E-Boc MS 5 - DIAMM

E-Boc MS 5

Documentation Center of the Orfeo Català (CEDOC) [formerly: Biblioteca de l'Orfeó Català], Barcelona, Spain

manuscript of polyphony: 1490-1510

Archive	Documentation Center of the Orfeo Català (CEDOC) [formerly: Biblioteca de l'Orfeó Català], Barcelona, Spain (E-Boc)
Shelfmark	MS 5
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	338 x 238 mm
Other Identifiers	CCM: BarcOC 5 olim (Former shelfmark): Ms. M 12-VI-12
Notations	black void mensural
Copyists	Desiderium, Johannes Text and Music
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Images (Books of Hispanic Polyphony) IMAGES
Provenance	Girona or Catalonia? Spain? Italy
Contents	Contains 49 compositions, 43 from 12 composers, 6 are anonymous.

General Description

Copied by one main scribe; three or four further scribes added minor sections. Entry by the main scribe on fol. 52r: Scriptum per me Desiderium Johannis, Clericum Aesteñ. The manuscript is in two sections: I, ff. 1-52 (6 Masses); II, ff. 53-69 (all other pieces). The varying rastrations and folio layouts suggest different stages in the MS’s production. Though Angles & CCM suggest different dates and origins for the two distinct parts, with part II being Spanish in origin, the paper & watermark is the same throughout, and Desiderium copied one motet in part II (ff. 67-68). This may suggest an Italian origin for the whole (Fabregas2016), although two of the lesser scribes use Spanish designations for the voice-parts.

Cristina Urchueguía; transl. Henry Hope, 2011

Physical Description

Bound in wrong order from f. 66 onwards: correct order should be: 69-[lacuna]-67-68-66.

Cristina Urchueguía; transl. Henry Hope, 2011

Binding

covers of black pasteboard; 19th century

Cristina Urchueguía; transl. Henry Hope, 2011

Watermark

Consistent watermark, fleur de lys within a circle.

Cristina Urchueguía; transl. Henry Hope, 2011

Liminary Note

inscription on f.52: "Scriptum per me Desiderium Johannis, Clericum Aeseten."

Cristina Urchueguía; transl. Henry Hope, 2011

Notation

black void mensural

Cristina Urchueguía; transl. Henry Hope, 2011

Ruling

various

Cristina Urchueguía; transl. Henry Hope, 2011

Foliation

Modern pencil foliation 1-69.

Cristina Urchueguía; transl. Henry Hope, 2011

Surface

paper

Cristina Urchueguía; transl. Henry Hope, 2011

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Masses, 1 Kyrie-Gloria pair, 1 Kyrie, 2 Glorias, 1 Sanctus, 8 motets, 4 textless pieces = 23

(Anchieta/Compère/Peñalosa)-1, Cots-1, Isaac-3, Josquin-4, Marturia-1, Milans-1, (Obrecht)-1, Peñalosa-1, Plaja-2, (Richafort)-1, anon-7

ii + 69 + ii paper folios, 338 x 238. Modern pencil foliation added after one or more folios had been lost from the beginning, 19th-century covers of black pasteboard. No index. The manuscript is in two sections: I, ff. 1-52 (6 Masses); II, ff. 53-69 (all other pieces). Inscription on f. 52: "Scriptum per me Desiderium Johannis, Clericum Aeseteñ."

Part I: late 15th century; Part II: early 16th century (AngME). Part II is of Spanish origin (AngME).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
1r	Missa Fortuna desperata 8.2: Kyrie	4	-	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 1r Genres: Kyrie eleison, Mass Ordinary Number of voices: 4 General Note incomplete: lacks Sup/Ten of opening Kyrie, owing to loss of folio '0'
1v–3	Missa Fortuna desperata 8.2: Gloria	4	-	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 1v–3 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
3v–6	Missa Fortuna desperata 8.2: Credo	4	-	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2: Credo Despres, Josquin (ca. 1450–1521) Appears on: 3v–6 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
6v–9	Missa Fortuna desperata 8.2: Sanctus	4	-	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 6v–9 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
9v–10v	Missa Fortuna desperata 8.2: Agnus Dei	4	-	Despres, Josquin (ca. 1450–1521)
Missa Fortuna desperata 8.2: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 9v–10v Genres: Agnus Dei, Mass Ordinary Number of voices: 4 General Note incomplete - lacks Contra & Bassus
11v–12	Missa Salve diva parens (Mi Mi): Kyrie	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Salve diva parens (Mi Mi): Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 11v–12 Genres: Kyrie eleison, Mass Ordinary Number of voices: 4
12v–15	Missa Salve diva parens (Mi Mi): Gloria	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Salve diva parens (Mi Mi): Gloria Obrecht, Jacobus (ca. 1457–1505) Appears on: 12v–15 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
15v–18	Missa Salve diva parens (Mi Mi): Credo	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Salve diva parens (Mi Mi): Credo Obrecht, Jacobus (ca. 1457–1505) Appears on: 15v–18 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
18v–22	Missa Salve diva parens (Mi Mi): Sanctus, Benedictus	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Salve diva parens (Mi Mi): Sanctus, Benedictus Obrecht, Jacobus (ca. 1457–1505) Appears on: 18v–22 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
22v–24	Missa Salve diva parens (Mi Mi): Agnus Dei	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Salve diva parens (Mi Mi): Agnus Dei Obrecht, Jacobus (ca. 1457–1505) Appears on: 22v–24 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
24v–25	Missa Comme femme desconfortée: Kyrie	4	Henericus Yzaac	Isaac, Heinrich (ca. 1450–1517)
Missa Comme femme desconfortée: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 24v–25 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Henericus Yzaac Number of voices: 4
25v–27	Missa Comme femme desconfortée: Gloria	4	-	Isaac, Heinrich (ca. 1450–1517)
Missa Comme femme desconfortée: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 25v–27 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
27v–30	Missa Comme femme desconfortée: Credo	4	-	Isaac, Heinrich (ca. 1450–1517)
Missa Comme femme desconfortée: Credo Isaac, Heinrich (ca. 1450–1517) Appears on: 27v–30 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
30v–32	Missa Comme femme desconfortée: Sanctus	4	-	Isaac, Heinrich (ca. 1450–1517)
Missa Comme femme desconfortée: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 30v–32 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
32v–33	Missa Comme femme desconfortée: Agnus Dei	4	-	Isaac, Heinrich (ca. 1450–1517)
Missa Comme femme desconfortée: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 32v–33 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
33v–34	Missa La bassadanza = Missa La Spagna: Kyrie	4	Henericus Yzaac	Isaac, Heinrich (ca. 1450–1517)
Missa La bassadanza = Missa La Spagna: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 33v–34 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Henericus Yzaac Number of voices: 4
34v–36	Missa La bassadanza = Missa La Spagna: Gloria	4	-	Isaac, Heinrich (ca. 1450–1517)
Missa La bassadanza = Missa La Spagna: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 34v–36 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
36v–38	Missa La bassadanza = Missa La Spagna: Credo	4	-	Isaac, Heinrich (ca. 1450–1517)
Missa La bassadanza = Missa La Spagna: Credo Isaac, Heinrich (ca. 1450–1517) Appears on: 36v–38 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
38v–40	Missa La bassadanza = Missa La Spagna: Sanctus	4	-	Isaac, Heinrich (ca. 1450–1517)
Missa La bassadanza = Missa La Spagna: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 38v–40 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
40v–42	Missa La bassadanza = Missa La Spagna: Agnus Dei	4	-	Isaac, Heinrich (ca. 1450–1517)
Missa La bassadanza = Missa La Spagna: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 40v–42 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
42v–43	Missa Argentum et aurum: Kyrie	4	Henericus Yzaac	Isaac, Heinrich (ca. 1450–1517)
Missa Argentum et aurum: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 42v–43 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Henericus Yzaac Number of voices: 4 Concordances Christe in Berlin 40026, ff. 92v-94v 'H. Jsaac' (with Osanna II) & Zurich 284, ff. 249-249v 'Jo. Buch[ner]'
43v–45	Missa Argentum et aurum: Gloria	4	-	Isaac, Heinrich (ca. 1450–1517)
Missa Argentum et aurum: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 43v–45 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
45v–47	Missa Argentum et aurum: Credo	4	-	Isaac, Heinrich (ca. 1450–1517)
Missa Argentum et aurum: Credo Isaac, Heinrich (ca. 1450–1517) Appears on: 45v–47 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 General Note in tenor part is text: "Argentum et aurum non est in ... quod habeo hoc tibi non do miserere mei"
47v–50	Missa Argentum et aurum: Sanctus	4	-	Isaac, Heinrich (ca. 1450–1517)
Missa Argentum et aurum: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 47v–50 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Concordances Osanna II in Berlin 40026, ff. 92v-94v 'H. Jsaac' (with Christe eleison)
50v–52	Missa Argentum et aurum: Agnus Dei	4	-	Isaac, Heinrich (ca. 1450–1517)
Missa Argentum et aurum: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 50v–52 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
52v–53	Missa L'homme armé super voces musicales 6.3: Kyrie	4	Josquin despres	Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé super voces musicales 6.3: Kyrie Despres, Josquin (ca. 1450–1521) (?) Appears on: 52v–53 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Josquin despres Number of voices: 4
53v–54	Missa L'homme armé super voces musicales 6.3: Patrem omnipotentem [Credo]	4	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé super voces musicales 6.3: Patrem omnipotentem [Credo] Despres, Josquin (ca. 1450–1521) Appears on: 53v–54 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 General Note Confiteor section only
54v–55	Missa L'homme armé super voces musicales 6.3: Agnus Dei	4	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé super voces musicales 6.3: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 54v–55 Genres: Agnus Dei, Mass Ordinary Number of voices: 4 General Note Agnus III only
56v–57	Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena	4	-	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena Despres, Josquin (ca. 1450–1521) Appears on: 56v–57 Genres: Ave Maria, Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave Maria ... virgo serena
56v–57	Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas	-	-	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas Despres, Josquin (ca. 1450–1521) Appears on: 56v–57 Genres: Ave Maria, Motet
57v–58	[textless]	5	-	Anonymous
[textless] Anonymous Appears on: 57v–58 Genres: textless Number of voices: 5
58v–60	[textless]	5	-	Anonymous
[textless] Anonymous Appears on: 58v–60 Genres: textless Number of voices: 5
60v–61	Missa: Kyrie eleison	3	Alonso (de la Plaja?)	Plaja, Alonso de la (?)
Missa: Kyrie eleison Plaja, Alonso de la (?) Appears on: 60v–61 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Alonso (de la Plaja?) Number of voices: 3 General Note attributed to 'Alonso', the 'Regina caeli' which follows is attributed to 'Alonso de la Plaja' & this may be by him also
60v–61	Missa: Gloria	3	-	Plaja, Alonso de la (?)
Missa: Gloria Plaja, Alonso de la (?) Appears on: 60v–61 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3
61v	Regina caeli laetare alleluia	3	Alonso de la Plaja	Plaja, Alonso de la
Regina caeli laetare alleluia Plaja, Alonso de la Appears on: 61v Genres: Marian antiphon, Motet, Regina caeli laetare Source Attribution: Alonso de la Plaja Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
62	Kyrie eleison	3	Penyalosa	Penalosa, Francisco de
Kyrie eleison Penalosa, Francisco de Appears on: 62 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Penyalosa Number of voices: 3
63v	Sanctus & Benedictus	3	Cots	Cots, Bartomeu
Sanctus & Benedictus Cots, Bartomeu Appears on: 63v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Cots Number of voices: 3
64	Regina caeli laetare alleluia	4	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 64 Genres: Marian antiphon, Motet, Regina caeli laetare Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
64v	[textless]	4	-	Anonymous
[textless] Anonymous Appears on: 64v Genres: textless Number of voices: 4
65	[textless]	4	Marturia [Prats]	Prats, Marturià
[textless] Prats, Marturià Appears on: 65 Genres: textless Source Attribution: Marturia [Prats] Number of voices: 4 General Note Prats spent some time in Italy, and it is suggested in Fabregas2016 that he may have brought this manuscript back to Spain.
65v	O rex noster et Deus noster	4	Milans	Milan, Luis (?)
O rex noster et Deus noster Milan, Luis (?) Appears on: 65v Genres: Motet Source Attribution: Milans Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O rex noster et deus noster
68v, 66	Et in terra pax [Gloria]	3	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 68v, 66 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 General Note folios bound incorrectly.
66v	Quem dicunt homines - 1a pars (of 2): Quem dicunt homines	4	-	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines Richafort, Jean (ca. 1480–ca. 1550) Appears on: 66v Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quem dicunt homines esse filium hominis General Note incomplete: Sup & Ten only
67	Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra	4	-	Despres, Josquin (ca. 1450–1521)
Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra Despres, Josquin (ca. 1450–1521) Appears on: 67 Genres: Tract Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra General Note incomplete: 1a pars lacks Sup; 2a pars lacks Ten; 3a pars lacks Sup & Ten. (The rest of the first 3 parts is all on one page.)
67	Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris	4	-	Despres, Josquin (ca. 1450–1521)
Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris Despres, Josquin (ca. 1450–1521) Appears on: 67 Genres: Tract Number of voices: 4 General Note incomplete: 1a pars lacks Sup; 2a pars lacks Ten; 3a pars lacks Sup & Ten. (The rest of the first three parts is all on one page.)
67	Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis	4	-	Despres, Josquin (ca. 1450–1521)
Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis Despres, Josquin (ca. 1450–1521) Appears on: 67 Genres: Tract Number of voices: 4 General Note incomplete: 1a pars lacks Sup; 2a pars lacks Ten; 3a pars lacks Sup & Ten. (The rest of the first three parts is all on one page.)
67v–68	Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto	4	-	Despres, Josquin (ca. 1450–1521)
Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto Despres, Josquin (ca. 1450–1521) Appears on: 67v–68 Genres: Tract Number of voices: 4 General Note The 4a pars is treated as a separate work in some discussions
69	O bone Jesu illumina oculos meos	4	-	Ribera, Antonio de (?) Anchieta, Juan de (1462–1523) Compère, Loyset (ca. 1445–1518) (?) Penalosa, Francisco de (?)
O bone Jesu illumina oculos meos Ribera, Antonio de (?) Anchieta, Juan de (1462–1523) Compère, Loyset (ca. 1445–1518) (?) Penalosa, Francisco de (?) Appears on: 69 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O bone Iesu illumina oculos meos
69v	Ave verum corpus natum de Maria virgine	4	-	Anonymous
Ave verum corpus natum de Maria virgine Anonymous Appears on: 69v Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave verum corpus natum General Note much of the piece is illegible owing to water damage.

Composer	Compositions
Anchieta, Juan de (1462-1523)	O bone Jesu illumina oculos meos – 69
Anonymous	Ave verum corpus natum de Maria virgine – 69v Et in terra pax [Gloria] – 68v, 66 Regina caeli laetare alleluia – 64 [textless] – 58v–60 [textless] – 64v [textless] – 57v–58
Compère, Loyset (ca. 1445-1518)	(?) O bone Jesu illumina oculos meos – 69
Cots, Bartomeu	Sanctus & Benedictus – 63v
Despres, Josquin (ca. 1450-1521)	Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena – 56v–57 Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas – 56v–57 Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra – 67 Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris – 67 Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis – 67 Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto – 67v–68 Missa Fortuna desperata 8.2: Agnus Dei – 9v–10v Missa Fortuna desperata 8.2: Credo – 3v–6 Missa Fortuna desperata 8.2: Gloria – 1v–3 Missa Fortuna desperata 8.2: Kyrie – 1r Missa Fortuna desperata 8.2: Sanctus – 6v–9 Missa L'homme armé super voces musicales 6.3: Agnus Dei – 54v–55 (?) Missa L'homme armé super voces musicales 6.3: Kyrie – 52v–53 Missa L'homme armé super voces musicales 6.3: Patrem omnipotentem [Credo] – 53v–54
Isaac, Heinrich (ca. 1450-1517)	Missa Argentum et aurum: Agnus Dei – 50v–52 Missa Argentum et aurum: Credo – 45v–47 Missa Argentum et aurum: Gloria – 43v–45 Missa Argentum et aurum: Kyrie – 42v–43 Missa Argentum et aurum: Sanctus – 47v–50 Missa Comme femme desconfortée: Agnus Dei – 32v–33 Missa Comme femme desconfortée: Credo – 27v–30 Missa Comme femme desconfortée: Gloria – 25v–27 Missa Comme femme desconfortée: Kyrie – 24v–25 Missa Comme femme desconfortée: Sanctus – 30v–32 Missa La bassadanza = Missa La Spagna: Agnus Dei – 40v–42 Missa La bassadanza = Missa La Spagna: Credo – 36v–38 Missa La bassadanza = Missa La Spagna: Gloria – 34v–36 Missa La bassadanza = Missa La Spagna: Kyrie – 33v–34 Missa La bassadanza = Missa La Spagna: Sanctus – 38v–40
Milan, Luis	(?) O rex noster et Deus noster – 65v
Obrecht, Jacobus (ca. 1457-1505)	Missa Salve diva parens (Mi Mi): Agnus Dei – 22v–24 Missa Salve diva parens (Mi Mi): Credo – 15v–18 Missa Salve diva parens (Mi Mi): Gloria – 12v–15 Missa Salve diva parens (Mi Mi): Kyrie – 11v–12 Missa Salve diva parens (Mi Mi): Sanctus, Benedictus – 18v–22
Penalosa, Francisco de	Kyrie eleison – 62 (?) O bone Jesu illumina oculos meos – 69
Plaja, Alonso de la	(?) Missa: Gloria – 60v–61 (?) Missa: Kyrie eleison – 60v–61 Regina caeli laetare alleluia – 61v
Prats, Marturià	[textless] – 65
Ribera, Antonio de	(?) O bone Jesu illumina oculos meos – 69
Richafort, Jean (ca. 1480-ca. 1550)	Quem dicunt homines - 1a pars (of 2): Quem dicunt homines – 66v

Composition	Composers (? Uncertain)	Folios / Pages
[textless]	Anonymous	57v–58
[textless]	Anonymous	58v–60
[textless]	Anonymous	64v
[textless]	Prats, Marturià	65
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena	Despres, Josquin (ca. 1450–1521)	56v–57
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas	Despres, Josquin (ca. 1450–1521)	56v–57
Ave verum corpus natum de Maria virgine	Anonymous	69v
Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra	Despres, Josquin (ca. 1450–1521)	67
Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris	Despres, Josquin (ca. 1450–1521)	67
Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis	Despres, Josquin (ca. 1450–1521)	67
Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto	Despres, Josquin (ca. 1450–1521)	67v–68
Et in terra pax [Gloria]	Anonymous	68v, 66
Kyrie eleison	Penalosa, Francisco de	62
Missa Argentum et aurum: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	50v–52
Missa Argentum et aurum: Credo	Isaac, Heinrich (ca. 1450–1517)	45v–47
Missa Argentum et aurum: Gloria	Isaac, Heinrich (ca. 1450–1517)	43v–45
Missa Argentum et aurum: Kyrie	Isaac, Heinrich (ca. 1450–1517)	42v–43
Missa Argentum et aurum: Sanctus	Isaac, Heinrich (ca. 1450–1517)	47v–50
Missa Comme femme desconfortée: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	32v–33
Missa Comme femme desconfortée: Credo	Isaac, Heinrich (ca. 1450–1517)	27v–30
Missa Comme femme desconfortée: Gloria	Isaac, Heinrich (ca. 1450–1517)	25v–27
Missa Comme femme desconfortée: Kyrie	Isaac, Heinrich (ca. 1450–1517)	24v–25
Missa Comme femme desconfortée: Sanctus	Isaac, Heinrich (ca. 1450–1517)	30v–32
Missa Fortuna desperata 8.2: Agnus Dei	Despres, Josquin (ca. 1450–1521)	9v–10v
Missa Fortuna desperata 8.2: Credo	Despres, Josquin (ca. 1450–1521)	3v–6
Missa Fortuna desperata 8.2: Gloria	Despres, Josquin (ca. 1450–1521)	1v–3
Missa Fortuna desperata 8.2: Kyrie	Despres, Josquin (ca. 1450–1521)	1r
Missa Fortuna desperata 8.2: Sanctus	Despres, Josquin (ca. 1450–1521)	6v–9
Missa L'homme armé super voces musicales 6.3: Agnus Dei	Despres, Josquin (ca. 1450–1521)	54v–55
Missa L'homme armé super voces musicales 6.3: Kyrie	Despres, Josquin (ca. 1450–1521) (?)	52v–53
Missa L'homme armé super voces musicales 6.3: Patrem omnipotentem [Credo]	Despres, Josquin (ca. 1450–1521)	53v–54
Missa La bassadanza = Missa La Spagna: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	40v–42
Missa La bassadanza = Missa La Spagna: Credo	Isaac, Heinrich (ca. 1450–1517)	36v–38
Missa La bassadanza = Missa La Spagna: Gloria	Isaac, Heinrich (ca. 1450–1517)	34v–36
Missa La bassadanza = Missa La Spagna: Kyrie	Isaac, Heinrich (ca. 1450–1517)	33v–34
Missa La bassadanza = Missa La Spagna: Sanctus	Isaac, Heinrich (ca. 1450–1517)	38v–40
Missa Salve diva parens (Mi Mi): Agnus Dei	Obrecht, Jacobus (ca. 1457–1505)	22v–24
Missa Salve diva parens (Mi Mi): Credo	Obrecht, Jacobus (ca. 1457–1505)	15v–18
Missa Salve diva parens (Mi Mi): Gloria	Obrecht, Jacobus (ca. 1457–1505)	12v–15
Missa Salve diva parens (Mi Mi): Kyrie	Obrecht, Jacobus (ca. 1457–1505)	11v–12
Missa Salve diva parens (Mi Mi): Sanctus, Benedictus	Obrecht, Jacobus (ca. 1457–1505)	18v–22
Missa: Gloria	Plaja, Alonso de la (?)	60v–61
Missa: Kyrie eleison	Plaja, Alonso de la (?)	60v–61
O bone Jesu illumina oculos meos	Ribera, Antonio de (?) Anchieta, Juan de (1462–1523) Compère, Loyset (ca. 1445–1518) (?) Penalosa, Francisco de (?)	69
O rex noster et Deus noster	Milan, Luis (?)	65v
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines	Richafort, Jean (ca. 1480–ca. 1550)	66v
Regina caeli laetare alleluia	Plaja, Alonso de la	61v
Regina caeli laetare alleluia	Anonymous	64
Sanctus & Benedictus	Cots, Bartomeu	63v

‡ denotes primary source study

Miranda-Lopez, M Mar. 2019. Música i cerimònia a Girona, 1500-1650. Universitat de Girona, Unpublished Ph.D. dissertation, 2 vols.

Ros-Fábregas, Emilio. 2016-2017. Manuscripts of Polyphony from the Time of Isabel and Ferdinand. Companion to Music in the Age of the Catholic Monarchs, 404-468. Brill (Leiden / Boston).

Ros-Fábregas, Emilio. 2015. Dos manuscrits de polifonia del Renaixement amb connexions gironines: E-Boc 5 i E-Bbc 682. La música culta a les comarques gironines. Dels trobadors a l'electroacústica, 21-36. Centre d'Estudis Comarcals de Banyoles.

Urchuegúia, Cristina. 2003. Die mehrstimmige Messe im ‘Goldenen Jahrhundert'. Überlieferung und Repertoirebildung in Quellen aus Spanien und Portugal (ca. 1490–1630) (= Würzburger musikhistorische Beiträge), vol. 25. Tutzing.

‡ Ros-Fábregas, Emilio. 2001. Orígenes e inventario de un manuscrito catalán del Renacimiento con repertorio polifónico internacional: Barcelona, Biblioteca del Orfeó Català, Ms. 5. Fuentes musicales en la Península Ibérica / Fonts musicals a la Península Ibèrica, 141-176. Universitat de Lleida.

Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss.

Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 120. Notes: physical description; contents list; incipitsst of contents (partial).

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 21; IV, 229.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Stevenson, Robert. 1976. Josquin in the Music of Spain and Portugal. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 217-46. London, New York, and Toronto. Pages: 220. Notes: contents list (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents, vol. 12. American Institute of Musicology. Pages: 34. Notes: contents list (partial); concordances (partial).

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae, vol. 15. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,27-8. Notes: transcription (partial).

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VIII,143. Notes: physical description.

Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia. Amsterdam. Pages: I, fase. 5, xxvii. Notes: physical description; contents list.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I,115. Notes: physical description; contents list.

Anglès, Higinio. 1941. La Música Espanola desde la Edad Media hasta Nuestros Dias. Catálogo de la Exposición Histórica, Barcelona. Pages: 30. Notes: physical description.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: I,vii-viii. Notes: physical description; contents list.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description