificat octavi toni: Et exultavit – 307v–319 Magnificat primi toni: Et exultavit spiritus meus – 223v–235 Magnificat quarti toni: Et exultavit spiritus meus – 259v–272 Magnificat quinti toni: Et exultavit spiritus meus – 272v–283 Magnificat secundi toni: Et exultavit spiritus meus – 235v–246 Magnificat septimi toni: Et exultavit spiritus meus – 295v–307 Magnificat sexti toni: Et exultavit spiritus meus – 283v–295 Magnificat tertii toni: Et exultavit spiritus meus – 246v–259
Stahel, Johann	Veni redemptor gentium ostende partum – 13v–19

Composition	Composers (? Uncertain)	Folios / Pages
[A solis ortus cardine] Beatus auctor saeculi	Resinarius, Balthasar	1v–7
[Apparuerunt apostolis] Seditque supra singulos	Resinarius, Balthasar	82v–88
[En miranda prodigia] Salutat mater domini	Dietrich, Sixt (ca. 1493–1548)	135v–138
[Iste confessor] Qui pius prudens	Dietrich, Sixt (ca. 1493–1548)	196v–199
[Martinus confessor Dei] Qui pace Christi affluens	Dietrich, Sixt (ca. 1493–1548)	165v–168
[O lux beata trinitas] Te mane laudum carmine	Crecquillon, Thomas (ca. 1505–ca. 1557)	106v–110
[Rex gloriose martirum] Aurem benignam protinus	Dietrich, Sixt (ca. 1493–1548)	184v–186
[Ut queant laxis] Nuntius celso	Dietrich, Sixt (ca. 1493–1548)	116v–119
[Veni creator spiritus] Accende lumen sensibus	Crecquillon, Thomas (ca. 1505–ca. 1557)	92v–96
[Veni redemptor gentium] Non ex virili semine	Dietrich, Sixt (ca. 1493–1548)	19v–25
A solis ortu cardine	Dietrich, Sixt (ca. 1493–1548)	34v–38
Accessit ad pedes - 1a pars (of 3): Accessit ad pedes Jesu peccatrix mulier	Mahu, Stephan	138v–140
Accessit ad pedes - 2a pars (of 3): Et osculata est et lavit lachrimis	Mahu, Stephan	140v–142
Accessit ad pedes - 3a pars (of 3): Dimissa sunt ei peccata multa	Mahu, Stephan	142v–144
Ad cenam agni providi	Dietrich, Sixt (ca. 1493–1548)	63v–69
Christe sanctorum	Dietrich, Sixt (ca. 1493–1548)	159v–161
Cives sanctorum Dare pacem gentibus	Resinarius, Balthasar	168v–175
Conscendit jubilans	Dietrich, Sixt (ca. 1493–1548)	74v–82
Exultet caelum laudibus	Dietrich, Sixt (ca. 1493–1548)	125v–129
Exurgens autem Maria Exclamavit Elisabeth	Resinarius, Balthasar	129v–135
Gaude Maria virgo Dum virgo Deum	Resinarius, Balthasar	42v–49
Gloria laus et honor	Dietrich, Sixt (ca. 1493–1548)	52v–57
Ibant magi quam viderant	Dietrich, Sixt (ca. 1493–1548)	38v–42
Inter natos mulierum (R: Qui viam Domino praeparavit; Vs: Fuit homo missus a Deo)	Resinarius, Balthasar	110v–116
Iste confessor	Dietrich, Sixt (ca. 1493–1548)	193v–196
Isti sunt sancti Et in sanguine agni	Resinarius, Balthasar	175v–181
Ite in orbem universum Vs. Qui crediderit R. In nomine patris	Resinarius, Balthasar	69v–74
Jesu Christe auctor vitae	Dietrich, Sixt (ca. 1493–1548)	144v–147
Judea et Jerusalem nolite timere R. Cras egrediemini et Dominus erit Vs. Constantes estote videbitis auxilium)	Resinarius, Balthasar	7v–13
Justum deduxit dominus Et complevit labores	Resinarius, Balthasar	186v–193
Levita Laurentius - Et thesauros ecclesiae	Resinarius, Balthasar	147v–151
Magnificat octavi toni: Et exultavit	Senfl, Ludwig (ca. 1486–ca. 1543)	307v–319
Magnificat primi toni: Anima Mea [K.914]	Morales, Cristóbal de (ca. 1500–1553)	200v–223
Magnificat primi toni: Et exultavit [K.914]	Morales, Cristóbal de (ca. 1500–1553)	200v–223
Magnificat primi toni: Et exultavit spiritus meus	Senfl, Ludwig (ca. 1486–ca. 1543)	223v–235
Magnificat quarti toni: Et exultavit spiritus meus	Senfl, Ludwig (ca. 1486–ca. 1543)	259v–272
Magnificat quinti toni: Et exultavit spiritus meus	Senfl, Ludwig (ca. 1486–ca. 1543)	272v–283
Magnificat secundi toni: Et exultavit spiritus meus	Senfl, Ludwig (ca. 1486–ca. 1543)	235v–246
Magnificat septimi toni: Et exultavit spiritus meus	Senfl, Ludwig (ca. 1486–ca. 1543)	295v–307
Magnificat sexti toni: Et exultavit spiritus meus	Senfl, Ludwig (ca. 1486–ca. 1543)	283v–295
Magnificat tertii toni: Et exultavit spiritus meus	Senfl, Ludwig (ca. 1486–ca. 1543)	246v–259
Martinus Abrahae sinu laetus Caelum dives	Resinarius, Balthasar	161v–165
Martyris Christi	Dietrich, Sixt (ca. 1493–1548)	151v–154
O lux beata trinitas	Crecquillon, Thomas (ca. 1505–ca. 1557)	103v–106
Petre amas me Pasce oves meas	Resinarius, Balthasar	119v–125
Quod chorus vatum	Dietrich, Sixt (ca. 1493–1548)	49v–52
Rex gloriose martyrum	Dietrich, Sixt (ca. 1493–1548)	181v–184
Salve festa dies	Dietrich, Sixt (ca. 1493–1548)	57v–60
Summae trinitati simplici Deo (R: Qui totum subdit, Vs. Praestet nobis gratiam)	Resinarius, Balthasar	96v–103
Te sanctum Dominum (R: Te decet laus et honor, Vs. Cherubin quoque)	Resinarius, Balthasar	154v–159
Veni creator spiritus	Crecquillon, Thomas (ca. 1505–ca. 1557)	88v–92
Veni redemptor gentium ostende partum	Stahel, Johann	13v–19
Verbum caro factum est; R: Plenum gratiae; Vs. In principio erat verbum	Resinarius, Balthasar	25v–34
Vita sanctorum	Dietrich, Sixt (ca. 1493–1548)	60v–63

Images © Universitätsbibliothek Erlangen-Nürnberg

Set: Copied by Johannes Härtung

Type: Copyist or Scribal Concordance

‡ denotes primary source study

Walter, George R. 1975. The Five-Voice Motets of Thomas Crecquillon. University of West Virginia, Unpublished Ph.D. dissertation. Pages: I,246,315,345-6; II,1-5,851-5. Notes: physical description (partial); contents list (partial); transcription (partial); texts (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 134. Notes: physical description; mention of MS; discussion.

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies. Brooklyn. Pages: IV, i, plate xxxi. Notes: concordances (partial); facsimile (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 135. Notes: contents list (partial); concordances (partial); incipits (partial).

Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 273-324:(XXV)253-82:(XXVII). Notes: physical description; contents list; incipitsfacsimile (partial); additional bibliography.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VI, 37-8. Notes: physical description; mention of MS; discussion.

Fischer, Hans. 1936. Die lateinischen Papierhandschriften der Universitätsbibliothek Erlangen. 700S. Erlangen. Pages: II, 56. Notes: physical description; contents list.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 338-9. Notes: physical description.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Liminary Note; Notation Note; Foliation Note; Contents Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-ERu 473/2

Universitätsbibliothek, Erlangen, Germany

manuscript of polyphony: 1548

General Description

Binding

Liminary Note

Notation

Foliation

Index

Surface

DIAMM Note

Census Catalogue of Music Description

General Note

General Note

General Note

General Note

General Note

General Note

Set: Copied by Johannes Härtung

Type: Copyist or Scribal Concordance

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017