I-PEc MS 3065 (Mancini Codex or Lucca Codex)

Biblioteca Comunale Augusta, Perugia, Italy

fragment: 14th - 15th century

Archive	Biblioteca Comunale Augusta, Perugia, Italy (I-PEc)
Shelfmark	MS 3065 (Mancini Codex or Lucca Codex)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Parchment
Numbering System	Foliation
Measurements	c. 219-232 x 147-161; originally c. 235 x 162 mm
Other Identifiers	RISM: I-PEco3065 RISM: Mn P CCM: PerBC 3065
Notations	black full mensural coloration in red
Relationships	Cecchini, Prof. Giovanni (discovered by)
External Links	14th-century French music notation tutorials transcribed texts images
Provenance	Italy
Contents	11 pieces from 3 composers

General Description

Once part of larger musical manuscript; 36 additional folios from same manuscript now LucAS 184. (GhiI assertion that PistAC 5 is likewise part of original manuscript refuted by PirrL). Copied by a single scribe. Copied entirely in Lucca (PirrL). Main corpus copied elsewhere in northern Italy; manuscript later brought to Lucca, where additions were entered (ClercxJC). Original manuscript disassembled c. 1485-1589; folios used as covers for legal documents. In 1935, Prof. Giovanni Cecchini recovered present 6 folios from legal documents in this library (documents formerly in Archivio di Stato, Lucca).

DIAMM, 2017

Binding

Modern cardboard covers

DIAMM, 2017

Notation

Black full mensural with red colouration

DIAMM, 2017

Ruling

8 black 5-line staves per page

DIAMM, 2017

Foliation

1-6v

DIAMM, 2017

Foliation

New pencil foliation, 1-6 (folios now bound in sequence: 2, 3, 1, 4, 5, 6). Remnants of original foliation in red ink on four folios: xxxvii? [= new f. 2], xxxvi? [= new f. 1], lviii [= new f. 5], lviiii [= new f. 6]; original foliation on new ff. 3-4 obliterated by trimming.

DIAMM, 2017

Decoration

Inked initials in blue and red.

DIAMM, 2017

Surface

Parchment

DIAMM, 2017

RISM Description

3 bifolios. Original size c.235 x 162 mm. Modern incorrect foliation 1-6. Original foliation LVIII-LVIIII and LXXXI-LXXXIV. 8 black 5-line staves per page.

RISM B/IV 4: 14./15. Jh.; 6 Blätter Pergament, ca. 219-232 x 147-161 mm (zum Teil beschnitten); ursprüngliches Format ca. 235 x 162 mm. Moderne, aber falsche Bleistiftfoliierung von f. 1-6; originale Foliierung (meist gut lesbar) von f. LVIII-LVIIII und f. LXXXI-LXXXIV. Je Seite 8 schwarze Fünfliniensysteme mit schwarzer und schwarz-roter Mensuralnotation um 1400. - Einband: moderner Kartoneinband (20. Jh.); Blätter in unrichtiger Reihenfolge eingebunden (f. 5, 6, 1, 2, 3, 4).

Die drei 1935 in Perugia entdeckten Doppelblätter gehören in den 4. und 6. Faszikeln der Handschrift I-Las 184. Jedoch gehört das Fragment Pistoja nicht zu dieser Handschrift Alles weitere siehe unter I-Las184.

INCIPITVERZEICHNIS

Die Numerierung folgt der berichtigten Ordnung der Blattfolge der Handschrift Die in Klammern stehenden Nrn. beziehen sich auf die Numerierung von PirrottaL I, 134ff. (fortlaufende Nrn. der Fragmente I-Las184 und I-PEco3065). Römische Foliierung = originale Foliierung. Die in Klammern stehende Foliierung bezieht sich auf die moderne, aber unrichtige Foliierung des Fragmentes.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

10 Italian secular pieces, 1 French secular piece = 11 (some incomplete)

Ciconia-5 + 3?, Zachara da Teramo-3

i + 6 parchment folios, 217-30 x 148-60 (trimmed from original size of ca. 235 x 162). Once part of larger musical manuscript; 36 additional folios from same manuscript now LucAS 184. (GhiI assertion that PistAC 5 is likewise part of original manuscript refuted by PirrL). New pencil foliation, 1-6 (folios now bound in sequence: 2, 3, 1, 4, 5, 6). Remnants of original foliation in red ink on four folios: xxxvii? [= new f. 2], xxxvi? [= new f. 1], lviii [= new f. 5], lviiii [= new f. 6]; original foliation on new ff. 3-4 obliterated by trimming. Modern cardboard covers. Black mensural notation with red coloration. Copied by a single scribe. Inked initials in blue and red.

Ca. 1420, with additions until ca. 1430 (PirrL); main corpus copied during second half of 14th century (ClercxJC). Copied entirely in Lucca (PirrL). Main corpus copied elsewhere in northern Italy; manuscript later brought to Lucca, where additions were entered (ClercxJC). Original manuscript disassembled ca. 1485-1589; folios used as covers for legal documents. In 1935, Prof. Giovanni Cecchini recovered present 6 folios from legal documents in this library (documents formerly in Archivio di Stato, Lucca).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
LVIII	Un fiore gentil m'apparse / Venne etc.	da teramo	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Un fiore gentil m'apparse / Venne etc. Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: LVIII Genres: Ballata Source Attribution: da teramo Voice: Residuum Languages: Italian Clef: c3 Voice Text: Venne etc. Voice: Tenor Languages: French Clef: c2 Voice Text: Un fiore gentil m'apparse ... Layout parts
LVIIIv–LVIIII	Deus Deorum Pluto or te regratio	Zachara de teramo	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Deus Deorum Pluto or te regratio Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: LVIIIv–LVIIII Genres: Ballata Source Attribution: Zachara de teramo Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Deus deorum Pluto or te regratio ... Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Deus deorum Pluto or te regratio ... Layout parts
LVIIIIv	Amor ne tossa se po' celare	Magister antonius Zachara	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Amor ne tossa se po' celare Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: LVIIIIv Genres: Ballata Source Attribution: Magister antonius Zachara Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Amor ne tossa se po' celare ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Amor ne tosse etc. Layout parts
LXXXI	I cani sono fuora per le mosse	ciconia	Ciconia, Johannes (ca. 1370–1412)
I cani sono fuora per le mosse Ciconia, Johannes (ca. 1370–1412) Appears on: LXXXI Genres: Italian secular Source Attribution: ciconia Voice: [no designation] Languages: Italian Clef: c3 Voice Text: I canj sono fuori ... Layout parts
LXXXI	Chi vuole amar a me con vera fede	-	Ciconia, Johannes (ca. 1370–1412) (?)
Chi vuole amar a me con vera fede Ciconia, Johannes (ca. 1370–1412) (?) Appears on: LXXXI Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Chi vuole amar a me con vera fede ...
LXXXIv–LXXXII	Caçando un giorno vidi	-	Ciconia, Johannes (ca. 1370–1412)
Caçando un giorno vidi Ciconia, Johannes (ca. 1370–1412) Appears on: LXXXIv–LXXXII Genres: Italian secular, Madrigal (Italian) Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Caçando un çorno vidi ... Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Caçando un giorno vidi ... Layout parts
LXXXIv–LXXXII	Gli atti col dançar Frances ch'inanzi passa	-	Anonymous
Gli atti col dançar Frances ch'inanzi passa Anonymous Appears on: LXXXIv–LXXXII Genres: Caccia, Italian secular Voice: Contratenor Languages: Italian Clef: c5 Voice Text: Gli atti col dançar etc. Voice: Tenor Languages: Italian Clef: c5 Voice Text: Gli atti col dançar etc. Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Gli atti col dançar Frances ch'inanzi passa ... General Note Occurring at the foot of a page headed with Ciconia's name Ghisi, Pirrotta and Clercx are inclined to give it to Ciconia. Bent/Hall note its archaic style, however. Layout parts
LXXXIIv–LXXXIIIv	Una panthera in compagnia de Marte	Magister Johannes Ciconia	Ciconia, Johannes (ca. 1370–1412)
Una panthera in compagnia de Marte Ciconia, Johannes (ca. 1370–1412) Appears on: LXXXIIv–LXXXIIIv Genres: Italian secular Source Attribution: Magister Johannes Ciconia Voice: [no designation] Languages: Italian Clef: f2c4 Voice Text: Una panthera in compagnia de Marte ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Una panthera in compagnia de Marte ... Voice: Contratenor Languages: Italian Clef: f2c4 Voice Text: Una panthera etc. Layout parts
LXXXIII	Le ray au soleyl qui dret som kar meyne	-	Anonymous
Le ray au soleyl qui dret som kar meyne Anonymous Appears on: LXXXIII Genres: Chanson, Secular Voice: [no designation] Languages: Italian Mensuration: o Clef: c2 Voice Text: L[e] ray au soleyl qui dret som kar meyne ... Layout parts
LXXXIV	Chi nel servir anticho me conduce	Ciconia	Ciconia, Johannes (ca. 1370–1412)
Chi nel servir anticho me conduce Ciconia, Johannes (ca. 1370–1412) Appears on: LXXXIV Genres: Italian secular Source Attribution: Ciconia Voice: Tenor Languages: Italian Clef: f2c4 Voice Text: Chi nel servir etc. Voice: Contratenor Languages: Italian Clef: f2c4 Voice Text: Chi nel servir anticho etc. Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Chi nel servir anticho me conduce ... Layout parts
LXXXIVv	Per quella strada lactea del cielo	Johannes [Ciconia]	Ciconia, Johannes (ca. 1370–1412)
Per quella strada lactea del cielo Ciconia, Johannes (ca. 1370–1412) Appears on: LXXXIVv Genres: Italian secular Source Attribution: Johannes [Ciconia] Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Per quella strada lectea del cielo ... Layout parts

Composer	Compositions
Anonymous	Gli atti col dançar Frances ch'inanzi passa – LXXXIv–LXXXII Le ray au soleyl qui dret som kar meyne – LXXXIII
Ciconia, Johannes (ca. 1370–1412)	Caçando un giorno vidi – LXXXIv–LXXXII Chi nel servir anticho me conduce – LXXXIV (?) Chi vuole amar a me con vera fede – LXXXI I cani sono fuora per le mosse – LXXXI Per quella strada lactea del cielo – LXXXIVv Una panthera in compagnia de Marte – LXXXIIv–LXXXIIIv
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	Amor ne tossa se po' celare – LVIIIIv Deus Deorum Pluto or te regratio – LVIIIv–LVIIII Un fiore gentil m'apparse / Venne etc. – LVIII

Composition	Composers (? Uncertain)	Folios / Pages
Amor ne tossa se po' celare	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	LVIIIIv
Caçando un giorno vidi	Ciconia, Johannes (ca. 1370–1412)	LXXXIv–LXXXII
Chi nel servir anticho me conduce	Ciconia, Johannes (ca. 1370–1412)	LXXXIV
Chi vuole amar a me con vera fede	Ciconia, Johannes (ca. 1370–1412) (?)	LXXXI
Deus Deorum Pluto or te regratio	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	LVIIIv–LVIIII
Gli atti col dançar Frances ch'inanzi passa	Anonymous	LXXXIv–LXXXII
I cani sono fuora per le mosse	Ciconia, Johannes (ca. 1370–1412)	LXXXI
Le ray au soleyl qui dret som kar meyne	Anonymous	LXXXIII
Per quella strada lactea del cielo	Ciconia, Johannes (ca. 1370–1412)	LXXXIVv
Un fiore gentil m'apparse / Venne etc.	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	LVIII
Una panthera in compagnia de Marte	Ciconia, Johannes (ca. 1370–1412)	LXXXIIv–LXXXIIIv

Set: Mancini Codex or Lucca Codex (at one time the Strohm MS)

Type: Fragments of a whole

I-La MS 184 (Mancini Codex or Lucca Codex)

No images available

I-PEc MS 3065 (Mancini Codex or Lucca Codex)

‡ denotes primary source study

‡ Nadas, John, and Agostino Ziino. 2005. Two newly discovered leaves from the Lucca Codex. Studi musicali, 3-24(plusplates).

‡ Nadas, John, and Agostino Ziino. 1990. The Lucca Codex. Codice Mancini. Lucca, Archivio di Stato, ms. 184. Perugia, Biblioteca comunale Augusta, ms. 3065. Introductory Study and Facsimile Edition. Ars Nova. Lucca: Libreria musicale italiana.

Nadas, John. 1989. The Lucca Codex and MS San Lorenzo 2211: Native and Foreign Songs in Early Quattrocento Florence, paper read at the Meeting of the American Musicological Society, Austin TX 1989. Arte Psallentes. John Nádas: Studies in Music of the Tre- and Quattrocento. Collected in Honor of his 70th Birthday, Lucca: Libreria Musicale Italiana.

Williams, Carol J. 1980. Two Examples of Mannerist Notation in the Late Fourteenth Century. Miscellanea Musicologica [Adelaide], 111-28. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Marrocco, W. Thomas (editor). 1977. Italian Secular Music (V): Andrea da Firenze, Andrea Stefani, Antonellus da Caserta, Anthonius Clericus Apostolicus, Arrigo (Henricus), Jacobelus Bianchi. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. Pages: X, 106-7, 152; XI, 27-8, 81-2, 170, 172; XXIV, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I. Kassel. Pages: B IV/4, 1008-12. Notes: physical description; contents list; concordances; incipits.

Apel, Willi (editor). 1970-72. French Secular Compositions of the Fourteenth Century. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, lii, 155. Notes: transcription (partial); texts (partial).

Nitschke, Wolfgang. 1968. Studien zu den Cantus-Firmus-Messen Guillaume Dufays. Berliner Studien zur Musikwissenschaft. Berlin. Pages: I, 89ff; II, 12-5, 26. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Clercx-Lejeune, Suzanne, and Suzanne Clercx. 1960. Johannes Ciconia, un musicien liégois et son temps. Académie Royale de Belgique, Classe des Beaux-Arts: Mémoires: Collection in-4, II série, vol. X, fasc. 1a/1b. 2 vols. Brussels: Palais des Académies. Pages: I, 54-9, 65-7; II, 7ff, 43-57, 69-72, 91. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Layton, Billy Jim. 1960. Italian Music for the Ordinary of the Mass 1300-1450. Harvard University, Unpublished Ph.D. dissertation. Pages: 198, 243ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fischer, Kurt von. 1958. Trecentomusik-Trecentoprobleme: Ein kritischer Forschungsbericht. Acta Musicologica, 179-99. Pages: 181-2. Notes: physical description; mention of MS; discussion.

Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae. Rome: American Institute of Musicology. Pages: VI, xviii, xxxvi, 12-9. Notes: contents list (partial); transcription (partial); texts (partial).

‡ Gotti, Ettore Li, and Nino Pirrotta. 1949-1951. II codice di Lucca. Musica Disciplina, III, 119-38; IV, 111-52; V, 115-42. Notes: physical description; contents list; concordances; mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VIII, 1249-51. Notes: physical description; contents list; incipitsst of contents (partial); mention of MS; discussion; additional bibliography.

Ghisi, Federico (editor). 1946-47. 'Italian Ars-Nova Music', musical supplement . Journal of Renaissance and Baroque Music, . Notes: transcriptions.

Ghisi, Federico. 1946-47. Italian Ars-Nova Music: The Perugia and Pistoia fragments of the Lucca musical codex and other unpublished early 15th century sources. Journal of Renaissance and Baroque Music, 173-91. Pages: 173ff; Suppl. 2ff. (Übertragungen von Nr. 1-11, Faksimile von f. 2r und 6v).

Ghisi, Federico. 1942. Frammenti di un Nuovo Codice Musicale dell'ArsNova Italiana e due Saggi Inediti di Cacce del Secondo Quattrocento. La Rinascita, 72-103. Pages: nr.23.

Ghisi, Federico. 1942. Bruchstücke einer neuen Musikhandschrift der italienischen Ars Nova. Archiv für Musikforschung, 17-39. Pages: 17fr.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description