I-PAVu MS Aldini 362

Biblioteca Universitaria, Pavia, Italy

theory treatise and polyphony: Late 1460's or early 1470's

Archive	Biblioteca Universitaria, Pavia, Italy (I-PAVu)
Shelfmark	MS Aldini 362
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	150 x 106 mm
Other Identifiers	RISM: I-PAVu 362 RISM: PAV CCM: PavU 362
Notations	black void mensural
Relationships	Rabbia, Fioravante (owner) Rabbia family (owner)
Provenance	Italy
Contents	50 pieces from 8 composers

General Description

Theoretical treatise on ff. 1-14; polyphony on ff. 17'-67'. Copied by a single scribe, except for pieces on ff. 34bis'-35 and 50'-51, which are slightly later additions by two different hands. Probably copied in Savoy. Owned in 16th century by several members of Rabbia family (inscription on f. 1: 'Esto libero e didortea Rabia'; on f. 78': 'Mei jo. Joseph derabis de Cuneo'); possibly came to Pavia University Library via the physician, scholar, and musician Fioravante Rabbia (taught at University of Pavia 1559-64). Although subsequently placed in Aldini collection (see PavU 361), PavU 362 never owned by Aldini.

DIAMM, 2017

Physical Description

Some folios waterstained or damaged by worms.

DIAMM, 2017

Binding

Rebound in 1962 in modern covers of red morocco leather. Disposition of earlier (16th-century?) covers unknown; they were of brown leather tooled with fleurs-de-lis and 'Ihs.'

DIAMM, 2017

Watermark

(1) generally resembles Briquet #14390, #14392, #14395; (2) generally resembles Briquet #4728; (3) generally resembles Briquet #11086; (4) generally resembles Briquet #15675, #15685.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern ink foliation, 1-6; modern pencil foliation, 7-27; 27bis-34; 34bis-80 (last original folio not numbered).

DIAMM, 2017

Decoration

Treatise has red inked initials; space left for decorative initials in chansonnier, but initials inscribed only at bottom of f. 28'.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVe s. 84 ff. Papier, 150 x 100 mm. Foliotation moderne au haut des ff. Les ff. 27 et 34 chiffrés 2 fois. Les ff. 46v, 47, 62v, 63, 64v, 65, 68 - à la fin sont blancs. Notation mesurée blanche. 6 portées par p. Aux ff. 1-16, ouvrages théoriques musicaux. Les paroles supplémentaires au bas des ff. ont certaines lettres rubriquées. Les initiales mq. et restent quelquefois problématiques.

Le 1er f. porte: «Esto libro è di Doria Rabia», ce qui identifie l'un des premiers possesseurs de ce chansonnier avec un membre de l'une des familles nobles de Cuneo. C'est peut-être même dans cette région frontière que fut compilé le ms., ce qui expliquerait l'orthographe à peu près correcte aussi bien des textes français (32 chansons) que des textes italiens (7 chansons). Le répertoire suggère les années 1460 pour la copie, date que corrobore au moins l'un des filigranes (gant) qui caractérise des papiers italiens de la fin du XVe siècle. Les ouvrages théoriques aux 1ers ff. sont décrits par P. Fischer (cf. Bibliographie).

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

36 French secular pieces, 7 Italian secular pieces, 1 textless piece = 44

(Barbingant/Fedé)-1, (Bedingham)-1, (Bedingham/Dufay)-1, (Bedingham/Dunstable)-1, (Binchois)-2 + 1?, (Dufay)-3 + 1?, Hayne van Ghizeghem-1, anon-32

iv + 83 + iv paper folios, 150 x 106. Some folios waterstained or damaged by worms. Modern ink foliation, 1-6; modern pencil foliation, 7-27; 27bis-34; 34bis-80 (last original folio not numbered). Ff. 6-6', 14'-17, and 79-[81'] blank; ff. 46'-47, 62'-63, 64'-65, and 68-78 have blank staves only. Rebound in 1962 in modern covers of red morocco leather. Disposition of earlier (16th-century?) covers unknown; they were of brown leather tooled with fleurs-de-lis and "Ihs." No index.

Theoretical treatise on ff. 1-14; polyphony on ff. 17'-67'. Copied by a single scribe, except for pieces on ff. 34bis'-35 and 50'-51, which are slightly later additions by two different hands. Treatise has red inked initials; space left for decorative initials in chansonnier, but initials inscribed only at bottom of f. 28'. Watermarks: (1) generally resembles Briquet #14390, #14392, #14395; (2) generally resembles Briquet #4728; (3) generally resembles Briquet #11086; (4) generally resembles Briquet #15675, #15685.

Late 1460's or early 1470's (SchavP). Probably copied in Savoy. Owned in 16th century by several members of Rabbia family (inscription on f. 1: "Esto libero e didortea Rabia"; on f. 78': "Mei jo. Joseph derabis de Cuneo"); possibly came to Pavia University Library via the physician, scholar, and musician Fioravante Rabbia (taught at University of Pavia 1559-64). Although subsequently placed in Aldini collection (see PavU 361), PavU 362 never owned by Aldini.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
17v–19	Terriblement suis fortunée - 1a pars (of 2): Terriblement suis fortunée	-	Anonymous
Terriblement suis fortunée - 1a pars (of 2): Terriblement suis fortunée Anonymous Appears on: 17v–19 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [Terriblement suis fortunée Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
17v–19	Terriblement suis fortunée - 2a pars (of 2): Il me sanble qu'il a mal fait	-	Anonymous
Terriblement suis fortunée - 2a pars (of 2): Il me sanble qu'il a mal fait Anonymous Appears on: 17v–19 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [2a p.]: [I]l me sanbLe qu'il a mal fait Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
19v–21	Fortune leysse moi la vie - 1a pars (of 2): Fortune leysse moi la vie	-	Anonymous
Fortune leysse moi la vie - 1a pars (of 2): Fortune leysse moi la vie Anonymous Appears on: 19v–21 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [F)ortune leysse moy la vie
19v–21	Fortune leysse moi la vie - 2a pars (of 2): Si je me plains de ta durté	-	Anonymous
Fortune leysse moi la vie - 2a pars (of 2): Si je me plains de ta durté Anonymous Appears on: 19v–21 Genres: Chanson Voice: [no designation] Languages: French Voice Text: 2a p.: [S]y je me pleins de ta durté
21v–22	L'homme banny de sa plaisance	[FEDÉ ou BARBINGANT*]	Barbingant, Pierre (fl. c1445-60) (?) Fede, Johannes (?)
L'homme banny de sa plaisance Barbingant, Pierre (fl. c1445-60) (?) Fede, Johannes (?) Appears on: 21v–22 Genres: Chanson Source Attribution: [FEDÉ ou BARBINGANT] Voice:* [no designation] Languages: French Voice Text: [L]ome banny de sa pleysance … Voice: [no designation] Languages: French Voice Text: [L]ome banny de sa pleysance … Voice: [no designation] Languages: French Voice Text: [L]ome banny de sa pleysance … General Note Publ. cf. Fn 176 n° 38 Concordances *US-NH
22v–23	Ne dy mot chut bouche cousue	-	Anonymous
Ne dy mot chut bouche cousue Anonymous Appears on: 22v–23 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [N]e dy mot chut bouche cousue . . . Voice: [no designation] Languages: French Voice Text: [N]e dy mot chut bouche cousue . . . Voice: [no designation] Languages: French Voice Text: [N]e dy mot chut bouche cousue . . .
23v–24	Je ne pourroye plus celer	-	Anonymous
Je ne pourroye plus celer Anonymous Appears on: 23v–24 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [J]e ne pourroye plus celer … Voice: [no designation] Languages: French Voice Text: [J]e ne pourroye plus celer … Voice: [no designation] Languages: French Voice Text: [J]e ne pourroye plus celer … Item Bibliography Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.
24v–25	Mon seul plaisir, ma douce joie	[G. DUFAY ou J. BEDINGHAM*]	Du Fay, Guillaume (1397–1474) (?) Bedingham, John (–ca. 1460)
Mon seul plaisir, ma douce joie Du Fay, Guillaume (1397–1474) (?) Bedingham, John (–ca. 1460) Appears on: 24v–25 Genres: Chanson Source Attribution: [G. DUFAY ou J. BEDINGHAM] Voice:* [no designation] Languages: French Voice Text: [M]on seul playsir et ma doulce joye . . Voice: [no designation] Languages: French Voice Text: [M]on seul playsir et ma doulce joye . . Voice: [no designation] Languages: French Voice Text: [M]on seul playsir et ma doulce joye . . General Note Publ. cf. Fn 176 n° 41 Concordances *P-Pm 714
25v–26	Hora cridar "Oime" posso ben io	-	Anonymous
Hora cridar "Oime" posso ben io Anonymous Appears on: 25v–26 Genres: Chanson Voice: [no designation] Languages: Latin Voice Text: [H]ora cridarem omy posso ben yo . . . Voice: [no designation] Languages: Latin Voice Text: [H]ora cridarem omy posso ben yo . . . Voice: [no designation] Languages: Latin Voice Text: [H]ora cridarem omy posso ben yo . . . Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier. New Haven. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.
26v–27	Gentil madona de no me habandonare	[J. BEDINGHAM]*	Bedingham, John (–ca. 1460)
Gentil madona de no me habandonare Bedingham, John (–ca. 1460) Appears on: 26v–27 Genres: Italian secular Source Attribution: [J. BEDINGHAM]* Voice: [no designation] Languages: Italian Voice Text: [GJeretii madona de no me habandonare … Voice: [no designation] Languages: Italian Voice Text: [GJeretii madona de no me habandonare … Voice: [no designation] Languages: Italian Voice Text: [GJeretii madona de no me habandonare … General Note [= Fortune elas*]Publ. cf. MC 871 n° 94 Concordances D-brd-Mbs-3232a "US-NH
27v–27bis	a san dam semper de ly jogy mey?	-	Anonymous
a san dam semper de ly jogy mey? Anonymous Appears on: 27v–27bis Genres: Chanson Voice: [no designation] Languages: French Voice Text: [ ?]a san dam semper de ly jogy mey . . . Voice: [no designation] Languages: French Voice Text: [ ?]a san dam semper de ly jogy mey . . . Voice: [no designation] Languages: French Voice Text: [ ?]a san dam semper de ly jogy mey . . .
27bis–28	De la cause crudela amare et tener fede	-	Anonymous
De la cause crudela amare et tener fede Anonymous Appears on: 27bis–28 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: [D]e la cause crudeLa amare et tener fede … Voice: [no designation] Languages: Italian Voice Text: [D]e la cause crudeLa amare et tener fede … Voice: [no designation] Languages: Italian Voice Text: [D]e la cause crudeLa amare et tener fede …
28v–29	Vous qui parlés du gantil buciphal	-	Anonymous
Vous qui parlés du gantil buciphal Anonymous Appears on: 28v–29 Genres: Chanson Voice: Tenor Languages: Latin Voice Text: [íí]e Molinet engreine engreine ... Voice: Altus Languages: French Voice Text: Conqueliquoy la douleur que je recoy ... Voice: [no designation] Languages: French Voice Text: [V]ous qui parlés du gantil buciphal ... General Note [A]:Conqueliquoy la douleur que je recoy [T]: [H]e Molinet engreine engreine
29v–30	Pour prison ne pour maladie	[G. BINCHOIS]	Binchois, Gilles (ca. 1400–1460)
Pour prison ne pour maladie Binchois, Gilles (ca. 1400–1460) Appears on: 29v–30 Genres: Chanson Source Attribution: [G. BINCHOIS] Voice: [no designation] Languages: French Voice Text: (P)our prison ne por maladie … Voice: [no designation] Languages: French Voice Text: (P)our prison ne por maladie … Voice: [no designation] Languages: French Voice Text: (P)our prison ne por maladie … General Note Publ. cf. Fr 2794 n° 20
30v–31	Si j'ai votre grace requise	-	Anonymous
Si j'ai votre grace requise Anonymous Appears on: 30v–31 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [S]y j'ey vostre grasse requise … Voice: [no designation] Languages: French Voice Text: [S]y j'ey vostre grasse requise … Voice: [no designation] Languages: French Voice Text: [S]y j'ey vostre grasse requise …
31v–32	Mon coeur chante joyeusement	[G. BINCHOIS]	Binchois, Gilles (ca. 1400–1460)
Mon coeur chante joyeusement Binchois, Gilles (ca. 1400–1460) Appears on: 31v–32 Genres: Chanson Source Attribution: [G. BINCHOIS] Voice: [no designation] Languages: French Voice Text: [M]on [coeur] chante joyeusement . . . Voice: [no designation] Languages: French Voice Text: [M]on [coeur] chante joyeusement . . . Voice: [no designation] Languages: French Voice Text: [M]on [coeur] chante joyeusement . . . Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II.
32v–33	Fortune nas tu point pitié de moi	-	Anonymous
Fortune nas tu point pitié de moi Anonymous Appears on: 32v–33 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [F]ortune nas tu point pitié de moy . . .
33v–34	Helas mestresse ma mie	-	Anonymous
Helas mestresse ma mie Anonymous Appears on: 33v–34 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [H]elas mestresse ma mie … Voice: [no designation] Languages: French Voice Text: [H]elas mestresse ma mie … Voice: [no designation] Languages: French Voice Text: [H]elas mestresse ma mie …
34v–34bis	Languir me fault en grievs dolours	-	Anonymous
Languir me fault en grievs dolours Anonymous Appears on: 34v–34bis Genres: Chanson Voice: [no designation] Languages: French Voice Text: [L]anguir me fault en grievs dolours . . . Voice: [no designation] Languages: French Voice Text: [L]anguir me fault en grievs dolours . . . Voice: [no designation] Languages: French Voice Text: [L]anguir me fault en grievs dolours . . .
34bisv–35	De tous biens plaine est ma maîtresse	Heyne	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
De tous biens plaine est ma maîtresse Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 34bisv–35 Genres: Chanson Source Attribution: Heyne Voice: [no designation] Languages: French Voice Text: [D]e tous biens playne et ma mestresse … Voice: [no designation] Languages: French Voice Text: [D]e tous biens playne et ma mestresse … Voice: [no designation] Languages: French Voice Text: [D]e tous biens playne et ma mestresse … General Note [= Cum defecerint ligna] Publ. cf. Bc 16 n° 115 Concordances SA-Csa 12
35v–36	Serey je voustre mieulx amé	-	Anonymous
Serey je voustre mieulx amé Anonymous Appears on: 35v–36 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [S]erey je voustre mieulx amé … Voice: [no designation] Languages: French Voice Text: [S]erey je voustre mieulx amé … Voice: [no designation] Languages: French Voice Text: [S]erey je voustre mieulx amé …
36v–37	Faulx envieux tenés vous quoy	-	Anonymous
Faulx envieux tenés vous quoy Anonymous Appears on: 36v–37 Genres: Chanson Voice: Tenor Languages: French Voice Text: [E]t qui ne nous ame … Voice: [no designation] Languages: French Voice Text: [F)aulx envieux tenés vous quoy . . . Voice: [no designation] Languages: French Voice Text: [F)aulx envieux tenés vous quoy . . . General Note T: [E]t qui ne nous ame Item Bibliography Gülke, Peter. 1961. Das Volkslied in der burgundischen Polyphonie des 15. Jahrhunderts. Festschrift Heinrich Besseler zum sechzigsten Geburtstag, Leipzig.
37v–38	Pour avenir a mon actainte	-	Anonymous
Pour avenir a mon actainte Anonymous Appears on: 37v–38 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [P]our avenir a mon actainte … Voice: [no designation] Languages: French Voice Text: [P]our avenir a mon actainte … Voice: [no designation] Languages: French Voice Text: [P]our avenir a mon actainte …
38v–39	Vive ma dame por amors	-	Anonymous
Vive ma dame por amors Anonymous Appears on: 38v–39 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: [V]ive ma dame por amors … Voice: [no designation] Languages: Italian Voice Text: [V]ive ma dame por amors … Voice: [no designation] Languages: Italian Voice Text: [V]ive ma dame por amors …
39v–40	Mes yeulx ont feit dame nouvelle	-	Anonymous
Mes yeulx ont feit dame nouvelle Anonymous Appears on: 39v–40 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [M]es yeulx ont feit dame nouvelle . . . Voice: [no designation] Languages: French Voice Text: [M]es yeulx ont feit dame nouvelle . . . Voice: [no designation] Languages: French Voice Text: [M]es yeulx ont feit dame nouvelle . . .
40v–41	Le serviteur hault guerdonné assovy	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Le serviteur hault guerdonné assovy Du Fay, Guillaume (1397–1474) Appears on: 40v–41 Genres: Chanson, Rondeau Source Attribution: [G. DUFAY] Voice: [no designation] Languages: French Voice Text: [L]e serviteur hault guerdonné … Voice: [no designation] Languages: French Voice Text: [L]e serviteur hault guerdonné … Voice: [no designation] Languages: French Voice Text: [L]e serviteur hault guerdonné … General Note [=1 sol tuo servitor] [= Superno nunc emittitur]Publ. cf. Fr 2794 n° 19 Concordances F-Pn 15123
41v–43	O rosa bella, o Deitatis cella (= O quam suavis est domina)	[J. DUNSTABLE ou J. BEDINGHAM*]	Dunstaple, John (ca. 1390–1453) (?) Bedingham, John (–ca. 1460) (?)
O rosa bella, o Deitatis cella (= O quam suavis est domina) Dunstaple, John (ca. 1390–1453) (?) Bedingham, John (–ca. 1460) (?) Appears on: 41v–43 Genres: Motet Source Attribution: [J. DUNSTABLE ou J. BEDINGHAM] Voice:* [no designation] Languages: Italian Voice Text: [O] rosa bella General Note Publ. cf. MC 871 n' 81 Concordances *P-Pm 714
41v–43	A lasse my (=O rosa bella)	[J. DUNSTABLE ou J. BEDINGHAM*]	Bedingham, John (–ca. 1460) (?) Dunstaple, John (ca. 1390–1453) (?)
A lasse my (=O rosa bella) Bedingham, John (–ca. 1460) (?) Dunstaple, John (ca. 1390–1453) (?) Appears on: 41v–43 Genres: Song Source Attribution: [J. DUNSTABLE ou J. BEDINGHAM] Voice:* [no designation] Languages: French Voice Text: [2a p.]: A lasse my General Note Publ. cf. MC 871 n' 81 Concordances *P-Pm 714
43v–44	Quy m'amerà de bonne amour	-	Anonymous
Quy m'amerà de bonne amour Anonymous Appears on: 43v–44 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [Q]uy m'amerà de bonne amour . . . Voice: [no designation] Languages: French Voice Text: [Q]uy m'amerà de bonne amour . . . Voice: [no designation] Languages: French Voice Text: [Q]uy m'amerà de bonne amour . . .
44v–45	Dieu gard de mal la compagnie	-	Anonymous
Dieu gard de mal la compagnie Anonymous Appears on: 44v–45 Genres: Chanson, Sacred Song Voice: [no designation] Languages: French Voice Text: [D]ieu gart de mal la compagnie . . . Voice: [no designation] Languages: French Voice Text: [D]ieu gart de mal la compagnie . . . Voice: [no designation] Languages: French Voice Text: [D]ieu gart de mal la compagnie . . .
45v–46	Por un seul mot bien ordonné	-	Anonymous
Por un seul mot bien ordonné Anonymous Appears on: 45v–46 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [P]or ung seul mot bien ordonné . . . Voice: [no designation] Languages: French Voice Text: [P]or ung seul mot bien ordonné . . . Voice: [no designation] Languages: French Voice Text: [P]or ung seul mot bien ordonné . . .
47v–48	Par le regard de vos beaux yeux	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Par le regard de vos beaux yeux Du Fay, Guillaume (1397–1474) Appears on: 47v–48 Genres: Chanson, Rondeau Source Attribution: [G. DUFAY] Voice: [no designation] Languages: French Voice Text: [P]ar le regart de vous biaulx yeulx . . . Voice: [no designation] Languages: French Voice Text: [P]ar le regart de vous biaulx yeulx . . . Voice: [no designation] Languages: French Voice Text: [P]ar le regart de vous biaulx yeulx . . . General Note Publ. cf. MC 871 n° 17
48v–50	He fortune pourquoi - 1a pars (of 2): He fortune pourquoi suis fortunée	-	Anonymous
He fortune pourquoi - 1a pars (of 2): He fortune pourquoi suis fortunée Anonymous Appears on: 48v–50 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [H]e fortune pourquoy suis fortunée
48v–50	He fortune pourquoi - 2a pars (of 2): Helas c'est ce que plus j'amoye	-	Anonymous
He fortune pourquoi - 2a pars (of 2): Helas c'est ce que plus j'amoye Anonymous Appears on: 48v–50 Genres: Chanson, Motet Voice: [no designation] Languages: French Voice Text: [2a p.]: [H]elas c'est ce que plus j'amoye
50v–51	Mon coeur de deuil pleura ma dame	-	Anonymous
Mon coeur de deuil pleura ma dame Anonymous Appears on: 50v–51 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [M]on euer de dueil pleura ma dame . . . Voice: [no designation] Languages: French Voice Text: [M]on euer de dueil pleura ma dame . . . Voice: [no designation] Languages: French Voice Text: [M]on euer de dueil pleura ma dame . . . General Note [= Mon cuer de doleur] [= Mon cuer a demi] Concordances F-Pn 15123
51v–52	Je doy bien estre ensarcele	-	Anonymous
Je doy bien estre ensarcele Anonymous Appears on: 51v–52 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [J]e doy bien estre ensarce(le) Voice: [no designation] Languages: French Voice Text: [J]e doy bien estre ensarce(le) Voice: [no designation] Languages: French Voice Text: [J]e doy bien estre ensarce(le)
52v–53	Dona gentile belle come l'oro	[G. DUFAY]*	Du Fay, Guillaume (1397–1474)
Dona gentile belle come l'oro Du Fay, Guillaume (1397–1474) Appears on: 52v–53 Genres: Italian secular Source Attribution: [G. DUFAY]* Voice: [no designation] Languages: Italian Voice Text: [D]ona gentle belle come l'oro . . . Voice: [no designation] Languages: Italian Voice Text: [D]ona gentle belle come l'oro . . . Voice: [no designation] Languages: Italian Voice Text: [D]ona gentle belle come l'oro . . . Concordances US-NH Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier.* New Haven. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI.
53v–54	O pellegrina o luce chiara stella	-	Anonymous
O pellegrina o luce chiara stella Anonymous Appears on: 53v–54 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: O pellegrina o luce chiera stella … Voice: [no designation] Languages: Italian Voice Text: O pellegrina o luce chiera stella … Voice: [no designation] Languages: Italian Voice Text: O pellegrina o luce chiera stella … Concordances This version is concordant with Chansonnier cordiforme no.2; but not with I-MC 871 (= Chansonnier cordiforme no.1) The following three are concordant with one or the other of these (to be determined): I-TRbc MS 1375 [88] I-Fn MS Magl. XIX.176 F-Pn Coll. Roths, MS 2973
54v–55	Vive quy amoureux sera [2a pars of a bergerette?]	-	Anonymous
Vive quy amoureux sera [2a pars of a bergerette?] Anonymous Appears on: 54v–55 Genres: Bergerette Voice: [no designation] Languages: French Voice Text: [Vjive quy amoureux sera … Voice: [no designation] Languages: French Voice Text: [Vjive quy amoureux sera … Voice: [no designation] Languages: French Voice Text: [Vjive quy amoureux sera …
55v–56	Luce o luce que reluce el cor mio	-	Anonymous
Luce o luce que reluce el cor mio Anonymous Appears on: 55v–56 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Luce o luce que reluce el cor mio . . . Voice: [no designation] Languages: Italian Voice Text: Luce o luce que reluce el cor mio . . . Voice: [no designation] Languages: Italian Voice Text: Luce o luce que reluce el cor mio . . .
56v–58	Quant jamais - 1a pars (of 2): Quont jamés aulire bien je n'auroye	-	Anonymous
Quant jamais - 1a pars (of 2): Quont jamés aulire bien je n'auroye Anonymous Appears on: 56v–58 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [Q]uont jamés aulire bien je n'auroye Item Bibliography Droz, Eugénie, and Geneviève Thibault. 1924. Poètes et musiciens du XVe siècle. Documents artistiques du XVe siècle. Paris.
56v–58	Quant jamais - 2a pars (of 2): Ung regart d'elle seullement	-	Anonymous
Quant jamais - 2a pars (of 2): Ung regart d'elle seullement Anonymous Appears on: 56v–58 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [2a p.]: Ung regart d'elle seullement
58v–59	Celebris hic dies agitur = Le serviteur infortuné	-	Anonymous
Celebris hic dies agitur = Le serviteur infortuné Anonymous Appears on: 58v–59 Genres: Contrafactum Voice: [no designation] Languages: French Voice Text: [L]e serviteur infortuné … Voice: [no designation] Languages: French Voice Text: [L]e serviteur infortuné … Voice: [no designation] Languages: French Voice Text: [L]e serviteur infortuné … General Note Publ. cf. MC 871 n° 87
59v–60	De bien loing mon oueil vous salue	-	Anonymous
De bien loing mon oueil vous salue Anonymous Appears on: 59v–60 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [D]e bien Loing mon oueil vous salue . . . Voice: [no designation] Languages: French Voice Text: [D]e bien Loing mon oueil vous salue . . . Voice: [no designation] Languages: French Voice Text: [D]e bien Loing mon oueil vous salue . . .
60v–61	Puisqu'l ha pleu a la tres belle	-	Anonymous
Puisqu'l ha pleu a la tres belle Anonymous Appears on: 60v–61 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [P]uisqu'l ha pleu a la tres belle . . . Voice: [no designation] Languages: French Voice Text: [P]uisqu'l ha pleu a la tres belle . . . Voice: [no designation] Languages: French Voice Text: [P]uisqu'l ha pleu a la tres belle . . .
61v–62	Gardés le trait della fenestre Belle gente amoreuse	-	Anonymous
Gardés le trait della fenestre Belle gente amoreuse Anonymous Appears on: 61v–62 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [G)ardes le treit de la fenestre … Voice: [no designation] Languages: French Voice Text: [G)ardes le treit de la fenestre … Voice: [no designation] Languages: French Voice Text: [G)ardes le treit de la fenestre … General Note Publ. cf. Bc 16 n° 100
63v–64	Vreys amoureux oyés oyés	-	Anonymous
Vreys amoureux oyés oyés Anonymous Appears on: 63v–64 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [V)reys amoureux oyés oyés … Voice: [no designation] Languages: French Voice Text: [V)reys amoureux oyés oyés …
65v–66	Se la face ay pale	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Se la face ay pale Du Fay, Guillaume (1397–1474) Appears on: 65v–66 Genres: Ballade, Chanson Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Italian Voice Text: [S]e la fasse ey pale … Voice: [no designation] Languages: Italian Voice Text: [S]e la fasse ey pale … Voice: [no designation] Languages: Italian Voice Text: [S]e la fasse ey pale … Item Bibliography Burstyn, Shai. 1972. Fifteenth-Century Polyphonic Settings of Verses from the Song of Songs. Columbia University, Unpublished Ph.D. dissertation. Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Pages: II. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Stainer, John F. R, Cécie Stainer, Edward W. B. Nicholson, and Stainer Sir John. 1898; reprinted as EBM I: 1966. Dufay and his Contemporaries: Fifty Compositions (Ranging from about A.D. 1400 to 1440) Transcribed from MS. Canonici misc. 213, in the Bodleian Library, Oxford, with an introduction by E.W.B. Nicholson, and a critical analysis of the music by Sir John Stainer. London. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
66v–67	Or sus de parsus tous les aultres	-	Anonymous
Or sus de parsus tous les aultres Anonymous Appears on: 66v–67 Genres: Motet Voice: [no designation] Languages: French Voice Text: [O]r sus or sus de parsus tous les aultres … Voice: [no designation] Languages: French Voice Text: [O]r sus or sus de parsus tous les aultres … Voice: [no designation] Languages: French Voice Text: [O]r sus or sus de parsus tous les aultres … General Note Paroles au T
67v	untexted	-	-
untexted Appears on: 67v Voice: [no designation] Languages: none General Note Sup. seul1

Composer	Compositions
Anonymous	Celebris hic dies agitur = Le serviteur infortuné – 58v–59 De bien loing mon oueil vous salue – 59v–60 De la cause crudela amare et tener fede – 27bis–28 Dieu gard de mal la compagnie – 44v–45 Faulx envieux tenés vous quoy – 36v–37 Fortune leysse moi la vie - 1a pars (of 2): Fortune leysse moi la vie – 19v–21 Fortune leysse moi la vie - 2a pars (of 2): Si je me plains de ta durté – 19v–21 Fortune nas tu point pitié de moi – 32v–33 Gardés le trait della fenestre Belle gente amoreuse – 61v–62 He fortune pourquoi - 1a pars (of 2): He fortune pourquoi suis fortunée – 48v–50 He fortune pourquoi - 2a pars (of 2): Helas c'est ce que plus j'amoye – 48v–50 Helas mestresse ma mie – 33v–34 Hora cridar "Oime" posso ben io – 25v–26 Je doy bien estre ensarcele – 51v–52 Je ne pourroye plus celer – 23v–24 Languir me fault en grievs dolours – 34v–34bis Luce o luce que reluce el cor mio – 55v–56 Mes yeulx ont feit dame nouvelle – 39v–40 Mon coeur de deuil pleura ma dame – 50v–51 Ne dy mot chut bouche cousue – 22v–23 O pellegrina o luce chiara stella – 53v–54 Or sus de parsus tous les aultres – 66v–67 Por un seul mot bien ordonné – 45v–46 Pour avenir a mon actainte – 37v–38 Puisqu'l ha pleu a la tres belle – 60v–61 Quant jamais - 1a pars (of 2): Quont jamés aulire bien je n'auroye – 56v–58 Quant jamais - 2a pars (of 2): Ung regart d'elle seullement – 56v–58 Quy m'amerà de bonne amour – 43v–44 Serey je voustre mieulx amé – 35v–36 Si j'ai votre grace requise – 30v–31 Terriblement suis fortunée - 1a pars (of 2): Terriblement suis fortunée – 17v–19 Terriblement suis fortunée - 2a pars (of 2): Il me sanble qu'il a mal fait – 17v–19 Vive ma dame por amors – 38v–39 Vive quy amoureux sera [2a pars of a bergerette?] – 54v–55 Vous qui parlés du gantil buciphal – 28v–29 Vreys amoureux oyés oyés – 63v–64 a san dam semper de ly jogy mey? – 27v–27bis [No description] – 67v
Barbingant, Pierre (fl. c1445-60)	(?) L'homme banny de sa plaisance – 21v–22
Bedingham, John (–ca. 1460)	(?) A lasse my (=O rosa bella) – 41v–43 Gentil madona de no me habandonare – 26v–27 Mon seul plaisir, ma douce joie – 24v–25 (?) O rosa bella, o Deitatis cella (= O quam suavis est domina) – 41v–43
Binchois, Gilles (ca. 1400–1460)	Mon coeur chante joyeusement – 31v–32 Pour prison ne pour maladie – 29v–30
Du Fay, Guillaume (1397–1474)	Dona gentile belle come l'oro – 52v–53 Le serviteur hault guerdonné assovy – 40v–41 (?) Mon seul plaisir, ma douce joie – 24v–25 Par le regard de vos beaux yeux – 47v–48 Se la face ay pale – 65v–66
Dunstaple, John (ca. 1390–1453)	(?) A lasse my (=O rosa bella) – 41v–43 (?) O rosa bella, o Deitatis cella (= O quam suavis est domina) – 41v–43
Fede, Johannes	(?) L'homme banny de sa plaisance – 21v–22
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	De tous biens plaine est ma maîtresse – 34bisv–35

Composition	Composers (? Uncertain)	Folios / Pages
A lasse my (=O rosa bella)	Bedingham, John (–ca. 1460) (?) Dunstaple, John (ca. 1390–1453) (?)	41v–43
a san dam semper de ly jogy mey?	Anonymous	27v–27bis
Celebris hic dies agitur = Le serviteur infortuné	Anonymous	58v–59
De bien loing mon oueil vous salue	Anonymous	59v–60
De la cause crudela amare et tener fede	Anonymous	27bis–28
De tous biens plaine est ma maîtresse	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	34bisv–35
Dieu gard de mal la compagnie	Anonymous	44v–45
Dona gentile belle come l'oro	Du Fay, Guillaume (1397–1474)	52v–53
Faulx envieux tenés vous quoy	Anonymous	36v–37
Fortune leysse moi la vie - 1a pars (of 2): Fortune leysse moi la vie	Anonymous	19v–21
Fortune leysse moi la vie - 2a pars (of 2): Si je me plains de ta durté	Anonymous	19v–21
Fortune nas tu point pitié de moi	Anonymous	32v–33
Gardés le trait della fenestre Belle gente amoreuse	Anonymous	61v–62
Gentil madona de no me habandonare	Bedingham, John (–ca. 1460)	26v–27
He fortune pourquoi - 1a pars (of 2): He fortune pourquoi suis fortunée	Anonymous	48v–50
He fortune pourquoi - 2a pars (of 2): Helas c'est ce que plus j'amoye	Anonymous	48v–50
Helas mestresse ma mie	Anonymous	33v–34
Hora cridar "Oime" posso ben io	Anonymous	25v–26
Je doy bien estre ensarcele	Anonymous	51v–52
Je ne pourroye plus celer	Anonymous	23v–24
L'homme banny de sa plaisance	Barbingant, Pierre (fl. c1445-60) (?) Fede, Johannes (?)	21v–22
Languir me fault en grievs dolours	Anonymous	34v–34bis
Le serviteur hault guerdonné assovy	Du Fay, Guillaume (1397–1474)	40v–41
Luce o luce que reluce el cor mio	Anonymous	55v–56
Mes yeulx ont feit dame nouvelle	Anonymous	39v–40
Mon coeur chante joyeusement	Binchois, Gilles (ca. 1400–1460)	31v–32
Mon coeur de deuil pleura ma dame	Anonymous	50v–51
Mon seul plaisir, ma douce joie	Du Fay, Guillaume (1397–1474) (?) Bedingham, John (–ca. 1460)	24v–25
Ne dy mot chut bouche cousue	Anonymous	22v–23
O pellegrina o luce chiara stella	Anonymous	53v–54
O rosa bella, o Deitatis cella (= O quam suavis est domina)	Dunstaple, John (ca. 1390–1453) (?) Bedingham, John (–ca. 1460) (?)	41v–43
Or sus de parsus tous les aultres	Anonymous	66v–67
Par le regard de vos beaux yeux	Du Fay, Guillaume (1397–1474)	47v–48
Por un seul mot bien ordonné	Anonymous	45v–46
Pour avenir a mon actainte	Anonymous	37v–38
Pour prison ne pour maladie	Binchois, Gilles (ca. 1400–1460)	29v–30
Puisqu'l ha pleu a la tres belle	Anonymous	60v–61
Quant jamais - 1a pars (of 2): Quont jamés aulire bien je n'auroye	Anonymous	56v–58
Quant jamais - 2a pars (of 2): Ung regart d'elle seullement	Anonymous	56v–58
Quy m'amerà de bonne amour	Anonymous	43v–44
Se la face ay pale	Du Fay, Guillaume (1397–1474)	65v–66
Serey je voustre mieulx amé	Anonymous	35v–36
Si j'ai votre grace requise	Anonymous	30v–31
Terriblement suis fortunée - 1a pars (of 2): Terriblement suis fortunée	Anonymous	17v–19
Terriblement suis fortunée - 2a pars (of 2): Il me sanble qu'il a mal fait	Anonymous	17v–19
Vive ma dame por amors	Anonymous	38v–39
Vive quy amoureux sera [2a pars of a bergerette?]	Anonymous	54v–55
Vous qui parlés du gantil buciphal	Anonymous	28v–29
Vreys amoureux oyés oyés	Anonymous	63v–64

‡ denotes primary source study

D'Accone, Frank A (editor). 1986. Pavia, Biblioteca Universitaria, Codex Aldini, MS 362. Renaissance Music in Facsimile. New York. Notes: physical description; contents list; facsimile; discussion.

Bernstein, Lawrence F. 1980. French Duos in the First Half of the Sixteenth Century. Studies in Musicology in Honor of Otto E. Albrecht, , 43-87. Kassel, Basel, and London. Pages: 49-52. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: III, 42.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: I, 15, II, 172,285ff. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Pages: 569ff. Notes: contents list (partial); concordances (partial); texts (partial).

Schavran, Henrietta. 1978. The Manuscript Pavia, Biblioteca Universitaria, Codice Aldini 362: A Study of Song Tradition in Italy Circa 1440-1480. New York University, Unpublished Ph.D. dissertation. Pages: I-II. Notes: physical description; contents list; concordances; texts; transcription; efacsimile (partial); mention of MS; discussion.

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I. Kassel. Pages: P. Fischer, in RISM BUF, 77.

Bernstein, Lawrence F. 1969. Cantus Firmus in the French Chanson for Two and Three Voices, 1500-1550. New York University, Unpublished Ph.D. dissertation. Pages: 133-4, 583-4. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 89, 188-9, passim. Notes: physical description; contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II, 1053-4. Notes: facsimile (partial).

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, passim. Notes: physical description (partial); contents list (partial); concordances (partial).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: H. Besseler, in CMM I,VI, p. 'XIX.

Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig. Copenhagen and Leipzig. Pages: xviii-ff, passim. Notes: physical description; contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 172. Notes: physical description (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I ,458. Notes: physical description (partial).

Marchi, Luigi De, and G Bertolani. 1894. Inventario dei manoscritti della R. Biblioteca Universitaria di Pavia. Milano. Pages: I, 202ff Restori.

Marchi, Luigi De, and G Bertolani. 1894. Inventario dei Manoscritti della R. Biblioteca Universitaria di Pavia. Milan. Pages: 202-4. Notes: physical description; contents list.

Restori, Antonio. 1894. Un codice musicale pavese. Zeitschrift für Romanische Philologie, 381-401. Notes: physical description; contents list; texts.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Clemens Goldberg

Friday, 20 December, 2024

Pointed out that 'Vive quy amoureux sera' (on fols. 54v-55r) is in all probability the second part of a bergerette,as suggested by Schavran (1978).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description