D-Dl MS Mus. 1/D/6

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1560-80

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Mus. 1/D/6
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Measurements 218 x 164 mm
Other Identifiers
  • CCM: DresSL 1/D/6
  • olim (Former shelfmark): Oels 529
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
  • Silesia, Germany
Contents 175 pieces from 61 composers
General Description

A single Bassus partbook. Copied by two scribes. Probably originated in Silesia (SteudeMS); formerly in the Schlossbibliothek at Oels (= Olesnica).

DIAMM, 2017
Binding

Rebound in modern grey covers

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

modern pencil foliation

DIAMM, 2023
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Te Deums, 20 psalms, 2 Passions, 66 motets, 15 German sacred pieces = 106

(Barra/Elimon)-1, Breuer-2, Bucenus-1, Buissons-1, Burck-1, (Burckstaller)-1, Chaynée-1, Chastelain-1, Clemens non Papa-18, (Conseil)-1, Crecquillon-1, Deiss-2, Ducis-1, L. Episcopius-1, C. Festa-1, (Feys)-1, M. Gallus-1, Gosswin-1, Guyot [Castiletti]-1, Händl-1, (J. Hermann)-1, Isaac-1, Jaquet of Mantua [Jachet]-1, Jaquet of Mantua/(Berchem)-1, Josquin-5, Josquin/(Verdelot)-1, (Josquin/Caen)-1, (Josquin/Mouton/Silva)-1, Kinner-1, Knöfel [Kneuffelius]-8, D. Köler-5, Lassus-4, Le Maistre-1, Lebrun-1, Meiland-3, Philippe de Monte-1, Morel-1, Mouton-1, (Obrecht/Longaval/Venture)-1, Paminger-1, Quinos-1, Rener-1, Rissweck-1, Seinecker-1, Senfl-3, (Silva)-1, Stabile-1, Vaet-1, Walter-1, Wircker-1, anon-15

1 paper partbook (B-ii + 105 + v folios), 218 x 164. Rebound in modern gray covers. Copied by two scribes.

Ca. 1560-80 (SteudeMS). Probably originated in Silesia (SteudeMS); formerly in the Schlossbibliothek at Oels (= Olesnica).

Vol. 4

Composers: Change "Ducis-1" to "Ducis/(Maffoni)-1"; change "Senile" to "Senfl-2, Senfl/Josquin)-1"; change "(Silva)-1" to "(Silva)-2"; change "anon-10" to "anon-11."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
3 Richte mich Got - 1a pars (of 2): Richte mich Got und führe meine sache David Köhler [= D. Köler]
Appears on: 3
Genres: Psalm
Source Attribution: David Köhler [= D. Köler]
Voice: [no designation]
Languages: German
Voice Text: Richte mich Got und führe meine sache II: Sende dein liecht und deine warheit
3–4 Richte mich Got - 2a pars (of 2): Sende Dein liecht -
Appears on: 3–4
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Sende dein liecht [2a pars]
4–4v Hülf [Hilf] Herr die heiligen - 1a pars (of 2): Hülf Herr die heiligen haben abgenohmen David Kohler
Appears on: 4–4v
Genres: Psalm
Source Attribution: David Kohler
Voice: [no designation]
Languages: German
Voice Text: Hülf Herr die heiligen haben abgenohmen II: Weil den die elenden verstöret
4v–5 Hülf [Hilf] Herr die heiligen - 2a pars (of 2): Weil den die elenden -
Appears on: 4v–5
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Weil den die elenden [2a pars]
5v–6 [Wer unter dem Schirm] Der spricht zu dem Herren - 1a pars (of 2): Der spricht zu dem Herren D.K. (=Köler)
Appears on: 5v–6
Genres: Motet, Psalm motet
Source Attribution: D.K. (=Köler)
Voice: [no designation]
Languages: German
Voice Text: [Wer unter dem Schirm] Der spricht zu dem Herren II: [Ob tausend fallen] und zehentausend III: Auf den lewen und ottern wird sie
6–6v [Wer unter dem Schirm] Der spricht zu dem Herren - 2a pars (of 2): Ob tausend fallen ... und zehntausend -
Appears on: 6–6v
Genres: Motet, Psalm motet
Voice: [no designation]
Languages: German
Voice Text: [Ob tausend fallen ... ] und zehntausend [2a pars]
6v–7 [Wer unter dem Schirm] Der spricht zu dem Herren - 3a pars (of 3): Auf den Löwen und Ottern -
Appears on: 6v–7
Genres: Motet, Psalm motet
Voice: [no designation]
Languages: German
Voice Text: Auf den lewen und ottern [3a pars]
7–7v [Ach Herr, strafe mich nicht] Herr, sei mir gnädig - 1a pars (of 2): Herr, sei mir gnädig D. Köhler
Appears on: 7–7v
Genres: Psalm, Sacred Song
Source Attribution: D. Köhler
Voice: [no designation]
Languages: German
Voice Text: [Ach Herr strafe mich nicht] Herr seÿ mir gnedig II: Ich bin so müde von seuftzen
7v–8 [Ach Herr, strafe mich nicht] Herr, sei mir gnädig - 2a pars (of 2): Ich bin so müde von seufzen -
Appears on: 7v–8
Genres: Psalm, Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Ich bin so müde von seufzen [2a pars]
8–8v Sie wie fein - 1a pars (of 2): Sie wie fein und lieblich ist dass brüder D.K. (=Köler)
Appears on: 8–8v
Genres: Psalm
Source Attribution: D.K. (=Köler)
Voice: [no designation]
Languages: German
Voice Text: Sie wie fein und lieblich ist dass brüder II: Den daselbst verheüst der Herre
8v–9 Sie wie fein - 2a pars (of 2): Den daselbst verheißt -
Appears on: 8v–9
Genres: Psalm
Voice: [no designation]
Languages: German
Voice Text: Den daselbst verheißt [2a pars]
9–9v Benedic anima mea - 1a pars (of 3): Benedic anima mea domino et noli obliviscis Leonh: Pamminger
Appears on: 9–9v
Genres: Psalm
Source Attribution: Leonh: Pamminger
Voice: [no designation]
Languages: Latin
Voice Text: Benedic anima mea domino et noli obliviscis II: [Miserator et misericors] Longanimis III: Dominus in coelo paravit sedem
9v–10v Benedic anima mea - 2a pars (of 3): Longa nimis -
Appears on: 9v–10v
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Longa nimis [2a pars]
10v–11 Benedic anima mea - 3a pars (of 3): Dominus in caelo paravit -
Appears on: 10v–11
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Dominus in coelo paravit [3a pars]
11–11v Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem Bened: Ducis/[Maffoni]
Appears on: 11–11v
Genres: Motet
Source Attribution: Bened: Ducis/[Maffoni]
Voice: [no designation]
Languages: Latin
Voice Text: Dilexi quoniam exaudiet dominus vocem II: O Domine libera animam meam
11v–12 Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam -
Appears on: 11v–12
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O Domine libera animam [2a pars]
12–12v Jubilate Deo 17.7 - 1a pars (of 2): Jubilate Deo omnis terra servite Domino Josquin
Appears on: 12–12v
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Jubilate deo omnis terra servite domino 17.7 II: Laudate nomen eius quoniam suavis
General Note

Bk 9:3

12v Jubilate Deo 17.7 - 2a pars (of 2): Laudate nomen eius -
Appears on: 12v
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Laudate nomen eius [2a pars]
General Note

Bk 9:3

13–14v Te Deum laudamus [K.536] Anon. Anonymous
Appears on: 13–14v
Genres: Liturgical work, Te Deum
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Te deum laudamus] Te aeternum patrem
14v–15v In exitu Israel 17.4 - 1a pars (of 3): In exitu Israel de Aegipto domus Jacob [Josquin]
Appears on: 14v–15v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [In exitu Israel de Aegypto] Domus Jacob 17.4 II: Deus autem noster in coelo III: Dominus memor fuit nostri
General Note

Josquin, GA, Mot. 51

15v–16 In exitu Israel 17.4 - 2a pars (of 3): Deus autem noster -
Appears on: 15v–16
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Deus autem noster [2a pars]
General Note

Josquin, GA, Mot. 51

16–17 In exitu Israel 17.4 - 3a pars (of 3): Dominus memor fuit -
Appears on: 16–17
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Dominus memor fuit [3a pars]
General Note

Josquin, GA, Mot. 51

17–17v Domine ne in furore 16.7 - 1a pars (of 2): Domine ne in furore tua arguas me [Josquin]
Appears on: 17–17v
Genres: Psalm
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Domine ne in furore tua arguas me 16.7 II: Turbatus es à furore oculus
General Note

Josquin, GA, Mot. 59

17v–18 Domine ne in furore 16.7 - 2a pars (of 2): Turbatus est a furore oculus meus -
Appears on: 17v–18
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Turbatus es a furore [2a pars]
General Note

Josquin, GA, Mot. 59

18 Sieh wie lieblich und fein ists dass brüder Anon. Anonymous
Appears on: 18
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Sieh wie lieblich und fein ists dass brüder
18v De profundis clamavi 15.11 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine [Champion/Josquin]
Appears on: 18v
Genres: Motet
Source Attribution: [Champion/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine 15.11 II: A custodia matutina usque ad noctem
General Note

Josquin, GA, Mot. 47

18v–19 De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem -
Appears on: 18v–19
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: A custodia matutina [2a pars]
General Note

Josquin, GA, Mot. 47

19–19v Judica me Deus 17.8 - 1a pars (of 2): Judica me Deus et discerna causam meam [Caen/Josquin]
Appears on: 19–19v
Genres: Motet
Source Attribution: [Caen/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Judica me deus et discerna caussam 17.8 II: Et introibo ad altare dei
General Note

RISM 1553^4:27

19v–20 Judica me Deus 17.8 - 2a pars (of 2): Et introibo ad altare -
Appears on: 19v–20
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Et introibo ad altare [2a pars]
General Note

RISM 1553^4:27

20–20v Verba mea auribus - 1a pars (of 2): Verba mea auribus percipe domine intellige Anon. Anonymous
Appears on: 20–20v
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Verba mea auribus percipe domine intellige II: Dominus deduc me in iustitia tua
20v–21 Verba mea auribus - 2a pars (of 2): Domine deduc me - Anonymous
Appears on: 20v–21
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Domine deduc me [2a pars]
21–22 Deus venerunt gentes - 1a pars (of 3): Deus venerunt gentes in haereditatem tuum [Conseil]
Appears on: 21–22
Genres: Psalm
Source Attribution: [Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Deus venerunt gentes in haereditatem tuum II: Effunde iram tuam in gentes III: Adiuva nos deus salutaris noster
General Note

RISM 1553^5:12

22–22v Deus venerunt gentes - 2a pars (of 3): Effunde iram tuam in gentes -
Appears on: 22–22v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Effunde iram tuam [2a pars]
General Note

RISM 1553^5:12

22v–23 Deus venerunt gentes - 3a pars (of 3): Adjuva nos Deus -
Appears on: 22v–23
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Adiuva nos deus [3a pars]
General Note

RISM 1553^5:12

23–24 Cum invocarem - 1a pars (of 2): Cum invocarem exaudivit me dominus Anon. Anonymous
Appears on: 23–24
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Cum invocarem exaudivit me dominus II: Sacrificate sacrificium iustitiae
24–24v Cum invocarem - 2a pars (of 2): Sacrificate sacrificium - Anonymous
Appears on: 24–24v
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Sacrificate sacrificium [2a pars]
25 Deus quis similis - 1a pars (of 2): Deus quis similis erit tibi ne taceas [Haugk]
Appears on: 25
Genres: Psalm
Source Attribution: [Haugk]
Voice: [no designation]
Languages: Latin
Voice Text: Deus quis similis erit tibi ne taceas II: Quoniam cogitaverunt unanimiter III: Fac illis sicut Madian et Sisare IV: Deus meus pone illos ut rotam
25–25v Deus quis similis - 2a pars (of 2): Quoniam cogitaverunt -
Appears on: 25–25v
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam cogitaverunt [2a pars]
25v–26 Deus quis similis - 3a pars (of 2): Fac illis sicut Midian -
Appears on: 25v–26
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Fac illis sicut Midian [3a pars]
26–26v Deus quis similis - 4a pars (of 2): Deus meus pone illos -
Appears on: 26–26v
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Deus meus pone illos [4a pars]
27 Laetatus sum - 1a pars (of 2): Laetatus sum in his que dicta sunt [Silva]
Appears on: 27
Genres: Psalm motet
Source Attribution: [Silva]
Voice: [no designation]
Languages: Latin
Voice Text: Laetatus sum in his que dicta sunt II: Fiat pax in virtute tua
27v Laetatus sum - 2a pars (of 2): Fiat pax in virtute -
Appears on: 27v
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Fiat pax in virtute [2a pars]
27v–28 Beati omnes - 1a pars (of 2): Beati omnes qui timent dominum qui ambulant Matthias Breuer
Appears on: 27v–28
Genres: Motet
Source Attribution: Matthias Breuer
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent dominum qui ambulant II: Ecce sic benedicetur homo qui timet
General Note

Bk 7:96

28–28v Beati omnes - 2a pars (of 2): Ecce sic benedicetur -
Appears on: 28–28v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce sic benedicetur [2a pars]
General Note

Bk 7:96

28v–29 Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) Constantinus Festa
Appears on: 28v–29
Genres: Motet
Source Attribution: Constantinus Festa
Voice: [no designation]
Languages: Latin
Voice Text: Hierusalem que occidis prophetas et lapidas [= Florentia tempus est penitentie]
29–29v De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine Ludovicus Senf:
Appears on: 29–29v
Genres: Motet
Source Attribution: Ludovicus Senf:
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine 15.14 II: A custodia matutina usque ad noctem
General Note

Bk 5:15

30 De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem -
Appears on: 30
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: A custodia matutina [2a pars]
General Note

Bk 5:15

30–31 Propter peccata quae peccastis ante Deum (= La Spagna) 29.12 Josquin
Appears on: 30–31
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Propter peccata que peccastis [= La Spagna] 29.12
31–32 Recumbentibus - 1a pars (of 3): Recumbentibus undecim discipulis apparuit Joan. Lebrin [= Lebrun]
Appears on: 31–32
Genres: Motet
Source Attribution: Joan. Lebrin [= Lebrun]
Voice: [no designation]
Languages: Latin
Voice Text: Recumbentibus undecim discipulis apparuit II: In nomine meo daemonia eiicient III: Illi autem profecti predicaverunt
32 Recumbentibus - 2a pars (of 3): In nomine meo daemonia -
Appears on: 32
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In nomine meo daemonia [2a pars]
32–32v Recumbentibus - 3a pars (of 3): Illic autem profecti -
Appears on: 32–32v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Illi autem [3a pars]
32v–33 Ave rosa sine spinis - 1a pars (of 2): Ave rosa sine spinis te quam pater Ludovicus Senfel
Appears on: 32v–33
Genres: Motet
Source Attribution: Ludovicus Senfel
Voice: [no designation]
Languages: Latin
Voice Text: Ave rosa sine spinis te quam pater II: Dominus tecum miro pacto verbo
33–33v Ave rosa sine spinis - 2a pars (of 2): Dominus tecum miro / Benedicta tu in mulieribus -
Appears on: 33–33v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dominus tecum [2a pars]
33v–34 Virga Jesse floruit - 1a pars (of 2): Virga Jesse floruit in qua flos apparuit Ludovi. Senfel
Appears on: 33v–34
Genres: Motet
Source Attribution: Ludovi. Senfel
Voice: [no designation]
Languages: Latin
Voice Text: Virga Jesse floruit in qua flos apparuit II: Iam patet in virgine sine viri
34–34v Virga Jesse floruit - 2a pars (of 2): Iam patet in virgine sine viri -
Appears on: 34–34v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Iam patet in virgine [2a pars]
34v–35 Virgo prudentissima quo progrederis 25.12 Isacc (sic)/[Josquin]
Appears on: 34v–35
Genres: Motet
Source Attribution: Isacc (sic)/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Virgo prudentissima quo progrederis 25.12
35 In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum Mouton/[Moulu]
Appears on: 35
Genres: Motet
Source Attribution: Mouton/[Moulu]
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore accesserunt ad Jesum II: Propter hoc dimittet homo patrem
General Note

Bk 67:16

35v In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem -
Appears on: 35v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Propter hoc dimittet part 2
General Note

Bk 67:16

35v–36 Tribulatio et angustia invenerunt me 18.11 Josquin/[Verdelot]
Appears on: 35v–36
Genres: Motet
Source Attribution: Josquin/[Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Tribulatio et angustia invenerunt me 18.11
36–36v Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur [Josquin]
Appears on: 36–36v
Genres: Te Deum
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus Te eternum patrem
General Note

Kirsch S. 132, 400

36v Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immense majestatis -
Appears on: 36v
Genres: Motet
36v–37 Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus -
Appears on: 36v–37
Genres: Te Deum
37–37v Peccantem me quotidie - 1a pars (of 2): Peccantem me quotidie et non me poenitentem Clemens non Papa
Appears on: 37–37v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Peccantem me quotidie et non me poenitentem II: Deus in nomine tuo salvum me fac
General Note

Bk 100:3

37v–38v Peccantem me quotidie - 2a pars (of 2): Deus in nomine tuo salvum me fac -
Appears on: 37v–38v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Deus in nomine tuo [2a pars]
General Note

Bk 100:3

38v–39 Tota pulchra es amica mea et macula Clemens Morell
Appears on: 38v–39
Genres: Motet
Source Attribution: Clemens Morell
Voice: [no designation]
Languages: Latin
Voice Text: [Tota pulchra es] Et macula non est
General Note

Bk 21:58

39 Inclita stirps Jesse - 1a pars (of 2): Inclita stirps Jesse virgam produxit Clemens non Papa
Appears on: 39
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Inclita stirps Jesse virgam produxit II: Est haec virga dei mater flos
39–39v Inclita stirps Jesse - 2a pars (of 2): Est haec virga Dei mater -
Appears on: 39–39v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Est haec virga dei mater [2a pars]
39v–41 Postquam impleti sunt dies purgationis Vs. Et cum inducerent puerum R. Nunc dimittis servum tuum Reneri [= Rener]
Appears on: 39v–41
Genres: Responsory
Source Attribution: Reneri [= Rener]
Voice: [no designation]
Languages: Latin
Voice Text: Postquam impleti sunt dies purgationis II: Et cum inducerent puerum Iesum III: Nunc dimittis servum tuum domine
41 Invocavit me et ego exaudium eum Joannes Kneuffel [= Knöfel]
Appears on: 41
Genres: Motet
Source Attribution: Joannes Kneuffel [= Knöfel]
Voice: [no designation]
Languages: Latin
Voice Text: Invocavit me et ego exaudium eum
41v Reminiscere miserationum tuarum Domine Kneuffelius
Appears on: 41v
Genres: Motet
Source Attribution: Kneuffelius
Voice: [no designation]
Languages: Latin
Voice Text: Reminiscere miserationum tuarum domine
41v–42 Reminiscere - 1a pars (of 2): Reminiscere miserationum tuarum domine Michael Charle alias Desbuisson [= Buissons]
Appears on: 41v–42
Genres: Motet
Source Attribution: Michael Charle alias Desbuisson [= Buissons]
Voice: [no designation]
Languages: Latin
Voice Text: Reminiscere miserationum tuarum domine II: Ad te domine levavi animam meam
42–42v Reminiscere - 2a pars (of 2): Ad te Domine levavi -
Appears on: 42–42v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ad te domine levavi [2a pars]
42v–43 Oculi mei - 1a pars (of 2): Oculi mei semper ad dominum quia ipse Joan. Kneuff:
Appears on: 42v–43
Genres: Motet
Source Attribution: Joan. Kneuff:
Voice: [no designation]
Languages: Latin
Voice Text: Oculi mei semper ad dominum quia ipse II: Ad domine clamabo miserere mei
43–43v Oculi mei - 2a pars (of 2): Ad Dominum clamabo -
Appears on: 43–43v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ad dominum clamabo [2a pars]
43v–44 Laetare Jerusalem et conventum facite Kneuffel
Appears on: 43v–44
Genres: Motet
Source Attribution: Kneuffel
Voice: [no designation]
Languages: Latin
Voice Text: Laetare Jerusalem et conventum facite
44 Judica me Deus et discerne caussam meam Kneuffel
Appears on: 44
Genres: Motet
Source Attribution: Kneuffel
Voice: [no designation]
Languages: Latin
Voice Text: Iudica me deus et discerne caussam meam
44v–45 Christus factus pro nobis - 1a pars (of 2): Christus factus pro nobis obediens Kneuffel
Appears on: 44v–45
Genres: Motet
Source Attribution: Kneuffel
Voice: [no designation]
Languages: Latin
Voice Text: Christus factus pro nobis obediens II: Poenam ipse sustinet et nobis pax
45–45v Christus factus pro nobis - 2a pars (of 2): Poenam ipse sustinet -
Appears on: 45–45v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Poenam ipse sustinet [2a pars]
45v–46 Da pacem Domine in diebus nostris Kneufel
Appears on: 45v–46
Genres: Motet
Source Attribution: Kneufel
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
46 Super ripam Jordanis - 1a pars (of 2): Super ripam Jordanis stabat beatus Johannes Clemens non Papa/ [Crecquillon]
Appears on: 46
Genres: Motet
Source Attribution: Clemens non Papa/ [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Super ripam Jordanis stabat beatus Joannes II: Vox de coelo sonuit et vox patris
General Note

Bk 42:4

46v Super ripam Jordanis - 2a pars (of 2): Vox de caelo sonuit et vox patris -
Appears on: 46v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vox de coelo sonuit [2a pars]
General Note

Bk 42:4

46v–47v In columbae specie spiritus sanctus visus Anon. Anonymous
Appears on: 46v–47v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: In columbae specie spiritus sanctus visus
General Note

RISM 1555^12:1

47v In splendenti nube - 1a pars (of 2): In splendenti nube spiritus sanctus visus Ludovicus Episcopius
Appears on: 47v
Genres: Motet
Source Attribution: Ludovicus Episcopius
Voice: [no designation]
Languages: Latin
Voice Text: In splendenti nube spiritus sanctus visus II: Apparuit nubes obumbravis et vox
48 In splendenti nube - 2a pars (of 2): Apparuit nubes -
Appears on: 48
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Apparuit nubes [2a pars]
48–48v Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter [Feys]
Appears on: 48–48v
Genres: Motet
Source Attribution: [Feys]
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius que ignoranter II: Peccavimus cum patribus nostris
General Note

RISM 1556^8:5 - Bk 21:144 - 28:19 - 43:26 - 57:10 - 100:20

48v–49 Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus -
Appears on: 48v–49
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccavimus cum patribus [2a pars]
General Note

RISM 1556^8:5 - Bk 21:144 - 28:19 - 43:26 - 57:10 - 100:20

49–49v Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor Clemens non Papa
Appears on: 49–49v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Adesto dolori meo nimium fatigor et cecidit II: Interiora mea efferbuerunt absque
General Note

Bk 57:11

49v Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie -
Appears on: 49v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Interiora mea [2a pars]
General Note

Bk 57:11

49v–50 Advenit ignis divinus - 1a pars (of 2): Advenit ignis divinus non comburens Clemens non Papa
Appears on: 49v–50
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Advenit ignis divinus non comburens II: Misit eos in mundum universum
General Note

Bk 100:19

50v Advenit ignis divinus - 2a pars (of 2): Misit eos in mundum universum -
Appears on: 50v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Misit eos in mindum universum [2a pars]
General Note

Bk 100:19

50v–51v In te Domine speravi non confundar Clemens non Papa
Appears on: 50v–51v
Genres: Motet, Te Deum
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar
51v Servus tuus - 1a pars (of 2): Servus tuus ego sum da mihi intellectum Clemens non Papa
Appears on: 51v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Servus tuus ego sum da mihi intellectum II: Ego vero egenus et pauper sum
General Note

Bk 48:19 - 100:7

52 Servus tuus - 2a pars (of 2): Ego vero egenus et pauper -
Appears on: 52
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ego vero egenus et pauper [2a pars]
General Note

Bk 48:19 - 100:7

52v–53 O bone Jesu - 1a pars (of 2): O bone Jesu duo in me agnosco naturam Clemens non Papa
Appears on: 52v–53
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: O bone Jesu duo in me agnosco II: Eia dulcissime Jesu tolle ex me
53 O bone Jesu - 2a pars (of 2): Eia dulcissime Jesu -
Appears on: 53
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Eia dulcissime Jesu [2a pars]
53v Mane surgens Jacob - 1a pars (of 2): Mane surgens Jacob erigebat lapidem Chasteleÿn
Appears on: 53v
Genres: Motet
Source Attribution: Chasteleÿn
Voice: [no designation]
Languages: Latin
Voice Text: Mane surgens Jacob erigebat lapidem II: Erit mihi dominus in deum
53v–54 Mane surgens Jacob - 2a pars (of 2): Erit mihi Dominus -
Appears on: 53v–54
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Erit mihi dominus [2a pars]
54–54v Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra Clemens non Papa
Appears on: 54–54v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Concussum est mare et contremuit terra II: Factum est silentium in coelo
General Note

Bk 21:156 - 55:35

54v–55 Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret -
Appears on: 54v–55
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Factum est silentium [2a pars]
General Note

Bk 21:156 - 55:35

55–55v Decantabat populus in Israel et universa Clemens non Papa
Appears on: 55–55v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Decantabat populus in Israel alleluia
55v–56 Quam pulchra es Amica mea et quam decora Thomas Crequillon
Appears on: 55v–56
Genres: Motet
Source Attribution: Thomas Crequillon
Voice: [no designation]
Languages: Latin
Voice Text: [Quam pulchra es] Amica mea et quam decora
56 Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet [Burckstaller]
Appears on: 56
Genres: Motet
Source Attribution: [Burckstaller]
Voice: [no designation]
Languages: German
Voice Text: Jauchzet dem Herren alle weldt dienet II: Geht zu seinen thoren ein
General Note

Bk 5:11

56v Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein -
Appears on: 56v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Geht zu seinen thoren ein [2a pars]
General Note

Bk 5:11

56v–57 O Herre Gott erbarm dich unser in aller not Nicolaus Selnecker
Appears on: 56v–57
Genres: Motet
Source Attribution: Nicolaus Selnecker
Voice: [no designation]
Languages: German
Voice Text: O Herre Gott erbarm dich unser in aller not
57–57v Gaudete filiae Jerusalem nam flores apparuerunt Meilandus
Appears on: 57–57v
Genres: Motet
Source Attribution: Meilandus
Voice: [no designation]
Languages: Latin
Voice Text: Gaudete filiae Jerusalem nam flores
General Note

Bk 21:132

57v–58 O pulcherrima inter mulieres- 1a pars (of 2): O pulcherrima inter mulieres O florens rosa Meilandus
Appears on: 57v–58
Genres: Motet
Source Attribution: Meilandus
Voice: [no designation]
Languages: Latin
Voice Text: O pulcherrima inter mulieres O florens II: Veni in hortum meum charissima
General Note

Bk 21:122

58 O pulcherrima inter mulieres- 2a pars (of 2): Veni in ortum meum -
Appears on: 58
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Veni in hortum meum [2a pars]
General Note

Bk 21:122

58v Beata es virgo Maria - 1a pars (of 2): Beata es virgo Maria quae dominum -
Appears on: 58v
Genres: Ave Maria
Voice: [no designation]
Languages: Latin
Voice Text: Beata es virgo Maria quae dominum II: Ave Maria gratia plena dominus tecum
General Note

RISM 1559^2:33 - Bk 39:21

58v–59 Beata es virgo Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum -
Appears on: 58v–59
Genres: Ave Maria
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena [2a pars]
General Note

RISM 1559^2:33 - Bk 39:21

59–60 Vater unser im Himmelreich, der du uns Jacobus Vaet
Appears on: 59–60
Genres: Chorale, Sacred Song
Source Attribution: Jacobus Vaet
Voice: [no designation]
Languages: German
Voice Text: Vater unser im hymelreich
60–60v Ein feste Burg ist unser Gott, ein gute Wehr Joan. Kneufelius
Appears on: 60–60v
Genres: Motet
Source Attribution: Joan. Kneufelius
Voice: [no designation]
Languages: German
Voice Text: Ein feste burg ist unser Gott
60v Facta est procella - 1a pars (of 2): Facta est procella magna venti et fluctus [Kerle/Lassus]
Appears on: 60v
Genres: Motet
Source Attribution: [Kerle/Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Facta est procella magna venti et fluctus II: Magister non ad te pertinet
61 Facta est procella - 2a pars (of 2): Magister non ad te pertinet quia perimus -
Appears on: 61
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Magister non ad te [2a pars]
61–61v Domine vim patior responde pro me Philippus de Monte
Appears on: 61–61v
Genres: Motet
Source Attribution: Philippus de Monte
Voice: [no designation]
Languages: Latin
Voice Text: Domine vim patior responde pro me
61v–62 Tristitia omnis - 1a pars (of 2): Tristitia omnis abi laetus jam gaudia Mich. Duquesne Gallus
Appears on: 61v–62
Genres: Motet
Source Attribution: Mich. Duquesne Gallus
Voice: [no designation]
Languages: Latin
Voice Text: Tristitia omnis abi laetus iam gaudia II: Vivite concordes duo corpora
62–62v Tristitia omnis - 2a pars (of 2): Vivite concordes duo corpora -
Appears on: 62–62v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vivite concordes [2a pars]
63 O fili Dei memento semper mei qui sum Clem. non Papa
Appears on: 63
Genres: Motet
Source Attribution: Clem. non Papa
Voice: [no designation]
Languages: Latin
Voice Text: O fili dei memento semper mei qui sum
63v–64 Jerusalem cito veniet - 1a pars (of 2): Jerusalem cito veniet salus tua quare Clem. non Papa
Appears on: 63v–64
Genres: Motet
Source Attribution: Clem. non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Hierusalem cito veniet salus tua quare II: Civitas Hierusalem noli flere
64–64v Jerusalem cito veniet - 2a pars (of 2): Civitas Jerusalem noli flere -
Appears on: 64–64v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Civitas Hierusalem noli flere [2a pars]
64v Salve parvule nate hodie von der Jungfrau Anon. Anonymous
Appears on: 64v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salve parvule nate hodie von der Jungfrau
65 Parvulus nobis nascitur de virgine [J. Hermann]
Appears on: 65
Genres: Hymn
Source Attribution: [J. Hermann]
Voice: [no designation]
Languages: Latin
Voice Text: Parvulus nobis nascitur de virgine
General Note

RISM 1575^2 - Bk 39:16

65–65v Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem [Clemens non Papa]
Appears on: 65–65v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Lapidabant Stephanum invocantem et dicentem II: Impetum fecerunt unanimiter in eum
General Note

RISM 1559^2:51

65v–66v Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt -
Appears on: 65v–66v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Impetum fecerunt [2a pars]
General Note

RISM 1559^2:51

66v–67 Congratulamini mihi omnes qui diligitis [Clemens non Papa]
Appears on: 66v–67
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini omnes de nativitate Jesu
General Note

RISM 1559^2:47 - Bk 55:36 - 101:24

67–67v Viri diligite uxores vestras et vestris Martini Kinneri
Appears on: 67–67v
Genres: Motet
Source Attribution: Martini Kinneri
Voice: [no designation]
Languages: Latin
Voice Text: Viri diligite uxores vestras et vestris
67v–68 Vere beatus - 1a pars (of 2): Vere beatus et deo factus meritus auspice Joan. Walter
Appears on: 67v–68
Genres: Motet
Source Attribution: Joan. Walter
Voice: [no designation]
Languages: Latin
Voice Text: Vere beatus et deo factus meritus auspice II: Hanc ardet hanc amplexibus dulcissimus
68–68v Vere beatus - 2a pars (of 2): Hanc ardet hanc amplexibus -
Appears on: 68–68v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Hanc ardet hanc amplexibus [2a pars]
68v–70 Nuptiae factae sunt in Chana Gallileae [Barra/Elimon]
Appears on: 68v–70
Genres: Motet
Source Attribution: [Barra/Elimon]
Voice: [no designation]
Languages: Latin
Voice Text: Nuptiae factae sunt in Chana Gallileae
70–70v Alleluia. Surrexit dominus - 1a pars (of 2): Alleluia. Surrexit dominus vere alleluia Jaquet [of Mantua]
Appears on: 70–70v
Genres: Alleluia, Motet
Source Attribution: Jaquet [of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Surrexit dominus vere alleluia II: Qui fecit coelum et terram
70v–71 Alleluia. Surrexit dominus - 2a pars (of 2): Qui fecit caelum et terram -
Appears on: 70v–71
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui fecit coelum et terram [2a pars]
71–71v Ecce triumphator victoriam Christus Mattheus Le Maistre
Appears on: 71–71v
Genres: Motet
Source Attribution: Mattheus Le Maistre
Voice: [no designation]
Languages: Latin
Voice Text: Ecce triumphator victoriam Christus
71v–72v Timor et tremor venit in Nivem civitatem Clem. non Papa
Appears on: 71v–72v
Genres: Motet
Source Attribution: Clem. non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Timor et tremor venit in Niniven civitatem
72v–73 Videns Jesus hominem sedentem in thelonio Andreas Riswick
Appears on: 72v–73
Genres: Motet
Source Attribution: Andreas Riswick
Voice: [no designation]
Languages: Latin
Voice Text: Videns Jesus hominem sedentem in thelonio
73–74 O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam Jachet [of Mantua]
Appears on: 73–74
Genres: Motet
Source Attribution: Jachet [of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: O vos omnes qui transitis per viam II: Cogitationes meae dissipatae sunt
74–74v O vos omnes - 2a pars (of 2): Cogitationes meae -
Appears on: 74–74v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cogitationes meae [2a pars]
74v–75 Justorum animae in manu Dei [Domini] sunt [Clemens non Papa]
Appears on: 74v–75
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Iustorum animae in manu domini sunt
General Note

Bk 42:25 - 51:6

75v–76 Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum [Longaval/Obrecht/ Venture]
Appears on: 75v–76
Genres: Liturgical work, Motet, Passion
Source Attribution: [Longaval/Obrecht/ Venture]
Voice: [no designation]
Languages: Latin
Voice Text: Passio domini nostri Jesu Christi secundum Mattheum II: Apprehendit ergo eum Pilatus III: Orabat autem Jesus per crucifigentibus
General Note

4 v.: RISM 1538^1:2 -- NB this version for 6vv

76–77 Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus -
Appears on: 76–77
Genres: Passion
Voice: [no designation]
Languages: Latin
Voice Text: Apprehendit ergo eum Pilatus [2a pars]
General Note

4 v.: RISM 1538^1:2 - Bk 9:9 - 42:10 - 47:46 - 95:2 - 96:1 - 111:108

77–78v Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus -
Appears on: 77–78v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Orabat autem Jesus part 3
General Note

4 v.: RISM 1538^1:2 - Bk 9:9 - 42:10 - 47:46 - 95:2 - 96:1 - 111:108

78v–79 Tristis est anima mea usque ad mortem Orlandus di Lassus
Appears on: 78v–79
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Tristis est anima mea usque ad mortem
General Note

Bk 21:140 - 28:23 - 4:2 - 96:9

79–79v Velum templi - 1a pars (of 2): Velum templi scissum est et omnis terra Clem. non Papa
Appears on: 79–79v
Genres: Motet
Source Attribution: Clem. non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Velum templi scissum est et omnis terra II: Amen dico tibi hodie mecum eris
General Note

Bk 44:66

79v–80 Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris -
Appears on: 79v–80
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Amen dico tibi [2a pars]
General Note

Bk 44:66

80v–81v Philippe qui videt me alleluia [Othmayr]
Appears on: 80v–81v
Genres: Motet
Source Attribution: [Othmayr]
Voice: [no designation]
Languages: Latin
Voice Text: Philippe qui videt me alleluia
81v–85 Te Deum laudamus M. Joan. Wirckeri
Appears on: 81v–85
Genres: Liturgical work, Te Deum
Source Attribution: M. Joan. Wirckeri
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur
General Note

Bk 5:54

85–85v Susanna erseufzete und sprach ach Anon. Anonymous
Appears on: 85–85v
Genres: Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Susanna erseufzete und sprach ach
85v–86v Tota pulchra es amica mea hastu mich Paulo Buceno Philorodo
Appears on: 85v–86v
Genres: Motet
Source Attribution: Paulo Buceno Philorodo
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es amica mea hastu mich
86v–87 Alles, was Gott der Herre Gutes hat Joach. à Burck
Appears on: 86v–87
Genres: Motet
Source Attribution: Joach. à Burck
Voice: [no designation]
Languages: German
Voice Text: Alless was Gott der Herre güttes hat
87v–88 Susanna se videns rapi stuprandam fraude Anon.
Appears on: 87v–88
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Susanna se videns rapi stuprandum
General Note

Bk 42:33

88–88v Inter natos mulierum - 1a pars (of 2): Inter natos mulierum non surrexit maior Joannes Chainee
Appears on: 88–88v
Genres: Motet
Source Attribution: Joannes Chainee
Voice: [no designation]
Languages: Latin
Voice Text: Inter natos mulierum non surrexit maior II: Fuit homo missus à deo cui nomen
88v–89 Inter natos mulierum - 2a pars (of 2): Fuit homo missus -
Appears on: 88v–89
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Fuit homo missus [2a pars]
89–89v Vidit Jesus hominem sedentem in thelonio Mich. Deiss
Appears on: 89–89v
Genres: Motet
Source Attribution: Mich. Deiss
Voice: [no designation]
Languages: Latin
Voice Text: Vidit Jesus hominem sedentem in thelonio
89v–90 Consurgat Domine - 1a pars (of 2): Consurgat Domine Michael archangelus Joan: Castiletti [= Guyot]
Appears on: 89v–90
Genres: Motet
Source Attribution: Joan: Castiletti [= Guyot]
Voice: [no designation]
Languages: Latin
Voice Text: Consurgat domine Michael archangelus II: O Michaël celestis militiae signifer
General Note

Bk 50:108 - 51:39

90 Consurgat Domine - 2a pars (of 2): O Michael caelestis militiae -
Appears on: 90
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O Michael celestis militiae [2a pars]
General Note

Bk 50:108 - 51:39

90v Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine Mich: Deiss
Appears on: 90v
Genres: Motet
Source Attribution: Mich: Deiss
Voice: [no designation]
Languages: Latin
Voice Text: Venit Michaël archangelus cum multitudine II: Stetit angelus iuxta aram templi
General Note

Bk 4:17

90v–91 Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi -
Appears on: 90v–91
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Stetit angelus [2a pars]
General Note

Bk 4:17

91–91v Deus superbis hostis est - 1a pars (of 2): Deus superbis hostis est est hostis impuris Anon. Anonymous
Appears on: 91–91v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Deus superbis hostis est est hostis impuris II: Et Anna flagrans ignibus dati
91v–92 Deus superbis hostis est - 2a pars (of 2): Et Anna flagrans ignibus - Anonymous
Appears on: 91v–92
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et Anna flagrans ignibus [2a pars]
92–92v Domine Deus - 1a pars (of 2): Domine Deus patrum nostrorum benedicant Anon. Anonymous
Appears on: 92–92v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus patrum nostrorum benedicant II: Et nunc domine tu scis quia non
92v–93 Domine Deus - 2a pars (of 2): Et nunc Domine - Anonymous
Appears on: 92v–93
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et nunc domine [2a pars]
93–94 Beati omnes - 1a pars (of 2): Beati omnes qui timent dominum qui ambulant [Breuer]
Appears on: 93–94
Genres: Motet
Source Attribution: [Breuer]
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent dominum qui ambulant II: Ecce sic benedicetur homo qui timet
General Note

Bk 7:20

94–94v Beati omnes - 2a pars (of 2): Ecce sic benedicetur -
Appears on: 94–94v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce sic benedicetur [2a pars]
General Note

Bk 7:20

94v–95v Der ehlich Stand ist ehrenwert Anon. Anonymous
Appears on: 94v–95v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Der eheliche standt ist ehren werdt
95v–96 ... Et nuptias sua praesentia ornavi / [Der eheliche standt] Sein Stiefter ist der allmechtige Anon. Anonymous
Appears on: 95v–96
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [...] Et nuptias sua praesentia ornavi (Alternate text: "[Der eheliche standt] Sein Stiefter ist der allmechtige">
Non-music contents description

With twin texts in Latin and German underlaid. [The Bassus begins at the second phrase, so that the opening words are missing; the German text matches that of the previous piece, however.]

96–96v Da traten die Phariseer - 1a pars (of 2): Da traten die Phariseer zum Herren Jesu Brunone Quinos Querfurdense
Appears on: 96–96v
Genres: Motet
Source Attribution: Brunone Quinos Querfurdense
Voice: [no designation]
Languages: German
Voice Text: Da traten die Phariseer zum Herren Jesu II: Darumb wirdt ein mensch vatter
96v–97 Da traten die Phariseer - 2a pars (of 2): Darum wird ein Mensch -
Appears on: 96v–97
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Darumb wirdt ein Mensch [2a pars]
97v–98 Domine Dominus noster quam admirabile est (6vv) Orland: [de Lassus]
Appears on: 97v–98
Genres: Motet
Source Attribution: Orland: [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Domine dominus noster [quam admirabile]
General Note

Bk 37:58 - 53:17 - 57:19

98–99 Passio domini - 1a pars (of 3): Passio domini nostri Jesu Christi secundum Mattheum Jacob. Handel [= Händl]
Appears on: 98–99
Genres: Liturgical work, Motet, Passion
Source Attribution: Jacob. Handel [= Händl]
Voice: [no designation]
Languages: Latin
Voice Text: Passio domini nostri Jesu Christi secundum Mattheum II: Apprendit ergo eum Pilatus III: [Orabat autem Jesus per crucifigentibus] Pater dimitte illis
99–100 Passio domini - 2a pars (of 3): Apprehendit ergo eum Pilatus -
Appears on: 99–100
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Apprehendit ergo eum Pilatus [2a pars]
100–101 Passio domini - 3a pars (of 3): Orabat autem Jesus Pater dimitte -
Appears on: 100–101
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Orabut autem Jesus] Pater dimitte [3a pars]
101–101v Angelus mulieribus dixit nolite expavescere Jacob: Meilandi
Appears on: 101–101v
Genres: Motet
Source Attribution: Jacob: Meilandi
Voice: [no designation]
Languages: Latin
Voice Text: Angelus mulieribus dixit nolite expavescere
101v–102 Laetatus sum in his In domum Domini Antonius Gosswinus
Appears on: 101v–102
Genres: Motet
Source Attribution: Antonius Gosswinus
Voice: [no designation]
Languages: Latin
Voice Text: Laetatus [sum in his] In domum domini
102v–104 Deus misereatur nostri et benedicat nobis Orlandus [de Lassus]
Appears on: 102v–104
Genres: Motet
Source Attribution: Orlandus [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Deus misereatur nostri et benedicat nobis
Layout

Parts for Bassus I (verso) and II (recto)

103v–105 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion Orlandus [de Lassus]
Appears on: 103v–105
Genres: Motet
Source Attribution: Orlandus [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo dominus captivitatem Sion II: Convertere domine captivitatem
Layout

Parts for Bassus I (verso) and II (recto)

104v–105 In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem -
Appears on: 104v–105
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Convertere Domine captivitatem [2a pars]
Layout

Parts for Bassus I (verso) and II (recto)

105v–107 Nunc dimittis servum tuum Secundum verbum Hannibal Stabilis
Appears on: 105v–107
Genres: Canticle
Source Attribution: Hannibal Stabilis
Voice: [no designation]
Languages: Latin
Voice Text: [Nunc dimittis servum tuum] Secundum verbum
Layout

Parts for Bassus I (verso) and II (recto)

Composer Compositions
Anonymous
Barra, Hotinet (fl. 1510-23)
Berchem, Jacques (ca. 1505–1567)
Bergholtz, Lucas
Breuer, Matthias
Bucenus, Paulus
Buissons, Michael Charles des (fl. 1560–70)
Burck, Joachim à (1546–1610)
Burckstaller, Joannes
Caen, Arnold
Champion, Nicolas (ca. 1475–1533)
Chastelain, Charles (ca. 1490–1578)
Chaynée, Jean de (ca. 1540–1577)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Conseil, Jean (ca. 1498–1534)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Deiss, Michael
Despres, Josquin (ca. 1450–1521)
Ducis, Benedictus
Elimon (Elimot)
Episcopus, Lodovicus (ca. 1520–1595)
Festa, Costanzo (ca. 1485–1545)
Feys, Arnoldus
Gallus, Michael Duquesne
Goswin, Anthonius
Guyot (Castileti), Jean
Handl (Gallus), Jacobus (1550–1591)
Haugk, Virgilius (ca. 1490–1555)
Herman, Johann
Kerle, Jacobus de
Kinner von Scherffenstein, Martin
Knöfel, Johannes (ca. 1525–1617)
Köler, David (ca. 1532–1565)
Lassus, Orlande de (ca. 1532–1594)
Le Maistre, Jacobus
Le Maistre, Mattheus (ca. 1505–1577)
Longueval, Antoine de (fl. 1498-1525)
Maffoni, Hieronymus
Meiland, Jacob (1542–1577)
Monte, Philippe de
Morel, Clement
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Musculus [or Meusel], Balthasar
Obrecht, Jacobus (ca. 1457–1505)
Othmayr, Caspar
Paminger, Leonhard (1495–1567)
Quinos, Bruno
Rener, Adam (ca. 1485–ca. 1520)
Riswick, Andreas
Selnecker, Nikolaus (1528–1592)
Senfl, Ludwig (ca. 1486–ca. 1543)
Silva, Andreas de (ca. 1475–ca. 1522)
Stabile, Annibale (ca. 1535–1595)
Vaet, Jacobus (ca. 1529–ca. 1567)
Venture, Johannes a la (fl. c1500)
Verdelot, Philippe (ca. 1480–ca. 1532)
Vinders, Jheronimus (fl. c1525-1526)
Walter, Johann (1496–1570)
Wircker, Johann (ca. 1548–ca. 1572)
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
... Et nuptias sua praesentia ornavi / [Der eheliche standt] Sein Stiefter ist der allmechtige Anonymous 95v–96
[Ach Herr, strafe mich nicht] Herr, sei mir gnädig - 1a pars (of 2): Herr, sei mir gnädig 7–7v
[Ach Herr, strafe mich nicht] Herr, sei mir gnädig - 2a pars (of 2): Ich bin so müde von seufzen 7v–8
[Wer unter dem Schirm] Der spricht zu dem Herren - 1a pars (of 2): Der spricht zu dem Herren 5v–6
[Wer unter dem Schirm] Der spricht zu dem Herren - 2a pars (of 2): Ob tausend fallen ... und zehntausend 6–6v
[Wer unter dem Schirm] Der spricht zu dem Herren - 3a pars (of 3): Auf den Löwen und Ottern 6v–7
Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor 49–49v
Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie 49v
Advenit ignis divinus - 1a pars (of 2): Advenit ignis divinus non comburens 49v–50
Advenit ignis divinus - 2a pars (of 2): Misit eos in mundum universum 50v
Alleluia. Surrexit dominus - 1a pars (of 2): Alleluia. Surrexit dominus vere alleluia 70–70v
Alleluia. Surrexit dominus - 2a pars (of 2): Qui fecit caelum et terram 70v–71
Alles, was Gott der Herre Gutes hat 86v–87
Angelus mulieribus dixit nolite expavescere 101–101v
Ave rosa sine spinis - 1a pars (of 2): Ave rosa sine spinis te quam pater 32v–33
Ave rosa sine spinis - 2a pars (of 2): Dominus tecum miro / Benedicta tu in mulieribus 33–33v
Beata es virgo Maria - 1a pars (of 2): Beata es virgo Maria quae dominum 58v
Beata es virgo Maria - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 58v–59
Beati omnes - 1a pars (of 2): Beati omnes qui timent dominum qui ambulant 27v–28
Beati omnes - 1a pars (of 2): Beati omnes qui timent dominum qui ambulant 93–94
Beati omnes - 2a pars (of 2): Ecce sic benedicetur 28–28v
Beati omnes - 2a pars (of 2): Ecce sic benedicetur 94–94v
Benedic anima mea - 1a pars (of 3): Benedic anima mea domino et noli obliviscis 9–9v
Benedic anima mea - 2a pars (of 3): Longa nimis 9v–10v
Benedic anima mea - 3a pars (of 3): Dominus in caelo paravit 10v–11
Christus factus pro nobis - 1a pars (of 2): Christus factus pro nobis obediens 44v–45
Christus factus pro nobis - 2a pars (of 2): Poenam ipse sustinet 45–45v
Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra 54–54v
Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret 54v–55
Congratulamini mihi omnes qui diligitis 66v–67
Consurgat Domine - 1a pars (of 2): Consurgat Domine Michael archangelus 89v–90
Consurgat Domine - 2a pars (of 2): O Michael caelestis militiae 90
Cum invocarem - 1a pars (of 2): Cum invocarem exaudivit me dominus Anonymous 23–24
Cum invocarem - 2a pars (of 2): Sacrificate sacrificium Anonymous 24–24v
Da pacem Domine in diebus nostris 45v–46
Da traten die Phariseer - 1a pars (of 2): Da traten die Phariseer zum Herren Jesu 96–96v
Da traten die Phariseer - 2a pars (of 2): Darum wird ein Mensch 96v–97
De profundis clamavi 15.11 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine 18v
De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem 18v–19
De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine 29–29v
De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem 30
Decantabat populus in Israel et universa 55–55v
Der ehlich Stand ist ehrenwert Anonymous 94v–95v
Deus misereatur nostri et benedicat nobis 102v–104
Deus quis similis - 1a pars (of 2): Deus quis similis erit tibi ne taceas 25
Deus quis similis - 2a pars (of 2): Quoniam cogitaverunt 25–25v
Deus quis similis - 3a pars (of 2): Fac illis sicut Midian 25v–26
Deus quis similis - 4a pars (of 2): Deus meus pone illos 26–26v
Deus superbis hostis est - 1a pars (of 2): Deus superbis hostis est est hostis impuris Anonymous 91–91v
Deus superbis hostis est - 2a pars (of 2): Et Anna flagrans ignibus Anonymous 91v–92
Deus venerunt gentes - 1a pars (of 3): Deus venerunt gentes in haereditatem tuum 21–22
Deus venerunt gentes - 2a pars (of 3): Effunde iram tuam in gentes 22–22v
Deus venerunt gentes - 3a pars (of 3): Adjuva nos Deus 22v–23
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem 11–11v
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam 11v–12
Domine Deus - 1a pars (of 2): Domine Deus patrum nostrorum benedicant Anonymous 92–92v
Domine Deus - 2a pars (of 2): Et nunc Domine Anonymous 92v–93
Domine Dominus noster quam admirabile est (6vv) 97v–98
Domine ne in furore 16.7 - 1a pars (of 2): Domine ne in furore tua arguas me 17–17v
Domine ne in furore 16.7 - 2a pars (of 2): Turbatus est a furore oculus meus 17v–18
Domine vim patior responde pro me 61–61v
Ecce triumphator victoriam Christus 71–71v
Ein feste Burg ist unser Gott, ein gute Wehr 60–60v
Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter 48–48v
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus 48v–49
Facta est procella - 1a pars (of 2): Facta est procella magna venti et fluctus 60v
Facta est procella - 2a pars (of 2): Magister non ad te pertinet quia perimus 61
Gaudete filiae Jerusalem nam flores apparuerunt 57–57v
Hülf [Hilf] Herr die heiligen - 1a pars (of 2): Hülf Herr die heiligen haben abgenohmen 4–4v
Hülf [Hilf] Herr die heiligen - 2a pars (of 2): Weil den die elenden 4v–5
In columbae specie spiritus sanctus visus Anonymous 46v–47v
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 103v–105
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem 104v–105
In exitu Israel 17.4 - 1a pars (of 3): In exitu Israel de Aegipto domus Jacob 14v–15v
In exitu Israel 17.4 - 2a pars (of 3): Deus autem noster 15v–16
In exitu Israel 17.4 - 3a pars (of 3): Dominus memor fuit 16–17
In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum 35
In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem 35v
In splendenti nube - 1a pars (of 2): In splendenti nube spiritus sanctus visus 47v
In splendenti nube - 2a pars (of 2): Apparuit nubes 48
In te Domine speravi non confundar 50v–51v
Inclita stirps Jesse - 1a pars (of 2): Inclita stirps Jesse virgam produxit 39
Inclita stirps Jesse - 2a pars (of 2): Est haec virga Dei mater 39–39v
Inter natos mulierum - 1a pars (of 2): Inter natos mulierum non surrexit maior 88–88v
Inter natos mulierum - 2a pars (of 2): Fuit homo missus 88v–89
Invocavit me et ego exaudium eum 41
Jauchzet dem Herren - 1a pars (of 2): Jauchzet dem Herren alle welt dienet 56
Jauchzet dem Herren - 2a pars (of 2): Geht zu seinen Toren ein 56v
Jerusalem cito veniet - 1a pars (of 2): Jerusalem cito veniet salus tua quare 63v–64
Jerusalem cito veniet - 2a pars (of 2): Civitas Jerusalem noli flere 64–64v
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) 28v–29
Jubilate Deo 17.7 - 1a pars (of 2): Jubilate Deo omnis terra servite Domino 12–12v
Jubilate Deo 17.7 - 2a pars (of 2): Laudate nomen eius 12v
Judica me Deus 17.8 - 1a pars (of 2): Judica me Deus et discerna causam meam 19–19v
Judica me Deus 17.8 - 2a pars (of 2): Et introibo ad altare 19v–20
Judica me Deus et discerne caussam meam 44
Justorum animae in manu Dei [Domini] sunt 74v–75
Laetare Jerusalem et conventum facite 43v–44
Laetatus sum - 1a pars (of 2): Laetatus sum in his que dicta sunt 27
Laetatus sum - 2a pars (of 2): Fiat pax in virtute 27v
Laetatus sum in his In domum Domini 101v–102
Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem 65–65v
Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt 65v–66v
Mane surgens Jacob - 1a pars (of 2): Mane surgens Jacob erigebat lapidem 53v
Mane surgens Jacob - 2a pars (of 2): Erit mihi Dominus 53v–54
Nunc dimittis servum tuum Secundum verbum 105v–107
Nuptiae factae sunt in Chana Gallileae 68v–70
O bone Jesu - 1a pars (of 2): O bone Jesu duo in me agnosco naturam 52v–53
O bone Jesu - 2a pars (of 2): Eia dulcissime Jesu 53
O fili Dei memento semper mei qui sum 63
O Herre Gott erbarm dich unser in aller not 56v–57
O pulcherrima inter mulieres- 1a pars (of 2): O pulcherrima inter mulieres O florens rosa 57v–58
O pulcherrima inter mulieres- 2a pars (of 2): Veni in ortum meum 58
O vos omnes - 1a pars (of 2): O vos omnes qui transitis per viam 73–74
O vos omnes - 2a pars (of 2): Cogitationes meae 74–74v
Oculi mei - 1a pars (of 2): Oculi mei semper ad dominum quia ipse 42v–43
Oculi mei - 2a pars (of 2): Ad Dominum clamabo 43–43v
Parvulus nobis nascitur de virgine 65
Passio domini - 1a pars (of 3): Passio domini nostri Jesu Christi secundum Mattheum 98–99
Passio domini - 2a pars (of 3): Apprehendit ergo eum Pilatus 99–100
Passio domini - 3a pars (of 3): Orabat autem Jesus Pater dimitte 100–101
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum 75v–76
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus 76–77
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus 77–78v
Peccantem me quotidie - 1a pars (of 2): Peccantem me quotidie et non me poenitentem 37–37v
Peccantem me quotidie - 2a pars (of 2): Deus in nomine tuo salvum me fac 37v–38v
Philippe qui videt me alleluia 80v–81v
Postquam impleti sunt dies purgationis Vs. Et cum inducerent puerum R. Nunc dimittis servum tuum 39v–41
Propter peccata quae peccastis ante Deum (= La Spagna) 29.12 30–31
Quam pulchra es Amica mea et quam decora 55v–56
Recumbentibus - 1a pars (of 3): Recumbentibus undecim discipulis apparuit 31–32
Recumbentibus - 2a pars (of 3): In nomine meo daemonia 32
Recumbentibus - 3a pars (of 3): Illic autem profecti 32–32v
Reminiscere - 1a pars (of 2): Reminiscere miserationum tuarum domine 41v–42
Reminiscere - 2a pars (of 2): Ad te Domine levavi 42–42v
Reminiscere miserationum tuarum Domine 41v
Richte mich Got - 1a pars (of 2): Richte mich Got und führe meine sache 3
Richte mich Got - 2a pars (of 2): Sende Dein liecht 3–4
Salve parvule nate hodie von der Jungfrau Anonymous 64v
Servus tuus - 1a pars (of 2): Servus tuus ego sum da mihi intellectum 51v
Servus tuus - 2a pars (of 2): Ego vero egenus et pauper 52
Sie wie fein - 1a pars (of 2): Sie wie fein und lieblich ist dass brüder 8–8v
Sie wie fein - 2a pars (of 2): Den daselbst verheißt 8v–9
Sieh wie lieblich und fein ists dass brüder Anonymous 18
Super ripam Jordanis - 1a pars (of 2): Super ripam Jordanis stabat beatus Johannes 46
Super ripam Jordanis - 2a pars (of 2): Vox de caelo sonuit et vox patris 46v
Susanna erseufzete und sprach ach Anonymous 85–85v
Susanna se videns rapi stuprandam fraude 87v–88
Te Deum laudamus 81v–85
Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur 36–36v
Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immense majestatis 36v
Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus 36v–37
Te Deum laudamus [K.536] Anonymous 13–14v
Timor et tremor venit in Nivem civitatem 71v–72v
Tota pulchra es amica mea et macula 38v–39
Tota pulchra es amica mea hastu mich 85v–86v
Tribulatio et angustia invenerunt me 18.11 35v–36
Tristis est anima mea usque ad mortem 78v–79
Tristitia omnis - 1a pars (of 2): Tristitia omnis abi laetus jam gaudia 61v–62
Tristitia omnis - 2a pars (of 2): Vivite concordes duo corpora 62–62v
Vater unser im Himmelreich, der du uns 59–60
Velum templi - 1a pars (of 2): Velum templi scissum est et omnis terra 79–79v
Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris 79v–80
Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine 90v
Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi 90v–91
Verba mea auribus - 1a pars (of 2): Verba mea auribus percipe domine intellige Anonymous 20–20v
Verba mea auribus - 2a pars (of 2): Domine deduc me Anonymous 20v–21
Vere beatus - 1a pars (of 2): Vere beatus et deo factus meritus auspice 67v–68
Vere beatus - 2a pars (of 2): Hanc ardet hanc amplexibus 68–68v
Videns Jesus hominem sedentem in thelonio 72v–73
Vidit Jesus hominem sedentem in thelonio 89–89v
Virga Jesse floruit - 1a pars (of 2): Virga Jesse floruit in qua flos apparuit 33v–34
Virga Jesse floruit - 2a pars (of 2): Iam patet in virgine sine viri 34–34v
Virgo prudentissima quo progrederis 25.12 34v–35
Viri diligite uxores vestras et vestris 67–67v

denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 262ff,336ff,666,675,686-7,692,752-3,775,788,790. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93.  London, New York, and Toronto. Pages: 290-l. Notes: concordances (partial); mention of MS; discussion.

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 270. Notes: contents list (partial).

Walter, George R. 1975. The Five-Voice Motets of Thomas Crecquillon. University of West Virginia, Unpublished Ph.D. dissertation. Pages: I, 303, 342-3. Notes: physical description (partial); contents list (partial); concordances (partial).

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 121. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 143ff. Notes: contents list (partial); concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 304. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried (editor). 1970-. Andreas de Silva: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xi, xvii, 2-7, 71-9. Notes: concordances (partial); transcription (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 320. Notes: concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 132. Notes: concordances (partial); incipits (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: XI, v. Notes: physical description.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description