D-Dl MS Pirna III

Sächsische Landesbibliothek, Dresden, Germany

manuscript of polyphony: c. 1550-65

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Pirna III
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 395 x 300 mm
Other Identifiers
  • CCM: DresSL Pirna III
Notations
  • black void mensural
Relationships
External Links
Provenance
Contents 62 pieces from 16 composers
General Description

Copied by a single scribe, in Pirna, for the Stadtkirche St. Marien.

DIAMM, 2017
Physical Description

Almost completely illegible because of ink corrosion and water damage.

DIAMM, 2017
Binding

Original leather covers, in poor condition.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1550-65 (HoffC); ca. 1570-80 (SteudeMS).

DIAMM, 2017
Foliation

Original foliation.

DIAMM, 2017
Index

Remnants of an original index

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass Proper section, 4 Magnificats, 2 psalms, 28 motets, 10 German sacred pieces, 1 textless piece = 46

Burck-5, Clemens non Papa-5, Corvinus-2, Crecquillon-1, (Dressier)-1, Glein-2, C. Hollander-1, Lassus-11, Meiland-2, Prenner-1, Rivulo-2, Scandello-4, A. Schwartz-1, Vaet-1, (Zirler)-1, anon-6

293 paper folios, 395 x 300. The manuscript is almost completely illegible because of ink corrosion and water damage. Original foliation. Original leather covers, in poor condition. Remnants of an original index. Copied by a single scribe.

Ca. 1550-65 (HoffC); ca. 1570-80 (SteudeMS). Copied in Pirna, for the Stadtkirche St. Marien; deposited at the library in Dresden in 1899.

Vol 4

Composers: Change "Corvinus-2" to "Rabe [Valentinus Corvinus]-2."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
4v–10 Postquam consummati sunt dies octo -
Appears on: 4v–10
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Postquam consumati sunt dies
General Note

Neuber, Montanus Erben 1566:16

10v–15 Quem vidistis pastores dicite annuntiate -
Appears on: 10v–15
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quem vidistis pastores
General Note

Gerlach 1582:56

15v–20 Cum natus esset - 3a pars (of 3): Et ecce stella quam viderant Orlandus
Appears on: 15v–20
Genres: Motet
Source Attribution: Orlandus
Voice: [no designation]
Languages: Latin
Voice Text: Et ecce stella quam viderunt
General Note

Bk 37:72, 3.p.

20v–29 In Bethlehem Herodes - 1a pars (of 2): In Bethlehem Herodes iratus Joachim a Burgk
Appears on: 20v–29
Genres: Motet
Source Attribution: Joachim a Burgk
Voice: [no designation]
Languages: Latin
Voice Text: In Bethlehem Herodes iratus
20v–29 In Bethlehem Herodes - 2a pars (of 2): O mira novitas facinoris -
Appears on: 20v–29
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O mira novitas facinoris [part 2]
29v–37 Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem Orlandus
Appears on: 29v–37
Genres: Motet
Source Attribution: Orlandus
Voice: [no designation]
Languages: Latin
Voice Text: Ecce Maria genuit
General Note

Bk 15:8

29v–37 Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi -
Appears on: 29v–37
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce agnus Dei [part 2]
General Note

Bk 15:8

37v–43 Magnificat quinti toni (5vv): Et exultavit [NR 13] Orlandus
Appears on: 37v–43
Genres: BVM, Canticle, Magnificat
Source Attribution: Orlandus
Voice: [no designation]
Languages: Latin
Voice Text: Et exultavit
43v–45 Ich hab mein sach tzu Gott gestelt - Anonymous
Appears on: 43v–45
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Ich hab mein sach tzu got gestelt
45v–56 Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum Joachimus â Burgk
Appears on: 45v–56
Genres: Motet
Source Attribution: Joachimus â Burgk
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent
45v–56 Beati omnes - 2a pars (of 2): Ecce sic benedicetur -
Appears on: 45v–56
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce sic benedicetur [part 2]
56v–63 Ecce concipies - 1a pars (of 2): Ecce concipies et paries filium et vocabis Joachimus a Burgk
Appears on: 56v–63
Genres: Motet
Source Attribution: Joachimus a Burgk
Voice: [no designation]
Languages: Latin
Voice Text: Ecce concipies et paries
56v–63 Ecce concipies - 2a pars (of 2): Et dabit illi Dominus Deus sedem -
Appears on: 56v–63
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et dabit illi dominus [part 2]
63v–71 Ascendo ad patrem meum et patrem vestrum -
Appears on: 63v–71
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum
71v–81 Magnificat primi toni (6vv): Et exultavit [NR 1] -
Appears on: 71v–81
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Et exultavit
General Note

Bk 44:3

81v–93 Magnificat secundi toni (6vv): Et exultavit [NR 2] -
Appears on: 81v–93
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Et exultavit
93v–103 Magnificat octavi toni (5vv): Et exultavit [NR 16] -
Appears on: 93v–103
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Et exultavit
103v–107 Resurrexi. Et adhuc tecum sum - Christ ist erstanden Erasmus Glein
Appears on: 103v–107
Genres: Motet
Source Attribution: Erasmus Glein
Voice: [no designation]
Languages: Latin, German
Voice Text: Resurrexi. Et adhuc tecum sum - with c. f.: Christ ist erstanden
107v–109 Domine probasti me ... Tu cognovisti -
Appears on: 107v–109
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Domine probasti me ... Tu cognovisti
General Note

Versus to 97:14?

109v–116 In Gallilaea Jesum videbitis sicut dixit - Anonymous
Appears on: 109v–116
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In Galilaea Jesum videbitis
116v untexted - -

untexted

Appears on: 116v
Voice: [no designation]
Languages: none
Voice Text: [textless]
122v–136 Nuptiae fiebant in Chana - 1a pars (of 3): Nuptiae fiebant in Chana - Anonymous
Appears on: 122v–136
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nuptiae fiebant in Chana
122v–136 Nuptiae fiebant in Chana - 2a pars (of 3): Erant autem ibi - Anonymous
Appears on: 122v–136
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Erant autem ibi [part 2]
122v–136 Nuptiae fiebant in Chana - 3a pars (of 3): Postquam autem gustasset - Anonymous
Appears on: 122v–136
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Postquam autem gustasset [part 3]
136v Gott ist mein licht und mein seligkeit -
Appears on: 136v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Got ist meyn liecht
General Note

Bk 30:3 - 91:5 - 106:80

140v–143 Vias tuas Domine demonstra mihi et semitas -
Appears on: 140v–143
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vias tuas domine demonstra mihi
General Note

Bk 55:4 (6 v.)

143v–151 Ego Dominus - 1a pars (of 2): Ego Dominus hoc est nomen Jacobus Vaet
Appears on: 143v–151
Genres: Motet
Source Attribution: Jacobus Vaet
Voice: [no designation]
Languages: Latin
Voice Text: Ego dominus hoc est nomen
143v–151 Ego Dominus - 2a pars (of 2): Venite ergo ad me omnes -
Appears on: 143v–151
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Venite ergo ad me omnes [part 2]
151v–157 Respice in me - 1a pars (of 2): Respice in me et miserere Clemens non papa
Appears on: 151v–157
Genres: Motet
Source Attribution: Clemens non papa
Voice: [no designation]
Languages: Latin
Voice Text: Respice in me et miserere
151v–157 Respice in me - 2a pars (of 2): Vide humilitatem meam -
Appears on: 151v–157
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vide humilitatem meam [part 2]
157v–163 Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini Clemens non papa
Appears on: 157v–163
Genres: Motet
Source Attribution: Clemens non papa
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus
157v–163 Si bona suscepimus - 2a pars (of 2): Sit nomen Domini -
Appears on: 157v–163
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sit nomen domini [part 2]
163v–169 Ne abscondas me Domine - 1a pars (of 2): Ne abscondas me Domine a facie tua Clemens non papa
Appears on: 163v–169
Genres: Motet
Source Attribution: Clemens non papa
Voice: [no designation]
Languages: Latin
Voice Text: Ne abscondas me domine
163v–169 Ne abscondas me Domine - 2a pars (of 2): Voca me et respondebo tibi -
Appears on: 163v–169
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Voca me et responde [part 2]
169v–173 Gloria tibi Domine gloria tibi sancte Clemens non papa
Appears on: 169v–173
Genres: Response
Source Attribution: Clemens non papa
Voice: [no designation]
Languages: Latin
Voice Text: Gloria tibi domine
General Note

Bk 30:5 - 55:39

173v–177 Amen dico vobis Qui sermonem meum Orlandus di Lassus
Appears on: 173v–177
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Amen dico vobis Qui sermonem meum
General Note

Bk 91:11

177v–181 Haec est vita aeterna - Philippe que videt me Valentinus Corvinus
Appears on: 177v–181
Genres: Motet
Source Attribution: Valentinus Corvinus
Voice: [no designation]
Languages: Latin
Voice Text: Haec est vita aeterna - with Philippe que videt me
181v Tanto tempore - 1a pars (of 2): Tanto tempore vobiscum sum - Philippe qui vdet me -
Appears on: 181v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tanto tempore vobiscum sum - with: Philippe qui videt me
General Note

37:27, 2.p.?

[-] Tanto tempore - 2a pars (of 2): Non turbetur cor vestrum - Philippe qui vdet me -
Appears on: [-]
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Non turbetur cor vestrum - with: Philippe qui videt me
General Note

37:27, 3.p.?

195v–204 Verbum caro factum est R. Plenum gratia Vs. In principio erat verbum Andreas Schwartz Francus
Appears on: 195v–204
Genres: Hymn
Source Attribution: Andreas Schwartz Francus
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est - Plenum gratia - In principio erat verbum
General Note

Bk 39:9

204v–209 Verbum caro factum est Thomas Crequilon
Appears on: 204v–209
Genres: Motet
Source Attribution: Thomas Crequilon
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est
General Note

Bk 4:10 - 21:27

209v–213 Quem vidistis pastores dicite annunciate Georgius Prenner
Appears on: 209v–213
Genres: Motet
Source Attribution: Georgius Prenner
Voice: [no designation]
Languages: Latin
Voice Text: Quem vidistis pastores
213v–218 Factus est repente de caelo Jacobus Meilandus
Appears on: 213v–218
Genres: Motet
Source Attribution: Jacobus Meilandus
Voice: [no designation]
Languages: Latin
Voice Text: Factus est repente de coelo
218v–227 Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque Jacobus Meilandus
Appears on: 218v–227
Genres: Motet
Source Attribution: Jacobus Meilandus
Voice: [no designation]
Languages: Latin
Voice Text: Non auferetur sceptrum
General Note

Bk 21:38 - 27:2

218v–227 Non auferetur sceptrum - 2a pars (of 2): Lavabit in vino -
Appears on: 218v–227
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Lavabit in vino [part 2]
General Note

Bk 21:38 - 27:2

227v–230 Fili quid fecisti nobis ego et pater Orlandus
Appears on: 227v–230
Genres: Motet
Source Attribution: Orlandus
Voice: [no designation]
Languages: Latin
Voice Text: Fili quid fecisti
230v–232 Wenn mein Stündlein vorhanden ist - Anonymous
Appears on: 230v–232
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Wen meyn stündleyn vorhanden ist
232v–242 Tempus est ut revertar - 1a pars (of 2): Tempus est ut revertar ad eum qui misit -
Appears on: 232v–242
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tempus est ut revertar
General Note

Henricus 1604:340 - Bk 21:88 - 38:102 -44:19

232v–242 Tempus est ut revertar - 2a pars (of 2): Nisi ego abiero paraclitus non veniet -
Appears on: 232v–242
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nisi ego abiero part 2
General Note

Henricus 1604:340 - Bk 21:88 - 38:102 -44:19

242v–249 Exaudiat te Dominus in die tribulationis - Anonymous
Appears on: 242v–249
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Exaudiat te dominus
249v–257 Sic deus dilexit - 1a pars (of 2): Sic deus dilexit mundum ut filium suum Franciscus de Rivulo
Appears on: 249v–257
Genres: Motet
Source Attribution: Franciscus de Rivulo
Voice: [no designation]
Languages: Latin
Voice Text: Sic Deus dilexit mundum
General Note

Bk 55:2

249v–257 Sic deus dilexit - 2a pars (of 2): Venite ad me omnes -
Appears on: 249v–257
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Venite ad me omnes [part 2]
General Note

Bk 55:2

257v–263 Domine ne memineris iniquitatum nostrarum II: Adjuva nos Deus salutaris noster Christianus Holander
Appears on: 257v–263
Genres: Motet
Source Attribution: Christianus Holander
Voice: [no designation]
Languages: Latin
Voice Text: Domine ne memineris
263v–267 Bewahr mich Herr und sei nicht fern -
Appears on: 263v–267
Genres: Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Bewar mich Herr und sey nicht fer
General Note

Regensburg, Proskebibl. Ms. A. R. 855/56:19 - Bk 6:20

267v–269 Wenn wir in höchsten nothen sein -
Appears on: 267v–269
Genres: Hymn
Voice: [no designation]
Languages: German
Voice Text: Wen wir yn hochsten noten sein
General Note

Gerlach 1568:7 - Bk 30:2

269v–272 Auf dich trau ich mein Herr und Gott Antonius Scandellus
Appears on: 269v–272
Genres: Hymn
Source Attribution: Antonius Scandellus
Voice: [no designation]
Languages: German
Voice Text: Auff dich trau ich mein herr und gott
General Note

Gerlach 1568:6

272v–276 Ich ruf' zu dir herr Jesu Christ -
Appears on: 272v–276
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Ich ruff tzu dir her Jesu Christ
General Note

Nürnberg 1583 (Teutsche Lieder):2

276v–284 Lobe den herren - 1a pars (of 2): Lobe den herren meine Seele -
Appears on: 276v–284
Genres: Chorale, Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Lobe den herren meine Seele
General Note

Gerlach 1568:8

276v–284 Lobe den herren - 2a pars (of 2): Der dir alle Deine sünde vergibt -
Appears on: 276v–284
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Der dir alle deine sünde vergibt [part 2]
General Note

Gerlach 1568:8

284v–291 Ich weiss das mein Erlöser lebet - 1a pars (of 2): Ich weiss, dass mein Erlöser lebet -
Appears on: 284v–291
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Ich weis das meyn erlöser lebet
General Note

K. Gerlach, J. v. Berg Erben 1580:21 - Bk 66:24 - 106:32

284v–291 Ich weiss das mein Erlöser lebet - 2a pars (of 2): Und ich werde danach mit dieser -
Appears on: 284v–291
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Und ich werde hernach mit dieser [part 2]
General Note

K. Gerlach, J. v. Berg Erben 1580:21 - Bk 66:24 - 106:32

291v–293 Auf dich trau ich mein Herr und Gott Antho: Scandell:
Appears on: 291v–293
Genres: Hymn
Source Attribution: Antho: Scandell:
Voice: [no designation]
Languages: German
Voice Text: Auf dich traw ich meyn her und got
General Note

Bk 91:2

Composer Compositions
Anonymous
Burck, Joachim à (1546–1610)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Dressler, Gallus
Glein, Erasmus de
Hollander, Christian
Lassus, Orlande de (ca. 1532–1594)
Meiland, Jacob (1542–1577)
Prenner, Georg (–1590)
Rab, Valentin
Rivulo, Franziscus de
Scandello, Antonio
Schwartz, Andreas
Vaet, Jacobus (ca. 1529–ca. 1567)
Zirler, Stephan (ca. 1518–1568)
Composition Composers (? Uncertain) Folios / Pages
Amen dico vobis Qui sermonem meum 173v–177
Ascendo ad patrem meum et patrem vestrum 63v–71
Auf dich trau ich mein Herr und Gott 269v–272
Auf dich trau ich mein Herr und Gott 291v–293
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum 45v–56
Beati omnes - 2a pars (of 2): Ecce sic benedicetur 45v–56
Bewahr mich Herr und sei nicht fern 263v–267
Cum natus esset - 3a pars (of 3): Et ecce stella quam viderant 15v–20
Domine ne memineris iniquitatum nostrarum II: Adjuva nos Deus salutaris noster 257v–263
Domine probasti me ... Tu cognovisti 107v–109
Ecce concipies - 1a pars (of 2): Ecce concipies et paries filium et vocabis 56v–63
Ecce concipies - 2a pars (of 2): Et dabit illi Dominus Deus sedem 56v–63
Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem 29v–37
Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi 29v–37
Ego Dominus - 1a pars (of 2): Ego Dominus hoc est nomen 143v–151
Ego Dominus - 2a pars (of 2): Venite ergo ad me omnes 143v–151
Exaudiat te Dominus in die tribulationis Anonymous 242v–249
Factus est repente de caelo 213v–218
Fili quid fecisti nobis ego et pater 227v–230
Gloria tibi Domine gloria tibi sancte 169v–173
Gott ist mein licht und mein seligkeit 136v
Haec est vita aeterna - Philippe que videt me 177v–181
Ich hab mein sach tzu Gott gestelt Anonymous 43v–45
Ich ruf' zu dir herr Jesu Christ 272v–276
Ich weiss das mein Erlöser lebet - 1a pars (of 2): Ich weiss, dass mein Erlöser lebet 284v–291
Ich weiss das mein Erlöser lebet - 2a pars (of 2): Und ich werde danach mit dieser 284v–291
In Bethlehem Herodes - 1a pars (of 2): In Bethlehem Herodes iratus 20v–29
In Bethlehem Herodes - 2a pars (of 2): O mira novitas facinoris 20v–29
In Gallilaea Jesum videbitis sicut dixit Anonymous 109v–116
Lobe den herren - 1a pars (of 2): Lobe den herren meine Seele 276v–284
Lobe den herren - 2a pars (of 2): Der dir alle Deine sünde vergibt 276v–284
Magnificat octavi toni (5vv): Et exultavit [NR 16] 93v–103
Magnificat primi toni (6vv): Et exultavit [NR 1] 71v–81
Magnificat quinti toni (5vv): Et exultavit [NR 13] 37v–43
Magnificat secundi toni (6vv): Et exultavit [NR 2] 81v–93
Ne abscondas me Domine - 1a pars (of 2): Ne abscondas me Domine a facie tua 163v–169
Ne abscondas me Domine - 2a pars (of 2): Voca me et respondebo tibi 163v–169
Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque 218v–227
Non auferetur sceptrum - 2a pars (of 2): Lavabit in vino 218v–227
Nuptiae fiebant in Chana - 1a pars (of 3): Nuptiae fiebant in Chana Anonymous 122v–136
Nuptiae fiebant in Chana - 2a pars (of 3): Erant autem ibi Anonymous 122v–136
Nuptiae fiebant in Chana - 3a pars (of 3): Postquam autem gustasset Anonymous 122v–136
Postquam consummati sunt dies octo 4v–10
Quem vidistis pastores dicite annunciate 209v–213
Quem vidistis pastores dicite annuntiate 10v–15
Respice in me - 1a pars (of 2): Respice in me et miserere 151v–157
Respice in me - 2a pars (of 2): Vide humilitatem meam 151v–157
Resurrexi. Et adhuc tecum sum - Christ ist erstanden 103v–107
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini 157v–163
Si bona suscepimus - 2a pars (of 2): Sit nomen Domini 157v–163
Sic deus dilexit - 1a pars (of 2): Sic deus dilexit mundum ut filium suum 249v–257
Sic deus dilexit - 2a pars (of 2): Venite ad me omnes 249v–257
Tanto tempore - 1a pars (of 2): Tanto tempore vobiscum sum - Philippe qui vdet me 181v
Tanto tempore - 2a pars (of 2): Non turbetur cor vestrum - Philippe qui vdet me [-]
Tempus est ut revertar - 1a pars (of 2): Tempus est ut revertar ad eum qui misit 232v–242
Tempus est ut revertar - 2a pars (of 2): Nisi ego abiero paraclitus non veniet 232v–242
Verbum caro factum est 204v–209
Verbum caro factum est R. Plenum gratia Vs. In principio erat verbum 195v–204
Vias tuas Domine demonstra mihi et semitas 140v–143
Wenn mein Stündlein vorhanden ist Anonymous 230v–232
Wenn wir in höchsten nothen sein 267v–269

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 201-2. Notes: physical description (partial); contents list; concordances (partial).

Hermelink, Siegfried (editor). 1956-. Orlando di Lasso: Sämtliche Werke, Neue Reihe.  Kassel and Basel. Pages: XIII,xxx,xxxiii,xcvi. Notes: physical description; contents list (partial); concordances (partial); facsimile (partial).

Hoffmann-Erbrecht, Lothar. 1955. Die Chorbücher der Stadtkirche zu Pirna. Acta Musicologica, 121-137. Pages: 126. Notes: physical description.

Kade, Otto. 1857. Die Musikalien der Stadtkirche zu Pirna. Serapeum, 312-28. Pages: 318-20. Notes: contents list.

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Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description