H-Bn MS Bártfa 24 (a)

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: Part I: after 1555; Part II: 1584-1616

Archive	Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn)
Shelfmark	MS Bártfa 24 (a)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	270 x 190 mm
Other Identifiers	CCM: BudOS 24
Copyists	scribal concordance [112] Music
Relationships	Church of St. Aegidi (owner)
Provenance	Church of St. Aegidi , Bardejov (Bártfa), Slovakia
Contents	123 pieces from 23 composers

General Description

A Discantus partbook from a set of four volumes. Copied by several scribes; scribal concordance with BudOS P1 (Fox). BudOS 8 was probably a source for the copying of BudOS 24; portions of BudOS 8, in turn, were probably copied from BudOS P1 (MurIO) or alternatively BudOS P1 was copied from BudOS 8 (CC2).

From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

DIAMM, 2023

Physical Description

Several books damaged, with some folios only remaining fragmentarily. Loss of a few pages in 24(c), and about half the pages in 24(b).

DIAMM, 2023

Binding

Restored and rebound in half-leather (MurTVB)

DIAMM, 2023

Notation

not indicated

DIAMM, 2017

Foliation

Original foliation in all books; MurTVB gives no foliation for Part I (the mass proper settings), nor is there original numbering for them. Modern foliation added.

DIAMM, 2023

Decoration

Some initials, titles, and rubrics are green.

DIAMM, 2017

Index

Original index in all books, listing the first 19 pieces

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Masses, 14 Kyrie-Gloria pairs, 4 Kyries, 1 German Credo, 13 Mass Proper cycles, 10 Mass Proper sections, 1 German Te Deum, 3 psalms, 2 hymns, 13 motets, 1 set of responses, 1 German sacred piece, 1 German/Latin sacred piece = 70

(Finck)-1, Florius-1, Gosswin [Anton Josquin]-1, Hähnel [Galliculus]-2, Händl-7, (Hassler)-1, I.W.N.S.-1, Isaac-14, Josquin-1, Judex-1, Knöfel-1, Lassus-2, (Lechner)-1, Paminger-1, Roselli-1, (Senfl)-1, (Stoltzer)-2, Tonsor-1, (Zeuner)-1, anon-33

4 paper partbooks (D-77 folios, A-ii + 40, T-72, B-78), 270 x 190. The altus book is incomplete; some folios are fragmentary. New foliation. Original index in all books, listing the first 19 pieces. Copied by several scribes; scribal concordance with BudOS PI (Fox). BudOS 8 was probably a source for the copying of BudOS 24; portions of BudOS 8, in turn, were probably copied from BudOS PI (MurIO). Some initials, titles, and rubrics are green.

Part I: After 1555; Part II: 1584-1616 (MurTVB). From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Set of responses Amen. Et cum spiritu tuo	-	Anonymous
Set of responses Amen. Et cum spiritu tuo Anonymous Appears on: 1 Genres: Response
1	Set of responses Amen. Et cum spiritu tuo	-	Anonymous
Set of responses Amen. Et cum spiritu tuo Anonymous Appears on: 1 Genres: Response
1	Set of responses Amen. Et cum spiritu tuo	Anon.	Anonymous
Set of responses Amen. Et cum spiritu tuo Anonymous Appears on: 1 Genres: Response Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Set of responses] Amen. Et cum spiritu tuo
2	Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] Isaac, Heinrich (ca. 1450–1517) Appears on: 2 Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Rorate) Coeli desuper et nubes pluant Vs: (Coeli enarrant) Et opera manuum eius
2v–5	Missa 4vv: Kyrie	Anon.	Anonymous
Missa 4vv: Kyrie Anonymous Appears on: 2v–5 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Greek Voice Text: Kirie eleyson
2v–5	Missa 4vv: Gloria	-	Anonymous
Missa 4vv: Gloria Anonymous Appears on: 2v–5 Genres: Gloria (et in terra pax), Mass Ordinary
2v–5	Missa 4vv: Credo	-	Anonymous
Missa 4vv: Credo Anonymous Appears on: 2v–5 Genres: Credo (patrem omnipotentem), Mass Ordinary
2v–5	Missa 4vv: Sanctus	-	Anonymous
Missa 4vv: Sanctus Anonymous Appears on: 2v–5 Genres: Mass Ordinary, Sanctus [& Benedictus]
2v–5	Missa 4vv: Agnus Dei	-	Anonymous
Missa 4vv: Agnus Dei Anonymous Appears on: 2v–5 Genres: Agnus Dei, Mass Ordinary
5	Missa Baisez-moi: Kyrie	[Roselli]	Rouseli, Petri
Missa Baisez-moi: Kyrie Rouseli, Petri Appears on: 5 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Roselli] Voice: [no designation] Languages: Latin Voice Text: [Missa Baisez moy] Concordances concordance: RISM 1541-1 (no.6)
5–5v	Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 5–5v Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Puer natus est nobis) Et filius datus est Vs: (Cantate domino) Quia mirabilia fecit
5v	Missa de Apostolis a4: Kyrie Magne Deus	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa de Apostolis a4: Kyrie Magne Deus Isaac, Heinrich (ca. 1450–1517) Appears on: 5v Genres: Mass Ordinary, Troped Kyrie Source Attribution: [Isaac] Voice: [no designation] Languages: Greek Voice Text: Kyrie eleyson [from Missa de Apostolis]
5v–6	Missa de Apostolis a4: Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa de Apostolis a4: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 5v–6 Genres: Gloria (et in terra pax), Mass Ordinary
6–7	Kyrie Fons bonitatis	Anon.	Anonymous
Kyrie Fons bonitatis Anonymous Appears on: 6–7 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG]
7v	Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 7v Genres: Alleluia, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dies sanctificatus illuxit nobis
8	Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo	[Finck]	Finck, Heinrich
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo Finck, Heinrich Appears on: 8 Genres: Motet Source Attribution: [Finck] Voice: [no designation] Languages: Latin Voice Text: Grates nunc omnes redamus domino deo
8–8v	Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis	-	Finck, Heinrich
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis Finck, Heinrich Appears on: 8–8v Genres: Motet
8v–9	Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 8v–9 Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Ecce advenit) Dominator dominus et regnum Vs: (Deus iudicium tuum) Et iustitiam tuam
9–9v	Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 9–9v Genres: Alleluia, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Vidimus stellam eius in oriente
9v–10v	Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas) Isaac, Heinrich (ca. 1450–1517) Appears on: 9v–10v Genres: Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Festa Christi omnis Christianitas] Quae miris sunt modis ornata cunctisque General Note in (d) below the 4th verse, the Alto voice-part is copied though (it is also in (b))
10v–11	Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] Isaac, Heinrich (ca. 1450–1517) Appears on: 10v–11 Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Suscepimus) Deus misericordiam tuam Vs: (Magnus dominus) In civitate dei
11–12	Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus Isaac, Heinrich (ca. 1450–1517) Appears on: 11–12 Genres: Sequence Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Laetabundus exultet fidelis chorus] Regem regum intacte profudit thorus
12–12v	Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur Isaac, Heinrich (ca. 1450–1517) Appears on: 12–12v Genres: Ave Maria, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Ave Maria gratia plena dominus tecum] Quomodo inquit fiet istud quoniam virum
12v–13	Circumdederunt me Gemitus mortis dolores Vs: Diligam te Domine Dominus firmamentum	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Circumdederunt me Gemitus mortis dolores Vs: Diligam te Domine Dominus firmamentum Stoltzer, Thomas (ca. 1480–1526) Appears on: 12v–13 Genres: Introit Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: (Circumdederunt me) Gemitus mortis dolores Vs: (Diligam te domine) Dominus firmamentum
13–14	De profundis clamavi ad te Domine	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
De profundis clamavi ad te Domine Stoltzer, Thomas (ca. 1480–1526) Appears on: 13–14 Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: De profundis clamavi ad te domine
14–14v	Exurge Quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Exurge Quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri Stoltzer, Thomas (ca. 1480–1526) Appears on: 14–14v Genres: Introit Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: (Exurge) Quare obdormis domine exurge Vs: (Deus auribus nostris) Patres nostri
14v–15	Esto mihi In Deum protectorem et in locum Vs: In te Domine speravi In justicia tua	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Esto mihi In Deum protectorem et in locum Vs: In te Domine speravi In justicia tua Stoltzer, Thomas (ca. 1480–1526) Appears on: 14v–15 Genres: Introit Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: (Esto mihi) In deum protectorem et in locum Vs: (In te domine speravi) In iusticia tua
15–15v	Invocabit me Et ego exaudiam eum Vs: Qui habitat in adjutorio In protectione	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Invocabit me Et ego exaudiam eum Vs: Qui habitat in adjutorio In protectione Stoltzer, Thomas (ca. 1480–1526) Appears on: 15–15v Genres: Introit Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: (Invocabit me) Et ego exaudiam eum Vs: (Qui habitat in adiutorio) In protectione General Note pages lost in 24(c) affecting 3 pieces
15v–16	Nos autem Gloriari oportet in cruce Domini Vs: Deus misereatur Illuminet vultum suum	Anon.	Anonymous
Nos autem Gloriari oportet in cruce Domini Vs: Deus misereatur Illuminet vultum suum Anonymous Appears on: 15v–16 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Nos autem) Gloriari oportet in cruce Vs: (Deus misereatur) Illuminet multum Concordances concordance: RISM 1538-1 (no.3)
16–16v	Humiliavit semetipsum Dominus noster Vs: Misericordias Domini In aeternum	Anon.	Anonymous
Humiliavit semetipsum Dominus noster Vs: Misericordias Domini In aeternum Anonymous Appears on: 16–16v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Humiliavit) Semetipsum dominus noster Vs: (Misericordias domini) In aeternum
16v–17v	Missa de passione: KG	Anon.	Anonymous
Missa de passione: KG Anonymous Appears on: 16v–17v Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG] (CSA on ff. 19v-20v) General Note CSA on ff. 19v-20v Concordances concordance: RISM 1538-1 (no.4)
17v–18	Alleluia. Ave rex noster tu solus	Anon.	Anonymous
Alleluia. Ave rex noster tu solus Anonymous Appears on: 17v–18 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Ave rex noster tu solus Concordances concordance: RISM 1538-1 (no.4)
18–19v	Ave Jesu Christe qui pro peccatorum Ave Jesu Christe qui pro redemptione	Anon.	Anonymous
Ave Jesu Christe qui pro peccatorum Ave Jesu Christe qui pro redemptione Anonymous Appears on: 18–19v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Ave Jesu Christe qui pro peccatorum] Ave Jesu Christe qui pro redemptione Concordances concordance: RISM 1538-1 (no.4)
19v–20v	Missa de passione: CSA	Anon.	Anonymous
Missa de passione: CSA Anonymous Appears on: 19v–20v Genres: Agnus Dei, Credo (patrem omnipotentem), Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [CSA] (KG on ff. 16v-17v) General Note KG on ff. 16v-17v Concordances concordance: RISM 1538-1 (no.4)
21–21v	Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me	Ioannis Galliculi [= Hähnel]	Galliculus, Johannes
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me Galliculus, Johannes Appears on: 21–21v Genres: Introit Source Attribution: Ioannis Galliculi [= Hähnel] Voice: [no designation] Languages: Latin Voice Text: Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti
21v–22	Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 21v–22 Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Resurrexi) Et adhuc tecum sum alleluia Vs: (Domine probasti me) Tu cognovisti me
22–22v	Kyrie eleison	Anon.	Anonymous
Kyrie eleison Anonymous Appears on: 22–22v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG] General Note Both Kyrie & Gloria are sometimes paired with other settings in Bartfa mss.
22v–23	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 22v–23 Genres: Gloria (et in terra pax), Mass Ordinary
23–23v	Missa Paschalis: Kyrie eleison	[Isaac]	Anonymous
Missa Paschalis: Kyrie eleison Anonymous Appears on: 23–23v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Kiriae eleyson [from Missa Paschalis]
23v–24	Missa Pascale a4 ad organum: Kyrie	-	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a4 ad organum: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 23v–24 Genres: Kyrie eleison, Mass Ordinary Concordances KGSA = Bartfa 8, here with the German Credo added
23v–24	Gloria. Gratias agimus tibi propter	[Galliculus]	Galliculus, Johannes
Gloria. Gratias agimus tibi propter Galliculus, Johannes Appears on: 23v–24 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [Galliculus] Voice: [no designation] Languages: Latin Voice Text: [Gloria] Gratias agimus tibi propter Concordances concordance: RISM 1539-14
24	Alleluia. Pascha nostrum immolatus est [Proper for Easter]	[Isaac]	Isaac, Heinrich (ca. 1450–1517) (?)
Alleluia. Pascha nostrum immolatus est [Proper for Easter] Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 24 Genres: Alleluia Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Pascha nostrum immolatus est
24v–25	Victimae paschali laudes immolent Christiani Agnus redemit oves / Christ ist erstanden	[Hähnel]	Galliculus, Johannes
Victimae paschali laudes immolent Christiani Agnus redemit oves / Christ ist erstanden Galliculus, Johannes Appears on: 24v–25 Genres: Motet Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin Voice Text: [Victime paschali laudes immolent Christiani] Agnus redemit oves Christus innocens General Note pages lost in 24(b) affecting next few pieces
25–25v	Wir glauben auch an Jesum Christ, seinen Sohn (German Credo)	[Bruck]	Bruck, Arnold von (ca. 1500–1554)
Wir glauben auch an Jesum Christ, seinen Sohn (German Credo) Bruck, Arnold von (ca. 1500–1554) Appears on: 25–25v Genres: Chorale, Credo (patrem omnipotentem), Motet Source Attribution: [Bruck] Voice: [no designation] Languages: German Voice Text: Wir glaubenn auch an Jesum Christ
25v–26	Missa Pascale a4 ad organum: Sanctus	Anon.	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a4 ad organum: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 25v–26 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Missa] [SA]
26	Missa Pascale a4 ad organum: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a4 ad organum: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 26 Genres: Agnus Dei, Mass Ordinary
26–26v	Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Isaac, Heinrich (ca. 1450–1517) Appears on: 26–26v Genres: Hymn Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Viri Galilaei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Iubilate deo Concordances NB this setting of Viri Galilaei is apparently NOT concordant with the Choralis Constantinus setting (Proprium de Ascensione)
26v–27	Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 26v–27 Genres: Alleluia, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dominus in Syna in sancto
27–28v	Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) Isaac, Heinrich (ca. 1450–1517) Appears on: 27–28v Genres: Hymn Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Rex omnipotens die hodierna] Mundo triumphali redempto potentia [= Sancti spiritus adsit nobis gratia]
28v–29v	Summi triumphum regis prosequamur laude Qui caeli qui terrae sceptra regis	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Summi triumphum regis prosequamur laude Qui caeli qui terrae sceptra regis Isaac, Heinrich (ca. 1450–1517) Appears on: 28v–29v Genres: Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Summi triumphum regis prosequamur] Qui caeli qui terrae regis sceptra
30–30v	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu] Isaac, Heinrich (ca. 1450–1517) Appears on: 30–30v Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Spiritus domini) Replevit orbem terrarum Vs: (Confirma hoc deus) A templo sancto
30v–31	Missa Descendi in ortum meum: Kyrie	Henr: Isac/[Brumel]	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)
Missa Descendi in ortum meum: Kyrie Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 30v–31 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Henr: Isac/[Brumel] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Descendi in ortum meum] [KG] (CS on ff. 33-34v)
31–32	Missa Descendi in ortum meum: Gloria	-	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)
Missa Descendi in ortum meum: Gloria Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 31–32 Genres: Gloria (et in terra pax), Mass Ordinary
32	Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] Isaac, Heinrich (ca. 1450–1517) Appears on: 32 Genres: Alleluia, Motet, Veni sancte spiritus Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Veni sancte spiritus reple tuorum
32–32v	Veni sancte spiritus (4vv) [P19b]	Anon.	Senfl, Ludwig (ca. 1486–ca. 1543)
Veni sancte spiritus (4vv) [P19b] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 32–32v Genres: Motet, Veni sancte spiritus Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus et emitte caelitus
33–34	Missa Descendi in ortum meum: Credo	[Brumel/Isaac-anon.]	Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?)
Missa Descendi in ortum meum: Credo Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 33–34 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [Brumel/Isaac-anon.] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Descendi in ortum meum] [CS] (KG copied on ff. 30v-32. Sanctus copied here is not the one associated with the Mass in other sources)
34–34v	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 34–34v Genres: Mass Ordinary, Sanctus [& Benedictus] General Note The Sanctus copied here is not the one associated with the Mass in other sources (including Bartfa 20, which has the usual Brumel setting).
35–35v	Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium	[Rein]	Rein, Conrad (ca. 1475–1522)
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium Rein, Conrad (ca. 1475–1522) Appears on: 35–35v Genres: Motet Source Attribution: [Rein] Voice: [no designation] Languages: Latin Voice Text: (Benedicta sit) Sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
35v–36	Missa: Kyrie solemne	Anon.	Anonymous
Missa: Kyrie solemne Anonymous Appears on: 35v–36 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG]
36–36v	Missa: Et in terra [Gloria]	-	Isaac, Heinrich (ca. 1450–1517)
Missa: Et in terra [Gloria] Isaac, Heinrich (ca. 1450–1517) Appears on: 36–36v Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary General Note RISM A/I I 91 (no.1)
36v	Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] Isaac, Heinrich (ca. 1450–1517) Appears on: 36v Genres: Alleluia, Hymn Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Benedictus es domine deus
36v–38	Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] Isaac, Heinrich (ca. 1450–1517) Appears on: 36v–38 Genres: Sequence Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt
38v–39	De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] Isaac, Heinrich (ca. 1450–1517) Appears on: 38v–39 Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (De ventre matris meae) Vocavit me dominus Vs: (Bonum est confiteri) Et psallere nomini
39	Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae] Isaac, Heinrich (ca. 1450–1517) Appears on: 39 Genres: Alleluia, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Inter natos mulierum non surrexit General Note page missing in 24(b) affecting this and next piece
39–40	Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe) Isaac, Heinrich (ca. 1450–1517) Appears on: 39–40 Genres: Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Psallite regi nostro psallite prudenter] Nam psalterium est iucundum (Original Isaac text also underlaid: "[Laus tibi Christe qui es creator] Coeli terrae maris angelorum")
40v–41	Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] Isaac, Heinrich (ca. 1450–1517) Appears on: 40v–41 Genres: Sequence Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Vultum tuum) Deprecabuntur omnes divites Vs: (Eructavit cor meum) Dico ego opera
41–41v	Missa Beata Virgine = Missa Coronata 3.3: Kyrie	Iosquin	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 41–41v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Iosquin Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa De beata Virgine] [KG] 3.3
41v–42v	Missa Beata Virgine = Missa Coronata 3.3: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 41v–42v Genres: Gloria (et in terra pax), Mass Ordinary
42v–43	Alleluia. Maria Haec est illa [Proprium de S. Maria Magdalena]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Maria Haec est illa [Proprium de S. Maria Magdalena] Isaac, Heinrich (ca. 1450–1517) Appears on: 42v–43 Genres: Alleluia Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. [Maria] Haec est illa General Note pages missing in 24(b) affecting next few pieces
43	Alleluia. Benedicta tu inter mulieres	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Benedicta tu inter mulieres Isaac, Heinrich (ca. 1450–1517) Appears on: 43 Genres: Alleluia, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Benedicta tu inter mulieres
43v	Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi	Anon.	Anonymous
Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi Anonymous Appears on: 43v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Viderunt ingressus tuos deus ingressus Vs: Illuxerunt corruscationes tuae
43v–44	Alleluia. Candor est lucis aeternae	Anon.	Anonymous
Alleluia. Candor est lucis aeternae Anonymous Appears on: 43v–44 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Candor est lucis aeternae
44–44v	Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas	Anon.	Anonymous
Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas Anonymous Appears on: 44–44v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Adest dies celebris quo pacatus] Mentes ut alliciat infirmas
44v	Viderunt omnes fines terrae salutare	Anon.	Anonymous
Viderunt omnes fines terrae salutare Anonymous Appears on: 44v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Viderunt omnes fines terrae salutare General Note MurTVB omits this piece both here and in the copy in Bartfa 8
45	Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra	Anon.	Anonymous
Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra Anonymous Appears on: 45 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Benedicite domino omnes angeli domino Vs: (Benedic anima mea) Et omnia quae intra
45–45v	Alleluia. Concussum est mare et contremuit	Anon.	Anonymous
Alleluia. Concussum est mare et contremuit Anonymous Appears on: 45–45v Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Concussum est mare et contremuit
45v–46	Summi regis archangele Michael intende Te namque profitemur esse supernorum	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Summi regis archangele Michael intende Te namque profitemur esse supernorum Stoltzer, Thomas (ca. 1480–1526) Appears on: 45v–46 Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: [Summi regis archangele Michael intende] Te namque profitemur esse supernorum
46v	Viri Galilaei Quid admiramini (= Ascendo ad patrem)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Viri Galilaei Quid admiramini (= Ascendo ad patrem) Isaac, Heinrich (ca. 1450–1517) Appears on: 46v Genres: Contrafactum, Hymn Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Viri Galilaei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Jubilate deo
47	Kyrie [Tro] magne Deus potentiae	Anon.	Anonymous
Kyrie [Tro] magne Deus potentiae Anonymous Appears on: 47 Genres: Mass Ordinary, Troped Kyrie Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie Magne deus
47	Mihi autem nimis Honorati sunt amici Vs: Domine probasti me Tu cognovisti	[Lechner]	Lechner, Leonhard
Mihi autem nimis Honorati sunt amici Vs: Domine probasti me Tu cognovisti Lechner, Leonhard Appears on: 47 Genres: Motet Source Attribution: [Lechner] Voice: [no designation] Languages: Latin Voice Text: (Mihi autem nimis) Honorati sunt amici Vs: (Domine probasti me) Tu cognovisti General Note (Discantus II part, although copied in Bassus book).
47v	Missa Veni in ortum meum: Kyrie	Orlandi Lassi	Lassus, Orlande de (ca. 1532–1594)
Missa Veni in ortum meum: Kyrie Lassus, Orlande de (ca. 1532–1594) Appears on: 47v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Orlandi Lassi Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super Veni in hortum meum [KG] General Note in 24(b) f.39 is fragmentary
47v–48	Missa Veni in ortum meum: Et in terra [Gloria]	-	Lassus, Orlande de (ca. 1532–1594)
Missa Veni in ortum meum: Et in terra [Gloria] Lassus, Orlande de (ca. 1532–1594) Appears on: 47v–48 Genres: Gloria (et in terra pax), Mass Ordinary
49–54v	Missa Praeter rerum seriem (KGCSA)	Anon.	Anonymous
Missa Praeter rerum seriem (KGCSA) Anonymous Appears on: 49–54v Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Missa super Praeter rerum seriem General Note (This is not Daser's setting.)
54v–57	Missa Christe qui lux KGSA	Anon.	Anonymous
Missa Christe qui lux KGSA Anonymous Appears on: 54v–57 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super Christe qui lux [KGSA]
57–58v	Missa Bewar mich Herr KG	Anon.	Anonymous
Missa Bewar mich Herr KG Anonymous Appears on: 57–58v Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super Bewar mich Herr [KG]
58v–59	Missa De profundis: Kyrie	[Trojanus]	Grüntlerus, N. Trojanus
Missa De profundis: Kyrie Grüntlerus, N. Trojanus Appears on: 58v–59 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Trojanus] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super De profundis [KG]
59–59v	Missa De profundis: Gloria	-	Grüntlerus, N. Trojanus
Missa De profundis: Gloria Grüntlerus, N. Trojanus Appears on: 59–59v Genres: Gloria (et in terra pax), Mass Ordinary
59v–60v	Missa Da Jacob das Kleid ansach: KG	Päminger	Paminger, Leonhard (1495–1567)
Missa Da Jacob das Kleid ansach: KG Paminger, Leonhard (1495–1567) Appears on: 59v–60v Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Päminger Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super Da Jacob das Kleidt ansach [KG]
61–61v	Vidit Jacob in somnis scalam stantem (2p. Dilataberis ab oriente in occidentem; 3p. Cumque evigilasset de somno Jacob)	[Händl]	Handl (Gallus), Jacobus (1550–1591)
Vidit Jacob in somnis scalam stantem (2p. Dilataberis ab oriente in occidentem; 3p. Cumque evigilasset de somno Jacob) Handl (Gallus), Jacobus (1550–1591) Appears on: 61–61v Genres: Motet Source Attribution: [Händl] Voice: [no designation] Languages: Latin Voice Text: Vidit Jacob in somnis scalam stantem II: Dilataberis ab oriente in occidentem III: Cumque evigilasset de somno Jacob General Note Only 3vv are copied in the 3 surviving books; perhaps this is a 4vv arrangement of the 8vv original? Ditto next 3 pieces
61v–62	O Deus immensi fabricator maxime mundi (2p. Quiri potius miserere animae peccasse)	Anon.	Anonymous
O Deus immensi fabricator maxime mundi (2p. Quiri potius miserere animae peccasse) Anonymous Appears on: 61v–62 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: O deus immensi fabricator maxime mundi General Note MurTVB does not specify how many voice parts are copied
62	Laetamini cum Jerusalem et exultate in ea	[Händl]	Handl (Gallus), Jacobus (1550–1591)
Laetamini cum Jerusalem et exultate in ea Handl (Gallus), Jacobus (1550–1591) Appears on: 62 Genres: Motet Source Attribution: [Händl] Voice: [no designation] Languages: Latin Voice Text: Laetamini cum Herusalem et exultate
62–62v	Quid admiramini quid opiniamini filiae	[Händl]	Handl (Gallus), Jacobus (1550–1591)
Quid admiramini quid opiniamini filiae Handl (Gallus), Jacobus (1550–1591) Appears on: 62–62v Genres: Motet Source Attribution: [Händl] Voice: [no designation] Languages: Latin Voice Text: Quid admiramini [quid opinamini filiae]
62v	Quoties diem illum considero quoties diem	Mich: Tonsoris	Tonsor, Michael
Quoties diem illum considero quoties diem Tonsor, Michael Appears on: 62v Genres: Motet Source Attribution: Mich: Tonsoris Voice: [no designation] Languages: Latin Voice Text: Quoties diem illum considero quoties diem
62v–63	Docti fulgebunt sicut splendor firmamenti	Valentinus Judex	Judex, Valentin
Docti fulgebunt sicut splendor firmamenti Judex, Valentin Appears on: 62v–63 Genres: Motet Source Attribution: Valentinus Judex Voice: [no designation] Languages: Latin Voice Text: Docti fulgebunt sicut splendor firmamenti
63	Domine quando veneris judicare terram	Johan. Knoefol [= Knöfel]	Handl (Gallus), Jacobus (1550–1591)
Domine quando veneris judicare terram Handl (Gallus), Jacobus (1550–1591) Appears on: 63 Genres: Motet Source Attribution: Johan. Knoefol [= Knöfel] Voice: [no designation] Languages: Latin Voice Text: Domine quando veneris judicare terram
63–63v	Domine quid multiplicati sunt qui tribulant	[Lassus]	Lassus, Orlande de (ca. 1532–1594)
Domine quid multiplicati sunt qui tribulant Lassus, Orlande de (ca. 1532–1594) Appears on: 63–63v Genres: Motet Source Attribution: [Lassus] Voice: [no designation] Languages: Latin Voice Text: Domine quid multiplicati sunt qui tribulant
63v–64	Ad te levavi oculos meos qui habitas in caelis	Anton Josquinus [= Gosswin]	Goswin, Anthonius
Ad te levavi oculos meos qui habitas in caelis Goswin, Anthonius Appears on: 63v–64 Genres: Motet Source Attribution: Anton Josquinus [= Gosswin] Voice: [no designation] Languages: Latin Voice Text: Ad te levavi oculos meos qui habitas
64–64v	Missa Ob ich schon arm: KG	Jacob Han: [= Händl]	Handl (Gallus), Jacobus (1550–1591)
Missa Ob ich schon arm: KG Handl (Gallus), Jacobus (1550–1591) Appears on: 64–64v Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Jacob Han: [= Händl] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super Ob ich schon arm [KG]
64v–65	Missa Ich stund an einem Morgen: Kyrie	Jacob: Handel Gallus	Handl (Gallus), Jacobus (1550–1591)
Missa Ich stund an einem Morgen: Kyrie Handl (Gallus), Jacobus (1550–1591) Appears on: 64v–65 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Jacob: Handel Gallus Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super Ich stund an einem Morgen [KG] General Note 2 voice parts in 24(a)
65–66	Missa Ich stund an einem Morgen: Gloria	-	Handl (Gallus), Jacobus (1550–1591)
Missa Ich stund an einem Morgen: Gloria Handl (Gallus), Jacobus (1550–1591) Appears on: 65–66 Genres: Gloria (et in terra pax), Mass Ordinary General Note 2 voice parts in 24(a)
66	Missa Un gay berger: Kyrie	Jacob: Händl	Handl (Gallus), Jacobus (1550–1591)
Missa Un gay berger: Kyrie Handl (Gallus), Jacobus (1550–1591) Appears on: 66 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Jacob: Händl Voice: [no designation] Languages: French, Greek Voice Text: Missa super Ungaÿbergir [= Missa Ung gay bergier] [KG]
66–66v	Missa Un gay berger: Gloria	-	Handl (Gallus), Jacobus (1550–1591)
Missa Un gay berger: Gloria Handl (Gallus), Jacobus (1550–1591) Appears on: 66–66v Genres: Gloria (et in terra pax), Mass Ordinary
66v–67	Missa Sidus ex claro: Kyrie	Orlandi Lassi	Lassus, Orlande de (ca. 1532–1594)
Missa Sidus ex claro: Kyrie Lassus, Orlande de (ca. 1532–1594) Appears on: 66v–67 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Orlandi Lassi Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super Sydus ex claro veniens [KG] General Note 2 voice parts in 24(d)
67–67v	Missa Sidus ex claro: Gloria	-	Lassus, Orlande de (ca. 1532–1594)
Missa Sidus ex claro: Gloria Lassus, Orlande de (ca. 1532–1594) Appears on: 67–67v Genres: Gloria (et in terra pax), Mass Ordinary General Note 2 voice parts in 24(d)
67v–68v	Gloria laus et honor tibi sit rex Christe (2p. Israel es tu rex Davidis et inclyta; 3p. Coetus in excelsis te laudat; 4p. Plebs Hebraea tibi cum palmis; 5p. Hi tibi passuro solvebant munia; 6p. Hi placuere tibi placeat devotio; 7p. Gloria laus et honor tibi sit rex)	Anon.	Anonymous
Gloria laus et honor tibi sit rex Christe (2p. Israel es tu rex Davidis et inclyta; 3p. Coetus in excelsis te laudat; 4p. Plebs Hebraea tibi cum palmis; 5p. Hi tibi passuro solvebant munia; 6p. Hi placuere tibi placeat devotio; 7p. Gloria laus et honor tibi sit rex) Anonymous Appears on: 67v–68v Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor tibi sit rex Christe II: Israel es tu rex Davidis et inclyta III: Coetus in excelsis te laudat IV: Plebs Hebraea tibi cum palmis V: Hi tibi passuro solvebant munia VI: Hi placuere tibi placeat devotio
68v–69	Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt	[Finck]	Finck, Heinrich
Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt Finck, Heinrich Appears on: 68v–69 Genres: Motet Source Attribution: [Finck] Voice: [no designation] Languages: Latin Voice Text: Et valde mane uns sabbathorum veniunt II: Et ingressae mulieres non invenerunt
69	Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt	-	Finck, Heinrich
Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt Finck, Heinrich Appears on: 69 Genres: Motet
69v	Erravi sicut ovis que periit neque	Anon.	Anonymous
Erravi sicut ovis que periit neque Anonymous Appears on: 69v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Erravi sicut ovis que periit neque General Note 2vv copied in 24(a), 24(c)
69v–70v	Her Gott dich loben wier Her Gott wir danken dier	I.W.N.S.	IWNS
Her Gott dich loben wier Her Gott wir danken dier IWNS Appears on: 69v–70v Genres: Motet, Te Deum Source Attribution: I.W.N.S. Voice: [no designation] Languages: German Voice Text: Her Gott dich loben wier Her Gott wir dancken dier
70v–71	Mihi autem nimis honorati sunt amici Vs: Domine probasti me et cognovisti	Anon.	Anonymous
Mihi autem nimis honorati sunt amici Vs: Domine probasti me et cognovisti Anonymous Appears on: 70v–71 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Mihi autem nimis honorati sunt amici Vs: Domine probasti me et cognovisti
71–71v	Missa Lyra lyram pulses: KG	Jacobi Florii Belgae	Flori, Jacobus
Missa Lyra lyram pulses: KG Flori, Jacobus Appears on: 71–71v Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Jacobi Florii Belgae Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG]
71v–72	Gratia Dei sum id quod sum et gratia (2p. Bonum certamen certavi cursu ne consummavi)	Jacobi Händelii [= Händl]	Handl (Gallus), Jacobus (1550–1591)
Gratia Dei sum id quod sum et gratia (2p. Bonum certamen certavi cursu ne consummavi) Handl (Gallus), Jacobus (1550–1591) Appears on: 71v–72 Genres: Motet Source Attribution: Jacobi Händelii [= Händl] Voice: [no designation] Languages: Latin Voice Text: Gratia dei sum id quod sum et gratia II: Bonum certamen certavi cursum General Note 2vv copied in 24(d)
72v	Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus semper)	Anon.	Anonymous
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus semper) Anonymous Appears on: 72v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus semper General Note 2vv copied in 24(c)
73v	Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia; 3p. Namque triumphanti post tristia)	Anon.	Anonymous
Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia; 3p. Namque triumphanti post tristia) Anonymous Appears on: 73v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis/Also heilig II: Ecce renascentis testatur gratia III: Namque triumphanti post tristia
74	Alle Dei filius ab hoste superbissimo	Anon.	Anonymous
Alle Dei filius ab hoste superbissimo Anonymous Appears on: 74 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alle dei filius ab hoste superbissimo General Note not in MurTVB
74	Also heilig ist der Tag, dass ihn niemand	Anon.	Anonymous
Also heilig ist der Tag, dass ihn niemand Anonymous Appears on: 74 Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Also heilig ist der tag dass ihn niemandt General Note not in MurTVB
75v	Dies est laetitiae in ortu regali	Anon.	Anonymous
Dies est laetitiae in ortu regali Anonymous Appears on: 75v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Dies est laeticiae in ortu regali
75v	Laudate pueri Dominum laudate nomen	Anon.	Anonymous
Laudate pueri Dominum laudate nomen Anonymous Appears on: 75v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laudate pueri dominum Concordances Appears only in Bartfa mss
75v	Domine ad adjuvandum me festina gloria	-	Anonymous
Domine ad adjuvandum me festina gloria Anonymous Appears on: 75v Genres: Motet
75v	Laudate pueri Dominum laudate nomen	-	Stoltzer, Thomas (ca. 1480–1526)
Laudate pueri Dominum laudate nomen Stoltzer, Thomas (ca. 1480–1526) Appears on: 75v Genres: Motet, Psalm
76	Kyrie eleison	Anon.	Anonymous
Kyrie eleison Anonymous Appears on: 76 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Greek Voice Text: Kyrie eleison
76–76v	Missa 4vv (III): Kyrie	-	Hassler, Hans Leo (1564–1612)
Missa 4vv (III): Kyrie Hassler, Hans Leo (1564–1612) Appears on: 76–76v Genres: Kyrie eleison, Mass Ordinary Concordances concordance: Bartfa 17(d), f.8
77–77v	Vergebens ist all müh und kost, wo nicht	[Zeuner]	Zeuner, Martin (1554–1619)
Vergebens ist all müh und kost, wo nicht Zeuner, Martin (1554–1619) Appears on: 77–77v Genres: Sacred Song Source Attribution: [Zeuner] Voice: [no designation] Languages: German Voice Text: Vergebens ist all müh und kost wo nicht General Note 2vv copied in 24(a)

Composer	Compositions
Anonymous	Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas – 44–44v Alle Dei filius ab hoste superbissimo – 74 Alleluia. Ave rex noster tu solus – 17v–18 Alleluia. Candor est lucis aeternae – 43v–44 Alleluia. Concussum est mare et contremuit – 45–45v Also heilig ist der Tag, dass ihn niemand – 74 Ave Jesu Christe qui pro peccatorum Ave Jesu Christe qui pro redemptione – 18–19v Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra – 45 Dies est laetitiae in ortu regali – 75v Domine ad adjuvandum me festina gloria – 75v Erravi sicut ovis que periit neque – 69v Et in terra pax [Gloria] – 22v–23 Gloria laus et honor tibi sit rex Christe (2p. Israel es tu rex Davidis et inclyta; 3p. Coetus in excelsis te laudat; 4p. Plebs Hebraea tibi cum palmis; 5p. Hi tibi passuro solvebant munia; 6p. Hi placuere tibi placeat devotio; 7p. Gloria laus et honor tibi sit rex) – 67v–68v Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus semper) – 72v Humiliavit semetipsum Dominus noster Vs: Misericordias Domini In aeternum – 16–16v Kyrie Fons bonitatis – 6–7 Kyrie [Tro] magne Deus potentiae – 47 Kyrie eleison – 22–22v Kyrie eleison – 76 Laudate pueri Dominum laudate nomen – 75v Mihi autem nimis honorati sunt amici Vs: Domine probasti me et cognovisti – 70v–71 Missa 4vv: Agnus Dei – 2v–5 Missa 4vv: Credo – 2v–5 Missa 4vv: Gloria – 2v–5 Missa 4vv: Kyrie – 2v–5 Missa 4vv: Sanctus – 2v–5 Missa Bewar mich Herr KG – 57–58v Missa Christe qui lux KGSA – 54v–57 Missa Paschalis: Kyrie eleison – 23–23v Missa Praeter rerum seriem (KGCSA) – 49–54v Missa de passione: CSA – 19v–20v Missa de passione: KG – 16v–17v Missa: Kyrie solemne – 35v–36 Nos autem Gloriari oportet in cruce Domini Vs: Deus misereatur Illuminet vultum suum – 15v–16 O Deus immensi fabricator maxime mundi (2p. Quiri potius miserere animae peccasse) – 61v–62 Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia; 3p. Namque triumphanti post tristia) – 73v Sanctus – 34–34v Set of responses Amen. Et cum spiritu tuo – 1 Set of responses Amen. Et cum spiritu tuo – 1 Set of responses Amen. Et cum spiritu tuo – 1 Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi – 43v Viderunt omnes fines terrae salutare – 44v
Bruck, Arnold von (ca. 1500–1554)	Wir glauben auch an Jesum Christ, seinen Sohn (German Credo) – 25–25v
Brumel, Antoine (ca. 1460–ca. 1513)	Missa Descendi in ortum meum: Credo – 33–34 Missa Descendi in ortum meum: Gloria – 31–32 Missa Descendi in ortum meum: Kyrie – 30v–31
Despres, Josquin (ca. 1450–1521)	Missa Beata Virgine = Missa Coronata 3.3: Gloria – 41v–42v Missa Beata Virgine = Missa Coronata 3.3: Kyrie – 41–41v
Finck, Heinrich	Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt – 68v–69 Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt – 69 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo – 8 Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis – 8–8v
Flori, Jacobus	Missa Lyra lyram pulses: KG – 71–71v
Galliculus, Johannes	Gloria. Gratias agimus tibi propter – 23v–24 Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me – 21–21v Victimae paschali laudes immolent Christiani Agnus redemit oves / Christ ist erstanden – 24v–25
Goswin, Anthonius	Ad te levavi oculos meos qui habitas in caelis – 63v–64
Grüntlerus, N. Trojanus	Missa De profundis: Gloria – 59–59v Missa De profundis: Kyrie – 58v–59
Handl (Gallus), Jacobus (1550–1591)	Domine quando veneris judicare terram – 63 Gratia Dei sum id quod sum et gratia (2p. Bonum certamen certavi cursu ne consummavi) – 71v–72 Laetamini cum Jerusalem et exultate in ea – 62 Missa Ich stund an einem Morgen: Gloria – 65–66 Missa Ich stund an einem Morgen: Kyrie – 64v–65 Missa Ob ich schon arm: KG – 64–64v Missa Un gay berger: Gloria – 66–66v Missa Un gay berger: Kyrie – 66 Quid admiramini quid opiniamini filiae – 62–62v Vidit Jacob in somnis scalam stantem (2p. Dilataberis ab oriente in occidentem; 3p. Cumque evigilasset de somno Jacob) – 61–61v
Hassler, Hans Leo (1564–1612)	Missa 4vv (III): Kyrie – 76–76v
IWNS	Her Gott dich loben wier Her Gott wir danken dier – 69v–70v
Isaac, Heinrich (ca. 1450–1517)	Alleluia. Benedicta tu inter mulieres – 43 Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] – 36v Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] – 7v Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] – 26v–27 Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae] – 39 Alleluia. Maria Haec est illa [Proprium de S. Maria Magdalena] – 42v–43 (?) Alleluia. Pascha nostrum immolatus est [Proper for Easter] – 24 Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] – 32 Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini] – 9–9v Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur – 12–12v Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] – 36v–38 De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] – 38v–39 Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] – 8v–9 Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus – 11–12 (?) Missa Descendi in ortum meum: Credo – 33–34 (?) Missa Descendi in ortum meum: Gloria – 31–32 (?) Missa Descendi in ortum meum: Kyrie – 30v–31 Missa Pascale a4 ad organum: Agnus Dei – 26 Missa Pascale a4 ad organum: Kyrie – 23v–24 Missa Pascale a4 ad organum: Sanctus – 25v–26 Missa de Apostolis a4: Gloria – 5v–6 Missa de Apostolis a4: Kyrie Magne Deus – 5v Missa: Et in terra [Gloria] – 36–36v Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe) – 39–40 Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] – 5–5v Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas) – 9v–10v Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] – 21v–22 Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) – 27–28v Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] – 2 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu] – 30–30v Summi triumphum regis prosequamur laude Qui caeli qui terrae sceptra regis – 28v–29v Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] – 10v–11 Viri Galilaei Quid admiramini (= Ascendo ad patrem) – 46v Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite – 26–26v Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] – 40v–41
Judex, Valentin	Docti fulgebunt sicut splendor firmamenti – 62v–63
Lassus, Orlande de (ca. 1532–1594)	Domine quid multiplicati sunt qui tribulant – 63–63v Missa Sidus ex claro: Gloria – 67–67v Missa Sidus ex claro: Kyrie – 66v–67 Missa Veni in ortum meum: Et in terra [Gloria] – 47v–48 Missa Veni in ortum meum: Kyrie – 47v
Lechner, Leonhard	Mihi autem nimis Honorati sunt amici Vs: Domine probasti me Tu cognovisti – 47
Paminger, Leonhard (1495–1567)	Missa Da Jacob das Kleid ansach: KG – 59v–60v
Rein, Conrad (ca. 1475–1522)	Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium – 35–35v
Rouseli, Petri	Missa Baisez-moi: Kyrie – 5
Senfl, Ludwig (ca. 1486–ca. 1543)	Veni sancte spiritus (4vv) [P19b] – 32–32v
Stoltzer, Thomas (ca. 1480–1526)	Circumdederunt me Gemitus mortis dolores Vs: Diligam te Domine Dominus firmamentum – 12v–13 De profundis clamavi ad te Domine – 13–14 Esto mihi In Deum protectorem et in locum Vs: In te Domine speravi In justicia tua – 14v–15 Exurge Quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri – 14–14v Invocabit me Et ego exaudiam eum Vs: Qui habitat in adjutorio In protectione – 15–15v Laudate pueri Dominum laudate nomen – 75v Summi regis archangele Michael intende Te namque profitemur esse supernorum – 45v–46
Tonsor, Michael	Quoties diem illum considero quoties diem – 62v
Zeuner, Martin (1554–1619)	Vergebens ist all müh und kost, wo nicht – 77–77v

Composition	Composers (? Uncertain)	Folios / Pages
Ad te levavi oculos meos qui habitas in caelis	Goswin, Anthonius	63v–64
Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas	Anonymous	44–44v
Alle Dei filius ab hoste superbissimo	Anonymous	74
Alleluia. Ave rex noster tu solus	Anonymous	17v–18
Alleluia. Benedicta tu inter mulieres	Isaac, Heinrich (ca. 1450–1517)	43
Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate]	Isaac, Heinrich (ca. 1450–1517)	36v
Alleluia. Candor est lucis aeternae	Anonymous	43v–44
Alleluia. Concussum est mare et contremuit	Anonymous	45–45v
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi]	Isaac, Heinrich (ca. 1450–1517)	7v
Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini]	Isaac, Heinrich (ca. 1450–1517)	26v–27
Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae]	Isaac, Heinrich (ca. 1450–1517)	39
Alleluia. Maria Haec est illa [Proprium de S. Maria Magdalena]	Isaac, Heinrich (ca. 1450–1517)	42v–43
Alleluia. Pascha nostrum immolatus est [Proper for Easter]	Isaac, Heinrich (ca. 1450–1517) (?)	24
Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu]	Isaac, Heinrich (ca. 1450–1517)	32
Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini]	Isaac, Heinrich (ca. 1450–1517)	9–9v
Also heilig ist der Tag, dass ihn niemand	Anonymous	74
Ave Jesu Christe qui pro peccatorum Ave Jesu Christe qui pro redemptione	Anonymous	18–19v
Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur	Isaac, Heinrich (ca. 1450–1517)	12–12v
Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra	Anonymous	45
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate]	Isaac, Heinrich (ca. 1450–1517)	36v–38
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium	Rein, Conrad (ca. 1475–1522)	35–35v
Circumdederunt me Gemitus mortis dolores Vs: Diligam te Domine Dominus firmamentum	Stoltzer, Thomas (ca. 1480–1526)	12v–13
De profundis clamavi ad te Domine	Stoltzer, Thomas (ca. 1480–1526)	13–14
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae]	Isaac, Heinrich (ca. 1450–1517)	38v–39
Dies est laetitiae in ortu regali	Anonymous	75v
Docti fulgebunt sicut splendor firmamenti	Judex, Valentin	62v–63
Domine ad adjuvandum me festina gloria	Anonymous	75v
Domine quando veneris judicare terram	Handl (Gallus), Jacobus (1550–1591)	63
Domine quid multiplicati sunt qui tribulant	Lassus, Orlande de (ca. 1532–1594)	63–63v
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini]	Isaac, Heinrich (ca. 1450–1517)	8v–9
Erravi sicut ovis que periit neque	Anonymous	69v
Esto mihi In Deum protectorem et in locum Vs: In te Domine speravi In justicia tua	Stoltzer, Thomas (ca. 1480–1526)	14v–15
Et in terra pax [Gloria]	Anonymous	22v–23
Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt	Finck, Heinrich	68v–69
Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt	Finck, Heinrich	69
Exurge Quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri	Stoltzer, Thomas (ca. 1480–1526)	14–14v
Gloria laus et honor tibi sit rex Christe (2p. Israel es tu rex Davidis et inclyta; 3p. Coetus in excelsis te laudat; 4p. Plebs Hebraea tibi cum palmis; 5p. Hi tibi passuro solvebant munia; 6p. Hi placuere tibi placeat devotio; 7p. Gloria laus et honor tibi sit rex)	Anonymous	67v–68v
Gloria. Gratias agimus tibi propter	Galliculus, Johannes	23v–24
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo	Finck, Heinrich	8
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis	Finck, Heinrich	8–8v
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus semper)	Anonymous	72v
Gratia Dei sum id quod sum et gratia (2p. Bonum certamen certavi cursu ne consummavi)	Handl (Gallus), Jacobus (1550–1591)	71v–72
Her Gott dich loben wier Her Gott wir danken dier	IWNS	69v–70v
Humiliavit semetipsum Dominus noster Vs: Misericordias Domini In aeternum	Anonymous	16–16v
Invocabit me Et ego exaudiam eum Vs: Qui habitat in adjutorio In protectione	Stoltzer, Thomas (ca. 1480–1526)	15–15v
Kyrie [Tro] magne Deus potentiae	Anonymous	47
Kyrie eleison	Anonymous	22–22v
Kyrie eleison	Anonymous	76
Kyrie Fons bonitatis	Anonymous	6–7
Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus	Isaac, Heinrich (ca. 1450–1517)	11–12
Laetamini cum Jerusalem et exultate in ea	Handl (Gallus), Jacobus (1550–1591)	62
Laudate pueri Dominum laudate nomen	Anonymous	75v
Laudate pueri Dominum laudate nomen	Stoltzer, Thomas (ca. 1480–1526)	75v
Mihi autem nimis honorati sunt amici Vs: Domine probasti me et cognovisti	Anonymous	70v–71
Mihi autem nimis Honorati sunt amici Vs: Domine probasti me Tu cognovisti	Lechner, Leonhard	47
Missa 4vv (III): Kyrie	Hassler, Hans Leo (1564–1612)	76–76v
Missa 4vv: Agnus Dei	Anonymous	2v–5
Missa 4vv: Credo	Anonymous	2v–5
Missa 4vv: Gloria	Anonymous	2v–5
Missa 4vv: Kyrie	Anonymous	2v–5
Missa 4vv: Sanctus	Anonymous	2v–5
Missa Baisez-moi: Kyrie	Rouseli, Petri	5
Missa Beata Virgine = Missa Coronata 3.3: Gloria	Despres, Josquin (ca. 1450–1521)	41v–42v
Missa Beata Virgine = Missa Coronata 3.3: Kyrie	Despres, Josquin (ca. 1450–1521)	41–41v
Missa Bewar mich Herr KG	Anonymous	57–58v
Missa Christe qui lux KGSA	Anonymous	54v–57
Missa Da Jacob das Kleid ansach: KG	Paminger, Leonhard (1495–1567)	59v–60v
Missa de Apostolis a4: Gloria	Isaac, Heinrich (ca. 1450–1517)	5v–6
Missa de Apostolis a4: Kyrie Magne Deus	Isaac, Heinrich (ca. 1450–1517)	5v
Missa de passione: CSA	Anonymous	19v–20v
Missa de passione: KG	Anonymous	16v–17v
Missa De profundis: Gloria	Grüntlerus, N. Trojanus	59–59v
Missa De profundis: Kyrie	Grüntlerus, N. Trojanus	58v–59
Missa Descendi in ortum meum: Credo	Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?)	33–34
Missa Descendi in ortum meum: Gloria	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)	31–32
Missa Descendi in ortum meum: Kyrie	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)	30v–31
Missa Ich stund an einem Morgen: Gloria	Handl (Gallus), Jacobus (1550–1591)	65–66
Missa Ich stund an einem Morgen: Kyrie	Handl (Gallus), Jacobus (1550–1591)	64v–65
Missa Lyra lyram pulses: KG	Flori, Jacobus	71–71v
Missa Ob ich schon arm: KG	Handl (Gallus), Jacobus (1550–1591)	64–64v
Missa Pascale a4 ad organum: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	26
Missa Pascale a4 ad organum: Kyrie	Isaac, Heinrich (ca. 1450–1517)	23v–24
Missa Pascale a4 ad organum: Sanctus	Isaac, Heinrich (ca. 1450–1517)	25v–26
Missa Paschalis: Kyrie eleison	Anonymous	23–23v
Missa Praeter rerum seriem (KGCSA)	Anonymous	49–54v
Missa Sidus ex claro: Gloria	Lassus, Orlande de (ca. 1532–1594)	67–67v
Missa Sidus ex claro: Kyrie	Lassus, Orlande de (ca. 1532–1594)	66v–67
Missa Un gay berger: Gloria	Handl (Gallus), Jacobus (1550–1591)	66–66v
Missa Un gay berger: Kyrie	Handl (Gallus), Jacobus (1550–1591)	66
Missa Veni in ortum meum: Et in terra [Gloria]	Lassus, Orlande de (ca. 1532–1594)	47v–48
Missa Veni in ortum meum: Kyrie	Lassus, Orlande de (ca. 1532–1594)	47v
Missa: Et in terra [Gloria]	Isaac, Heinrich (ca. 1450–1517)	36–36v
Missa: Kyrie solemne	Anonymous	35v–36
Nos autem Gloriari oportet in cruce Domini Vs: Deus misereatur Illuminet vultum suum	Anonymous	15v–16
O Deus immensi fabricator maxime mundi (2p. Quiri potius miserere animae peccasse)	Anonymous	61v–62
Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe)	Isaac, Heinrich (ca. 1450–1517)	39–40
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi]	Isaac, Heinrich (ca. 1450–1517)	5–5v
Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas)	Isaac, Heinrich (ca. 1450–1517)	9v–10v
Quid admiramini quid opiniamini filiae	Handl (Gallus), Jacobus (1550–1591)	62–62v
Quoties diem illum considero quoties diem	Tonsor, Michael	62v
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me	Galliculus, Johannes	21–21v
Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini]	Isaac, Heinrich (ca. 1450–1517)	21v–22
Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis)	Isaac, Heinrich (ca. 1450–1517)	27–28v
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM]	Isaac, Heinrich (ca. 1450–1517)	2
Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia; 3p. Namque triumphanti post tristia)	Anonymous	73v
Sanctus	Anonymous	34–34v
Set of responses Amen. Et cum spiritu tuo	Anonymous	1
Set of responses Amen. Et cum spiritu tuo	Anonymous	1
Set of responses Amen. Et cum spiritu tuo	Anonymous	1
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu]	Isaac, Heinrich (ca. 1450–1517)	30–30v
Summi regis archangele Michael intende Te namque profitemur esse supernorum	Stoltzer, Thomas (ca. 1480–1526)	45v–46
Summi triumphum regis prosequamur laude Qui caeli qui terrae sceptra regis	Isaac, Heinrich (ca. 1450–1517)	28v–29v
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis]	Isaac, Heinrich (ca. 1450–1517)	10v–11
Veni sancte spiritus (4vv) [P19b]	Senfl, Ludwig (ca. 1486–ca. 1543)	32–32v
Vergebens ist all müh und kost, wo nicht	Zeuner, Martin (1554–1619)	77–77v
Victimae paschali laudes immolent Christiani Agnus redemit oves / Christ ist erstanden	Galliculus, Johannes	24v–25
Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi	Anonymous	43v
Viderunt omnes fines terrae salutare	Anonymous	44v
Vidit Jacob in somnis scalam stantem (2p. Dilataberis ab oriente in occidentem; 3p. Cumque evigilasset de somno Jacob)	Handl (Gallus), Jacobus (1550–1591)	61–61v
Viri Galilaei Quid admiramini (= Ascendo ad patrem)	Isaac, Heinrich (ca. 1450–1517)	46v
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite	Isaac, Heinrich (ca. 1450–1517)	26–26v
Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM]	Isaac, Heinrich (ca. 1450–1517)	40v–41
Wir glauben auch an Jesum Christ, seinen Sohn (German Credo)	Bruck, Arnold von (ca. 1500–1554)	25–25v

Set: MS Bártfa 24 (a-d)

Type: Partbooks

No images available

H-Bn MS Bártfa 24 (a)

No images available

H-Bn MS Bártfa 24 (b)

No images available

H-Bn MS Bártfa 24 (c)

No images available

H-Bn MS Bártfa 24 (d)

‡ denotes primary source study

Burn, David J, Ruth I. DeFord, and Stefan Gasch (editors). 2021. Choralis Constantinus II. CMM. American Institute of Musicology.

Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa). Bonn: Gudrun Schröder. Pages: XXVII, 139-146.

Fox, Bertha Mary. 1977. A Liturgical-Répertoriai Study of Renaissance Polyphony in Bártfa Mus. Pr. 6 (a-d), National Széchényi Library, Budapest. University of Illinois, Unpublished Ph.D. dissertation.

Murányi, Robert Arpad. 1975. Die Isaac-Offizien der Bartfelder Sammlung. Studia Musicologica, 315-45. Pages: 316ff. Notes: incipits (partial); mention of MS; discussion.

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: II, 192-3. Notes: mention of MS; contents list (partial).

Gombosi, Otto Johannes. 1932. Quellen aus dem 16.-17. Jh. zur Geschichte der Musikpflege in Bartfeld (Bártfa) und Oberungarn. Ungarische Jahrbücher, 331-40. Pages: 334ff. Notes: mention of MS.

Gombosi, Otto Johannes. 1929. Die Musikalien der Pfarr- kirche zu St. Aegidi in Bartfa. Festschrift für Johannes Wolf zu seinem Sechzigsten Geburtstage, Berlin. Pages: 42-3. Notes: mention of MS; contents list (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description