| Archive | Biblioteca Estense, Modena, Italy (I-MOe) |
|---|---|
| Shelfmark | MS {alpha}.M.5.24 (Modena A; ModA) |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Mixed Paper and Parchment |
| Numbering System | None |
| Measurements | 278 x 200 mm |
| Other Identifiers |
|
| Notations |
|
| Relationships |
|
| External Links | |
| Provenance |
|
| Contents | 104 pieces from 24 composers |
Copied by two or more scribes; first and fifth fascicles in same hand. First and last fascicles as presently constituted (containing mainly works by Matteo da Perugia) apparently adjacent to each other at earlier time. Copied in Bologna (fascicles 2-4) and Milan (fascicles 1 and 5) (GüntMM, who disputes other proposed provenances of Pavia, Pisa, or papal court at Avignon). Possibly owned by Este family of Ferrara since 15th century (PirrE). Este family library transferred to Modena in 1598; joined to Modena university library in 1892.
Eighteenth-century covers of brown blind-tooled leather replaced in 1966-7 by new covers of blue leather decorated in gold
Black full mensural with red full, red void, and black void coloration
GüntMM rejects ApelFM's dating of 1425-50, PirrE's dating of 1420-30 for later fascicles, and ClercxJC's late 14th century dating for earlier fascicles
9 or 10 five-line staves per page
a, 1-50, z; covers and boards (Stone 2005)
Some original foliation remains; three other numbering systems: (1) older foliation, 1-51 (omits first folio); (2) newer foliation, 1-52; (3) modern pagination, 2-103, by A. G. Spinelli.
Plain red inked initials in fascicles 1 and 5; red and blue inked initials with some filigree work in fascicle 4. Fascicles 2 and 3 more elaborately decorated, with five miniatures, painted initials (mostly pale rose on gold and blue grounds), and borders ornamented with gold dots and floral motifs; style of decoration resembles work of Niccolo di Giacomo of Bologna (1330-1402) and his school (GüntMM; FavaM I, 44-5).
i paper + 52 parchment + i paper
DIAMM foliation follows that of the modern facsimile edition by Ernesto Milano: the first folio is numbered a, beginning with 1 only after that. The pencil folio numbers in the manuscript (bottom, inner corner) begim at 1, hence are one higher than those on DIAMM.
RISM B/IV 4: 15. Jh.; 52 Blätter Pergament + je 1 Papier Vorsatz- und Nachstoßblätter, 278 x 200 mm. Verschiedene Foliierung (näheres bei Pirrotta): 1. Alte Foliierung von f. 6-10 (nach Incipitverzeichnis f. 2-6), f. 1-5 (nach Incipitverzeichnis f. 42-46), f. 11-40 (nach Incipitverzeichnis f. 12-41); 2. Foliierung von f. 1-51 (von Apel und Pirrotta benutzt); 3. Foliierung von f. 1-52 (von Wolf und im folgenden Incipitverzeichnis benutzt); 4. Pag. (von A. G. Spinelli) von p. 2-103. Auf f. 2-11, 42-51 je 10 Fünfliniensysteme, von f. 12-41 je 9 Fünfliniensysteme mit schwarzer, schwarz-roter und schwarz-weißer Mensuralnotation um 1400. - Einband: 2. Hälfte 18. Jh.; braunes Leder mit Blindpressung und Rücken mit Goldinschrift Hymni. Auf der Verso-Seite des Vorsatzblätter von jüngerer Hand: "Liber continens hymnos et alia ecclesiastica aliaque non ecclesiastica".
Diese aus Oberitalien stammende Handschrift besteht aus 5 Faszikeln sowie je einem vorn und hinten hinzugefügten Pergament-Blätter (f. 1 und 52). Wie die älteste Foliierung (siehe oben 1.) und die Schrift zeigen, gehörten die Faszikeln 1 und 5 (f. 2-11 und 42-51) ursprünglich zusammen. Sie enthalten vorwiegend Werke von M. de Perusio († um 1418). Die vermutlich älteren Faszikeln 2-4 (f. 12-41) zeigen im Unterschied zu Faszikeln 1 und 5 zudem Initialen auf Goldgrund. Herkunftsort und Datierung der Handschrift sind umstritten. Pirrotta datiert Faszikeln 2-4: Bologna 1409-1414, den 1. und 5. Faszikeln: 1420-1430; Apel: ganze Handschrift 1425-1450; Sartori: Pavia um 1406; Clercx: Faszikel 2-4 vielleicht noch 14. Jh.; v. Fischer: Faszikel 2-4 zwischen 1400 und 1410, Faszikeln 1 und 5 zwischen 1410 und 1420.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
(Lat. 568; olim IV.D.5)
8 Glorias, 3 Credos, 1 hymn, 12 motets and Latin secular pieces, 67 French secular pieces, 11 Italian secular pieces, 1 textless fragment = 103
Andreas de Florentia-1, Antonello da Caserta-8, Bartolino da Padua [Dactalus de Padua; Frater carmelitus]-3, Bartolomeo da Bologna [Fr. Bartholomeus de Bononia]-2, Blasius-1, Ciconia-2, Corrado da Pistoia [Fr. Coradus de Pistorio ord(in)is heremitarum] -2, Egardus-2, Egidius-2, Filippo da Caserta [Ma. Filipoctus de Caserta]-3, Filippo da Caserta/(Galiot)-1, (Galiot)-1, Grenon/ Matteo da Perugia-1, (Hasprois)-1, Johannes de Janua-2, Landini [Franciscus de Florentia]-1, (Machaut)-3, (Machaut-Matteo da Perugia?)-1, Matteo da Perugia-31 + 9?, (Mayshuet)-2, Selesses -3, Selesses/(Galiot)-1, Zachara da Teramo? [Mag. Zacharias]-5, anon-16
i paper + 52 parchment + i paper folios, 278 x 200. First and last fascicles as presently constituted (containing mainly works by Matteo da Perugia) apparently adjacent to each other at earlier time. Some original foliation remains; three other numbering systems: (1) older foliation, 1-51 (omits first folio); (2) newer foliation, 1-52; (3) modern pagination, 2-103, by A. G. Spinelli. Eighteenth-century covers of brown blind-tooled leather replaced in 1966-7 by new covers of blue leather decorated in gold. No index.
Black mensural notation with red full, red void, and black void coloration. Copied by two or more scribes; first and fifth fascicles in same hand. Plain red inked initials in fascicles 1 and 5; red and blue inked initials with some filigree work in fascicle 4. Fascicles 2 and 3 more elaborately decorated, with five miniatures, painted initials (mostly pale rose on gold and blue grounds), and borders ornamented with gold dots and floral motifs; style of decoration resembles work of Niccolo di Giacomo of Bologna (1330-1402) and his school (GüntMM; FavaM I, 44-5).
Ca. 1410-1 (fascicles 2-4); before 1418 (fascicles 1 and 5) (GüntMM, who rejects ApelFM's dating of 1425-50, PirrE's dating of 1420-30 for later fascicles, and ClercxJC's late 14th century dating for earlier fascicles). Copied in Bologna (fascicles 2-4) and Milan (fascicles 1 and 5) (GüntMM, who disputes other proposed provenances of Pavia, Pisa, or papal court at Avignon). Possibly owned by Este family of Ferrara since 15th century (PirrE). Este family library transferred to Modena in 1598; joined to Modena university library in 1892.
Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| av–1 | Ave sancta mundi salus panis / Agnus dei qui tollis | M. de Perusio | |
|
Appears on:
av–1
Genres:
Motet
Source Attribution:
M. de Perusio
Voice:
[no designation]
Languages:
Latin
Clef:
f2c4
Voice Text:
Agnus dey qui tollis
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Ave sancta mundi salus panis
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Ave sancta mundi salus panis
Layoutparts Item BibliographyFano, Fabio. 1956. La Cappella Musicale del Duomo di Milano. Parte Prima: Le Origini e II Primo Maestro di Cappella: Matteo da Perugia. Instituzioni e Monumenti dell'Arte Musicale Italiana. Milan. Pages: [facs.] plate X. |
|||
| 1v–2 | Et in terra pax [Gloria] (I) | Idem [ie Matteo da Perugia] | |
|
Appears on:
1v–2
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Idem [ie Matteo da Perugia]
Voice:
Contratenor
Languages:
Latin
Clef:
c4
Voice Text:
Et in terra pax.
Voice:
Tenor
Languages:
Latin
Clef:
c4
Voice Text:
Et in terra pax.
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Et in terra pax ...
Layoutparts |
|||
| 2v–3 | Et in terra pax [Gloria] (II) | - | |
|
Appears on:
2v–3
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Et in terra pax hominibus ...
Voice:
Tenor
Languages:
none
Clef:
c3
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Et in terra pax hominibus bone ...
|
|||
| 3v–4 | Et in terra pax [Gloria] (III) | - | |
|
Appears on:
3v–4
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
Tenor
Languages:
none
Clef:
c3
Voice:
Tenor
Languages:
Latin
Clef:
c3
Voice Text:
Agnus dei qui tollis ...
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Et in terra pax hominibus bone ...
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Et in terra pax hominibus bone ...
Voice:
Contratenor
Languages:
Latin
Clef:
c3
Voice Text:
Agnus dei qui tollis ...
General NoteTenor et contratenor diminuuntur in secunda vice |
|||
| 3v–4 | El no me çova ne val donna fuçire | - | |
|
Appears on:
3v–4
Genres:
Ballata
Voice:
Contratenor
Languages:
Italian
Clef:
c4
Voice Text:
El non me zova ne val donna fugire.
|
|||
| 4v–5 | Laurea martirii verna est corona / Conlaudanda est corporis / Tenor Proba me domine | [anon] | |
|
Appears on:
4v–5
Genres:
Motet
Source Attribution:
[anon]
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
Conlaudanda est corporis
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
Laurea martirij verna est corona
Voice:
Tenor
Languages:
Latin
Clef:
f3
Voice Text:
[Tenor Proba me domine]
Voice:
Contratenor
Languages:
none
Clef:
c4
Voice:
Solus Tenor
Languages:
none
Clef:
c4
Layoutparts Item BibliographyFano, Fabio. 1956. La Cappella Musicale del Duomo di Milano. Parte Prima: Le Origini e II Primo Maestro di Cappella: Matteo da Perugia. Instituzioni e Monumenti dell'Arte Musicale Italiana. Milan. Pages: [facs.] plate 16. |
|||
| 5v–6v | Patrem omnipotentem [Credo] (I) | - | |
|
Appears on:
5v–6v
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
Tenor
Languages:
Latin
Clef:
c3
Voice Text:
Patrem .
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Patrem omnipotentem ...
Voice:
Contratenor
Languages:
Latin
Clef:
c3
Voice Text:
Patrem .
|
|||
| 5v | Se vous n’estes pour mon guerredon | - | |
|
Appears on:
5v
Genres:
Rondeau
Voice:
Contratenor
Languages:
French
Clef:
f4
Voice Text:
Se vous n'estes ...
General NoteNew contratenor for the Machaut rondeau, perhaps by Matteo da Perugia. The rondeau appears on f.34 |
|||
| 6v–7 | Puisque la mort | - | |
|
Appears on:
6v–7
Genres:
Ballade
Voice:
Tenor
Languages:
none
Clef:
f3
Voice:
Contratenor
Languages:
none
Clef:
f3
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Puisque la mort ...
|
|||
| 7v–9 | Patrem omnipotentem [Credo] (II) | - | |
|
Appears on:
7v–9
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
Contratenor
Languages:
Latin
Clef:
c4
Voice Text:
Patrem.
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
Patrem omnipotentem ,,,
Voice:
Tenor
Languages:
Latin
Clef:
c4
Voice Text:
Patrem.
|
|||
| 7v, 8v–9 | Plus onques dame | - | |
|
Appears on:
7v, 8v–9
Genres:
Virelai
Voice:
Tenor
Languages:
none
Clef:
c4
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Plus onques dame ...
Voice:
Contratenor
Languages:
none
Clef:
c4
|
|||
| 9v–10 | Et in terra pax [Gloria] (IV) | M de Perusio | |
|
Appears on:
9v–10
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
M de Perusio
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Et in terra pax hominibus bone ...
Voice:
Tenor
Languages:
Latin
Clef:
c3
Voice Text:
Et in terra pax.
General NoteFuga. |
|||
| 10 | Par vous m'estuet languir et soupirer / Soyes par moi mon amy gracieux | Idem [ie Matteo da Perugia] | |
|
Appears on:
10
Genres:
Rondeau
Source Attribution:
Idem [ie Matteo da Perugia]
Voice:
[no designation]
Languages:
French
Clef:
f2c4
Voice Text:
Soyes par moy mon amy gracieux ...
Voice:
[no designation]
Languages:
French
Clef:
f2c4
Voice Text:
Par vous m'estuet languir et soupirer ...
Layoutparts |
|||
| 10v–11 | Dame que j'aime sour toutes | M. de Perusio | |
|
Appears on:
10v–11
Genres:
Chanson
Source Attribution:
M. de Perusio
Voice:
Tenor
Languages:
none
Clef:
f3
Voice:
Contratenor
Languages:
none
Clef:
f3
Voice:
[no designation]
Languages:
French
Mensuration:
c-dot
Clef:
c3
Voice Text:
Dame que i'aym sour toutes ...
Layoutparts |
|||
| 11 | Franchois franchois sunt nobles | Magister Egidius ordinis heremitarum sancti Augustini | |
|
Appears on:
11
Genres:
Ballade
Source Attribution:
Magister Egidius ordinis heremitarum sancti Augustini
Voice:
Contratenor
Languages:
French
Clef:
c4
Voice Text:
Franchois sunt nobles.
Voice:
Tenor
Languages:
French
Clef:
c3
Voice Text:
Franchois franchois
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Franchois franchois su[n]t nobles ...
Layoutparts |
|||
| 11v–12 | Sumite karissimi | Magister Zacharias | |
|
Appears on:
11v–12
Genres:
Ballade
Source Attribution:
Magister Zacharias
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
Sumite karissimi ...
Voice:
Contratenor
Languages:
Latin
Clef:
c4
Voice Text:
Sumite karissimi.
Voice:
Tenor
Languages:
Latin
Clef:
f2c4
Voice Text:
Sumite karissimi.
Layoutparts |
|||
| 12 | Une dame requis lautrier d'amer | Frater Johannes Janua | |
|
Appears on:
12
Genres:
Ballade
Source Attribution:
Frater Johannes Janua
Voice:
Tenor
Languages:
French
Clef:
c3
Voice Text:
Une dame.
Voice:
Contratenor
Languages:
French
Clef:
c3
Voice Text:
Une dame.
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Une dame requis lautrier d'amer ...
General NoteCanon ballate: Traiunt sub una omnis cantus huius mensura. Superius nota rubee proportio dupla. Qui tenet inferius sexquialtera putet. Layoutparts |
|||
| 12v | Du ciel (val) perileus ou pourpris de genese / Sti ? cantus / superstite balate | Anthonello de Caserta | |
|
Appears on:
12v
Genres:
Ballade
Source Attribution:
Anthonello de Caserta
Voice:
Tenor
Languages:
Latin
Clef:
c4
Voice Text:
Sti (?) cantus
Voice:
Contratenor
Languages:
Latin
Clef:
c4
Voice Text:
superstite balate
Voice:
Cantus
Languages:
Latin
Clef:
c1
Voice Text:
Du val perileus ou pourpris de genese
General Notecf F-Pn6771 no. 92 (Du ciel perileus) |
|||
| 12v–13 | Hors suis je bien | - | Anonymous |
Hors suis je bienAnonymous
Appears on:
12v–13
Genres:
Rondeau
Voice:
Tenor
Languages:
French
Clef:
f4
Voice Text:
Hors sui ye bien ...
Voice:
[no designation]
Languages:
French
Clef:
c4
Voice Text:
Hors sui ye bien ...
Layoutparts |
|||
| 13 | Beauté porfaite bonté souvraine | Idem [ie Anthonello de Caserta] | |
|
Appears on:
13
Genres:
Ballade
Source Attribution:
Idem [ie Anthonello de Caserta]
Voice:
Contratenor
Languages:
French
Clef:
c4
Voice Text:
Beauté parfaite bonté souvraine
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Beauté parfaite bonté souvraine
Voice:
Tenor
Languages:
French
Clef:
c3
Voice Text:
Beauté parfaite bonté souvraine
|
|||
| 13v | Notes pour moi ceste ballade | Idem [ie Anthonello de Caserta] | |
|
Appears on:
13v
Genres:
Ballade
Source Attribution:
Idem [ie Anthonello de Caserta]
Voice:
Contratenor
Languages:
French
Clef:
d3
Voice Text:
Notes pour moy.
Voice:
Tenor
Languages:
French
Clef:
d3
Voice Text:
Notes pour moy.
Voice:
[no designation]
Languages:
French
Clef:
d1
Voice Text:
Notes pour moi ceste ballade ...
Layoutparts |
|||
| 13v–14 | Sol mi trafigge 'l cor l'aquila bella | Zacharias | |
|
Appears on:
13v–14
Genres:
Ballata
Source Attribution:
Zacharias
Voice:
[no designation]
Languages:
Italian
Clef:
c3
Voice Text:
Sol me trafice 'l cor
Voice:
Tenor
Languages:
none
Clef:
f3
|
|||
| 14 | Langue puens envenimee | - | Anonymous |
Langue puens envenimeeAnonymous
Appears on:
14
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Langue puens envenimee ...
Voice:
Tenor
Languages:
French
Clef:
f3
Voice Text:
Langue puens.
Voice:
Contratenor
Languages:
French
Clef:
f3
Voice Text:
Langue puens.
Layoutparts |
|||
| 14v | Se pronto non sarà l'uom a ben fare | Franciscus de Florentia | |
|
Appears on:
14v
Genres:
Ballata
Source Attribution:
Franciscus de Florentia
Voice:
Tenor
Languages:
Italian
Clef:
c3
Voice Text:
Se pronto no serà l'uom al be fare
Voice:
[no designation]
Languages:
Italian
Clef:
c2
Voice Text:
Se pronto no serà l'uom al be fare
|
|||
| 14v–15 | Fuions de ci, fuions, povre companigns En Aragon, en France ou en Bretaingne | Selesses | |
|
Appears on:
14v–15
Genres:
Ballade
Source Attribution:
Selesses
Voice:
Tenor
Languages:
none
Clef:
f4
Voice:
[no designation]
Languages:
French
Clef:
c4
Voice Text:
Fuions de chi fuions povre
Voice:
Contratenor
Languages:
none
Clef:
f3
|
|||
| 15 | Inclite flos orti Gebennensis prestantibus roribus immensis / Papa Clemente | Mayhuet de Joan | |
|
Appears on:
15
Genres:
Ballade
Source Attribution:
Mayhuet de Joan
Voice:
[no designation]
Languages:
Latin
Mensuration:
o
Clef:
c2
Voice Text:
Inclite flos orti gebenensis ...
Voice:
Contratenor
Languages:
Latin
Mensuration:
o
Clef:
c5
Voice Text:
Inclite flos orti.
Voice:
Tenor
Languages:
Latin
Mensuration:
c-dot
Clef:
c5
Voice Text:
Inclite flos orti.
Layoutparts |
|||
| 15v | Sans vous ne puis, tres douce car quand ne suis pres de vostre | - | |
|
Appears on:
15v
Genres:
Motet
Voice:
Tenor
Languages:
French
Clef:
f3
Voice Text:
Langue puens.
Voice:
Contratenor
Languages:
French
Clef:
f3
Voice Text:
Langue puens.
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Sans vous ne puis tres douche creature ...
|
|||
| 16 | Pres du soloil deduissant | M. de Perusio | |
|
Appears on:
16
Genres:
Ballade
Source Attribution:
M. de Perusio
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Perdu soloil deduissant ...
Voice:
Contratenor
Languages:
none
Clef:
c4
Voice:
Tenor
Languages:
none
Clef:
c4
Layoutparts |
|||
| 16v–17 | Cacciando per gustar di quel tesoro / Ai cenci ai toppi ai vetro ai ferro | Mag(ister) Z | |
|
Appears on:
16v–17
Genres:
Caccia
Source Attribution:
Mag(ister) Z
Voice:
Superius
Languages:
Italian
Clef:
c2
Voice Text:
Caciando per gustar di quel tesoro
Voice:
Superius
Languages:
Italian
Clef:
c2
Voice Text:
Caciando per gustar di quel tesoro
Voice:
Tenor
Languages:
Italian
Clef:
f3
Voice Text:
Ay cenci ai toppi a vetro ai ferro
|
|||
| 17v–18 | Apta caro plumis ingenii / Flos virginum, decus et species / Alma redemptoris mater | - | |
|
Appears on:
17v–18
Genres:
Alma redemptoris mater, BVM, Motet
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Apta caro plumis ingenij
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Flos virginum decus et species
Voice:
Tenor
Languages:
Latin
Clef:
c3
Voice Text:
Alma redemptoris mater
Voice:
Contratenor
Languages:
none
Clef:
c3
Layoutparts |
|||
| 18v | En un vergier cols par mesure | - | Anonymous |
En un vergier cols par mesureAnonymous
Appears on:
18v
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
En un vergier cols par mesure ...
Voice:
Tenor
Languages:
French
Clef:
c2
Voice Text:
En un vergier cols par mesure.
Voice:
Contratenor
Languages:
French
Clef:
c2
Voice Text:
En un vergier.
Layoutparts |
|||
| 19 | Puer natus in Betheleem unde gaude Jerusalem | Idem [but no prior attribution to repeat!] | Anonymous |
|
Appears on:
19
Genres:
Hymn
Source Attribution:
Idem [but no prior attribution to repeat!]
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Puer natus in Betheleem unde gaude Yerusalem ...
Voice:
Contratenor
Languages:
Latin
Clef:
c3
Voice Text:
Puer natus.
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
Puer natus in Betheleem unde gaude Yerusalem ...
Layoutparts |
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| 19v | Dame d'honneur qu'on ne peut esprixier | Anthonellus | |
|
Appears on:
19v
Genres:
Rondeau
Source Attribution:
Anthonellus
Voice:
[no designation]
Languages:
French
Mensuration:
c-dot
Clef:
c2
Voice Text:
Dame d'onour c'on ne puet esprixier
Voice:
Tenor
Languages:
French
Mensuration:
o
Clef:
c5
Voice Text:
Dame d'onour
Voice:
Contratenor
Languages:
French
Mensuration:
o-dot
Clef:
f2c4
Voice Text:
Dame d'onour
|
|||
| 19v–20 | A qui fortune est tout dis ennemie | - | Anonymous |
A qui fortune est tout dis ennemieAnonymous
Appears on:
19v–20
Genres:
Virelai
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
A qui fortune est tout dis ennemie ...
Voice:
Tenor
Languages:
French
Clef:
f3
Voice Text:
A qui fortune.
Voice:
Contratenor
Languages:
French
Clef:
f3
Voice Text:
A qui fortune.
Layoutparts |
|||
| 20 | En atendant souffrir m’estuet grief payne Puis qu’avenir ne puis a la fonytayne | M(agiste)r Filipoctus | |
|
Appears on:
20
Genres:
Ballade
Source Attribution:
M(agiste)r Filipoctus
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
en attendant soufrir
Voice:
[no designation]
Languages:
French
Voice Text:
en attendant soufrir
Voice:
[no designation]
Languages:
French
Voice Text:
en attendant soufrir
|
|||
| 20v | Je ne puis avoir plaisir | - | Anonymous |
Je ne puis avoir plaisirAnonymous
Appears on:
20v
Genres:
Virelai
Voice:
Tenor
Languages:
French
Clef:
f3
Voice Text:
Je ne puis avoir plaisir
Voice:
Contratenor
Languages:
French
Clef:
f3
Voice Text:
Je ne puis avoir plaisir
Voice:
Superius
Languages:
French
Clef:
c3
Voice Text:
Je ne puis avoir plaisir
|
|||
| 20v | Quod jactatur a virtus opere non demonstratur | J. Ciconia | |
|
Appears on:
20v
Genres:
Canonic
Source Attribution:
J. Ciconia
Voice:
Canon
Languages:
Latin
Voice Text:
Quod jactatur a virtus opere non demonstratur ...
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quod jactatur a virtus opere non demonstratur ...
Layoutparts |
|||
| 21 | I bei sembianti con busiardi efetti | frater Carmelitus [=Bartolinus] | |
|
Appears on:
21
Genres:
Italian secular
Source Attribution:
frater Carmelitus [=Bartolinus]
Voice:
[no designation]
Languages:
Italian
Clef:
c4
Voice Text:
I bey senbianti con busiardi efetti
Voice:
[no designation]
Languages:
Italian
Clef:
c1
Voice Text:
I bey senbianti con busiardi efetti
Voice:
[no designation]
Languages:
Italian
Clef:
c2
Voice Text:
I bey senbianti con busiardi efetti
|
|||
| 21v–22 | Et in terra pax [Gloria] | Egardus | |
|
Appears on:
21v–22
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Egardus
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
Et in terra pax hominibus bone ...
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
Et in terra pax hominibus bone ...
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Et in terra pax hominibus ...
|
|||
| 22 | Benche lontan mi trov'in | M(agister) Zacharias | |
|
Appears on:
22
Genres:
Ballata
Source Attribution:
M(agister) Zacharias
Voice:
Tenor
Languages:
Italian
Clef:
f3
Voice Text:
Benche lontan me trove
Voice:
[no designation]
Languages:
Italian
Clef:
c2
Voice Text:
Benche lontan me trove
|
|||
| 22v–23 | Et in terra pax [Gloria] (V) | de Perusio | |
|
Appears on:
22v–23
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
de Perusio
Voice:
Tenor
Languages:
Latin
Clef:
c3
Voice Text:
Et in terra pax hominibus
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Et in terra pax hominibus
Voice:
Contratenor
Languages:
Latin
Clef:
c3
Voice Text:
Et in terra pax hominibus
|
|||
| 23 | Plus lies des lies plus joieux / Plus lies. Car la douchour | Idem [ie Matteo da Perugia] | |
|
Appears on:
23
Genres:
Rondeau
Source Attribution:
Idem [ie Matteo da Perugia]
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Plus lies des lies plus joieux...
Voice:
Tenor
Languages:
French
Clef:
f3
Voice Text:
Plus lies. Car la douchour ...
|
|||
| 23v–25 | Patrem omnipotentem [Credo] (III) | Zacharias | |
|
Appears on:
23v–25
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Zacharias
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
Factorem celi
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
Factorem celi
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Patrem omnipotentem...Factorem celi
General NoteA more florid version of the Discantus than in concordant settings. |
|||
| 25 | De toutes flours n'avoit et de tous fruits / gastés estoit li seurplus et destruis | - | |
|
Appears on:
25
Genres:
Ballade
Voice:
Triplum
Languages:
French
Clef:
c3
Voice Text:
De toutes flours
Voice:
[no designation]
Languages:
French
Clef:
c4
Voice Text:
De toutes flours
Voice:
Contratenor
Languages:
French
Clef:
f3c5
Voice Text:
De toutes flours
Voice:
Tenor
Languages:
French
Clef:
f3c5
Voice Text:
De toutes flours
|
|||
| 25v | En ce gracieux temps | Selesses | |
|
Appears on:
25v
Genres:
Virelai
Source Attribution:
Selesses
|
|||
| 25v | Sans mal penser et sans | - | |
|
Appears on:
25v
Genres:
Virelai
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Sans mal penser et sans ...
Voice:
Tenor
Languages:
French
Clef:
c3
Voice Text:
Sans mal penser.
|
|||
| 26r | De petit peu, de nient volenté | - | |
|
Appears on:
26r
Genres:
Ballade
Voice:
Tenor
Languages:
French
Clef:
c5
Voice Text:
De petit peu
Voice:
Triplum
Languages:
French
Clef:
c2
Voice Text:
De petit peu
Voice:
Contratenor
Languages:
French
Clef:
c5
Voice Text:
De petit peu
Voice:
Superius
Languages:
French
Clef:
c4
Voice Text:
De petit peu
|
|||
| 26v | De ma dolour ne puis trouver confort languir m’estuet, car mis sui a tel port | M(agister) Filipoctus de Caserta | |
|
Appears on:
26v
Genres:
Ballade
Source Attribution:
M(agister) Filipoctus de Caserta
|
|||
| 26v–27 | Sus une fontaine en remirant | J Ciconia | |
|
Appears on:
26v–27
Genres:
Virelai
Source Attribution:
J Ciconia
Voice:
Tenor
Languages:
French
Clef:
f3
Voice Text:
Sus un fontayne en remirant
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Sus un fontayne en remirant
Voice:
Contratenor
Languages:
French
Clef:
f2
Voice Text:
Sus un fontayne en remirant
|
|||
| 27v | Ma douce amour et ma sperance | J. de Janua | |
|
Appears on:
27v
Genres:
Virelai
Source Attribution:
J. de Janua
Voice:
Tenor
Languages:
French
Clef:
c3
Voice Text:
Ma douce amour.
Voice:
Contratenor
Languages:
French
Clef:
c3
Voice Text:
Ma douce amour.
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Ma douce amour et ma sperance ...
|
|||
| 27v–28 | Soit tart tempre, main ou soir | - | Anonymous |
Soit tart tempre, main ou soirAnonymous
Appears on:
27v–28
Genres:
Chanson
Voice:
Superius
Languages:
French
Clef:
c2
Voice Text:
Soit tart tempre
Voice:
Tenor
Languages:
French
Clef:
f3
Voice Text:
Soit tart tempre
Voice:
Contratenor
Languages:
French
Clef:
c4
Voice Text:
Soit tart tempre
|
|||
| 28 | Ma douce amour, je me dois | - | |
|
Appears on:
28
Genres:
Motet
Voice:
Tenor
Languages:
French
Clef:
c3
Voice Text:
Ma douce amour.
Voice:
Contratenor
Languages:
French
Clef:
c3
Voice Text:
Ma douce amour.
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Ma douce amour ye me doi bien conplayndre ...
|
|||
| 28v | Tres noble dame souveraine | Anthonello | |
|
Appears on:
28v
Genres:
Virelai
Source Attribution:
Anthonello
Voice:
Contratenor
Languages:
French
Clef:
c3
Voice Text:
Tres nouble dame souverayne
Voice:
Tenor
Languages:
French
Clef:
c3
Voice Text:
Tres nouble dame souverayne
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Tres nouble dame souverayne
Voice:
Canon
Languages:
French
Voice Text:
Tres nouble dame souverayne
|
|||
| 28v–29 | Dame sans per en qui est ma sperance | Fr. A. Servorum | |
|
Appears on:
28v–29
Genres:
Ballade
Source Attribution:
Fr. A. Servorum
Voice:
Tenor
Languages:
French
Clef:
f3
Voice Text:
Dame sans per
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Dame sans per en qui est ma speranche
|
|||
| 29 | Amour me fait desirer loyalement | - | |
|
Appears on:
29
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Amour me fair désirer
Voice:
Contratenor
Languages:
none
Clef:
f3c5
Voice:
Tenor
Languages:
none
Clef:
f3c5
|
|||
| 29v | Gais et jolis, lies, chantans / pleins de desir et en coeur | - | |
|
Appears on:
29v
Genres:
Ballade
Voice:
Tenor
Languages:
French
Clef:
f3
Voice Text:
gays et jolis
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Gais et iolis liés chantant et ioieus
|
|||
| 29v–30 | Imperiale sedendo fra piu stelle | Dactalus de padua fecit | |
|
Appears on:
29v–30
Genres:
Italian secular
Source Attribution:
Dactalus de padua fecit
Voice:
[no designation]
Languages:
Italian
Clef:
f2
Voice Text:
inperial sedendo fra piu stelle
Voice:
[no designation]
Languages:
Italian
Clef:
c4
Voice Text:
inperial sedendo fra piu stelle
|
|||
| 30v | Amour dois-je servir | - | Anonymous |
Amour dois-je servirAnonymous
Appears on:
30v
Genres:
Ballade
Voice:
Triplum
Languages:
French
Clef:
c3
Voice Text:
Amour doi-ye servir
Voice:
Tenor
Languages:
French
Clef:
f3
Voice Text:
Amour doi-ye servir
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Amour doi-ye servir
|
|||
| 30v | Tres douce regard amoreux | - | Anonymous |
Tres douce regard amoreuxAnonymous
Appears on:
30v
Genres:
Rondeau
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Tres doulz regard amoreus ...
Voice:
Tenor
Languages:
French
Clef:
c4
Voice Text:
Tres doulz regard amoreus ...
|
|||
| 31 | Par les bons Gedeons et Sanson du mortes servitu anquel estoit | Philipoctus de Caserta | |
|
Appears on:
31
Genres:
Ballade
Source Attribution:
Philipoctus de Caserta
Voice:
Contratenor
Languages:
French
Clef:
f2c4
Voice Text:
Par les bons Gedeons et Sanson
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Par les bons Gedeons et Sanson
Voice:
Tenor
Languages:
French
Clef:
f2c4
Voice Text:
Par les bons Gedeons et Sanson
|
|||
| 31v | Ce douce espoir ne me donne comfort | Fr. Conradus de Pistovia | |
|
Appears on:
31v
Genres:
Ballade
Source Attribution:
Fr. Conradus de Pistovia
Voice:
Tenor
Languages:
French
Clef:
c4
Voice Text:
Se doulz espour.
Voice:
Contratenor
Languages:
French
Clef:
c4
Voice Text:
Se doulz espour.
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Se doulz espour ne me donne confort ...
|
|||
| 31v–32 | Le greygnour bien que nature fist | M de perusio | |
|
Appears on:
31v–32
Genres:
Ballade
Source Attribution:
M de perusio
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Le greygnour bien que nature fist ...
Voice:
Contratenor
Languages:
French
Mensuration:
c-dot
Clef:
c3
Voice Text:
Le greygnour bien que nature.
Voice:
Tenor
Languages:
French
Clef:
c3
Voice Text:
Le greygnour bien.
|
|||
| 32v–33 | Amour m'a le coeur mis en tel martire | Anthonello | |
|
Appears on:
32v–33
Genres:
Ballade
Source Attribution:
Anthonello
Voice:
Contratenor
Languages:
French
Clef:
c4
Voice Text:
Amour m'a le cuer mis.
Voice:
Tenor
Languages:
French
Clef:
c4
Voice Text:
Amour m'a le cuer mis en tel martire.
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Amour m'a le cuer mis en tel martire ...
|
|||
| 33 | Ore Pandulfum modulare dulci cantibus | - | |
|
Appears on:
33
Genres:
Ballade
Voice:
Contratenor
Languages:
Latin
Clef:
f4
Voice Text:
Ore Pandulfum.
Voice:
Tenor
Languages:
Latin
Clef:
f3
Voice Text:
Ore Pandulfum.
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
Ore Pandulfum modulare dulci cantibus ...
Voice:
Contratenor
Languages:
Latin
Clef:
f2
Voice Text:
Ore Pandulfum.
Layoutparts |
|||
| 33v | Le grand desir que j'ai | M de Perusio | |
|
Appears on:
33v
Genres:
Ballade
Source Attribution:
M de Perusio
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Le grant desir que i'ay ...
Voice:
Contratenor
Languages:
French
Clef:
f3
Voice Text:
Le grant
Voice:
Tenor
Languages:
French
Clef:
f3
Voice Text:
Le grant
|
|||
| 34 | Je la remire sans mesure | - | Anonymous |
Je la remire sans mesureAnonymous
Appears on:
34
Genres:
Virelai
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Ie la remire sans mensure
Voice:
Tenor
Languages:
French
Clef:
c4
Voice Text:
Ie la remire sans mensure
Voice:
Contratenor
Languages:
French
Clef:
c4
Voice Text:
Ie la remire sans mensure
|
|||
| 34 | Se vous n’estes pour mon guerredon | - | |
|
Appears on:
34
Genres:
Rondeau
General NoteOn f. 5v is a new Contratenor for this song, perhaps by Matteo da Perugia |
|||
| 34v–35 | En remirant vo douce pourtraiture m’a point au coeur d’une tele pointure | Mag(iste)r Filipoctus | |
|
Appears on:
34v–35
Genres:
Ballade
Source Attribution:
Mag(iste)r Filipoctus
Voice:
[no designation]
Languages:
French
Voice Text:
En remirant vo douche portraiture
|
|||
| 35 | Courtois et sages et a tous doit plasir | Mag(iste)r Egidius | |
|
Appears on:
35
Genres:
Ballade
Source Attribution:
Mag(iste)r Egidius
Voice:
[no designation]
Languages:
French
Voice Text:
Courtois et sages
General Notetext is an acrostic spelling out 'Clemens' (the Pope Clemens VII, 1378-94) |
|||
| 35v–36 | Furnis regliquisti quare queso fratrem / Equum est et salutare Inprimis te salutare | Egardus | |
|
Appears on:
35v–36
Genres:
Caccia
Source Attribution:
Egardus
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Furnis regliquisti quare queso fratrem ...
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
Equum est et salutare Inprimis te salutare ...
Layoutparts |
|||
| 36 | La grande beaute de vous | - | Anonymous |
La grande beaute de vousAnonymous
Appears on:
36
Genres:
Rondeau
Voice:
Tenor
Languages:
French
Clef:
f3
Voice Text:
La grant beaute.
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
La grant beaute de vous ...
|
|||
| 36v | Veri almi pastoris musicale collegium | Frater Co[n]radus de pistorio ordinis heremitarum | |
|
Appears on:
36v
Genres:
Ballade
Source Attribution:
Frater Co[n]radus de pistorio ordinis heremitarum
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Veri almi pastoris musicale collegium ...
Voice:
Contratenor
Languages:
Latin
Clef:
c3
Voice Text:
Veri almy pastoris.
Voice:
Tenor
Languages:
Latin
Clef:
c3
Voice Text:
Veri almi pastoris.
Layoutparts |
|||
| 36v–37 | Que pena major agitando menti | Fr. Bartholomeus de Bononia ord(in)is sancti Benedicti etc | |
|
Appears on:
36v–37
Genres:
Virelai
Source Attribution:
Fr. Bartholomeus de Bononia ord(in)is sancti Benedicti etc
Voice:
[no designation]
Languages:
Italian
Voice Text:
Que pena maior agitando menti
|
|||
| 37v–38 | Arte psallentes | Idem frater [ie Bartholomeus de Bononia] | |
|
Appears on:
37v–38
Genres:
Ballade
Source Attribution:
Idem frater [ie Bartholomeus de Bononia]
Voice:
Tenor
Languages:
Latin
Clef:
c3
Voice Text:
Que pena maior.
Voice:
Contratenor
Languages:
Latin
Clef:
c3
Voice Text:
Que pena maior.
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Que pena maior agitando menti ...
Layoutparts General NoteCanon virilarie. Ad figuram .2. in dupla proporzione cantetur. Ad .3. vero in proporzione emiolia. |
|||
| 38 | Dame souveraine de beauté | de Perusio | |
|
Appears on:
38
Genres:
Virelai
Source Attribution:
de Perusio
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Dame souvrayne de beaute' ...
Voice:
Contratenor
Languages:
French
Clef:
c4
Voice Text:
Dame souvrayne.
Voice:
Tenor
Languages:
French
Clef:
f2
Voice Text:
Dame souvrayne.
|
|||
| 38v | Dame gentille en qui est ma sperance | Anthonellus | |
|
Appears on:
38v
Genres:
Rondeau
Source Attribution:
Anthonellus
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Dame zentil en qui est ma sperance ...
Voice:
Contratenor
Languages:
French
Clef:
c3
Voice Text:
Dame zentil.
Voice:
Tenor
Languages:
French
Clef:
c3
Voice Text:
Dame zentil.
|
|||
| 38v–39 | Helas merci merci pour dieu merci | de Perusio | |
|
Appears on:
38v–39
Genres:
Rondeau
Source Attribution:
de Perusio
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Helas merci merci pour dieu merci ...
Voice:
Tenor
Languages:
French
Clef:
f3
Voice Text:
helas merci.
|
|||
| 39 | Perche cançato [cangiato] è 'l mondo dall' anticho | Frater Bartholinus | |
|
Appears on:
39
Genres:
Ballata
Source Attribution:
Frater Bartholinus
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
En attendant esperance
Voice:
Tenor
Languages:
French
Clef:
c4
Voice Text:
En attendant esperance
Voice:
Contratenor
Languages:
French
Clef:
c3
Voice Text:
En attendant esperance
|
|||
| 39v–40 | En attendant esperance, conforte en attendant se deduc et deporte | Jacopinus Selesses | |
|
Appears on:
39v–40
Genres:
Ballade
Source Attribution:
Jacopinus Selesses
Voice:
[no designation]
Languages:
French
Voice Text:
En atendant esperance
|
|||
| 40 | Tel me voit et me regarde | Idem (ie Senleches) | |
|
Appears on:
40
Genres:
Virelai
Source Attribution:
Idem (ie Senleches)
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Tel me voit et me regarde ...
Voice:
Contratenor
Languages:
French
Clef:
f3
Voice Text:
Tel me voit.
Voice:
Tenor
Languages:
French
Clef:
f3
Voice Text:
Tel me voit et me regarde ...
|
|||
| 40 | En atendant d'avoir (d'aimer) la douce vie | - | |
|
Appears on:
40
Genres:
Rondeau
Voice:
[no designation]
Languages:
French
Voice Text:
En atendant d'avoir la douce vie...
|
|||
| 40v | Dame d'honneur en qui tout mon coeur | Anthonello | |
|
Appears on:
40v
Genres:
Ballade
Source Attribution:
Anthonello
Voice:
Contratenor
Languages:
none
Mensuration:
2 / 3
Voice:
[no designation]
Languages:
French
Mensuration:
3 / 2
Voice Text:
Dame d'onour en qui tout mon cuer ...
Voice:
Tenor
Languages:
French
Voice Text:
Dame d'onour .
|
|||
| 40v | Andray soulet au mielz que ie pouray | de Perusio | |
|
Appears on:
40v
Genres:
Canon
Source Attribution:
de Perusio
Voice:
Canon
Languages:
French
Clef:
c1
Voice Text:
Andray soulet au mielz que ie pouray
Voice:
Canon
Languages:
French
Clef:
c1
Voice Text:
Andray soulet au mielz que ie pouray
Voice:
Canon
Languages:
French
Clef:
c1
Voice Text:
Andray soulet au mielz que ie pouray
General NoteAndray soulet au mielz que ie pouray. Jusque a le tamps premier de la sol re. Lors tu prendras desus a la mi re. S'ainsi fera le tierz canterons gay. |
|||
| 41 | Pour Dieu vous pri haulte dame | M de Perusio | |
|
Appears on:
41
Genres:
Rondeau
Source Attribution:
M de Perusio
Voice:
Contratenor
Languages:
none
Clef:
c4
Voice:
Tenor
Languages:
none
Clef:
c4
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Pour dieu vous pri haulte dame ...
|
|||
| 41v | Heylas que ferai je maintenant | Idem (ie de Perusio) | |
|
Appears on:
41v
Genres:
Virelai
Source Attribution:
Idem (ie de Perusio)
Voice:
Tenor
Languages:
none
Clef:
f5
Voice:
Contratenor
Languages:
none
Clef:
f5
Voice:
[no designation]
Languages:
French
Clef:
f3
Voice Text:
Heylas que feray ie maintenant ...
|
|||
| 42 | Belle sans per d'haulte douchour parée | Idem (ie de Perusio) | |
|
Appears on:
42
Genres:
Virelai
Source Attribution:
Idem (ie de Perusio)
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Belle sans per d'haulte douchour parée
Voice:
Contratenor
Languages:
none
Clef:
c4
Voice:
Tenor
Languages:
none
Clef:
c4
Layoutparts |
|||
| 42v–43 | Se je me plaing de fortune | - | |
|
Appears on:
42v–43
Genres:
Ballade
Voice:
Tenor
Languages:
none
Clef:
c4
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Se ie me plaing de fortune ...
Voice:
Contratenor
Languages:
none
Clef:
c4
|
|||
| 43 | A qui fortune ne se vuelt amer | - | |
|
Appears on:
43
Genres:
Rondeau
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
A qui ortune ne se vuelt amer ...
Voice:
Contratenor
Languages:
none
Clef:
c4
Voice:
Tenor
Languages:
none
Clef:
c4
|
|||
| 43v | Se pour loyaulement servir | - | |
|
Appears on:
43v
Genres:
Rondeau
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Se pour loyaulement servir ...
Voice:
Tenor
Languages:
none
Clef:
c3
Voice:
Contratenor
Languages:
none
Clef:
c3
|
|||
| 43v–44 | Puisque je sui pour loyaulte tenir | - | |
|
Appears on:
43v–44
Genres:
Virelai
Voice:
Tenor
Languages:
French
Clef:
c3
Voice Text:
Puisque je suy etc.
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Puisque je sui pour loyaulte tenir ...
Voice:
Contratenor
Languages:
French
Clef:
c3
Voice Text:
Puis etc.
|
|||
| 44v | Pour bel accueil suis je las | - | |
|
Appears on:
44v
Genres:
Rondeau
Voice:
Contratenor
Languages:
none
Clef:
f4
Voice:
[no designation]
Languages:
French
Clef:
c4
Voice Text:
Pour bel acueil suy ie las ...
Voice:
Tenor
Languages:
none
Clef:
f4
|
|||
| 44v | Tu me solevi donna | - | |
|
Appears on:
44v
Genres:
Ballata
Voice:
Contratenor
Languages:
Italian
Clef:
c3
Voice Text:
Tu me solevi donna.
General NoteContratenor only |
|||
| 45 | Helas avril par ton doulz revenir | - | |
|
Appears on:
45
Genres:
Virelai
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Helas auril par ton doulz revenir ...
Voice:
Tenor
Languages:
none
Clef:
c4
Voice:
Contratenor
Languages:
none
Clef:
c4
|
|||
| 45v | Je ne requier de ma dame et m'amie | Grenon | |
|
Appears on:
45v
Genres:
Ballade
Source Attribution:
Grenon
Voice:
Tenor
Languages:
none
Clef:
c3
Voice:
Contratenor
Languages:
none
Clef:
c3
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Ie ne reuier de ma dame ...
General Noteadded contratenor by Matteo da Perugia |
|||
| 46 | Trover ne puis aucunemant confort | M. d. P(erusio) | |
|
Appears on:
46
Genres:
Rondeau
Source Attribution:
M. d. P(erusio)
Voice:
Contratenor
Languages:
none
Clef:
f3
Voice:
[no designation]
Languages:
French
Clef:
f3
Voice Text:
Trover ne puis aucunemant confort ...
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Trover ne puis aucunemant confort ...
|
|||
| 46v | Già da rete d'amor libera | Idem (ie de Perusio) | |
|
Appears on:
46v
Genres:
Ballata
Source Attribution:
Idem (ie de Perusio)
Voice:
Tenor
Languages:
Italian
Clef:
f5
Voice Text:
Gjå da rete d'amor ...
Voice:
[no designation]
Languages:
Italian
Clef:
c5
Voice Text:
Gjå da rete d'amor libera ...
Voice:
Contratenor
Languages:
none
Clef:
f5
Layoutparts |
|||
| 47 | D... fragment | - | |
|
Appears on:
47
Genres:
unknown
Voice:
[no designation]
Languages:
insufficient
Clef:
c1
Voice Text:
D
General Note(fragment) Layoutparts |
|||
| 47v–48 | Serà quel zorno mai dolze | - | |
|
Appears on:
47v–48
Genres:
Ballata
Voice:
Contratenor
Languages:
none
Clef:
f3
Voice:
[no designation]
Languages:
Italian
Clef:
c3
Voice Text:
Serå quel zorno may dolze ...
Voice:
[no designation]
Languages:
Italian
Clef:
f3
Voice Text:
Serå quel zorno may dolze ...
Layoutparts |
|||
| 48 | Ne me chaut vostre man parler | - | |
|
Appears on:
48
Genres:
Virelai
Voice:
Tenor
Languages:
none
Clef:
c3
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Ne me chaut vostre man parler ...
Layoutparts |
|||
| 48v–49 | Et in terra pax [Gloria] (VI) | - | |
|
Appears on:
48v–49
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Et in terra pax hominibus bone voluntatis ...
Voice:
Contratenor
Languages:
Latin
Clef:
c3
Voice Text:
Et in terra pax.
Voice:
Tenor
Languages:
Latin
Clef:
c3
Voice Text:
Et in terra pax.
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Et in terra pax hominibus bone voluntatis ...
Layoutparts |
|||
| 48v–49 | Jusqu'a tant que vous verrez | - | |
|
Appears on:
48v–49
Genres:
Rondeau
Voice:
Contratenor
Languages:
French
Clef:
c4
Voice Text:
Jusque a tant.
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Iusque a tant que vous verray ...
Voice:
Tenor
Languages:
French
Clef:
f3
Voice Text:
Jusque a tant.
|
|||
| 49v–50 | Et in terra pax [Gloria] (VII) | Idem (ie de Perusio) | |
|
Appears on:
49v–50
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Idem (ie de Perusio)
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
Et in terra pax hominibus bone voluntatis ...
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Et in terra pax hominibus ...
Voice:
Tenor
Languages:
none
Clef:
c3
Layoutparts |
|||
| 50v | Gratiosus fervidus fidei zelator / Magnanimus opere Capadocus genere miles | - | |
|
Appears on:
50v
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
Magnanimus opere Capadocus genere miles ...
Voice:
Tenor
Languages:
none
Clef:
c3
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Gratiosus fervidus fidei zelator ...
Layoutparts |
|||
| z | Dame d'honneur plaisante et gracieuse | M. d. P(erusio) | |
|
Appears on:
z
Genres:
Rondeau
Source Attribution:
M. d. P(erusio)
Voice:
Tenor
Languages:
none
Clef:
f3
Voice:
Contratenor
Languages:
none
Clef:
f3
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Dame de homour plesant et gracieuxe ...
Layoutparts |
|||
‡ denotes primary source study
Clercx-Lejeune, Suzanne, and Suzanne Clercx. None. Clercx ? Pages: 111ff.
Stone, Anne. 2005. The Manuscript Modena, Biblioteca Estense, [alpha].M.5.24: Commentary. Ars nova, n.s. 1b. Lucca: Libreria musicale italiana. Notes: inventory.
Milano, Ernesto (editor). 2003. Il codice α.M.5.24 (ModA) [Facsimile Edition]. Ars nova, n.s. 1a. Lucca: Libreria musicale italiana. Notes: new foliation.
Stoessel, Jason. 2002. The Captive Scribe: The Context and Culture of Scribal and Notational Process in the Music of the Ars Subtilior. University of New England, Ph.D. dissertation. Pages: i, 94-183.
Memelsdorff, Pedro. 2001. What's in a Sign? The [natural sign] and the Copying Process of a Medieval Manuscript: The Codex Modena, Biblioteca Estense, [alpha].M.5.24 (Olim Lat. 568). Studi Musicali, 255-80.
Stone, Anne. 1994. Writing Rhythm in Late Medieval Italy: Notation and Musical Style in the Manuscript Modena, Biblioteca Estense, (.M.5.24). Harvard University, Ph.D.
Fischer, Kurt von. 1979. The Mass Cycle of the Trecento Manuscript F-Pn568(Pit). Essays on Music for Charles Warren Fox, 1-13. Rochester, N.Y. Pages: 185.
Hagopian, Viola L. 1973. Italian Ars Nova Musik: A Bibliographic Guide to Modem Editions and Related Literature. 2nd ed. Berkeley, Los Angeles, and London. Pages: 61-2. Notes: additional bibliography.
Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I. Kassel. Pages: B IV/4,950-81.
Günther, Ursula. 1970. Zur Datierung des Manuskripts Modena, Biblioteca Estense, a M. 5, 24 (olim Lat. 568). Bericht über den internationalen Musikwissenschaftlichen Kongress Leipzig 1966, 175-81. Kassel: Bärenreiter. Notes: physical description; mention of MS; discussion.
‡ Günther, Ursula. 1970. Das Manuskript Modena, Biblioteca Estense, a.M.5,24 (olimlat. 568 = Mod). Musica Disciplina, 17-67. Notes: physical description; contents list; concordances; transcription (partial); mention of MS; discussion.
Günther, Ursula (editor). 1965. The Motets of the Manuscripts Chantilly, musée condé, 564 (olim 1047) and Modena, Biblioteca estense, a. M. 5, 24 (olim lat. 568). Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xxiv-xxvii,xlix-l,lv-lvii,8-13,46-8,53-6. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.
Marrocco, W. Thomas. 1961. Fourteenth-Century Italian Cacce. Cambridge, Massachusetts. Pages: xii,xxii, Plate II. Notes: contents list (partial); concordances (partial); facsimile (partial).
Clercx-Lejeune, Suzanne, and Suzanne Clercx. 1960. Johannes Ciconia, un musicien liégois et son temps. Académie Royale de Belgique, Classe des Beaux-Arts: Mémoires: Collection in-4, II série, vol. X, fasc. 1a/1b. 2 vols. Brussels: Palais des Académies. Pages: I,56-7,71-4, passim; 11,19-22,78-84,88-90. Notes: contents list (partial); concordances (partial); transcriptions (partial); incipits (partial); mention of MS; discussion.
Fischer, Kurt von. 1959. Review of FanoC. Die Musikforschung, 223-30. Notes: physical description; mention of MS; discussion.
Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain. London: Routledge. Pages: Übertragung von Nr. 29.
Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 27-58.
Schrade, Leo. 1958. Übertragungen der Werke Landinis. Pages: Übertragung von Nr. 33.
Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. Pages: Commentary to Vols. II and III, 49-50,108,115,118,126-7; 111,90-1,118-9,128-9,146-7; IV,32-3; Commentary to Vol. IV, 53-5; V,17-23,193; IX.22-7,51-2,196-8; XII,21-4,188,193,205 Übertragungen von Nr. 43, 46, 55, 60 nach andern Handschriften. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).
Fano, Fabio. 1956. La Cappella Musicale del Duomo di Milano. Parte Prima: Le Origini e II Primo Maestro di Cappella: Matteo da Perugia. Instituzioni e Monumenti dell'Arte Musicale Italiana. Milan. Pages: 109-38,173ff,191ff, Tav. XXI, XIII, XV-XX. Notes: physical description; contents list; transcription (partial); facsimile (partial); texts (partial).
Fischer, Kurt von. 1956. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Publikationen der Schweizerischen Musikforschenden Gesellschaft. Bern: Paul Haupt. Pages: 96f.
Sartori, Claudio. 1956. Matteo da Perugia e Bertrand Feraguti due primi Maestri di Cappella del Duomo di Milano. Acta Musicologica, 12-27. Pages: 16,19-20. Notes: physical description; mention of MS; discussion.
Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae. Rome: American Institute of Musicology. Pages: II,xxiv,lxv; V, xxvi, 47-53; VI, ix, xi, xxiv-xxv, xxxi-xxxii, xxxviii-xxxix, 77-85, 126-36; VII, xiv, xxii, 4-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).
Fano, Fabio. 1953. Note su Franchino Gaffurio. Rivista Musicale Italiana, 225ff. Pages: Tf. X, XI, XIII, XV-XX (Faksimiles von Nr. 1, 99, 100, 102, 74, 6, 95, 81, 82, 101); p. 191ff. (Übertragungen von Nr. 1-4, 6-9, 11, 12, 27, 40, 41, 74, 76, 82, 83, 85, 87, 90, 93, 95, 97-103).
Fano, Fabio. 1953. Origini della Cappella Musicale del Duomo di Milano: II primo Maestro di Cappella: Matteo da Perugia (1402-16). Rivista Musicale Italiana, 1-27. Pages: 7-14. Notes: physical description; contents list.
Giazotto, Remo. 1951. La musica a Genova nella vita pubblica e privata dal XIII al XVIII secolo. 93ff. Genova. Pages: 78ff, Tav. V-VI. Notes: contents list (partial); facsimile (partial); mention of MS; discussion.
Fava, Domenico, and Mario Salmi. 1950-73. Manoscritti Miniati della Biblioteca Estense di Modena. Florence. Pages: I, 44-5. Notes: physical description (partial).
Apel, Willi (editor). 1950. French Secular Music of the Late Fourteenth Century. Cambridge, Massachusetts: The Medieval Academy of America. Pages: 3ff, 27-8, Plates I-III, 1-44*, 77-8*, 81-2*, 86-7*, 94-5*. 98-101*, 108-9*. Notes: contents list (partial); concordances (partial); transcription (partial); facsimile (partial); mention of MS; discussion.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VI, Tafel 68. Notes: facsimile (partial).
Pirrotta, Nino. 1944-45. Il codice Estense 568 e la musica francese al principio del '400. Atti della Reale Accademia di Scienze, Lettere e Arti di Palermo, . Pages: 101ff.
‡ Pirrotta, Nino. 1944-5. II Codice Estense Lat. 568 e la Musica Francese in Italia al Principio del '400. Atti della Reale Accademia di Scienze Lettere e Arti di Palermo Serie IV. 101-54. Notes: physical description; contents list; concordances; additional bibliography; mention of MS; discussion.
Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: Faksimiles 82, 84, 87 (Faksimiles von Nr. 65/66, 75, 78).
Ellinwood, Leonard. 1941. The Conductus. Musical Quarterly, 165ff. Pages: Übertragung von Nr. 33.
Marix, Jeanne (editor). 1937. Les musiciens de la cour de Bourgogne au XVe siècle (1420-1467) : Messes, motets, chansons. Paris. Pages: 1 (Übertragung von Nr. 93).
Korte, Werner F. 1932. Contributi alla storia della musica in Italia, I: La musica nelle città dell'Italia settentrionale dal 1400 al 1425. Rivista musicale italiana, 513–530.
Schering, Arnold. 1931. Geschichte der Musik in Beispielen. Liepzig. Pages: Nr. 24 (Übertragung von Nr. 90).
Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. Pages: II,24,30-1,48,50. Notes: physical description; contents list (partial); concordances (partial).
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 137-258. Pages: (Übertragung von Nr. 29).
Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 230.
Ludwig, Friedrich. 1925. Die mehrstimmige Messe des 14. Jahrhunderts. Archiv für Musikwissenschaft, 417ff. Pages: Übertragungen von Nr. 43, 44, 46, 55, 60 nach andern Handschriften.
Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 285 (Anmerkung 1).
Bertoni, Giulio. 1917. Poesie musicali francesi nel Cod. Est. lat. 568. Archivium romanicum, 21ff.
Lodi, Pio. 1917. Catalogo delle Opere Musicali teoriche e pratiche ... Città di Modena R. Biblioteca Estense. Bollettino dell'Associazione dei Musicologi Italiani. Parma. Pages: 522-4. Notes: physical description; contents list.
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 329, 352.
Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: Bände II/III, 118ff./l58ff. (dipi. U. und Übertragungen von Nr. 59, 71, 72, 10, 15).
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
Folio numbering is outdated. The commonly used folio numbering is based on that used by Anne Stone in her monograph on ModA from 2005, as well as in the facsimile edition by LIM. That foliation starts with fol. av., 1r, 1v .... and ends with 50v, zr, zv; it corresponds to your fol 1v, 2r, 2v .... to 51v, 52r, 52v
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
added image link @ Estense Digital Library
Added to inventory the many omitted attributions from the ms. Corrected some errors & duplications in inventory. Tidied up concordances with other mss.
The inventory incorrectly states that Zacara's 'Gloria Laus et honor' is at f. 23v-25; it is instead the 'Credo Laus et honor' which is there.
Fixed broken images list.
Foliation updated to reflect standard adopted in new (2003) facsimile & commentary
Two works added to inventory
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description