D-Dl MS Grimma 59a

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1560

Archive	Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark	MS Grimma 59a
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	None
Measurements	c. 155 x 210 mm
Other Identifiers	CCM: DresSL Grimma 59a
Notations	black void mensural
Copyists	? Figulus, Wolfgang (ca. 1525–1589) Music
Relationships	Fürstenschule [princely school] St. Augustin, Grimma (owner) Birck, Friedrich (owner) Figulus, Wolfgang (ca. 1525–1589) (compiler) Fürstenschule [princely school] St Afra, Meissen (copied at)
External Links	images
External Authorities	RISM Online (sources/211005671)
Provenance	Fürstenschule [princely school] St Afra, Meissen , Meissen, Bavaria, Germany
Contents	32 pieces from 11 composers

General Description

A Vagans partbook (inaccurately called Discantus Secundus - parts for Tenor II in many pieces), copied by Wolfgang Figulus(?) and others at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus.

Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Fürstenschule at Grimma; in 1890 it was deposited in the library at Dresden.

DIAMM, 2024

Extent

41 ff.

DIAMM, 2024

Binding

Restored and rebound in modern brown cardboard covers.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

No foliation. Modern pencil pagination (excluding blank pages).

DIAMM, 2024

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 2 psalms, 1 hymn, 14 motets, 1 German sacred piece = 19

(Clemens non Papa)-1, (Josquin)-2, (Lafage)-1, (Paminger)-1, (Senfl)-1, (Walter)-1, anon-12

1 paper partbook (D2-41 folios), ca. 165 x 210. No foliation. Restored and rebound in modern brown cardboard covers. Copied by Wolfgang Figulus(?) and others.

Ca. 1560 (SteudeMS). Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Fürstenschule at Grimma; in 1890 it was deposited in the library at Dresden.

Vol 4

Contents: Change "14 motets" to "16 motets"; delete "2 psalms."

Composers: Add "(Finck)-1, (Josquin/La Rue)-1, (Josquin/Senfl)-1 "; change "(Senfl)-1" to "(Senfl)-3"; change "anon-12" to "anon-7."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–11	Missa Beata Virgine = Missa Coronata 3.3: Credo	[Josquin/La Rue]	Despres, Josquin (ca. 1450–1521) (?)
Missa Beata Virgine = Missa Coronata 3.3: Credo Despres, Josquin (ca. 1450–1521) (?) Appears on: 1–11 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [Josquin/La Rue] Voice: [no designation] Languages: Latin Voice Text: [Missa De beata Virgine] [CSA] 3.3
11–15	Missa Beata Virgine = Missa Coronata 3.3: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 11–15 Genres: Mass Ordinary, Sanctus [& Benedictus]
15–17	Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 15–17 Genres: Agnus Dei, Mass Ordinary
18–21	Dies est laetitiae in ortu regali	Anon.	Anonymous
Dies est laetitiae in ortu regali Anonymous Appears on: 18–21 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Dies est laeticiae in ortu regali
22–25	Ecce Dominus veniet nolite timere 14.5	[Jonckers/Josquin/Senfl]	Despres, Josquin (ca. 1450–1521) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Jonckers, Maistre Gosse (?)
Ecce Dominus veniet nolite timere 14.5 Despres, Josquin (ca. 1450–1521) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Jonckers, Maistre Gosse (?) Appears on: 22–25 Genres: Motet Source Attribution: [Jonckers/Josquin/Senfl] Voice: [no designation] Languages: Latin Voice Text: Ecce dominus veniet nolite timere 14.5 General Note RISM 1559^1:30 - Bk 41:15
26	Missus est angelus Gabriel ad Mariam	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Missus est angelus Gabriel ad Mariam Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 26 Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: Missus est angelus Gabriel ad Mariam General Note Bk 41:14
26–28	A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus	Anon.	Anonymous
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus Anonymous Appears on: 26–28 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [A solis ortus cardine ad usque terrae] 2 Beatus autor seculi servile corpus
29–32	Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria	[Finck]	Finck, Heinrich
Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria Finck, Heinrich Appears on: 29–32 Genres: Motet Source Attribution: [Finck] Voice: [no designation] Languages: Latin Voice Text: Illuminare Herusalem venit lux tua II: Et gloria domini super Hierusalem III: Et ambulabunt gentes in lumine tuo
32–35	Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem	-	Finck, Heinrich
Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem Finck, Heinrich Appears on: 32–35 Genres: Motet
35–36	Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo	-	Finck, Heinrich
Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo Finck, Heinrich Appears on: 35–36 Genres: Motet
37–38	Philippe qui videt me alleluia (6vv, M84)	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Philippe qui videt me alleluia (6vv, M84) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 37–38 Genres: Alleluia, Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: Philippe qui videt me alleluia Concordances RISM 1558^4:21 General Note parts for D2 (p.37) and A2 (p.38)
39–40	Argentum et aurum non est mihi quod autem - 1a pars (of 2): Argentum et aurum	Anon.	Anonymous
Argentum et aurum non est mihi quod autem - 1a pars (of 2): Argentum et aurum Anonymous Appears on: 39–40 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Argentum et aurum non est mihi quod autem II: In nomine domini surge et ambula General Note parts for D2 (verso) and D3 (recto - resolutio from D2)
41–42	Argentum et aurum non est mihi quod autem - 2a pars (of 2): In nomine Domini	-	Anonymous
Argentum et aurum non est mihi quod autem - 2a pars (of 2): In nomine Domini Anonymous Appears on: 41–42 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In nomine domini [part 2] General Note parts for D2 (verso) and D3 (recto - resolutio from D2)
43–45	Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 43–45 Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: Tota pulchra es amica mea et macula II: Iam enim hyems transiit imber abiit III: Et vox turturis audita est in terra
45–47	Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 45–47 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iam enim hyems [part 2]
47–50	Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 47–50 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et vox turturis [part 3]
50–52	Veni sancte spiritus reple tuorum corda	Anon.	Anonymous
Veni sancte spiritus reple tuorum corda Anonymous Appears on: 50–52 Genres: Motet, Veni sancte spiritus Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus reple tuorum corda
52–53	Da pacem Domine in diebus nostris	Anon.	Anonymous
Da pacem Domine in diebus nostris Anonymous Appears on: 52–53 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
54–55	Nun bitten wir den heiligen geist (5vv)	[Walter]	Walter, Johann (1496–1570) Rupsch, Conrad (?)
Nun bitten wir den heiligen geist (5vv) Walter, Johann (1496–1570) Rupsch, Conrad (?) Appears on: 54–55 Genres: Motet, Veni sancte spiritus Source Attribution: [Walter] Voice: [no designation] Languages: German Voice Text: Nu bitten wir den heiligen geist General Note Walter, GA I, S. 44 - Bk 5:23 - 12:46 - 21:148 - 44:56
55–56	Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam	[Josquin]	Despres, Josquin (ca. 1450–1521)
Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam Despres, Josquin (ca. 1450–1521) Appears on: 55–56 Genres: Miserere mei Deus, Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Miserere mei deus [secundum magnam] 18.3 II: [Audi auditui meo dabis gaudium] III: [Domine labia mea aperies et os] General Note Josquin, GA, Mot. 37 - Bk 5:17
57	Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium	-	Despres, Josquin (ca. 1450–1521)
Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium Despres, Josquin (ca. 1450–1521) Appears on: 57 Genres: Miserere mei Deus, Motet Voice: [no designation] Languages: Latin Voice Text: Miserere mei deus secundum magnam [2a pars] General Note Josquin, GA, Mot. 37 - Bk 5:17
58	Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os	-	Despres, Josquin (ca. 1450–1521)
Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os Despres, Josquin (ca. 1450–1521) Appears on: 58 Genres: Miserere mei Deus, Motet Voice: [no designation] Languages: Latin Voice Text: Miserere mei deus secundum magnam [3a pars] General Note Josquin, GA, Mot. 37 - Bk 5:17
59–61	Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos	[Paminger]	Paminger, Leonhard (1495–1567)
Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos Paminger, Leonhard (1495–1567) Appears on: 59–61 Genres: Motet Source Attribution: [Paminger] Voice: [no designation] Languages: Latin Voice Text: Si deus pro nobis quis contra nos II: Quis igitur nos separabit à dilectione General Note RISM 1559^1:29
61–63	Si Deus pro nobis - 2a pars (of 2): Quis igitur nos separabit	-	Paminger, Leonhard (1495–1567)
Si Deus pro nobis - 2a pars (of 2): Quis igitur nos separabit Paminger, Leonhard (1495–1567) Appears on: 61–63 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quis igitur nos separabit [part 2] General Note RISM 1559^1:29
63–64	Sic enim Deus dilexit - 1a pars (of 2): Sic enim Deus dilexit mundum	[Scandello]	Scandello, Antonio
Sic enim Deus dilexit - 1a pars (of 2): Sic enim Deus dilexit mundum Scandello, Antonio Appears on: 63–64 Genres: Motet Source Attribution: [Scandello] Voice: [no designation] Languages: Latin Voice Text: Sic enim deus dilexit mundum ut filium II: Sicut Moises exaltavit serpentem General Note Bk 15:62
64–66	Sic enim Deus dilexit - 2a pars (of 2): Sicut Moises exaltavit serpentem	-	Scandello, Antonio
Sic enim Deus dilexit - 2a pars (of 2): Sicut Moises exaltavit serpentem Scandello, Antonio Appears on: 64–66 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sicut Moises exaltavit [part 2] General Note Bk 15:62
67–68	Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus	[Lafage]	Fage, Jean de la
Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus Fage, Jean de la Appears on: 67–68 Genres: Motet Source Attribution: [Lafage] Voice: [no designation] Languages: Latin Voice Text: Super flumina Babilonis illic sedimus II: Si oblitus fuero tui Hierusalem
69–71	Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero	-	Fage, Jean de la
Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero Fage, Jean de la Appears on: 69–71 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Si oblitus fuero [part 2]
72	Domine Dominus noster quam admirabile 16.4	[Josquin]	Despres, Josquin (ca. 1450–1521) (?)
Domine Dominus noster quam admirabile 16.4 Despres, Josquin (ca. 1450–1521) (?) Appears on: 72 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Domine dominus noster [quam admirabile] 16.4 General Note Josquin, GA, Mot. 89
73–74	Domine Deus quam admirabile est nomen	Anon.	Anonymous
Domine Deus quam admirabile est nomen Anonymous Appears on: 73–74 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Domine deus quam admirabile est nomen
75–76	Servus tuus - 1a pars (of 2): Servus tuus ego sum da mihi intellectum	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Servus tuus - 1a pars (of 2): Servus tuus ego sum da mihi intellectum Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 75–76 Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Servus tuus ego sum da mihi intellectum II: Ego vero egenus et pauper sum General Note RISM 1554^11:4 - Bk 7:50 - 100:7
76–78	Servus tuus - 2a pars (of 2): Ego vero egenus et pauper	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Servus tuus - 2a pars (of 2): Ego vero egenus et pauper Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 76–78 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ego vero egenus et pauper [part 2] General Note RISM 1554^11:4 - Bk 7:50 - 100:7

Composer	Compositions
Anonymous	A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus – 26–28 Argentum et aurum non est mihi quod autem - 1a pars (of 2): Argentum et aurum – 39–40 Argentum et aurum non est mihi quod autem - 2a pars (of 2): In nomine Domini – 41–42 Da pacem Domine in diebus nostris – 52–53 Dies est laetitiae in ortu regali – 18–21 Domine Deus quam admirabile est nomen – 73–74 Veni sancte spiritus reple tuorum corda – 50–52
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Servus tuus - 1a pars (of 2): Servus tuus ego sum da mihi intellectum – 75–76 Servus tuus - 2a pars (of 2): Ego vero egenus et pauper – 76–78
Despres, Josquin (ca. 1450–1521)	(?) Domine Dominus noster quam admirabile 16.4 – 72 (?) Ecce Dominus veniet nolite timere 14.5 – 22–25 Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam – 55–56 Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium – 57 Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os – 58 Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei – 15–17 (?) Missa Beata Virgine = Missa Coronata 3.3: Credo – 1–11 Missa Beata Virgine = Missa Coronata 3.3: Sanctus – 11–15
Fage, Jean de la	Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus – 67–68 Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero – 69–71
Finck, Heinrich	Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria – 29–32 Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem – 32–35 Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo – 35–36
Jonckers, Maistre Gosse	(?) Ecce Dominus veniet nolite timere 14.5 – 22–25
Paminger, Leonhard (1495–1567)	Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos – 59–61 Si Deus pro nobis - 2a pars (of 2): Quis igitur nos separabit – 61–63
Rupsch, Conrad	(?) Nun bitten wir den heiligen geist (5vv) – 54–55
Scandello, Antonio	Sic enim Deus dilexit - 1a pars (of 2): Sic enim Deus dilexit mundum – 63–64 Sic enim Deus dilexit - 2a pars (of 2): Sicut Moises exaltavit serpentem – 64–66
Senfl, Ludwig (ca. 1486–ca. 1543)	(?) Ecce Dominus veniet nolite timere 14.5 – 22–25 Missus est angelus Gabriel ad Mariam – 26 Philippe qui videt me alleluia (6vv, M84) – 37–38 Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea – 43–45 Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit – 45–47 Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra – 47–50
Walter, Johann (1496–1570)	Nun bitten wir den heiligen geist (5vv) – 54–55

Composition	Composers (? Uncertain)	Folios / Pages
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus	Anonymous	26–28
Argentum et aurum non est mihi quod autem - 1a pars (of 2): Argentum et aurum	Anonymous	39–40
Argentum et aurum non est mihi quod autem - 2a pars (of 2): In nomine Domini	Anonymous	41–42
Da pacem Domine in diebus nostris	Anonymous	52–53
Dies est laetitiae in ortu regali	Anonymous	18–21
Domine Deus quam admirabile est nomen	Anonymous	73–74
Domine Dominus noster quam admirabile 16.4	Despres, Josquin (ca. 1450–1521) (?)	72
Ecce Dominus veniet nolite timere 14.5	Despres, Josquin (ca. 1450–1521) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Jonckers, Maistre Gosse (?)	22–25
Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria	Finck, Heinrich	29–32
Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem	Finck, Heinrich	32–35
Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo	Finck, Heinrich	35–36
Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam	Despres, Josquin (ca. 1450–1521)	55–56
Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium	Despres, Josquin (ca. 1450–1521)	57
Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os	Despres, Josquin (ca. 1450–1521)	58
Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei	Despres, Josquin (ca. 1450–1521)	15–17
Missa Beata Virgine = Missa Coronata 3.3: Credo	Despres, Josquin (ca. 1450–1521) (?)	1–11
Missa Beata Virgine = Missa Coronata 3.3: Sanctus	Despres, Josquin (ca. 1450–1521)	11–15
Missus est angelus Gabriel ad Mariam	Senfl, Ludwig (ca. 1486–ca. 1543)	26
Nun bitten wir den heiligen geist (5vv)	Walter, Johann (1496–1570) Rupsch, Conrad (?)	54–55
Philippe qui videt me alleluia (6vv, M84)	Senfl, Ludwig (ca. 1486–ca. 1543)	37–38
Servus tuus - 1a pars (of 2): Servus tuus ego sum da mihi intellectum	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	75–76
Servus tuus - 2a pars (of 2): Ego vero egenus et pauper	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	76–78
Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos	Paminger, Leonhard (1495–1567)	59–61
Si Deus pro nobis - 2a pars (of 2): Quis igitur nos separabit	Paminger, Leonhard (1495–1567)	61–63
Sic enim Deus dilexit - 1a pars (of 2): Sic enim Deus dilexit mundum	Scandello, Antonio	63–64
Sic enim Deus dilexit - 2a pars (of 2): Sicut Moises exaltavit serpentem	Scandello, Antonio	64–66
Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus	Fage, Jean de la	67–68
Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero	Fage, Jean de la	69–71
Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea	Senfl, Ludwig (ca. 1486–ca. 1543)	43–45
Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit	Senfl, Ludwig (ca. 1486–ca. 1543)	45–47
Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra	Senfl, Ludwig (ca. 1486–ca. 1543)	47–50
Veni sancte spiritus reple tuorum corda	Anonymous	50–52

‡ denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte. Wilhelmshaven. Pages: 106. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-Dl MS Grimma 59a

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1560

General Description

Extent

Binding

Notation

Foliation

Surface

Census Catalogue of Music Description

General Note

General Note

Concordances

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

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General Note

General Note

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017