I-Pu MS 1475 (Pad A)

Biblioteca Universitaria, Padua, Italy

flyleaves, non-music MS with interpolated music: 14th - 15th century

Archive	Biblioteca Universitaria, Padua, Italy (I-Pu)
Shelfmark	MS 1475 (Pad A)
Surface	Mixed Paper and Parchment
Numbering System	None
Measurements	277 x 245 (parchment flyleaves c. 247 x 133; trimmed from original size of c. 320 x 245) mm
Other Identifiers	RISM: I-Pu1475 CCM: PadU 1475 Other catalogues/source: PadA
Notations	black full mensural
Relationships	St Giustina Benedictine Abbey (copied at)
Provenance	St Giustina Benedictine Abbey , Padua, Italy
Contents	16 pieces from 9 composers

General Description

Polyphony found only on parchment flyleaves, which were once part of same manuscript as OxfBC 229 and PadU 684.

DIAMM, 2017

Binding

Original covers of wooden boards, now overlaid with modern leather

DIAMM, 2017

Notation

Black full mensural

DIAMM, 2017

Ruling

10 red 5-line staves per page

DIAMM, 2017

Foliation

Modern foliation, 1-141 in main body of manuscript. Parchment flyleaves have three numbering systems: (1) original foliation, 41, 43-44, 47-48, 50; (2) modern foliation, 1-6; (3) modern pagination, I-XII.

DIAMM, 2017

Foliation

1-6v

DIAMM, 2017

Surface

i paper + vi parchment + 141 parchment + i paper

DIAMM, 2017

DIAMM Note

Inventory (including foliation) after Cuthbert, p. 100f.

DIAMM, 2017

RISM Description

Corpus of legal tracts, 141 folios in total, plus 6 preliminary leaves and 1 modern flyleaf at each end. Modern foliation throughout. Remnants of original foliation from parchment preliminary leaves, f.41-50. Modern leather binding over wooden boards. Music on 3 preliminary parchment bifolios. 10 red 5-line staves per page.

RISM B/IV 4: 14./15. Jh.; 141 Blätter Pergament + 6 Pergament Vorsatzblätter+ je 1 moderne Vorsatz- und Nachstoßblätter, 277 x 245 mm (Format des Vorsatzblätter siehe unten). Moderne Foliierung von f. 1-141; Foliierung der Pergament-Vorsatzblätter: originale Foliierung (nur zum Teil erkennbar) von f. 41-50 (es fehlen originale f. 42, 45, 46, 49); moderne Foliierung und Pag. von f. 1-6, p. I-XII. - Einband: mit modernem Leder überzogene Holzdeckel.

Diese aus S. Giustina (Padua) stammende Handschrift des 15. Jh. enthält unter anderem juristischen Traktaten die Summa decretalibus des Magister Goffredus (altes Inventar Nr. 174). Musik findet sich nur auf den 3 Pergament-Vorsatz-Doppelblätter, die teilweise bis auf 247 x 133 mm beschnitten sind. Diese ursprünglich als Deckblätter benutzten Blätter stammen aus derselben, im ausgehenden 14. Jh. oder um 1400 geschriebenen Handschrift wie GB-Ob229 und I-Pu684. Ihr ursprünliches Format war ca. 320 x 245 mm. Das Fragment muß unmittelbar vor I-Pu684 gestanden haben (vergleiche I-Pu1475, Nr. 16 und I-Pu684, Nr. 1). Die richtige Blattfolge der heute falsch gebundenen Blätter wurde erstmals von Besseler festgestellt. Je Seite stehen 10 rote Fünfliniensysteme mit schwarzer Mensuralnotation

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Legal tracts, with polyphony:

5 Glorias, 3 Sanctus, 1 Agnus, 1 Ite missa est, 2 motets, 4 Italian secular pieces = 16 (most fragmentary or incomplete)

Ciconia-1, Egardus-1, (Grazioso da Padova)-1, Jacopo da Bologna -1, Johannes Baçus Correçarius de Bononia-1, Landini [M. Francisci de Florentia]-3, (Machaut)-1, Sant Omer-1, anon-6

i paper + vi parchment + 141 parchment + i paper folios, 277 x 245. (Parchment flyleaves measure ca. 247 x 133; trimmed from original size of ca. 320 x 245). Modern foliation, 1-141, in main body of manuscript. Polyphony found only on parchment flyleaves, which were once part of same manuscript as OxfBC 229 and PadU 684. Parchment flyleaves have three numbering systems: (1) original foliation, 41, 43-44, 47-48, 50; (2) modern foliation, 1-6; (3) modern pagination, I-XII. Original covers of wooden boards, now overlaid with modern leather: Black mensural notation on red staves.

Late 14th or early 15th century (ClercxJC). Copied at St. Giustina Benedictine Abbey in Padua. Folios with music removed from original context and used as flyleaves during first half of 15th century. Subsequent history same as for PadU 675.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
41 [2]–41	Sanctus	Sant. Omer	Sant. Omer
Sanctus Sant. Omer Appears on: 41 [2]–41 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Sant. Omer Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Sanctus ... Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sanctus ... Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Sanctus ... General Note C1. C2/Ct. T, Budapest 297 2r Layout parts
41v	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 41v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Clef: no clef Voice Text: ... [Ag]nus dei qui tollis peccata mundi. Dona nobis ... Voice: [no designation] Languages: Latin Clef: no clef Voice Text: ... Agnus dei qui tollis peccata mundi. Dona nobis ... Voice: [no designation] Languages: Latin Clef: no clef Voice Text: ... Agnus dei qui tollis peccata [mundi] ... General Note C1. C2/Ct. T Layout parts
41v	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 41v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Clef: no clef Voice Text: [San]ctus. Sanctus ... General Note {C1}, Ct?, {T} Layout parts
43 [6]–43	Et in terra pax [Gloria], [Tro] Spiritus et alme	-	Egardus
Et in terra pax [Gloria], [Tro] Spiritus et alme Egardus Appears on: 43 [6]–43 Genres: Gloria (et in terra pax), Mass Ordinary Voice: Tenor Languages: Latin Clef: c3 Voice Text: Qui sedes Voice: Contratenor Languages: Latin Clef: c1 Voice Text: Et in terra pax... Spiritus et alme General Note {C1}, C2, [T] Layout parts
43v [6/4]–44r	Et in terra pax [Gloria] [BH9]	-	Ciconia, Johannes (ca. 1370–1412)
Et in terra pax [Gloria] [BH9] Ciconia, Johannes (ca. 1370–1412) Appears on: 43v [6/4]–44r Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra pax Voice: [no designation] Languages: Latin Voice Text: Et in terra pax Voice: Tenor Languages: Latin Voice Text: Gracias agimus
44	Messe 'de Notre Dame': Ite missa est - Deo gratias	-	Machaut, Guillaume de (ca. 1300–1377)
Messe 'de Notre Dame': Ite missa est - Deo gratias Machaut, Guillaume de (ca. 1300–1377) Appears on: 44 Genres: Ite missa est, Mass Ordinary, Response Voice: Motetus Languages: none Clef: c2 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ite missa est Voice: Tenor Languages: none Clef: f3c5 General Note Tr, Mo. T; all voices fragmentary due to trimming. Layout parts
44v	Et in terra pax [Gloria] [Tro] Clementie ... la Judetur in rubro	-	Anonymous
Et in terra pax [Gloria] [Tro] Clementie ... la Judetur in rubro Anonymous Appears on: 44v Genres: Mass Ordinary, Troped Gloria-Credo Voice: Contratenor Languages: Latin Clef: c1 Voice Text: Et in terra ... Clementie ... la Judetur in rubro Voice: Tenor Languages: Latin Clef: c3 Voice Text: Et in terra General Note {C?}, T, Ct; all voices fragmentary due to trimming; tropes only
44v	Giovine vaga i' non senti' gia mai	-	Landini, Francesco (ca. 1325–1397)
Giovine vaga i' non senti' gia mai Landini, Francesco (ca. 1325–1397) Appears on: 44v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Giovine vagha i' non senti' gia may Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Giovine vagha i' non senti' gia may General Note C, {T}; fragmentary due to trimming
47 [3]–47	Gratiosus fervidus fidei zelator / Magnanimus opere Capadocus genere miles	-	Padova, Grazioso de (?)
Gratiosus fervidus fidei zelator / Magnanimus opere Capadocus genere miles Padova, Grazioso de (?) Appears on: 47 [3]–47 Genres: Motet Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Magnanissimus opere ... Voice: [no designation] Languages: Latin Voice Text: Gratiosus fervidus ... General Note Tr, Mo, T; Possibly by Gratiosus de Padova. Tenor similar to a Kyrie melody, Melnicki 108 Item Bibliography Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. Pages: (12), 153-156.
47	Donna l'animo tui pur fugge amore	-	Landini, Francesco (ca. 1325–1397)
Donna l'animo tui pur fugge amore Landini, Francesco (ca. 1325–1397) Appears on: 47 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Donna l'animo tui pur fugge amore Voice: Tenor Languages: Italian Clef: f3 Voice Text: Donna l'animo tui pur fugge amore General Note Text residuum only
47v [3v/5v]–48	Et in terra pax [Gloria] [Tro] Clementie ... la Judetur in rubro	-	Anonymous
Et in terra pax [Gloria] [Tro] Clementie ... la Judetur in rubro Anonymous Appears on: 47v [3v/5v]–48 Genres: Mass Ordinary, Troped Gloria-Credo Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra pax hominibus ... Clementie pax bajula ... Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Et in terra ... Clementie ... Voice: Tenor Languages: Latin Clef: c3 Voice Text: Et in terra ... Clementie ... General Note See no. 7 Layout parts
48v	Se questa dea de vertu de d'onestate	Joha[nn]is baçi coreçarij de bon[oni]a	Correcarius, Johannes Bacus
Se questa dea de vertu de d'onestate Correcarius, Johannes Bacus Appears on: 48v Genres: Italian secular Source Attribution: Joha[nn]is baçi coreçarij de bon[oni]a Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Se questa dea de vertu de d'onestate General Note C, {T}, {Ct}
50 [1]–50	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 50 [1]–50 Genres: Gloria (et in terra pax), Mass Ordinary Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et in terra. General Note {C}, T Layout parts
50	Deh non fuggir da me tuo vaga vista	M[agister] Fran[cis]ci de Flore[n]tia	Landini, Francesco (ca. 1325–1397)
Deh non fuggir da me tuo vaga vista Landini, Francesco (ca. 1325–1397) Appears on: 50 Genres: Italian secular Source Attribution: M[agister] Fran[cis]ci de Flore[n]tia Voice: [no designation] Languages: Latin Voice Text: Die non fugir da me ... General Note C, T
50v	Lux purpurata radiis / Diligite justitiam	M[agister] Jacobi de bononia	Bologna, Jacopo da (?)
Lux purpurata radiis / Diligite justitiam Bologna, Jacopo da (?) Appears on: 50v Genres: Motet Source Attribution: M[agister] Jacobi de bononia Voice: [no designation] Languages: Latin Voice Text: Lux purpurata et de Diligite iusticiam. Voice: [no designation] Languages: Latin Voice Text: Lux purpurata de Diligite iusticiam. Voice: [no designation] Languages: Latin Voice Text: Lux purpurata radijs ...
51–50v	Sanctus	Gratiosus	Padova, Grazioso de
Sanctus Padova, Grazioso de Appears on: 51–50v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Gratiosus Voice: Alta vox Languages: Latin Clef: c4 Voice Text: Benedictus General Note C, T, Ct. Contratenor begins on f. 51r (MS Padua 684) and continues onto f. 50v (MS Padua 1475)

Composer	Compositions
Anonymous	Agnus Dei – 41v Et in terra pax [Gloria] – 50 [1]–50 Et in terra pax [Gloria] [Tro] Clementie ... la Judetur in rubro – 44v Et in terra pax [Gloria] [Tro] Clementie ... la Judetur in rubro – 47v [3v/5v]–48 Sanctus – 41v
Bologna, Jacopo da	(?) Lux purpurata radiis / Diligite justitiam – 50v
Ciconia, Johannes (ca. 1370–1412)	Et in terra pax [Gloria] [BH9] – 43v [6/4]–44r
Correcarius, Johannes Bacus	Se questa dea de vertu de d'onestate – 48v
Egardus	Et in terra pax [Gloria], [Tro] Spiritus et alme – 43 [6]–43
Landini, Francesco (ca. 1325–1397)	Deh non fuggir da me tuo vaga vista – 50 Donna l'animo tui pur fugge amore – 47 Giovine vaga i' non senti' gia mai – 44v
Machaut, Guillaume de (ca. 1300–1377)	Messe 'de Notre Dame': Ite missa est - Deo gratias – 44
Padova, Grazioso de	(?) Gratiosus fervidus fidei zelator / Magnanimus opere Capadocus genere miles – 47 [3]–47 Sanctus – 51–50v
Sant. Omer	Sanctus – 41 [2]–41

Composition	Composers (? Uncertain)	Folios / Pages
Agnus Dei	Anonymous	41v
Deh non fuggir da me tuo vaga vista	Landini, Francesco (ca. 1325–1397)	50
Donna l'animo tui pur fugge amore	Landini, Francesco (ca. 1325–1397)	47
Et in terra pax [Gloria]	Anonymous	50 [1]–50
Et in terra pax [Gloria] [BH9]	Ciconia, Johannes (ca. 1370–1412)	43v [6/4]–44r
Et in terra pax [Gloria] [Tro] Clementie ... la Judetur in rubro	Anonymous	44v
Et in terra pax [Gloria] [Tro] Clementie ... la Judetur in rubro	Anonymous	47v [3v/5v]–48
Et in terra pax [Gloria], [Tro] Spiritus et alme	Egardus	43 [6]–43
Giovine vaga i' non senti' gia mai	Landini, Francesco (ca. 1325–1397)	44v
Gratiosus fervidus fidei zelator / Magnanimus opere Capadocus genere miles	Padova, Grazioso de (?)	47 [3]–47
Lux purpurata radiis / Diligite justitiam	Bologna, Jacopo da (?)	50v
Messe 'de Notre Dame': Ite missa est - Deo gratias	Machaut, Guillaume de (ca. 1300–1377)	44
Sanctus	Sant. Omer	41 [2]–41
Sanctus	Anonymous	41v
Sanctus	Padova, Grazioso de	51–50v
Se questa dea de vertu de d'onestate	Correcarius, Johannes Bacus	48v

Set: Pad A

Type: Fragments of a whole

GB-Ob MS. Canon. Pat. Lat. 229 (Pad A)

I-Pu MS 684 (Pad A)

I-Pu MS 1475 (Pad A)

‡ denotes primary source study

Cattin, Giulio. 2011. Santa Giustina, gli ordini mendicanti e la musica. frammenti musicali padovani tra Santa Giustina e la diffusione della musica in Europa. Giornata di studio. Padova, Abbazia di S. Giustina-Biblioteca Universitaria,15 giugno 2006. Atti, edited by Giulio Cattin, 9-39. Padova. Pages: 9-39.

Cuthbert, Michael Scott. 2011. Groups and Projects among the Paduan polyphonic sources. I frammenti musicali padovani tra Santa Giustina e la diffusione della musica in Europa. Giornata di studio. Padova, Abbazia di S. Giustina-Biblioteca Universitaria,15 giugno 2006. Atti, 183-214. Padova. Pages: 183-214.

Trolese, Francesco G. B. 2011. Il monastero di Santa Giustina di Padova e le sue attivita scrittorie. I frammenti musicali padovani tra Santa Giustina e la diffusione della musica in Europa. Giornata di studio. Padova, Abbazia di S. Giustina-Biblioteca Universitaria,15 giugno 2006. Atti , edited by Francesco G. B. Trolese, 41-71. Padova. Pages: 41-71.

Prosdocimi, Lavinia. 2011. Frammenti musicali nelle legature dei codici della Biblioteca Universitaria di Padova. I frammenti musicali padovani tra Santa Giustina e la diffusione della musica in Europa. Giornata di studio. Padova, Abbazia di S. Giustina-Biblioteca Universitaria,15 giugno 2006. Atti, 155-181. Padova. Pages: 155-181.

Facchin, Francesco. 2008?. Una nuova fonte musicale trecentesca nell'Archivio di Stato di Padova. Contributi per la storia della musica sacra a Padova, Fonti e ricerche di storia ecclesiastica padovana. 115-39. Padua: Istituto per la storia ecclesiastica padovana. Pages: 115-139.

Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.

Pirrotta, Nino. 1999. “Franciscus peregre canens”. Col dolce suon che da te piove. Studi su Francesco Landini e la musica del suo tempo. In memoria di N. Pirrotta, Scuola di paleografia e filologia musicale. Fondazione “W. Stauffer”. Studi e testi, 2; La tradizione musicale. edited by Nino Pirrotta, 7-13. Firenze. Pages: 7-13.

Sucato, Tiziana. 1999. Landini nella tradizione di alcuni codici settentrionali. Alcune osservazioni sull'uso della ‘ligatura' parigrado. Col dolce suon che da te piove. Studi su Francesco Landini e la musica del suo tempo. In memoria di N. Pirrotta, Scuola di paleografia e filologia musicale. Fondazione “W. Stauffer”. Studi e testi, 2; La tradizione musicale. edited by Tiziana Sucato, 37-50. Firenze. Pages: 37-50.

Marchi, Lucia. 1999. Bibliografia. Col dolce suon che da te piove. Studi su Francesco Landini e la musica del suo tempo. In memoria di N. Pirrotta, Scuola di paleografia e filologia musicale. Fondazione “W. Stauffer”. Studi e testi, 2; La tradizione musicale. 619-634. Firenze. Pages: 619-634.

Marchi, Lucia. 1999. Catalogo delle opere di Francesco Landini. Col dolce suon che da te piove. Studi su Francesco Landini e la musica del suo tempo. In memoria di N. Pirrotta, Scuola di paleografia e filologia musicale. Fondazione “W. Stauffer”. Studi e testi, 2; La tradizione musicale. 589-617. Firenze. Pages: 589-617.

Scarpa, Emanuela. 1992. Per una favola trecentesca in versi. Studi di filologia italiana, 19-39. Pages: 19-39.

Nadas, John, and Agostino Ziino. 1990. The Lucca Codex. Codice Mancini. Lucca, Archivio di Stato, ms. 184. Perugia, Biblioteca comunale Augusta, ms. 3065. Introductory Study and Facsimile Edition. Ars Nova. Lucca: Libreria musicale italiana.

Cattin, Giulio. 1989. L'“ars nova” musicale a Padova. Padua sidus preclarum. I Dondi dall'Orologio e la Padova dei Carraresi, 107-114. Brugine. Pages: 107-114.

Dalla Vecchia, Patrizia. 1989. Padua sidus preclarum. I Dondi dall'Orologio e la Padova dei Carraresi. edited by Patrizia Dalla Vecchia, Brugine. Pages: 185. Notes: Et in terra pax. Johannes Ciconia.

Schmid, Bernhold. 1985. Zur Rekonstruktion einer Gloria-Motette von Engardus in den Paduaner Fragmenten. Die Musikforschung, 195-201. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Gallo, Franco Alberto (editor). 1981. II Codice Musicale Panciatichi 26 della Biblioteca Nazionale di Firenze: Riproduzione in Facsimile. Studi e testi per la storia della musica. Florence: Leo S. Olschki. Notes: facsimile.

Petrobelli, Pierluigi. 1976. La musica nelle cattedrali e nelle città ed i suoi rapporti con la cultura letteraria. Storia della cultura veneta, 2. Il Trecento, edited by Pierluigi Petrobelli, 440-468. Vicenza: Neri Pozza. Pages: 440-468.

Hagopian, Viola L. 1973. Italian Ars Nova Musik: A Bibliographic Guide to Modem Editions and Related Literature. 2nd ed. Berkeley, Los Angeles, and London. Pages: 63-4. Notes: additional bibliography.

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I. Kassel. Pages: B IV/4, 998-1002. Notes: physical description; contents list; concordances; incipits.

Van, Guillaume de. 1968. La pedagogie musicale a la fin du moyen âge. Musica Disciplina, 71-97. Pages: Nr. 8 (Ue. von Nr. 11).

Menegazzo, Emilio. 1966. Altre osservazioni intorno alla vita e all'ambiente del Ruzante e di Alvise Cornaro. Italia medioevale e umanistica, 229-262. Pages: 229-262.

Günther, Ursula (editor). 1965. The Motets of the Manuscripts Chantilly, musée condé, 564 (olim 1047) and Modena, Biblioteca estense, a. M. 5, 24 (olim lat. 568). Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xlviii-1, 46-8. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Stäblein-Harder, Hanna. 1962. Fourteenth-Century Mass Music in France. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: [xiii] 42-3, 66-7, 91, 126-32, 155-6. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Clercx-Lejeune, Suzanne, and Suzanne Clercx. 1960. Johannes Ciconia. Pages: II, Tf. I (Faks. von Nr. 5 u. 6).

Layton, Billy Jim. 1960. Italian Music for the Ordinary of the Mass 1300-1450. Harvard University, Unpublished Ph.D. dissertation. Pages: 116-60, 199ff, 358-62. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. Pages: Commentary to Vols. II-III, 48-9, passim; Commentary to Vol. IV, 33ff, passim; X, 134, 151ff; XII, 30-7, 79-82, 153-6, 194ff; XXIV, 48-53, 204. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Fano, Fabio. 1956. La Cappella Musicale del Duomo di Milano. Parte Prima: Le Origini e II Primo Maestro di Cappella: Matteo da Perugia. Instituzioni e Monumenti dell'Arte Musicale Italiana. Milan. Pages: 315-20, Tav. XIV. Notes: transcription (partial); facsimile (partial).

Fischer, Kurt von. 1956. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Publikationen der Schweizerischen Musikforschenden Gesellschaft. Bern: Paul Haupt. Pages: 26ff, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Garbelotto, Antonio. 1956. Il trecento musicale italiano in alcuni frammenti padovani. Padova, issue 9 pp. 3-16, issue 11 pp. 13–19, and vol. 3 (1957), issue 3. pp. 26–34. Pages: 13-19.

Plamenac, Dragan. 1955. Another Paduan Fragment of Trecento Music. Journal of the American Musicological Society, 165-81. Pages: 165-181.

Pirrotta, Nino (editor). 1954-1998. The Music of Fourteenth Century Italy. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, Nr. 34 (Ue. von Nr. 15).

Marrocco, W. Thomas. 1954. The Music of Jacopo da Bologna. University of California Publications in Music. Berkeley and Los Angeles: University of California Press. Pages: Tf. 5 u. Nr. 13 (Faks. u. Ue. von Nr. 15). Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Fano, Fabio. 1953. Note su Franchino Gaffurio. Rivista Musicale Italiana, 225ff. Pages: Tf. XIV u. Nr. 12 (Faks. u. Ue. von Nr. 10).

Besseler, Heinrich. 1950; Reprinted: 1974. Bourdon und Fauxbourdon, Studien zum Ursprung der niederländischen Musik. Leipzig. Pages: 82, 140, 146. Notes: physical description (partial).

Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. Pages: I, 63; II, 24-7*, passim; IV, 20. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 228-9. Notes: physical description; contents list; concordances.

Suttina, Luigi. 1906. Contribuzione alla storia del costume signorile nel Medio Evo italiano. Memorie storiche cividalesi. Cividale: Fratelli Stagni. Pages: 107.

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig.

Renier, Rodolfo. 1893. Review of Emil Vogel, Bibliothek der gedruckten Weltlichen Vocalmusik Italien. aus den Jahren 1500-1700 (Berlin 1893). Giornale storico della Letteratura italiana, 378-393. Pages: 390.

Mazzoni, Guido. 1892. Tre ballata e due sonetti antichi. Per nozze Salvioni-Taveggia . Padova: Gallina.

Frati, Lodovico. 1891. Frammento di un codice musicale del secolo XIV. Giornale Storico della Letteratura Italiana, 438-9. Notes: physical description; texts.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-Pu MS 1475 (Pad A)

Biblioteca Universitaria, Padua, Italy

flyleaves, non-music MS with interpolated music: 14th - 15th century

General Description

Binding

Notation

Ruling

Foliation

Foliation

Surface

DIAMM Note

RISM Description

Census Catalogue of Music Description

General Note

Layout

General Note

Layout

General Note

Layout

General Note

Layout

General Note

Layout

General Note

General Note

General Note

Item Bibliography

General Note

General Note

Layout

General Note

General Note

Layout

General Note

General Note

Set: Pad A

Type: Fragments of a whole

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017