H-Bn MS Bártfa 8 (c)

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: c. 1550

Archive	Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn)
Shelfmark	MS Bártfa 8 (c)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	originally c. 162 x 206 mm
Other Identifiers	CCM: BudOS 8
Relationships	Church of St. Aegidi (owner)
Provenance	Church of St. Aegidi , Bardejov (Bártfa), Slovakia
Contents	73 pieces from 11 composers

General Description

A Tenor partbook from a set of four volumes labelled 'Vox summa', 'Vox mercurialis', 'Vox media' (Bassus not labelled). A collection of Mass propers, mostly from Isaac's Choralis Constantinus settings, copied by several scribes; the last 7 pieces, copied by a single scribe (MurTVB) after a gap of a few folios, are unrelated to the main body of the ms.

Much of the manuscript may have been copied from BudOS P1; BudOS 8, in turn, may have served as a source for BudOS 24 (MurIO). Alternatively BudOS 8 may have been the principal source, with BudOS P1, BudOS 20 and BudOS 24 copied mostly or entirely from it; BudOS 2 was in turn copied from BudOS24 (CC2).

The contents of BudOS8 and BudOS 24 show considerable overlap, though the sequence of pieces in BudOS24 is more structured, and they are more neatly and carefully copied, than in BudOS8, The Choralis Constantinus II repertoire in BudOS 8 is substantially adapted to suit local requirements, with several pieces assigned to different liturgical feasts and three supplied with new texts (CC2).

From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

DIAMM, 2023

Physical Description

Some folios missing, torn, or worn, but now covered with plastic.

DIAMM, 2017

Binding

Rebound in new cardboard covers (CCM) or possibly in half-leather (MurTVB).

DIAMM, 2023

Notation

not indicated

DIAMM, 2017

Date

c. 1550 (GomMB). MurTVB dates the ms after 1555, on the "incorrect assumption" (CC2) that the Isaac Choralis Constantinus pieces (part I) were copied from the Choralis print.

DIAMM, 2023

Foliation

Modern stamped foliation; new pencil foliation in A

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Masses, 1 Kyrie, 1 German Credo, 11 Mass Proper cycles, 3 Mass Proper sections, 4 Magnificats, 1 Passion, 7 hymns, 4 motets = 36

(Bruck)-1, (Finck)-2, Isaac-11, (Josquin)-1, (Obrecht/Longaval/Venture)-1, (Stoltzer)-2, anon-23

4 paper partbooks (D-50 folios, A-49, T-46, B-45), originally ca. 162 x 206. Some folios missing, torn, or worn, but now covered with plastic. Modern stamped foliation; new pencil foliation in A. Rebound in new cardboard covers. Copied by several scribes. Portions of this manuscript may have been copied from BudOS PI; BudOS 8, in turn, may have served as a source for BudOS 24 (MurIO).

Ca. 1550 (GomMB); after 1555 (MurTVB). From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

Vol. 4

Contents: 2 Masses, 1 Kyrie-Gloria pair, 1 Sanctus-Agnus pair, 2 Kyries, 1 Gloria, 1 Sanctus, 38 Mass Proper sections (most arranged in cycles), 4 Magnificats, 10 hymns, 1 Passion, 2 motets, 1 set of responses, 1 German sacred piece = 65

Composers: (Bruck)-1, (Finck)-2, (Isaac)-28, (Isaac-anon)-1, Josquin)-1, (Longaval/Obrecht/Venture)-1, (Rein)-1, (Stoltzer)-4, anon-25

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v	Set of responses Amen. Et cum spiritu tuo	Anon.	Anonymous
Set of responses Amen. Et cum spiritu tuo Anonymous Appears on: 1v Genres: Response Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Set of responses] Amen. Et cum spiritu tuo General Note incomplete: Bassus lacks 1st page
1v	Set of responses Amen. Et cum spiritu tuo	-	Anonymous
Set of responses Amen. Et cum spiritu tuo Anonymous Appears on: 1v Genres: Response General Note incomplete: Bassus lacks 1st page
2–4v	Missa Sine nomine (KGCSA)	Anon.	Anonymous
Missa Sine nomine (KGCSA) Anonymous Appears on: 2–4v Genres: Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Missa D'ung aultre amer?] Concordances =Thomaskirche 49/50 (KG only)
5–5v	Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum	[Longaval/Obrecht/ Venture]	Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 5–5v Genres: Liturgical work, Motet, Passion Source Attribution: [Longaval/Obrecht/ Venture] Voice: [no designation] Languages: Latin Voice Text: Passio domini nostri Jesu Christi secundum Mattheum
6–6v	Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus	-	Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525)
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Appears on: 6–6v Genres: Passion
7–7v	Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus	-	Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?)
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Appears on: 7–7v Genres: Motet
7v–8	Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt	[Finck]	Finck, Heinrich
Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt Finck, Heinrich Appears on: 7v–8 Genres: Motet Source Attribution: [Finck] Voice: [no designation] Languages: Latin Voice Text: Et valde mane una sabbatorum veniunt II: Et ingressae mulieres non invenerunt
8–8v	Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt	-	Finck, Heinrich
Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt Finck, Heinrich Appears on: 8–8v Genres: Motet
8v–9	Magnificat Quinti Toni: Et exultavit [K.282]	Anon.	Anonymous
Magnificat Quinti Toni: Et exultavit [K.282] Anonymous Appears on: 8v–9 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Quinti toni]: Et exultavit spiritus meus
9v–10	Magnificat Sexti Toni: Et exultavit [K.329]	Anon.	Anonymous
Magnificat Sexti Toni: Et exultavit [K.329] Anonymous Appears on: 9v–10 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Sexti toni]: Et exultavit spiritus meus
10–11	Magnificat octavi toni: Et exultavit [K.406]	Anon.	Anonymous
Magnificat octavi toni: Et exultavit [K.406] Anonymous Appears on: 10–11 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Octavi toni]: Et exultavit spiritus meus
11–12	Magnificat Quinti Toni: Et exultavit [K.281]	Anon.	Anonymous
Magnificat Quinti Toni: Et exultavit [K.281] Anonymous Appears on: 11–12 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Quinti toni]: Et exultavit spiritus meus
12	Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium	[Rein]	Rein, Conrad (ca. 1475–1522)
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium Rein, Conrad (ca. 1475–1522) Appears on: 12 Genres: Motet Source Attribution: [Rein] Voice: [no designation] Languages: Latin Voice Text: (Benedicta sit) Sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
12v	Missa de Apostolis a4: Kyrie Magne Deus	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa de Apostolis a4: Kyrie Magne Deus Isaac, Heinrich (ca. 1450–1517) Appears on: 12v Genres: Mass Ordinary, Troped Kyrie Source Attribution: [Isaac]
13	Missa: Kyrie solemne	Anon.	Anonymous
Missa: Kyrie solemne Anonymous Appears on: 13 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG] Concordances concordance: Kyrie 1/D/506 (no.59); KG Breslau I F 428 (f.133v-137)
13–14	Missa: Gloria [Gratias agimus tibi]	-	Anonymous
Missa: Gloria [Gratias agimus tibi] Anonymous Appears on: 13–14 Genres: Gloria (et in terra pax), Mass Ordinary Concordances concordance: Kyrie 1/D/506 (no.59); KG Breslau I F 428 (f.133v-137)
14	Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] Isaac, Heinrich (ca. 1450–1517) Appears on: 14 Genres: Alleluia, Hymn Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Benedictus es domine deus
14v–15	Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] Isaac, Heinrich (ca. 1450–1517) Appears on: 14v–15 Genres: Sequence Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt
15v–16	Wir glauben auch an Jesum Christ, seinen Sohn (German Credo)	[Bruck]	Bruck, Arnold von (ca. 1500–1554)
Wir glauben auch an Jesum Christ, seinen Sohn (German Credo) Bruck, Arnold von (ca. 1500–1554) Appears on: 15v–16 Genres: Chorale, Credo (patrem omnipotentem), Motet Source Attribution: [Bruck] Voice: [no designation] Languages: German Voice Text: Wir glauben auch an Jesum Christ seinen Sohn Concordances concordance: RISM 1544-21 (no.38)
16–16v	Missa: Sanctus	Anon.	Anonymous
Missa: Sanctus Anonymous Appears on: 16–16v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Missa] [SA]
16v	Missa: Agnus Dei	-	Anonymous
Missa: Agnus Dei Anonymous Appears on: 16v Genres: Agnus Dei, Mass Ordinary
16v–17	De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] Isaac, Heinrich (ca. 1450–1517) Appears on: 16v–17 Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (De ventre matris meae) Vocavit me dominus Vs: (Bonum est confiteri) Et psallere nomini
17–17v	Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae] Isaac, Heinrich (ca. 1450–1517) Appears on: 17–17v Genres: Alleluia, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Inter natos mulierum non surrexit
17v–19	Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe) Isaac, Heinrich (ca. 1450–1517) Appears on: 17v–19 Genres: Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Psallite regi nostro psallite prudentes] Nam psalterium est iucundum
19	Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] Isaac, Heinrich (ca. 1450–1517) Appears on: 19 Genres: Sequence Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Vultum tuum] Deprecabuntur omnes divites Vs: [Eructavit cor meum] Dico ego opera mea General Note incomplete: ff. 20-21 missing in (a)
19–19v	Alleluia. Benedicta tu inter mulieres	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Benedicta tu inter mulieres Isaac, Heinrich (ca. 1450–1517) Appears on: 19–19v Genres: Alleluia, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Benedicta tu in mulieribus General Note incomplete: ff. 20-21 missing in (a)
19v–20	Alleluia. Haec est illa peccatrix (= Alleluia. Maria haec est illa)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Haec est illa peccatrix (= Alleluia. Maria haec est illa) Isaac, Heinrich (ca. 1450–1517) Appears on: 19v–20 Genres: Alleluia, Contrafactum, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Haec est illa peccatrix
20–22v	Missa Pange lingua = Missa Venerabile sacramento 4.3	[Josquin]	Despres, Josquin (ca. 1450–1521)
Missa Pange lingua = Missa Venerabile sacramento 4.3 Despres, Josquin (ca. 1450–1521) Appears on: 20–22v Genres: Mass Ordinary Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: [Missa Pange lingua] 4.3
22v	Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 22v Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Puer natus est nobis) Et filius datus est Vs: (Cantate domino) Quia mirabilia fecit
23	Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 23 Genres: Alleluia, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dies sanctificatus illuxit nobis
23	Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo	[Finck]	Finck, Heinrich
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo Finck, Heinrich Appears on: 23 Genres: Motet Source Attribution: [Finck] Voice: [no designation] Languages: Latin Voice Text: Grates nunc omnes reddamus domino deo
23v	Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis	-	Finck, Heinrich
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis Finck, Heinrich Appears on: 23v Genres: Motet
23v–24	Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 23v–24 Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Ecce advenit) Dominator dominus et regnum Vs: (Deus iudicium tuum) Et iustitiam tuam
24–24v	Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 24–24v Genres: Alleluia, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Vidimus stellam eius in oriente
24v–25	Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas) Isaac, Heinrich (ca. 1450–1517) Appears on: 24v–25 Genres: Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Festa Christi omnis Christianitas] Quae miris sunt modis ornata cunctisque
25–25v	Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] Isaac, Heinrich (ca. 1450–1517) Appears on: 25–25v Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Suscepimus) Deus misericordiam tuam Vs: (Magnus dominus) In civitate dei nostri
25v–26v	Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus Isaac, Heinrich (ca. 1450–1517) Appears on: 25v–26v Genres: Sequence Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Laetabundus exultet fidelis chorus] Regem regum intacte profudit torus
26v–28	Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur Isaac, Heinrich (ca. 1450–1517) Appears on: 26v–28 Genres: Ave Maria, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Ave Maria gratia plena dominus tecum] Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur (Portions of altus and tenor parts copied in T book) General Note Portions of altus and tenor parts copied in T book
28–28v	Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] Isaac, Heinrich (ca. 1450–1517) Appears on: 28–28v Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Rorate) Coeli desuper et nubes pluant Vs: (Coeli enarrant) Et opera manuum eius
28v–29	Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 28v–29 Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin, German Voice Text: [Resurrexi] Et adhuc tecum sum alleluia/ Christ ist erstanden Vs: (Domine probasti me) Tu cognovisti
29–29v	Missa Pascale a4 ad organum: Kyrie	[Isaac-anon.]	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a4 ad organum: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 29–29v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Isaac-anon.] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Paschalis] [K] General Note Kyrie I & Christe by Isaac; Kyrie II is not his (but Isaac's Kyrie II follows separately at f. 30v)
29v–30	Gloria. Gratias agimus tibi propter	Anon.	Galliculus, Johannes
Gloria. Gratias agimus tibi propter Galliculus, Johannes Appears on: 29v–30 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Gloria] Gratias agimus tibi propter
30–30v	Alleluia. Pascha nostrum immolatus est [Proper for Easter]	[Isaac]	Isaac, Heinrich (ca. 1450–1517) (?)
Alleluia. Pascha nostrum immolatus est [Proper for Easter] Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 30–30v Genres: Alleluia Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Pascha nostrum imolatus est
30v	Missa Pascale a4 ad organum: Kyrie	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a4 ad organum: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 30v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Isaac] Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie eleyson (Text written in Greek) [= Kyrie II from Missa Paschalis] General Note Kyrie II only from Isaac's setting
30v–31	[Victimae paschali] Agnus redemit oves	Anon.	Anonymous
[Victimae paschali] Agnus redemit oves Anonymous Appears on: 30v–31 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Victimae paschali laudes] Agnus redemit oves Concordances concordance: Dresden 1/D/506
31–31v	Missa Pascale a4 ad organum: Sanctus	Anon.	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a4 ad organum: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 31–31v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sanctus (Agnus text copied below Benedictus qui venit) General Note incomplete in Altus, not copied from Pleni onwards
31v	Missa Pascale a4 ad organum: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a4 ad organum: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 31v Genres: Agnus Dei, Mass Ordinary General Note Agnus re-uses the music of the Benedictus & in this ms the text is simply copied beneath Benedictus. Music not copied in Altus.
32	Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 32 Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Viri Galilaei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Jubilate deo
32–32v	Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 32–32v Genres: Alleluia, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dominus in Sina in sancto
32v–33	Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) Isaac, Heinrich (ca. 1450–1517) Appears on: 32v–33 Genres: Hymn Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Rex omnipotens die hodierna] Mundo triumphali redempto potentia General Note this is not the correct Sequence for this set of propers; the same setting is repeated below in its proper liturgical position
33v–34	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu] Isaac, Heinrich (ca. 1450–1517) Appears on: 33v–34 Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Spiritus domini) Replevit orbem terrarum Vs: (Confirma hoc deus) A templo sancto
33v–34	Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] Isaac, Heinrich (ca. 1450–1517) Appears on: 33v–34 Genres: Alleluia, Motet, Veni sancte spiritus Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Veni sancte spiritus reple tuorum
34v	Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) Isaac, Heinrich (ca. 1450–1517) Appears on: 34v Genres: Hymn Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Rex omnipotens die hodierna] Nam quadraginta [= Sancti spiritus adsit nobis gratia] General Note the Sequence for this set of propers; repeated from above
35	Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi	Anon.	Anonymous
Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi Anonymous Appears on: 35 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Viderunt ingressus tuos deus ingressus Vs: Illuxerunt coruscationes tuae orbi Concordances Appears only in Bartfa mss
35–35v	Alleluia. Candor est lucis aeternae	Anon.	Anonymous
Alleluia. Candor est lucis aeternae Anonymous Appears on: 35–35v Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Candor est lucis aeternae Concordances Appears only in Bartfa mss
35v–36	Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas	Anon.	Anonymous
Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas Anonymous Appears on: 35v–36 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Adest dies celebris quo pacatus] Mentes ut alliciat infirmas General Note Appears only in Bartfa mss
36	Viderunt omnes fines terrae salutare	Anon.	Anonymous
Viderunt omnes fines terrae salutare Anonymous Appears on: 36 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Viderunt omnes fines terrae salutare General Note not listed in MurTVB
36v	Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra	Anon.	Anonymous
Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra Anonymous Appears on: 36v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Benedicite domino omnes angeli domino Vs: (Benedic anima mea) Et omnia quae intra Concordances Appears only in Bartfa mss
36v	Alleluia. Concussum est mare et contremuit	Anon.	Anonymous
Alleluia. Concussum est mare et contremuit Anonymous Appears on: 36v Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Concussum est mare et contremuit [incomplete] General Note incomplete: folio after f.36 is missing, with the end of this piece & all of the next one Concordances Appears only in Bartfa mss
37	Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] Isaac, Heinrich (ca. 1450–1517) Appears on: 37 Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Benedicta) Sit sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu [incomplete]
37	Per inifinita saecula saeculorum	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Per inifinita saecula saeculorum Isaac, Heinrich (ca. 1450–1517) Appears on: 37 Genres: Antiphon Source Attribution: [Isaac] Concordances concordance: RISM A/I I 89
37v	Alleluia. Virga Jesse floruit virgo Deum	Anon.	Anonymous
Alleluia. Virga Jesse floruit virgo Deum Anonymous Appears on: 37v Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Virga Jesse floruit virgo deum
38–38v	Veni sancte spiritus reple tuorum corda	Anon.	Anonymous
Veni sancte spiritus reple tuorum corda Anonymous Appears on: 38–38v Genres: Motet, Veni sancte spiritus Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus reple tuorum corda Concordances Appears only in Bartfa mss
38v–39	Veni creator spiritus mentes tuorum 2 Qui paraclitus diceris donum Dei 3 Tu septiformis munere dextre Dei 6 Da gaudiorum praemia da gratiarum	[Finck]	Finck, Heinrich
Veni creator spiritus mentes tuorum 2 Qui paraclitus diceris donum Dei 3 Tu septiformis munere dextre Dei 6 Da gaudiorum praemia da gratiarum Finck, Heinrich Appears on: 38v–39 Genres: Hymn, Veni creator spiritus Source Attribution: [Finck] Voice: [no designation] Languages: Latin Voice Text: Veni creator spiritus mentes tuorum 2 Qui paraclitus [diceris donum dei] 3 Tu septiformis munere dextre dei 6 Da gaudiorum praemia da gratiarum
43	Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei 4 Accende lumen sensibus infunde 6 Da gaudiorum praemia da gratiarum	Anon.	Anonymous
Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei 4 Accende lumen sensibus infunde 6 Da gaudiorum praemia da gratiarum Anonymous Appears on: 43 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Veni creator spiritus mentes tuorum] 2 Qui paracletus diceris donum dei 4 Accende lumen sensibus infunde 6 Da gaudiorum praemia da gratiarum Concordances unicum
43	O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecamur	Anon.	Anonymous
O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecamur Anonymous Appears on: 43 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [O lux beata trinitas et principalis] 2 Te mane laudum carmine te deprecamur General Note not listed in MurTVB. Presumably present in all 4 books.
43v	Gaude mater pietatis in valle gementium 3 Quod vertices prophetarum praecolunt 5 Genitori genitoque laus et jubilatio	Anon.	Anonymous
Gaude mater pietatis in valle gementium 3 Quod vertices prophetarum praecolunt 5 Genitori genitoque laus et jubilatio Anonymous Appears on: 43v Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Gaude mater pietatis in valle gementium 3 Quod vertices prophetarum praecolunt 5 Genitori genitoque laus et iubilatio
44	Adsunt festa jubilaea in Mariae nunc 3 Haec paranympho dum credit sacrum 4 Confestim montes adiit Elisabeth 6 Clamat anus cum jubilo plena 8 Voti fit compos cum credit verbo 10 Soli deo sit gloria pro multiplici (= Anna regum progenies et sacerdotum)	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Adsunt festa jubilaea in Mariae nunc 3 Haec paranympho dum credit sacrum 4 Confestim montes adiit Elisabeth 6 Clamat anus cum jubilo plena 8 Voti fit compos cum credit verbo 10 Soli deo sit gloria pro multiplici (= Anna regum progenies et sacerdotum) Stoltzer, Thomas (ca. 1480–1526) Appears on: 44 Genres: Contrafactum, Hymn Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: [Assunt festa jubilaea in Mariae nunc] 3 Haec paranympho dum credit sacrum 6 Clamat anus cum iubilo plena 8 Voti fit compos cum credit verbo 10 Soli deo sit gloria pro multiplici [= Anna regum progenies et sacerdotum]
44v	Festum nunc celebre magnaque gaudia 3 Qui scandens superos vincula vinxerat 5 Ut cum flammivoma nube reverteris	Anon.	Anonymous
Festum nunc celebre magnaque gaudia 3 Qui scandens superos vincula vinxerat 5 Ut cum flammivoma nube reverteris Anonymous Appears on: 44v Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Festum nunc celebre magnaque gaudia] 3 Qui scandens superos vincula vinxerat 5 Ut cum flammivoma nube reverteris Concordances concordance: RISM 1542-12 (no.48)
45	Mirantur ergo saecula quod angelus 3 Gloria tibi domine qui natus es (= Anna regum progenies et sacerdotum)	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Mirantur ergo saecula quod angelus 3 Gloria tibi domine qui natus es (= Anna regum progenies et sacerdotum) Stoltzer, Thomas (ca. 1480–1526) Appears on: 45 Genres: Contrafactum, Hymn Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: Mirantur ergo saecula quod angelus 3 Gloria tibi domine qui natus es [= Anna regum progenies et sacerdotum]
45	Hanc honor iste victimam decebat 3 Fructi iacebunt inferi caput serpentis	Anon.	Anonymous
Hanc honor iste victimam decebat 3 Fructi iacebunt inferi caput serpentis Anonymous Appears on: 45 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Hanc honor este victimam decebat 3 Fructi iacebunt inferi caput serpentis Concordances Same music texted as 'Veni redemptor gentium' in BudOS P.6
45v	Vita sanctorum Deus angelorum 3 Pascha quo victor rediens ab imo	Anon.	Anonymous
Vita sanctorum Deus angelorum 3 Pascha quo victor rediens ab imo Anonymous Appears on: 45v Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Vita sanctorum deus angelorum] 3 Pascha quo victor rediens ab imo General Note Only texted in (a)
46	Mittis in terram referans Olympum nuncium 3 Nuncians coram Dominum videri et quidem 5 Laudibus cives celebrant superni te	Anon.	Anonymous
Mittis in terram referans Olympum nuncium 3 Nuncians coram Dominum videri et quidem 5 Laudibus cives celebrant superni te Anonymous Appears on: 46 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Mittis in terram referans Olympum nuncium 3 Nuncians coram dominum videri et quidem 5 Laudibus cives celebrant superni te Concordances Same music texted as 'Nuntius celso veniens' in RISM 1542-12 (no.78)

Composer	Compositions
Anonymous	Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas – 35v–36 Alleluia. Candor est lucis aeternae – 35–35v Alleluia. Concussum est mare et contremuit – 36v Alleluia. Virga Jesse floruit virgo Deum – 37v Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra – 36v Festum nunc celebre magnaque gaudia 3 Qui scandens superos vincula vinxerat 5 Ut cum flammivoma nube reverteris – 44v Gaude mater pietatis in valle gementium 3 Quod vertices prophetarum praecolunt 5 Genitori genitoque laus et jubilatio – 43v Hanc honor iste victimam decebat 3 Fructi iacebunt inferi caput serpentis – 45 Magnificat Quinti Toni: Et exultavit [K.281] – 11–12 Magnificat Quinti Toni: Et exultavit [K.282] – 8v–9 Magnificat Sexti Toni: Et exultavit [K.329] – 9v–10 Magnificat octavi toni: Et exultavit [K.406] – 10–11 Missa Sine nomine (KGCSA) – 2–4v Missa: Agnus Dei – 16v Missa: Gloria [Gratias agimus tibi] – 13–14 Missa: Kyrie solemne – 13 Missa: Sanctus – 16–16v Mittis in terram referans Olympum nuncium 3 Nuncians coram Dominum videri et quidem 5 Laudibus cives celebrant superni te – 46 O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecamur – 43 Set of responses Amen. Et cum spiritu tuo – 1v Set of responses Amen. Et cum spiritu tuo – 1v Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei 4 Accende lumen sensibus infunde 6 Da gaudiorum praemia da gratiarum – 43 Veni sancte spiritus reple tuorum corda – 38–38v Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi – 35 Viderunt omnes fines terrae salutare – 36 Vita sanctorum Deus angelorum 3 Pascha quo victor rediens ab imo – 45v [Victimae paschali] Agnus redemit oves – 30v–31
Bruck, Arnold von (ca. 1500–1554)	Wir glauben auch an Jesum Christ, seinen Sohn (German Credo) – 15v–16
Despres, Josquin (ca. 1450–1521)	Missa Pange lingua = Missa Venerabile sacramento 4.3 – 20–22v
Finck, Heinrich	Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt – 7v–8 Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt – 8–8v Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo – 23 Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis – 23v Veni creator spiritus mentes tuorum 2 Qui paraclitus diceris donum Dei 3 Tu septiformis munere dextre Dei 6 Da gaudiorum praemia da gratiarum – 38v–39
Galliculus, Johannes	Gloria. Gratias agimus tibi propter – 29v–30
Isaac, Heinrich (ca. 1450–1517)	Alleluia. Benedicta tu inter mulieres – 19–19v Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] – 14 Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] – 23 Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] – 32–32v Alleluia. Haec est illa peccatrix (= Alleluia. Maria haec est illa) – 19v–20 Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae] – 17–17v (?) Alleluia. Pascha nostrum immolatus est [Proper for Easter] – 30–30v Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] – 33v–34 Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini] – 24–24v Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur – 26v–28 Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] – 14v–15 Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] – 37 De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] – 16v–17 Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] – 23v–24 Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus – 25v–26v Missa Pascale a4 ad organum: Agnus Dei – 31v Missa Pascale a4 ad organum: Kyrie – 29–29v Missa Pascale a4 ad organum: Kyrie – 30v Missa Pascale a4 ad organum: Sanctus – 31–31v Missa de Apostolis a4: Kyrie Magne Deus – 12v Per inifinita saecula saeculorum – 37 Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe) – 17v–19 Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] – 22v Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas) – 24v–25 Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] – 28v–29 Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) – 32v–33 Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) – 34v Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] – 28–28v Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu] – 33v–34 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] – 25–25v Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] – 32 Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] – 19
Longueval, Antoine de (fl. 1498-1525)	Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 5–5v Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 6–6v Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 7–7v
Obrecht, Jacobus (ca. 1457–1505)	(?) Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 5–5v (?) Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 6–6v (?) Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 7–7v
Rein, Conrad (ca. 1475–1522)	Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium – 12
Stoltzer, Thomas (ca. 1480–1526)	Adsunt festa jubilaea in Mariae nunc 3 Haec paranympho dum credit sacrum 4 Confestim montes adiit Elisabeth 6 Clamat anus cum jubilo plena 8 Voti fit compos cum credit verbo 10 Soli deo sit gloria pro multiplici (= Anna regum progenies et sacerdotum) – 44 Mirantur ergo saecula quod angelus 3 Gloria tibi domine qui natus es (= Anna regum progenies et sacerdotum) – 45
Venture, Johannes a la (fl. c1500)	(?) Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 5–5v (?) Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 6–6v (?) Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 7–7v

Composition	Composers (? Uncertain)	Folios / Pages
[Victimae paschali] Agnus redemit oves	Anonymous	30v–31
Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas	Anonymous	35v–36
Adsunt festa jubilaea in Mariae nunc 3 Haec paranympho dum credit sacrum 4 Confestim montes adiit Elisabeth 6 Clamat anus cum jubilo plena 8 Voti fit compos cum credit verbo 10 Soli deo sit gloria pro multiplici (= Anna regum progenies et sacerdotum)	Stoltzer, Thomas (ca. 1480–1526)	44
Alleluia. Benedicta tu inter mulieres	Isaac, Heinrich (ca. 1450–1517)	19–19v
Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate]	Isaac, Heinrich (ca. 1450–1517)	14
Alleluia. Candor est lucis aeternae	Anonymous	35–35v
Alleluia. Concussum est mare et contremuit	Anonymous	36v
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi]	Isaac, Heinrich (ca. 1450–1517)	23
Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini]	Isaac, Heinrich (ca. 1450–1517)	32–32v
Alleluia. Haec est illa peccatrix (= Alleluia. Maria haec est illa)	Isaac, Heinrich (ca. 1450–1517)	19v–20
Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae]	Isaac, Heinrich (ca. 1450–1517)	17–17v
Alleluia. Pascha nostrum immolatus est [Proper for Easter]	Isaac, Heinrich (ca. 1450–1517) (?)	30–30v
Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu]	Isaac, Heinrich (ca. 1450–1517)	33v–34
Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini]	Isaac, Heinrich (ca. 1450–1517)	24–24v
Alleluia. Virga Jesse floruit virgo Deum	Anonymous	37v
Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur	Isaac, Heinrich (ca. 1450–1517)	26v–28
Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra	Anonymous	36v
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate]	Isaac, Heinrich (ca. 1450–1517)	14v–15
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate]	Isaac, Heinrich (ca. 1450–1517)	37
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium	Rein, Conrad (ca. 1475–1522)	12
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae]	Isaac, Heinrich (ca. 1450–1517)	16v–17
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini]	Isaac, Heinrich (ca. 1450–1517)	23v–24
Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt	Finck, Heinrich	7v–8
Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt	Finck, Heinrich	8–8v
Festum nunc celebre magnaque gaudia 3 Qui scandens superos vincula vinxerat 5 Ut cum flammivoma nube reverteris	Anonymous	44v
Gaude mater pietatis in valle gementium 3 Quod vertices prophetarum praecolunt 5 Genitori genitoque laus et jubilatio	Anonymous	43v
Gloria. Gratias agimus tibi propter	Galliculus, Johannes	29v–30
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo	Finck, Heinrich	23
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis	Finck, Heinrich	23v
Hanc honor iste victimam decebat 3 Fructi iacebunt inferi caput serpentis	Anonymous	45
Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus	Isaac, Heinrich (ca. 1450–1517)	25v–26v
Magnificat octavi toni: Et exultavit [K.406]	Anonymous	10–11
Magnificat Quinti Toni: Et exultavit [K.281]	Anonymous	11–12
Magnificat Quinti Toni: Et exultavit [K.282]	Anonymous	8v–9
Magnificat Sexti Toni: Et exultavit [K.329]	Anonymous	9v–10
Mirantur ergo saecula quod angelus 3 Gloria tibi domine qui natus es (= Anna regum progenies et sacerdotum)	Stoltzer, Thomas (ca. 1480–1526)	45
Missa de Apostolis a4: Kyrie Magne Deus	Isaac, Heinrich (ca. 1450–1517)	12v
Missa Pange lingua = Missa Venerabile sacramento 4.3	Despres, Josquin (ca. 1450–1521)	20–22v
Missa Pascale a4 ad organum: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	31v
Missa Pascale a4 ad organum: Kyrie	Isaac, Heinrich (ca. 1450–1517)	29–29v
Missa Pascale a4 ad organum: Kyrie	Isaac, Heinrich (ca. 1450–1517)	30v
Missa Pascale a4 ad organum: Sanctus	Isaac, Heinrich (ca. 1450–1517)	31–31v
Missa Sine nomine (KGCSA)	Anonymous	2–4v
Missa: Agnus Dei	Anonymous	16v
Missa: Gloria [Gratias agimus tibi]	Anonymous	13–14
Missa: Kyrie solemne	Anonymous	13
Missa: Sanctus	Anonymous	16–16v
Mittis in terram referans Olympum nuncium 3 Nuncians coram Dominum videri et quidem 5 Laudibus cives celebrant superni te	Anonymous	46
O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecamur	Anonymous	43
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum	Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	5–5v
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus	Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525)	6–6v
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus	Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?)	7–7v
Per inifinita saecula saeculorum	Isaac, Heinrich (ca. 1450–1517)	37
Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe)	Isaac, Heinrich (ca. 1450–1517)	17v–19
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi]	Isaac, Heinrich (ca. 1450–1517)	22v
Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas)	Isaac, Heinrich (ca. 1450–1517)	24v–25
Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini]	Isaac, Heinrich (ca. 1450–1517)	28v–29
Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis)	Isaac, Heinrich (ca. 1450–1517)	32v–33
Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis)	Isaac, Heinrich (ca. 1450–1517)	34v
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM]	Isaac, Heinrich (ca. 1450–1517)	28–28v
Set of responses Amen. Et cum spiritu tuo	Anonymous	1v
Set of responses Amen. Et cum spiritu tuo	Anonymous	1v
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu]	Isaac, Heinrich (ca. 1450–1517)	33v–34
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis]	Isaac, Heinrich (ca. 1450–1517)	25–25v
Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei 4 Accende lumen sensibus infunde 6 Da gaudiorum praemia da gratiarum	Anonymous	43
Veni creator spiritus mentes tuorum 2 Qui paraclitus diceris donum Dei 3 Tu septiformis munere dextre Dei 6 Da gaudiorum praemia da gratiarum	Finck, Heinrich	38v–39
Veni sancte spiritus reple tuorum corda	Anonymous	38–38v
Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi	Anonymous	35
Viderunt omnes fines terrae salutare	Anonymous	36
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini]	Isaac, Heinrich (ca. 1450–1517)	32
Vita sanctorum Deus angelorum 3 Pascha quo victor rediens ab imo	Anonymous	45v
Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM]	Isaac, Heinrich (ca. 1450–1517)	19
Wir glauben auch an Jesum Christ, seinen Sohn (German Credo)	Bruck, Arnold von (ca. 1500–1554)	15v–16

Set: MS Bártfa 8 (a-d)

Type: Partbooks

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‡ denotes primary source study

Burn, David J, Ruth I. DeFord, and Stefan Gasch (editors). 2021. Choralis Constantinus II. CMM. American Institute of Musicology.

Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa). Bonn: Gudrun Schröder. Pages: XXIII, 35-40.

Brusniak, Friedhelm. 1980. Conrad Rein (ca. 1475-1522)-Schulmeister und Komponist. Neue Musikgeschichtliche Forschungen. Wiesbaden. Pages: 350. Notes: contents list (partial); concordances (partial); incipits (partial).

Murányi, Robert Arpad. 1975. Die Isaac-Offizien der Bartfelder Sammlung. Studia Musicologica, 315-45. Pages: 316ff. Notes: incipits (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 127. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa. Kassel. Pages: 166. Notes: mention of MS.

Seiffert, Max (editor). 1957-61. Denkmäler Deutscher Tonkunst. Leipzig, 1892-1931. Wiesbaden and Graz. Pages: LXV, 28. Notes: transcription (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: II, 192-3. Notes: mention of MS; contents list (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXV, 77ff. Notes: concordances (partial).

Gombosi, Otto Johannes. 1932. Quellen aus dem 16.-17. Jh. zur Geschichte der Musikpflege in Bartfeld (Bártfa) und Oberungarn. Ungarische Jahrbücher, 331-40. Pages: 334. Notes: mention of MS.

Gombosi, Otto Johannes. 1929. Die Musikalien der Pfarr- kirche zu St. Aegidi in Bartfa. Festschrift für Johannes Wolf zu seinem Sechzigsten Geburtstage, Berlin. Pages: 41-2. Notes: mention of MS.

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

H-Bn MS Bártfa 8 (c)

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: c. 1550

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