D-Bkk MS 78.C.28 (Margherita Castellani's songbook, Niccolini chansonnier)

Staatliche Museen der Stiftung Preussischer Kulturbesitz. Kupferstichkabinett., Berlin, Germany

manuscript of polyphony: c. 1465; early 1470s (Gallagher)

Archive	Staatliche Museen der Stiftung Preussischer Kulturbesitz. Kupferstichkabinett., Berlin, Germany (D-Bkk)
Shelfmark	MS 78.C.28 (Margherita Castellani's songbook, Niccolini chansonnier)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Parchment
Numbering System	Foliation
Measurements	246 x 160 mm
Other Identifiers	CCM: BerlSM TS.C.28 olim (Former shelfmark): Hamilton 451
Notations	black void mensural
Copyists	Fora, Gherardo and Monte de Giovanni del Illuminator
Relationships	Douglas, Alexander (owner) Beckford, William (owner) Niccolini family (patron) Castellani family (patron)
External Links	images
Provenance	Napoli (Naples), Italy
Contents	48 pieces from 11 composers

General Description

One scribe copied the music for the main part of the manuscript; the Mass (ff. 51'-62) is a later addition, in a mid-16th century Italian hand (JepFR). Copied in Naples (Rifkin, Allan Atlas), but illuminated at Florence (ReidB). Probably intended as a gift for Margherita Castellani and Bernardino Niccolini upon the occasion of their marriage. The manuscript remained in the Niccolini family library in Florence until the late 18th century, when it was acquired by William Beckford of England. Upon Beckford's death in 1844, the manuscript went to the library of his son-in-law, Alexander Douglas, Duke of Hamilton, where it bore the numbers 'HB 223' and '451.' When the Hamilton library was sold at auction in 1882, the manuscript was acquired by the Prussian government, and deposited in the Kupferstichkabinett. It was temporarily transferred to Celle during World War II. Contrary to Besseler's statement in MGG (III, 900), the manuscript survived the war undamaged (ReidB). Close repertorial connections with EscSL IV.a.24 (AtlCM).

DIAMM, 2017

Binding

Original blue velvet covers.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

New pencil foliation, 1-71 (one folio numbered twice).

DIAMM, 2017

Decoration

The initials and illumination (in gold, blue, red, purple, and green) were done in Florence, possibly at the workshop of the brothers Gherardo and Monte di Giovanni del Fora (ReidB). The coats of arms on f. 2' are those of the Castellani and Niccolini families, prominent in 15th-century Florence.

DIAMM, 2017

Surface

parchment

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie-Gloria-Sanctus Mass (a later addition), 1 French secular piece (text added by a later hand), 41 textless pieces = 43. Concordant sources show that the textless pieces are mostly French chansons; there are also a few Italian and Spanish secular pieces and 2 Latin motets.

(Basin)-1, (Bedingham)-1, (Bedingham/Dufay)-1, (Bedingham/Dunstable)-1, (Bedingham/Frye)-1, (Binchois)-2, (Binchois/Frye)-1, (Dufay)-1 + 2?, (Frye)-1, (J. Legrant)-1, (Morton)-1, (Pullois)-3, anon-26

i + 70 + i parchment folios, 246 x 160. Ff. l'-2 and 62'-70' are blank. New pencil foliation, 1-71 (one folio numbered twice). Original blue velvet covers. No index. One scribe copied the music for the main part of the manuscript; the Mass (ff. 51'-62) is a later addition, in a mid-16th century Italian hand (JepFR). The initials and illumination (in gold, blue, red, purple, and green) were done in Florence, possibly at the workshop of the brothers Gherardo and Monte di Giovanni del Fora (ReidB). The coats of arms on f. 2' are those of the Castellani and Niccolini families, prominent in 15th-century Florence.

Ca. 1465 (ReidB). Copied in Naples (Rifkin, Allan Atlas), but illuminated at Florence (ReidB). Probably intended as a gift for Margherita Castellani and Bernardino Niccolini upon the occasion of their marriage. The manuscript remained in the Niccolini family library in Florence until the late 18th century, when it was acquired by William Beckford of England. Upon Beckford's death in 1844, the manuscript went to the library of his son-in-law, Alexander Douglas, Duke of Hamilton, where it bore the numbers "HB 223" and "451." When the Hamilton library was sold at auction in 1882, the manuscript was acquired by the Prussian government, and deposited in the Kupferstichkabinett. It was temporarily transferred to Celle during World War II. Contrary to Besseler's statement in MGG (III, 900), the manuscript survived the war undamaged (ReidB). Close repertorial connections with EscSL IV.a.24 (AtlCM).

Vol. 4

Composers: Add "(Plummer?)-1"; change "anon-26" to "anon-25."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2v–4r	So ys emprentid	-	Frye, Walter (–ca. 1475) (?) Bedingham, John (–ca. 1460) (?)
So ys emprentid Frye, Walter (–ca. 1475) (?) Bedingham, John (–ca. 1460) (?) Appears on: 2v–4r Genres: Chanson
4v–5r	Le serviteur hault guerdonné assovy	-	Du Fay, Guillaume (1397–1474)
Le serviteur hault guerdonné assovy Du Fay, Guillaume (1397–1474) Appears on: 4v–5r Genres: Chanson, Rondeau
5v–6r	Seigneur Leon - Benedictus qui venit	-	Du Fay, Guillaume (1397–1474)
Seigneur Leon - Benedictus qui venit Du Fay, Guillaume (1397–1474) Appears on: 5v–6r Genres: Chanson, Contrafactum, Motet
6v–7r	V...	-	Anonymous
V... Anonymous Appears on: 6v–7r Genres: Chanson
7v–8r	Mon coeur chante joyeusement	-	Binchois, Gilles (ca. 1400–1460)
Mon coeur chante joyeusement Binchois, Gilles (ca. 1400–1460) Appears on: 7v–8r Genres: Chanson
8v–9r	Terriblement suis fortunée	-	Anonymous
Terriblement suis fortunée Anonymous Appears on: 8v–9r Genres: Chanson
9v–10r	Si j'ai votre grace requise	-	Anonymous
Si j'ai votre grace requise Anonymous Appears on: 9v–10r Genres: Chanson
10v–11r	J...	-	Anonymous
J... Anonymous Appears on: 10v–11r Genres: Chanson
11v–12r	Se mon flagolet joli	-	Anonymous
Se mon flagolet joli Anonymous Appears on: 11v–12r Genres: Secular
12v–13r	U...	-	Anonymous
U... Anonymous Appears on: 12v–13r Genres: Chanson
13v–14r	Par le regard de vos beaux yeux	-	Du Fay, Guillaume (1397–1474)
Par le regard de vos beaux yeux Du Fay, Guillaume (1397–1474) Appears on: 13v–14r Genres: Chanson, Rondeau
14v–15r	Las je ne puis oir nouvelle = Unicus Dei filius	-	Legrant, Johannes
Las je ne puis oir nouvelle = Unicus Dei filius Legrant, Johannes Appears on: 14v–15r
15v–16r	Globus igneus = Quelque chose a venir	-	Pullois, Johannes
Globus igneus = Quelque chose a venir Pullois, Johannes Appears on: 15v–16r Genres: Contrafactum
16v–17r	D...	-	Anonymous
D... Anonymous Appears on: 16v–17r Genres: Chanson
17v–18r	N'aray je jamais mieux que j'ai	-	Morton, Robert
N'aray je jamais mieux que j'ai Morton, Robert Appears on: 17v–18r Genres: Chanson
18v–19r	Gentil madona de no me habandonare	-	Bedingham, John (–ca. 1460)
Gentil madona de no me habandonare Bedingham, John (–ca. 1460) Appears on: 18v–19r Genres: Italian secular
19v–20r	Va t'en mon cuer	-	Du Fay, Guillaume (1397–1474)
Va t'en mon cuer Du Fay, Guillaume (1397–1474) Appears on: 19v–20r Genres: Chanson, Rondeau
20v–21r	Mon seul plaisir, ma douce joie	-	Bedingham, John (–ca. 1460) Du Fay, Guillaume (1397–1474) (?)
Mon seul plaisir, ma douce joie Bedingham, John (–ca. 1460) Du Fay, Guillaume (1397–1474) (?) Appears on: 20v–21r Genres: Chanson
21v–22r	Je ne me congnois	-	Anonymous
Je ne me congnois Anonymous Appears on: 21v–22r Genres: Chanson
22v–23r	Va tost mon amoureux desir	-	Binchois, Gilles (ca. 1400–1460)
Va tost mon amoureux desir Binchois, Gilles (ca. 1400–1460) Appears on: 22v–23r Genres: Rondeau
23v–24r	Ma dame de nom / Sur la rive de la mer	-	Anonymous
Ma dame de nom / Sur la rive de la mer Anonymous Appears on: 23v–24r Genres: Chanson
24v–25r	Par desplaisir tout plain d'anoy	-	Anonymous
Par desplaisir tout plain d'anoy Anonymous Appears on: 24v–25r Genres: Chanson
25v–26r	J...	-	Anonymous
J... Anonymous Appears on: 25v–26r Genres: Chanson
26v–27r	He n'esse pas grant desplaysir	-	Pullois, Johannes
He n'esse pas grant desplaysir Pullois, Johannes Appears on: 26v–27r Genres: Rondeau
27v–28r	Galans et bons compagnons	-	Anonymous
Galans et bons compagnons Anonymous Appears on: 27v–28r Genres: Chanson
28v–29r	A...	-	Anonymous
A... Anonymous Appears on: 28v–29r Genres: Chanson
29v–30r	Tout a par moi	-	Frye, Walter (–ca. 1475) (?) Binchois, Gilles (ca. 1400–1460) (?)
Tout a par moi Frye, Walter (–ca. 1475) (?) Binchois, Gilles (ca. 1400–1460) (?) Appears on: 29v–30r Genres: Chanson
30v–31r	Q...	-	Anonymous
Q... Anonymous Appears on: 30v–31r Genres: Chanson
31v–32r	La douleur que je recoy	-	Anonymous
La douleur que je recoy Anonymous Appears on: 31v–32r Genres: Chanson
32v–33r	J'acompliray du bon cuer ma promesse	-	Anonymous
J'acompliray du bon cuer ma promesse Anonymous Appears on: 32v–33r Genres: Rondeau
33v–34r, 35r-36v	A Florence la joeuse cite / Helas la fille / En ma chambre	-	Anonymous
A Florence la joeuse cite / Helas la fille / En ma chambre Anonymous Appears on: 33v–34r, 35r-36v Genres: Ballade General Note the song continues after the (inserted) 'Se ung peu' on 34v-35r
34v–35r	Se ung peu desperance avoye	-	Pullois, Johannes
Se ung peu desperance avoye Pullois, Johannes Appears on: 34v–35r Genres: Chanson
36v–37r	Nos amys, vous vous abuses	-	Basin, Adrien (–ca. 1498)
Nos amys, vous vous abuses Basin, Adrien (–ca. 1498) Appears on: 36v–37r Genres: Chanson
37v–38r	Viva viva rey Ferrando - 1a pars (of 2): Viva viva rey Ferrando	-	-
Viva viva rey Ferrando - 1a pars (of 2): Viva viva rey Ferrando - Appears on: 37v–38r Genres: Song
38v–39r	Viva viva rey Ferrando - 2a pars (of 2): Vagan todas luminaria	-	Anonymous
Viva viva rey Ferrando - 2a pars (of 2): Vagan todas luminaria Anonymous Appears on: 38v–39r Genres: Song
39v–40r	To iours = Tota jous (Toujours)	-	Anonymous
To iours = Tota jous (Toujours) Anonymous Appears on: 39v–40r Genres: Chanson
40v–42r	O rosa bella, o Deitatis cella (= O quam suavis est domina)	-	Dunstaple, John (ca. 1390–1453) (?) Bedingham, John (–ca. 1460) (?)
O rosa bella, o Deitatis cella (= O quam suavis est domina) Dunstaple, John (ca. 1390–1453) (?) Bedingham, John (–ca. 1460) (?) Appears on: 40v–42r Genres: Motet
42v–43r	O rosa bella	-	Anonymous
O rosa bella Anonymous Appears on: 42v–43r Genres: Italian secular
43v–44r	P...	-	Anonymous
P... Anonymous Appears on: 43v–44r Genres: Chanson
44v–45r	Hora cridar "Oime" posso ben io	-	Anonymous
Hora cridar "Oime" posso ben io Anonymous Appears on: 44v–45r Genres: Chanson
45v–46	B...	-	Anonymous
B... Anonymous Appears on: 45v–46 Genres: Chanson
46v–47	N... [2a pars?]	-	Anonymous
N... [2a pars?] Anonymous Appears on: 46v–47 Genres: Chanson
47v–49	Ave regina caelorum I	-	Frye, Walter (–ca. 1475)
Ave regina caelorum I Frye, Walter (–ca. 1475) Appears on: 47v–49 Genres: BVM Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum
49v–50v	O pulcherrima mulierum	-	Lantins, Hugo de (fl. 1420-30) (?)
O pulcherrima mulierum Lantins, Hugo de (fl. 1420-30) (?) Appears on: 49v–50v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O pulcherrima mulierum surge propera General Note Only the first part and the superius of the second part.
51v–52v	Mass: Kyrie	-	Anonymous
Mass: Kyrie Anonymous Appears on: 51v–52v Genres: Kyrie eleison, Mass Ordinary
53r–60r	Mass: Et in terra pax [Gloria]	-	Anonymous
Mass: Et in terra pax [Gloria] Anonymous Appears on: 53r–60r Genres: Gloria (et in terra pax), Mass Ordinary
60v–62r	Mass: Sanctus	-	Anonymous
Mass: Sanctus Anonymous Appears on: 60v–62r Genres: Mass Ordinary, Sanctus [& Benedictus]
62v–70v	[blank staves]	-	-
[blank staves] Appears on: 62v–70v

Composer	Compositions
Anonymous	A Florence la joeuse cite / Helas la fille / En ma chambre – 33v–34r, 35r-36v A... – 28v–29r B... – 45v–46 D... – 16v–17r Galans et bons compagnons – 27v–28r Hora cridar "Oime" posso ben io – 44v–45r J'acompliray du bon cuer ma promesse – 32v–33r J... – 25v–26r J... – 10v–11r Je ne me congnois – 21v–22r La douleur que je recoy – 31v–32r Ma dame de nom / Sur la rive de la mer – 23v–24r Mass: Et in terra pax [Gloria] – 53r–60r Mass: Kyrie – 51v–52v Mass: Sanctus – 60v–62r N... [2a pars?] – 46v–47 O rosa bella – 42v–43r P... – 43v–44r Par desplaisir tout plain d'anoy – 24v–25r Q... – 30v–31r Se mon flagolet joli – 11v–12r Si j'ai votre grace requise – 9v–10r Terriblement suis fortunée – 8v–9r To iours = Tota jous (Toujours) – 39v–40r U... – 12v–13r V... – 6v–7r Viva viva rey Ferrando - 1a pars (of 2): Viva viva rey Ferrando – 37v–38r Viva viva rey Ferrando - 2a pars (of 2): Vagan todas luminaria – 38v–39r [No description] – 62v–70v
Basin, Adrien (–ca. 1498)	Nos amys, vous vous abuses – 36v–37r
Bedingham, John (–ca. 1460)	Gentil madona de no me habandonare – 18v–19r Mon seul plaisir, ma douce joie – 20v–21r (?) O rosa bella, o Deitatis cella (= O quam suavis est domina) – 40v–42r (?) So ys emprentid – 2v–4r
Binchois, Gilles (ca. 1400–1460)	Mon coeur chante joyeusement – 7v–8r (?) Tout a par moi – 29v–30r Va tost mon amoureux desir – 22v–23r
Du Fay, Guillaume (1397–1474)	Le serviteur hault guerdonné assovy – 4v–5r (?) Mon seul plaisir, ma douce joie – 20v–21r Par le regard de vos beaux yeux – 13v–14r Seigneur Leon - Benedictus qui venit – 5v–6r Va t'en mon cuer – 19v–20r
Dunstaple, John (ca. 1390–1453)	(?) O rosa bella, o Deitatis cella (= O quam suavis est domina) – 40v–42r
Frye, Walter (–ca. 1475)	Ave regina caelorum I – 47v–49 (?) So ys emprentid – 2v–4r (?) Tout a par moi – 29v–30r
Lantins, Hugo de (fl. 1420-30)	(?) O pulcherrima mulierum – 49v–50v
Legrant, Johannes	Las je ne puis oir nouvelle = Unicus Dei filius – 14v–15r
Morton, Robert	N'aray je jamais mieux que j'ai – 17v–18r
Pullois, Johannes	Globus igneus = Quelque chose a venir – 15v–16r He n'esse pas grant desplaysir – 26v–27r Se ung peu desperance avoye – 34v–35r

Composition	Composers (? Uncertain)	Folios / Pages
A Florence la joeuse cite / Helas la fille / En ma chambre	Anonymous	33v–34r, 35r-36v
A...	Anonymous	28v–29r
Ave regina caelorum I	Frye, Walter (–ca. 1475)	47v–49
B...	Anonymous	45v–46
D...	Anonymous	16v–17r
Galans et bons compagnons	Anonymous	27v–28r
Gentil madona de no me habandonare	Bedingham, John (–ca. 1460)	18v–19r
Globus igneus = Quelque chose a venir	Pullois, Johannes	15v–16r
He n'esse pas grant desplaysir	Pullois, Johannes	26v–27r
Hora cridar "Oime" posso ben io	Anonymous	44v–45r
J'acompliray du bon cuer ma promesse	Anonymous	32v–33r
J...	Anonymous	10v–11r
J...	Anonymous	25v–26r
Je ne me congnois	Anonymous	21v–22r
La douleur que je recoy	Anonymous	31v–32r
Las je ne puis oir nouvelle = Unicus Dei filius	Legrant, Johannes	14v–15r
Le serviteur hault guerdonné assovy	Du Fay, Guillaume (1397–1474)	4v–5r
Ma dame de nom / Sur la rive de la mer	Anonymous	23v–24r
Mass: Et in terra pax [Gloria]	Anonymous	53r–60r
Mass: Kyrie	Anonymous	51v–52v
Mass: Sanctus	Anonymous	60v–62r
Mon coeur chante joyeusement	Binchois, Gilles (ca. 1400–1460)	7v–8r
Mon seul plaisir, ma douce joie	Bedingham, John (–ca. 1460) Du Fay, Guillaume (1397–1474) (?)	20v–21r
N'aray je jamais mieux que j'ai	Morton, Robert	17v–18r
N... [2a pars?]	Anonymous	46v–47
Nos amys, vous vous abuses	Basin, Adrien (–ca. 1498)	36v–37r
O pulcherrima mulierum	Lantins, Hugo de (fl. 1420-30) (?)	49v–50v
O rosa bella	Anonymous	42v–43r
O rosa bella, o Deitatis cella (= O quam suavis est domina)	Dunstaple, John (ca. 1390–1453) (?) Bedingham, John (–ca. 1460) (?)	40v–42r
P...	Anonymous	43v–44r
Par desplaisir tout plain d'anoy	Anonymous	24v–25r
Par le regard de vos beaux yeux	Du Fay, Guillaume (1397–1474)	13v–14r
Q...	Anonymous	30v–31r
Se mon flagolet joli	Anonymous	11v–12r
Se ung peu desperance avoye	Pullois, Johannes	34v–35r
Seigneur Leon - Benedictus qui venit	Du Fay, Guillaume (1397–1474)	5v–6r
Si j'ai votre grace requise	Anonymous	9v–10r
So ys emprentid	Frye, Walter (–ca. 1475) (?) Bedingham, John (–ca. 1460) (?)	2v–4r
Terriblement suis fortunée	Anonymous	8v–9r
To iours = Tota jous (Toujours)	Anonymous	39v–40r
Tout a par moi	Frye, Walter (–ca. 1475) (?) Binchois, Gilles (ca. 1400–1460) (?)	29v–30r
U...	Anonymous	12v–13r
V...	Anonymous	6v–7r
Va t'en mon cuer	Du Fay, Guillaume (1397–1474)	19v–20r
Va tost mon amoureux desir	Binchois, Gilles (ca. 1400–1460)	22v–23r
Viva viva rey Ferrando - 1a pars (of 2): Viva viva rey Ferrando	-	37v–38r
Viva viva rey Ferrando - 2a pars (of 2): Vagan todas luminaria	Anonymous	38v–39r

Set: Loire Valley Chansonniers

Type: Linked by Origin or Contents

No images available

B-AF MS 1 (Leuven chansonnier)

No images available

D-Bkk MS 78.C.28 (Margherita Castellani's songbook, Niccolini chansonnier)

No images available

D-W Cod. Guelf. 287 Extrav. (Wolfenbüttel Chansonnier)

No images available

DK-Kk MS Thott 291, 8° (Copenhagen Chansonnier)

No images available

F-Dm MS 517 (Dijon Chansonnier)

No images available

F-Pn Rés. Vmc ms. 57 (Nivelle de la Chaussée Chansonnier)

No images available

US-Wc M2.1.L25 Case (Chansonnier Laborde)

‡ denotes primary source study

Gallagher, Sean. 2007. The Berlin Chansonnier and French Song in Florence, 1450-1490: A New Dating and Its Implications. Journal of Musicology, 339-364. Notes: contents list; concordances; date.

Korth, Hans-Otto, Helmut Hell, and Jutta Lambrecht. 1997. Die Signaturengruppe Mus ms. 40000 ff. Folge 1: Handschriften des 15. - 19. Jahrhunderts in mensuraler und neuerer Notation. Katalog. Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Kataloge der Musikabteilung, Erste Reihe. München.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Atlas, Allan W. 1985. Music at the Aragonese Court of Naples. Cambridge. Pages: l 19,149-50,233. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Gutiérrez-Denhoff, Martella. 1985. Der Wolfenbütteler Chansonnier Wolfenbüttel, Herzog August Bibliothek Codex Guelf. 287 Extrav.: Untersuchungen zu Repertoire und Überlieferung einer Musikhandschrift des 15. Jahrhunderts und ihres Umkreises. Wolfenbütteler Forschungen. Wiesbaden. Pages: 54-6,,301-3,307,311,313. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Hanen, Martha Knight. 1983. The Chansonnier El Escorial IV.a.24: Commentary and Edition. Musicological Studies. 3 vols. Henryville, Ottawa, and Binningen. Pages: I,34-5,38,164-70. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance. New York. Pages: xxiii,xxvi-xxvii,xxxii,77-85. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II, 152, 280ff, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Pages: 98,442-8,541,557ff. Notes: contents list (partial); concordances (partial); texts (partial).

Reidemeister, Peter. 1973. Die Chanson-Handschrift 78 C 28 des Berliner Kupferstichkabinetts: Studien zur Form der Chanson im 15. Jahrhundert. Berliner Musikwissenschaftliche Arbeiten. Munich. Notes: physical description; contents list; concordances; transcription (partial); incipits (partial).

Atlas, Allan W. 1971. Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII. 27, and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c. 1530. New York University, Unpublished Ph.D. dissertation. Pages: 456-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Trowbridge, Lynn Mason. 1971. The Burgundian Chanson: An Index and Analysis of Incipits by Application of Electronic Data Processing. University of Illinois, Unpublished Master's thesis. Pages: 18-9, 106. Notes: physical description (partial); contents list (partial); concordances.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 9, 102-3. Notes: physical description; contents list (partial); concordances (partial).

Southern, Eileen. 1968. Foreign Music in German Manuscripts of the 15th Century. Journal of the American Musicological Society, 258-85. Pages: 272, 280ff. Notes: mention of MS; concordances (partial).

Plamenac, Dragan. 1954. Une Composition Inconnue de Dufay? Revue Belge de Musicologie, 75-83. Pages: 76ff; 82-3. Notes: concordances (partial); mention of MS; discussion; transcription (partial); facsimile (partial).

Plamenac, Dragan. 1954. An Unknown Composition by Dufay? The Musical Quarterly, 190-200. Notes: concordances (partial); facsimile (partial).

Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig. Copenhagen and Leipzig. Pages: lxxiv. Notes: physical description.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 446. Notes: mention of MS.

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Clemens Goldberg

Tuesday, 30 May, 2023

Noted that no source mentions Plummer as the compose of 'Terriblement' (fol. 8v-9r).

Clemens Goldberg

Tuesday, 30 May, 2023

Spelling of the title for the piece on fol. 34v–35 (Se ung peu desperance avoye) corrected to the Old-French version.

Clemens Goldberg

Thursday, 31 March, 2022

Pointing out that on fols 45v-47r there are two anonymus unica (not by Ockeghem), probably prima and secunda pars, and also that 'Ave regina caelorum' on fols 47v-49r is by Frye.

Clemens Goldberg

Thursday, 31 March, 2022

Pointing out that 'O pulcherrima mulierum' on fols 49v-50v consists of only the first part and the superius of the second part.

Clemens Goldberg

Tuesday, 29 March, 2022

inventory corrected 33v-36r: two pieces intertwined, 33v-34r and 35r-36v 'A Florence...'; 34v-35r 'Se ung peu desperance avoye'

Clemens Goldberg

Tuesday, 8 March, 2022

Pour une suis confortee is not only 2v-3r but extends over 2v-4r (part 1 and part 2)

Clemens Goldberg

Monday, 7 March, 2022

image link provided

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description