I-MOe MS {alpha}.M.5.24 (Modena A; ModA)

Biblioteca Estense, Modena, Italy

choirbook: Early 15th century

Archive	Biblioteca Estense, Modena, Italy (I-MOe)
Shelfmark	MS {alpha}.M.5.24 (Modena A; ModA)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Mixed Paper and Parchment
Numbering System	None
Measurements	278 x 200 mm
Other Identifiers	RISM: I-MOe5.24 RISM: Mod A, Mod CCM: ModE M.5.24 Other catalogues/source: Mod olim (Former shelfmark): lat. 568; IV.D.5
Notations	black full mensural coloration in black void coloration in red full coloration in red void
Relationships	? Este family (owner) Giacomo (of Bologna), Niccolo di (1330–1402) (decoration style model)
External Links	14th-century French music notation tutorials transcribed texts images - downloadable pdf images - Estense
Provenance	Bologna and Milan, Italy
Contents	104 pieces from 24 composers

General Description

Copied by two or more scribes; first and fifth fascicles in same hand. First and last fascicles as presently constituted (containing mainly works by Matteo da Perugia) apparently adjacent to each other at earlier time. Copied in Bologna (fascicles 2-4) and Milan (fascicles 1 and 5) (GüntMM, who disputes other proposed provenances of Pavia, Pisa, or papal court at Avignon). Possibly owned by Este family of Ferrara since 15th century (PirrE). Este family library transferred to Modena in 1598; joined to Modena university library in 1892.

DIAMM, 2017

Binding

Eighteenth-century covers of brown blind-tooled leather replaced in 1966-7 by new covers of blue leather decorated in gold

DIAMM, 2017

Notation

Black full mensural with red full, red void, and black void coloration

DIAMM, 2017

Date

GüntMM rejects ApelFM's dating of 1425-50, PirrE's dating of 1420-30 for later fascicles, and ClercxJC's late 14th century dating for earlier fascicles

DIAMM, 2017

Ruling

9 or 10 five-line staves per page

DIAMM, 2017

Foliation

a, 1-50, z; covers and boards (Stone 2005)

Jos Haring 2018

Foliation

Some original foliation remains; three other numbering systems: (1) older foliation, 1-51 (omits first folio); (2) newer foliation, 1-52; (3) modern pagination, 2-103, by A. G. Spinelli.

DIAMM, 2017

Decoration

Plain red inked initials in fascicles 1 and 5; red and blue inked initials with some filigree work in fascicle 4. Fascicles 2 and 3 more elaborately decorated, with five miniatures, painted initials (mostly pale rose on gold and blue grounds), and borders ornamented with gold dots and floral motifs; style of decoration resembles work of Niccolo di Giacomo of Bologna (1330-1402) and his school (GüntMM; FavaM I, 44-5).

DIAMM, 2017

Surface

i paper + 52 parchment + i paper

DIAMM, 2017

DIAMM Note

DIAMM foliation follows that of the modern facsimile edition by Ernesto Milano: the first folio is numbered a, beginning with 1 only after that. The pencil folio numbers in the manuscript (bottom, inner corner) begim at 1, hence are one higher than those on DIAMM.

DIAMM, 2018

RISM Description

RISM B/IV 4: 15. Jh.; 52 Blätter Pergament + je 1 Papier Vorsatz- und Nachstoßblätter, 278 x 200 mm. Verschiedene Foliierung (näheres bei Pirrotta): 1. Alte Foliierung von f. 6-10 (nach Incipitverzeichnis f. 2-6), f. 1-5 (nach Incipitverzeichnis f. 42-46), f. 11-40 (nach Incipitverzeichnis f. 12-41); 2. Foliierung von f. 1-51 (von Apel und Pirrotta benutzt); 3. Foliierung von f. 1-52 (von Wolf und im folgenden Incipitverzeichnis benutzt); 4. Pag. (von A. G. Spinelli) von p. 2-103. Auf f. 2-11, 42-51 je 10 Fünfliniensysteme, von f. 12-41 je 9 Fünfliniensysteme mit schwarzer, schwarz-roter und schwarz-weißer Mensuralnotation um 1400. - Einband: 2. Hälfte 18. Jh.; braunes Leder mit Blindpressung und Rücken mit Goldinschrift Hymni. Auf der Verso-Seite des Vorsatzblätter von jüngerer Hand: "Liber continens hymnos et alia ecclesiastica aliaque non ecclesiastica".

Diese aus Oberitalien stammende Handschrift besteht aus 5 Faszikeln sowie je einem vorn und hinten hinzugefügten Pergament-Blätter (f. 1 und 52). Wie die älteste Foliierung (siehe oben 1.) und die Schrift zeigen, gehörten die Faszikeln 1 und 5 (f. 2-11 und 42-51) ursprünglich zusammen. Sie enthalten vorwiegend Werke von M. de Perusio († um 1418). Die vermutlich älteren Faszikeln 2-4 (f. 12-41) zeigen im Unterschied zu Faszikeln 1 und 5 zudem Initialen auf Goldgrund. Herkunftsort und Datierung der Handschrift sind umstritten. Pirrotta datiert Faszikeln 2-4: Bologna 1409-1414, den 1. und 5. Faszikeln: 1420-1430; Apel: ganze Handschrift 1425-1450; Sartori: Pavia um 1406; Clercx: Faszikel 2-4 vielleicht noch 14. Jh.; v. Fischer: Faszikel 2-4 zwischen 1400 und 1410, Faszikeln 1 und 5 zwischen 1410 und 1420.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

(Lat. 568; olim IV.D.5)

8 Glorias, 3 Credos, 1 hymn, 12 motets and Latin secular pieces, 67 French secular pieces, 11 Italian secular pieces, 1 textless fragment = 103

Andreas de Florentia-1, Antonello da Caserta-8, Bartolino da Padua [Dactalus de Padua; Frater carmelitus]-3, Bartolomeo da Bologna [Fr. Bartholomeus de Bononia]-2, Blasius-1, Ciconia-2, Corrado da Pistoia [Fr. Coradus de Pistorio ord(in)is heremitarum] -2, Egardus-2, Egidius-2, Filippo da Caserta [Ma. Filipoctus de Caserta]-3, Filippo da Caserta/(Galiot)-1, (Galiot)-1, Grenon/ Matteo da Perugia-1, (Hasprois)-1, Johannes de Janua-2, Landini [Franciscus de Florentia]-1, (Machaut)-3, (Machaut-Matteo da Perugia?)-1, Matteo da Perugia-31 + 9?, (Mayshuet)-2, Selesses -3, Selesses/(Galiot)-1, Zachara da Teramo? [Mag. Zacharias]-5, anon-16

i paper + 52 parchment + i paper folios, 278 x 200. First and last fascicles as presently constituted (containing mainly works by Matteo da Perugia) apparently adjacent to each other at earlier time. Some original foliation remains; three other numbering systems: (1) older foliation, 1-51 (omits first folio); (2) newer foliation, 1-52; (3) modern pagination, 2-103, by A. G. Spinelli. Eighteenth-century covers of brown blind-tooled leather replaced in 1966-7 by new covers of blue leather decorated in gold. No index.

Black mensural notation with red full, red void, and black void coloration. Copied by two or more scribes; first and fifth fascicles in same hand. Plain red inked initials in fascicles 1 and 5; red and blue inked initials with some filigree work in fascicle 4. Fascicles 2 and 3 more elaborately decorated, with five miniatures, painted initials (mostly pale rose on gold and blue grounds), and borders ornamented with gold dots and floral motifs; style of decoration resembles work of Niccolo di Giacomo of Bologna (1330-1402) and his school (GüntMM; FavaM I, 44-5).

Ca. 1410-1 (fascicles 2-4); before 1418 (fascicles 1 and 5) (GüntMM, who rejects ApelFM's dating of 1425-50, PirrE's dating of 1420-30 for later fascicles, and ClercxJC's late 14th century dating for earlier fascicles). Copied in Bologna (fascicles 2-4) and Milan (fascicles 1 and 5) (GüntMM, who disputes other proposed provenances of Pavia, Pisa, or papal court at Avignon). Possibly owned by Este family of Ferrara since 15th century (PirrE). Este family library transferred to Modena in 1598; joined to Modena university library in 1892.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
av–1	Ave sancta mundi salus panis / Agnus dei qui tollis	M. de Perusio	Perugia, Mattheus de
Ave sancta mundi salus panis / Agnus dei qui tollis Perugia, Mattheus de Appears on: av–1 Genres: Motet Source Attribution: M. de Perusio Voice: [no designation] Languages: Latin Clef: f2c4 Voice Text: Agnus dey qui tollis Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ave sancta mundi salus panis Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ave sancta mundi salus panis Layout parts Item Bibliography Fano, Fabio. 1956. La Cappella Musicale del Duomo di Milano. Parte Prima: Le Origini e II Primo Maestro di Cappella: Matteo da Perugia. Instituzioni e Monumenti dell'Arte Musicale Italiana. Milan. Pages: [facs.] plate X.
1v–2	Et in terra pax [Gloria] (I)	Idem [ie Matteo da Perugia]	Perugia, Mattheus de
Et in terra pax [Gloria] (I) Perugia, Mattheus de Appears on: 1v–2 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Idem [ie Matteo da Perugia] Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Et in terra pax. Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et in terra pax. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra pax ... Layout parts
2v–3	Et in terra pax [Gloria] (II)	-	Perugia, Mattheus de (?)
Et in terra pax [Gloria] (II) Perugia, Mattheus de (?) Appears on: 2v–3 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra pax hominibus ... Voice: Tenor Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra pax hominibus bone ...
3v–4	Et in terra pax [Gloria] (III)	-	Perugia, Mattheus de (?)
Et in terra pax [Gloria] (III) Perugia, Mattheus de (?) Appears on: 3v–4 Genres: Gloria (et in terra pax), Mass Ordinary Voice: Tenor Languages: none Clef: c3 Voice: Tenor Languages: Latin Clef: c3 Voice Text: Agnus dei qui tollis ... Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra pax hominibus bone ... Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra pax hominibus bone ... Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Agnus dei qui tollis ... General Note Tenor et contratenor diminuuntur in secunda vice
3v–4	El no me çova ne val donna fuçire	-	Perugia, Mattheus de (?)
El no me çova ne val donna fuçire Perugia, Mattheus de (?) Appears on: 3v–4 Genres: Ballata Voice: Contratenor Languages: Italian Clef: c4 Voice Text: El non me zova ne val donna fugire.
4v–5	Laurea martirii verna est corona / Conlaudanda est corporis / Tenor Proba me domine	[anon]	Perugia, Mattheus de
Laurea martirii verna est corona / Conlaudanda est corporis / Tenor Proba me domine Perugia, Mattheus de Appears on: 4v–5 Genres: Motet Source Attribution: [anon] Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Conlaudanda est corporis Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Laurea martirij verna est corona Voice: Tenor Languages: Latin Clef: f3 Voice Text: [Tenor Proba me domine] Voice: Contratenor Languages: none Clef: c4 Voice: Solus Tenor Languages: none Clef: c4 Layout parts Item Bibliography Fano, Fabio. 1956. La Cappella Musicale del Duomo di Milano. Parte Prima: Le Origini e II Primo Maestro di Cappella: Matteo da Perugia. Instituzioni e Monumenti dell'Arte Musicale Italiana. Milan. Pages: [facs.] plate 16.
5v–6v	Patrem omnipotentem [Credo] (I)	-	Perugia, Mattheus de (?)
Patrem omnipotentem [Credo] (I) Perugia, Mattheus de (?) Appears on: 5v–6v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: Tenor Languages: Latin Clef: c3 Voice Text: Patrem . Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Patrem omnipotentem ... Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Patrem .
5v	Se vous n’estes pour mon guerredon	-	Machaut, Guillaume de (ca. 1300–1377)
Se vous n’estes pour mon guerredon Machaut, Guillaume de (ca. 1300–1377) Appears on: 5v Genres: Rondeau Voice: Contratenor Languages: French Clef: f4 Voice Text: Se vous n'estes ... General Note New contratenor for the Machaut rondeau, perhaps by Matteo da Perugia. The rondeau appears on f.34
6v–7	Puisque la mort	-	Perugia, Mattheus de (?)
Puisque la mort Perugia, Mattheus de (?) Appears on: 6v–7 Genres: Ballade Voice: Tenor Languages: none Clef: f3 Voice: Contratenor Languages: none Clef: f3 Voice: [no designation] Languages: French Clef: c3 Voice Text: Puisque la mort ...
7v–9	Patrem omnipotentem [Credo] (II)	-	Perugia, Mattheus de (?)
Patrem omnipotentem [Credo] (II) Perugia, Mattheus de (?) Appears on: 7v–9 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Patrem. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Patrem omnipotentem ,,, Voice: Tenor Languages: Latin Clef: c4 Voice Text: Patrem.
7v, 8v–9	Plus onques dame	-	Perugia, Mattheus de (?)
Plus onques dame Perugia, Mattheus de (?) Appears on: 7v, 8v–9 Genres: Virelai Voice: Tenor Languages: none Clef: c4 Voice: [no designation] Languages: French Clef: c2 Voice Text: Plus onques dame ... Voice: Contratenor Languages: none Clef: c4
9v–10	Et in terra pax [Gloria] (IV)	M de Perusio	Perugia, Mattheus de
Et in terra pax [Gloria] (IV) Perugia, Mattheus de Appears on: 9v–10 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: M de Perusio Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra pax hominibus bone ... Voice: Tenor Languages: Latin Clef: c3 Voice Text: Et in terra pax. General Note Fuga.
10	Par vous m'estuet languir et soupirer / Soyes par moi mon amy gracieux	Idem [ie Matteo da Perugia]	Perugia, Mattheus de
Par vous m'estuet languir et soupirer / Soyes par moi mon amy gracieux Perugia, Mattheus de Appears on: 10 Genres: Rondeau Source Attribution: Idem [ie Matteo da Perugia] Voice: [no designation] Languages: French Clef: f2c4 Voice Text: Soyes par moy mon amy gracieux ... Voice: [no designation] Languages: French Clef: f2c4 Voice Text: Par vous m'estuet languir et soupirer ... Layout parts
10v–11	Dame que j'aime sour toutes	M. de Perusio	Perugia, Mattheus de
Dame que j'aime sour toutes Perugia, Mattheus de Appears on: 10v–11 Genres: Chanson Source Attribution: M. de Perusio Voice: Tenor Languages: none Clef: f3 Voice: Contratenor Languages: none Clef: f3 Voice: [no designation] Languages: French Mensuration: c-dot Clef: c3 Voice Text: Dame que i'aym sour toutes ... Layout parts
11	Franchois franchois sunt nobles	Magister Egidius ordinis heremitarum sancti Augustini	Francia, Egidius de
Franchois franchois sunt nobles Francia, Egidius de Appears on: 11 Genres: Ballade Source Attribution: Magister Egidius ordinis heremitarum sancti Augustini Voice: Contratenor Languages: French Clef: c4 Voice Text: Franchois sunt nobles. Voice: Tenor Languages: French Clef: c3 Voice Text: Franchois franchois Voice: [no designation] Languages: French Clef: c3 Voice Text: Franchois franchois su[n]t nobles ... Layout parts
11v–12	Sumite karissimi	Magister Zacharias	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Sumite karissimi Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 11v–12 Genres: Ballade Source Attribution: Magister Zacharias Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sumite karissimi ... Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Sumite karissimi. Voice: Tenor Languages: Latin Clef: f2c4 Voice Text: Sumite karissimi. Layout parts
12	Une dame requis lautrier d'amer	Frater Johannes Janua	Janua, Johannes de
Une dame requis lautrier d'amer Janua, Johannes de Appears on: 12 Genres: Ballade Source Attribution: Frater Johannes Janua Voice: Tenor Languages: French Clef: c3 Voice Text: Une dame. Voice: Contratenor Languages: French Clef: c3 Voice Text: Une dame. Voice: [no designation] Languages: French Clef: c1 Voice Text: Une dame requis lautrier d'amer ... General Note Canon ballate: Traiunt sub una omnis cantus huius mensura. Superius nota rubee proportio dupla. Qui tenet inferius sexquialtera putet. Layout parts
12v	Du ciel (val) perileus ou pourpris de genese / Sti ? cantus / superstite balate	Anthonello de Caserta	Caserta, Antonello da (fl. c1400)
Du ciel (val) perileus ou pourpris de genese / Sti ? cantus / superstite balate Caserta, Antonello da (fl. c1400) Appears on: 12v Genres: Ballade Source Attribution: Anthonello de Caserta Voice: Tenor Languages: Latin Clef: c4 Voice Text: Sti (?) cantus Voice: Contratenor Languages: Latin Clef: c4 Voice Text: superstite balate Voice: Cantus Languages: Latin Clef: c1 Voice Text: Du val perileus ou pourpris de genese General Note cf F-Pn6771 no. 92 (Du ciel perileus)
12v–13	Hors suis je bien	-	Anonymous
Hors suis je bien Anonymous Appears on: 12v–13 Genres: Rondeau Voice: Tenor Languages: French Clef: f4 Voice Text: Hors sui ye bien ... Voice: [no designation] Languages: French Clef: c4 Voice Text: Hors sui ye bien ... Layout parts
13	Beauté porfaite bonté souvraine	Idem [ie Anthonello de Caserta]	Caserta, Antonello da (fl. c1400)
Beauté porfaite bonté souvraine Caserta, Antonello da (fl. c1400) Appears on: 13 Genres: Ballade Source Attribution: Idem [ie Anthonello de Caserta] Voice: Contratenor Languages: French Clef: c4 Voice Text: Beauté parfaite bonté souvraine Voice: [no designation] Languages: French Clef: c1 Voice Text: Beauté parfaite bonté souvraine Voice: Tenor Languages: French Clef: c3 Voice Text: Beauté parfaite bonté souvraine
13v	Notes pour moi ceste ballade	Idem [ie Anthonello de Caserta]	Caserta, Antonello da (fl. c1400)
Notes pour moi ceste ballade Caserta, Antonello da (fl. c1400) Appears on: 13v Genres: Ballade Source Attribution: Idem [ie Anthonello de Caserta] Voice: Contratenor Languages: French Clef: d3 Voice Text: Notes pour moy. Voice: Tenor Languages: French Clef: d3 Voice Text: Notes pour moy. Voice: [no designation] Languages: French Clef: d1 Voice Text: Notes pour moi ceste ballade ... Layout parts
13v–14	Sol mi trafigge 'l cor l'aquila bella	Zacharias	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Sol mi trafigge 'l cor l'aquila bella Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 13v–14 Genres: Ballata Source Attribution: Zacharias Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Sol me trafice 'l cor Voice: Tenor Languages: none Clef: f3
14	Langue puens envenimee	-	Anonymous
Langue puens envenimee Anonymous Appears on: 14 Genres: Ballade Voice: [no designation] Languages: French Clef: c3 Voice Text: Langue puens envenimee ... Voice: Tenor Languages: French Clef: f3 Voice Text: Langue puens. Voice: Contratenor Languages: French Clef: f3 Voice Text: Langue puens. Layout parts
14v	Se pronto non sarà l'uom a ben fare	Franciscus de Florentia	Landini, Francesco (ca. 1325–1397)
Se pronto non sarà l'uom a ben fare Landini, Francesco (ca. 1325–1397) Appears on: 14v Genres: Ballata Source Attribution: Franciscus de Florentia Voice: Tenor Languages: Italian Clef: c3 Voice Text: Se pronto no serà l'uom al be fare Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Se pronto no serà l'uom al be fare
14v–15	Fuions de ci, fuions, povre companigns En Aragon, en France ou en Bretaingne	Selesses	Senleches, Jacob
Fuions de ci, fuions, povre companigns En Aragon, en France ou en Bretaingne Senleches, Jacob Appears on: 14v–15 Genres: Ballade Source Attribution: Selesses Voice: Tenor Languages: none Clef: f4 Voice: [no designation] Languages: French Clef: c4 Voice Text: Fuions de chi fuions povre Voice: Contratenor Languages: none Clef: f3
15	Inclite flos orti Gebennensis prestantibus roribus immensis / Papa Clemente	Mayhuet de Joan	Sancto Johanne, Matheus de (–ca. 1391)
Inclite flos orti Gebennensis prestantibus roribus immensis / Papa Clemente Sancto Johanne, Matheus de (–ca. 1391) Appears on: 15 Genres: Ballade Source Attribution: Mayhuet de Joan Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Inclite flos orti gebenensis ... Voice: Contratenor Languages: Latin Mensuration: o Clef: c5 Voice Text: Inclite flos orti. Voice: Tenor Languages: Latin Mensuration: c-dot Clef: c5 Voice Text: Inclite flos orti. Layout parts
15v	Sans vous ne puis, tres douce car quand ne suis pres de vostre	-	Sancto Johanne, Matheus de (–ca. 1391)
Sans vous ne puis, tres douce car quand ne suis pres de vostre Sancto Johanne, Matheus de (–ca. 1391) Appears on: 15v Genres: Motet Voice: Tenor Languages: French Clef: f3 Voice Text: Langue puens. Voice: Contratenor Languages: French Clef: f3 Voice Text: Langue puens. Voice: [no designation] Languages: French Clef: c3 Voice Text: Sans vous ne puis tres douche creature ...
16	Pres du soloil deduissant	M. de Perusio	Perugia, Mattheus de
Pres du soloil deduissant Perugia, Mattheus de Appears on: 16 Genres: Ballade Source Attribution: M. de Perusio Voice: [no designation] Languages: French Clef: c1 Voice Text: Perdu soloil deduissant ... Voice: Contratenor Languages: none Clef: c4 Voice: Tenor Languages: none Clef: c4 Layout parts
16v–17	Cacciando per gustar di quel tesoro / Ai cenci ai toppi ai vetro ai ferro	Mag(ister) Z	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Cacciando per gustar di quel tesoro / Ai cenci ai toppi ai vetro ai ferro Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 16v–17 Genres: Caccia Source Attribution: Mag(ister) Z Voice: Superius Languages: Italian Clef: c2 Voice Text: Caciando per gustar di quel tesoro Voice: Superius Languages: Italian Clef: c2 Voice Text: Caciando per gustar di quel tesoro Voice: Tenor Languages: Italian Clef: f3 Voice Text: Ay cenci ai toppi a vetro ai ferro
17v–18	Apta caro plumis ingenii / Flos virginum, decus et species / Alma redemptoris mater	-	Vitry, Philippe de (1291–1361) (?)
Apta caro plumis ingenii / Flos virginum, decus et species / Alma redemptoris mater Vitry, Philippe de (1291–1361) (?) Appears on: 17v–18 Genres: Alma redemptoris mater, BVM, Motet Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Apta caro plumis ingenij Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Flos virginum decus et species Voice: Tenor Languages: Latin Clef: c3 Voice Text: Alma redemptoris mater Voice: Contratenor Languages: none Clef: c3 Layout parts
18v	En un vergier cols par mesure	-	Anonymous
En un vergier cols par mesure Anonymous Appears on: 18v Genres: Ballade Voice: [no designation] Languages: French Clef: c1 Voice Text: En un vergier cols par mesure ... Voice: Tenor Languages: French Clef: c2 Voice Text: En un vergier cols par mesure. Voice: Contratenor Languages: French Clef: c2 Voice Text: En un vergier. Layout parts
19	Puer natus in Betheleem unde gaude Jerusalem	Idem [but no prior attribution to repeat!]	Anonymous
Puer natus in Betheleem unde gaude Jerusalem Anonymous Appears on: 19 Genres: Hymn Source Attribution: Idem [but no prior attribution to repeat!] Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Puer natus in Betheleem unde gaude Yerusalem ... Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Puer natus. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Puer natus in Betheleem unde gaude Yerusalem ... Layout parts
19v	Dame d'honneur qu'on ne peut esprixier	Anthonellus	Cividale, Antonius de (?) Caserta, Antonello da (fl. c1400)
Dame d'honneur qu'on ne peut esprixier Cividale, Antonius de (?) Caserta, Antonello da (fl. c1400) Appears on: 19v Genres: Rondeau Source Attribution: Anthonellus Voice: [no designation] Languages: French Mensuration: c-dot Clef: c2 Voice Text: Dame d'onour c'on ne puet esprixier Voice: Tenor Languages: French Mensuration: o Clef: c5 Voice Text: Dame d'onour Voice: Contratenor Languages: French Mensuration: o-dot Clef: f2c4 Voice Text: Dame d'onour
19v–20	A qui fortune est tout dis ennemie	-	Anonymous
A qui fortune est tout dis ennemie Anonymous Appears on: 19v–20 Genres: Virelai Voice: [no designation] Languages: French Clef: c2 Voice Text: A qui fortune est tout dis ennemie ... Voice: Tenor Languages: French Clef: f3 Voice Text: A qui fortune. Voice: Contratenor Languages: French Clef: f3 Voice Text: A qui fortune. Layout parts
20	En atendant souffrir m’estuet grief payne Puis qu’avenir ne puis a la fonytayne	M(agiste)r Filipoctus	Caserta, Philippot de (fl. c1370) Galiot, Johannes (fl. 1380-1395) (?)
En atendant souffrir m’estuet grief payne Puis qu’avenir ne puis a la fonytayne Caserta, Philippot de (fl. c1370) Galiot, Johannes (fl. 1380-1395) (?) Appears on: 20 Genres: Ballade Source Attribution: M(agiste)r Filipoctus Voice: [no designation] Languages: French Clef: c3 Voice Text: en attendant soufrir Voice: [no designation] Languages: French Voice Text: en attendant soufrir Voice: [no designation] Languages: French Voice Text: en attendant soufrir
20v	Je ne puis avoir plaisir	-	Anonymous
Je ne puis avoir plaisir Anonymous Appears on: 20v Genres: Virelai Voice: Tenor Languages: French Clef: f3 Voice Text: Je ne puis avoir plaisir Voice: Contratenor Languages: French Clef: f3 Voice Text: Je ne puis avoir plaisir Voice: Superius Languages: French Clef: c3 Voice Text: Je ne puis avoir plaisir
20v	Quod jactatur a virtus opere non demonstratur	J. Ciconia	Ciconia, Johannes (ca. 1370–1412)
Quod jactatur a virtus opere non demonstratur Ciconia, Johannes (ca. 1370–1412) Appears on: 20v Genres: Canonic Source Attribution: J. Ciconia Voice: Canon Languages: Latin Voice Text: Quod jactatur a virtus opere non demonstratur ... Voice: [no designation] Languages: Latin Voice Text: Quod jactatur a virtus opere non demonstratur ... Layout parts
21	I bei sembianti con busiardi efetti	frater Carmelitus [=Bartolinus]	Padua, Bartolinus de (fl. 1365-1405)
I bei sembianti con busiardi efetti Padua, Bartolinus de (fl. 1365-1405) Appears on: 21 Genres: Italian secular Source Attribution: frater Carmelitus [=Bartolinus] Voice: [no designation] Languages: Italian Clef: c4 Voice Text: I bey senbianti con busiardi efetti Voice: [no designation] Languages: Italian Clef: c1 Voice Text: I bey senbianti con busiardi efetti Voice: [no designation] Languages: Italian Clef: c2 Voice Text: I bey senbianti con busiardi efetti
21v–22	Et in terra pax [Gloria]	Egardus	Egardus
Et in terra pax [Gloria] Egardus Appears on: 21v–22 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Egardus Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et in terra pax hominibus bone ... Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et in terra pax hominibus bone ... Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra pax hominibus ...
22	Benche lontan mi trov'in	M(agister) Zacharias	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Benche lontan mi trov'in Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 22 Genres: Ballata Source Attribution: M(agister) Zacharias Voice: Tenor Languages: Italian Clef: f3 Voice Text: Benche lontan me trove Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Benche lontan me trove
22v–23	Et in terra pax [Gloria] (V)	de Perusio	Perugia, Mattheus de
Et in terra pax [Gloria] (V) Perugia, Mattheus de Appears on: 22v–23 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: de Perusio Voice: Tenor Languages: Latin Clef: c3 Voice Text: Et in terra pax hominibus Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra pax hominibus Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Et in terra pax hominibus
23	Plus lies des lies plus joieux / Plus lies. Car la douchour	Idem [ie Matteo da Perugia]	Perugia, Mattheus de
Plus lies des lies plus joieux / Plus lies. Car la douchour Perugia, Mattheus de Appears on: 23 Genres: Rondeau Source Attribution: Idem [ie Matteo da Perugia] Voice: [no designation] Languages: French Clef: c2 Voice Text: Plus lies des lies plus joieux... Voice: Tenor Languages: French Clef: f3 Voice Text: Plus lies. Car la douchour ...
23v–25	Patrem omnipotentem [Credo] (III)	Zacharias	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Patrem omnipotentem [Credo] (III) Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 23v–25 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Zacharias Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Factorem celi Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Factorem celi Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Patrem omnipotentem...Factorem celi General Note A more florid version of the Discantus than in concordant settings.
25	De toutes flours n'avoit et de tous fruits / gastés estoit li seurplus et destruis	-	Machaut, Guillaume de (ca. 1300–1377)
De toutes flours n'avoit et de tous fruits / gastés estoit li seurplus et destruis Machaut, Guillaume de (ca. 1300–1377) Appears on: 25 Genres: Ballade Voice: Triplum Languages: French Clef: c3 Voice Text: De toutes flours Voice: [no designation] Languages: French Clef: c4 Voice Text: De toutes flours Voice: Contratenor Languages: French Clef: f3c5 Voice Text: De toutes flours Voice: Tenor Languages: French Clef: f3c5 Voice Text: De toutes flours
25v	En ce gracieux temps	Selesses	Senleches, Jacob
En ce gracieux temps Senleches, Jacob Appears on: 25v Genres: Virelai Source Attribution: Selesses
25v	Sans mal penser et sans	-	Senleches, Jacob
Sans mal penser et sans Senleches, Jacob Appears on: 25v Genres: Virelai Voice: [no designation] Languages: French Clef: c1 Voice Text: Sans mal penser et sans ... Voice: Tenor Languages: French Clef: c3 Voice Text: Sans mal penser.
26r	De petit peu, de nient volenté	-	Machaut, Guillaume de (ca. 1300–1377)
De petit peu, de nient volenté Machaut, Guillaume de (ca. 1300–1377) Appears on: 26r Genres: Ballade Voice: Tenor Languages: French Clef: c5 Voice Text: De petit peu Voice: Triplum Languages: French Clef: c2 Voice Text: De petit peu Voice: Contratenor Languages: French Clef: c5 Voice Text: De petit peu Voice: Superius Languages: French Clef: c4 Voice Text: De petit peu
26v	De ma dolour ne puis trouver confort languir m’estuet, car mis sui a tel port	M(agister) Filipoctus de Caserta	Caserta, Philippot de (fl. c1370)
De ma dolour ne puis trouver confort languir m’estuet, car mis sui a tel port Caserta, Philippot de (fl. c1370) Appears on: 26v Genres: Ballade Source Attribution: M(agister) Filipoctus de Caserta
26v–27	Sus une fontaine en remirant	J Ciconia	Ciconia, Johannes (ca. 1370–1412)
Sus une fontaine en remirant Ciconia, Johannes (ca. 1370–1412) Appears on: 26v–27 Genres: Virelai Source Attribution: J Ciconia Voice: Tenor Languages: French Clef: f3 Voice Text: Sus un fontayne en remirant Voice: [no designation] Languages: French Clef: c2 Voice Text: Sus un fontayne en remirant Voice: Contratenor Languages: French Clef: f2 Voice Text: Sus un fontayne en remirant
27v	Ma douce amour et ma sperance	J. de Janua	Janua, Johannes de
Ma douce amour et ma sperance Janua, Johannes de Appears on: 27v Genres: Virelai Source Attribution: J. de Janua Voice: Tenor Languages: French Clef: c3 Voice Text: Ma douce amour. Voice: Contratenor Languages: French Clef: c3 Voice Text: Ma douce amour. Voice: [no designation] Languages: French Clef: c1 Voice Text: Ma douce amour et ma sperance ...
27v–28	Soit tart tempre, main ou soir	-	Anonymous
Soit tart tempre, main ou soir Anonymous Appears on: 27v–28 Genres: Chanson Voice: Superius Languages: French Clef: c2 Voice Text: Soit tart tempre Voice: Tenor Languages: French Clef: f3 Voice Text: Soit tart tempre Voice: Contratenor Languages: French Clef: c4 Voice Text: Soit tart tempre
28	Ma douce amour, je me dois	-	Hasprois, Johannes Symonis (fl. 1378-1428)
Ma douce amour, je me dois Hasprois, Johannes Symonis (fl. 1378-1428) Appears on: 28 Genres: Motet Voice: Tenor Languages: French Clef: c3 Voice Text: Ma douce amour. Voice: Contratenor Languages: French Clef: c3 Voice Text: Ma douce amour. Voice: [no designation] Languages: French Clef: c1 Voice Text: Ma douce amour ye me doi bien conplayndre ...
28v	Tres noble dame souveraine	Anthonello	Caserta, Antonello da (fl. c1400)
Tres noble dame souveraine Caserta, Antonello da (fl. c1400) Appears on: 28v Genres: Virelai Source Attribution: Anthonello Voice: Contratenor Languages: French Clef: c3 Voice Text: Tres nouble dame souverayne Voice: Tenor Languages: French Clef: c3 Voice Text: Tres nouble dame souverayne Voice: [no designation] Languages: French Clef: c1 Voice Text: Tres nouble dame souverayne Voice: Canon Languages: French Voice Text: Tres nouble dame souverayne
28v–29	Dame sans per en qui est ma sperance	Fr. A. Servorum	Cividale, Antonius de
Dame sans per en qui est ma sperance Cividale, Antonius de Appears on: 28v–29 Genres: Ballade Source Attribution: Fr. A. Servorum Voice: Tenor Languages: French Clef: f3 Voice Text: Dame sans per Voice: [no designation] Languages: French Clef: c3 Voice Text: Dame sans per en qui est ma speranche
29	Amour me fait desirer loyalement	-	Argentorato, Henricus Hessman de (fl. late 14th century) (?)
Amour me fait desirer loyalement Argentorato, Henricus Hessman de (fl. late 14th century) (?) Appears on: 29 Genres: Ballade Voice: [no designation] Languages: French Clef: c3 Voice Text: Amour me fair désirer Voice: Contratenor Languages: none Clef: f3c5 Voice: Tenor Languages: none Clef: f3c5
29v	Gais et jolis, lies, chantans / pleins de desir et en coeur	-	Machaut, Guillaume de (ca. 1300–1377)
Gais et jolis, lies, chantans / pleins de desir et en coeur Machaut, Guillaume de (ca. 1300–1377) Appears on: 29v Genres: Ballade Voice: Tenor Languages: French Clef: f3 Voice Text: gays et jolis Voice: [no designation] Languages: French Clef: c3 Voice Text: Gais et iolis liés chantant et ioieus
29v–30	Imperiale sedendo fra piu stelle	Dactalus de padua fecit	Padua, Bartolinus de (fl. 1365-1405)
Imperiale sedendo fra piu stelle Padua, Bartolinus de (fl. 1365-1405) Appears on: 29v–30 Genres: Italian secular Source Attribution: Dactalus de padua fecit Voice: [no designation] Languages: Italian Clef: f2 Voice Text: inperial sedendo fra piu stelle Voice: [no designation] Languages: Italian Clef: c4 Voice Text: inperial sedendo fra piu stelle
30v	Amour dois-je servir	-	Anonymous
Amour dois-je servir Anonymous Appears on: 30v Genres: Ballade Voice: Triplum Languages: French Clef: c3 Voice Text: Amour doi-ye servir Voice: Tenor Languages: French Clef: f3 Voice Text: Amour doi-ye servir Voice: [no designation] Languages: French Clef: c3 Voice Text: Amour doi-ye servir
30v	Tres douce regard amoreux	-	Anonymous
Tres douce regard amoreux Anonymous Appears on: 30v Genres: Rondeau Voice: [no designation] Languages: French Clef: c2 Voice Text: Tres doulz regard amoreus ... Voice: Tenor Languages: French Clef: c4 Voice Text: Tres doulz regard amoreus ...
31	Par les bons Gedeons et Sanson du mortes servitu anquel estoit	Philipoctus de Caserta	Caserta, Philippot de (fl. c1370)
Par les bons Gedeons et Sanson du mortes servitu anquel estoit Caserta, Philippot de (fl. c1370) Appears on: 31 Genres: Ballade Source Attribution: Philipoctus de Caserta Voice: Contratenor Languages: French Clef: f2c4 Voice Text: Par les bons Gedeons et Sanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Par les bons Gedeons et Sanson Voice: Tenor Languages: French Clef: f2c4 Voice Text: Par les bons Gedeons et Sanson
31v	Ce douce espoir ne me donne comfort	Fr. Conradus de Pistovia	Conradus, Frater
Ce douce espoir ne me donne comfort Conradus, Frater Appears on: 31v Genres: Ballade Source Attribution: Fr. Conradus de Pistovia Voice: Tenor Languages: French Clef: c4 Voice Text: Se doulz espour. Voice: Contratenor Languages: French Clef: c4 Voice Text: Se doulz espour. Voice: [no designation] Languages: French Clef: c2 Voice Text: Se doulz espour ne me donne confort ...
31v–32	Le greygnour bien que nature fist	M de perusio	Perugia, Mattheus de
Le greygnour bien que nature fist Perugia, Mattheus de Appears on: 31v–32 Genres: Ballade Source Attribution: M de perusio Voice: [no designation] Languages: French Clef: c1 Voice Text: Le greygnour bien que nature fist ... Voice: Contratenor Languages: French Mensuration: c-dot Clef: c3 Voice Text: Le greygnour bien que nature. Voice: Tenor Languages: French Clef: c3 Voice Text: Le greygnour bien.
32v–33	Amour m'a le coeur mis en tel martire	Anthonello	Caserta, Antonello da (fl. c1400)
Amour m'a le coeur mis en tel martire Caserta, Antonello da (fl. c1400) Appears on: 32v–33 Genres: Ballade Source Attribution: Anthonello Voice: Contratenor Languages: French Clef: c4 Voice Text: Amour m'a le cuer mis. Voice: Tenor Languages: French Clef: c4 Voice Text: Amour m'a le cuer mis en tel martire. Voice: [no designation] Languages: French Clef: c2 Voice Text: Amour m'a le cuer mis en tel martire ...
33	Ore Pandulfum modulare dulci cantibus	-	Ammon, Blasius (fl. c1440)
Ore Pandulfum modulare dulci cantibus Ammon, Blasius (fl. c1440) Appears on: 33 Genres: Ballade Voice: Contratenor Languages: Latin Clef: f4 Voice Text: Ore Pandulfum. Voice: Tenor Languages: Latin Clef: f3 Voice Text: Ore Pandulfum. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ore Pandulfum modulare dulci cantibus ... Voice: Contratenor Languages: Latin Clef: f2 Voice Text: Ore Pandulfum. Layout parts
33v	Le grand desir que j'ai	M de Perusio	Perugia, Mattheus de
Le grand desir que j'ai Perugia, Mattheus de Appears on: 33v Genres: Ballade Source Attribution: M de Perusio Voice: [no designation] Languages: French Clef: c3 Voice Text: Le grant desir que i'ay ... Voice: Contratenor Languages: French Clef: f3 Voice Text: Le grant Voice: Tenor Languages: French Clef: f3 Voice Text: Le grant
34	Je la remire sans mesure	-	Anonymous
Je la remire sans mesure Anonymous Appears on: 34 Genres: Virelai Voice: [no designation] Languages: French Clef: c2 Voice Text: Ie la remire sans mensure Voice: Tenor Languages: French Clef: c4 Voice Text: Ie la remire sans mensure Voice: Contratenor Languages: French Clef: c4 Voice Text: Ie la remire sans mensure
34	Se vous n’estes pour mon guerredon	-	Machaut, Guillaume de (ca. 1300–1377)
Se vous n’estes pour mon guerredon Machaut, Guillaume de (ca. 1300–1377) Appears on: 34 Genres: Rondeau General Note On f. 5v is a new Contratenor for this song, perhaps by Matteo da Perugia
34v–35	En remirant vo douce pourtraiture m’a point au coeur d’une tele pointure	Mag(iste)r Filipoctus	Caserta, Philippot de (fl. c1370)
En remirant vo douce pourtraiture m’a point au coeur d’une tele pointure Caserta, Philippot de (fl. c1370) Appears on: 34v–35 Genres: Ballade Source Attribution: Mag(iste)r Filipoctus Voice: [no designation] Languages: French Voice Text: En remirant vo douche portraiture
35	Courtois et sages et a tous doit plasir	Mag(iste)r Egidius	Francia, Egidius de
Courtois et sages et a tous doit plasir Francia, Egidius de Appears on: 35 Genres: Ballade Source Attribution: Mag(iste)r Egidius Voice: [no designation] Languages: French Voice Text: Courtois et sages General Note text is an acrostic spelling out 'Clemens' (the Pope Clemens VII, 1378-94)
35v–36	Furnis regliquisti quare queso fratrem / Equum est et salutare Inprimis te salutare	Egardus	Egardus
Furnis regliquisti quare queso fratrem / Equum est et salutare Inprimis te salutare Egardus Appears on: 35v–36 Genres: Caccia Source Attribution: Egardus Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Furnis regliquisti quare queso fratrem ... Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Equum est et salutare Inprimis te salutare ... Layout parts
36	La grande beaute de vous	-	Anonymous
La grande beaute de vous Anonymous Appears on: 36 Genres: Rondeau Voice: Tenor Languages: French Clef: f3 Voice Text: La grant beaute. Voice: [no designation] Languages: French Clef: c2 Voice Text: La grant beaute de vous ...
36v	Veri almi pastoris musicale collegium	Frater Co[n]radus de pistorio ordinis heremitarum	Conradus, Frater
Veri almi pastoris musicale collegium Conradus, Frater Appears on: 36v Genres: Ballade Source Attribution: Frater Co[n]radus de pistorio ordinis heremitarum Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Veri almi pastoris musicale collegium ... Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Veri almy pastoris. Voice: Tenor Languages: Latin Clef: c3 Voice Text: Veri almi pastoris. Layout parts
36v–37	Que pena major agitando menti	Fr. Bartholomeus de Bononia ord(in)is sancti Benedicti etc	da Bologna, Bartholomeus (fl. c1405-1427)
Que pena major agitando menti da Bologna, Bartholomeus (fl. c1405-1427) Appears on: 36v–37 Genres: Virelai Source Attribution: Fr. Bartholomeus de Bononia ord(in)is sancti Benedicti etc Voice: [no designation] Languages: Italian Voice Text: Que pena maior agitando menti
37v–38	Arte psallentes	Idem frater [ie Bartholomeus de Bononia]	da Bologna, Bartholomeus (fl. c1405-1427)
Arte psallentes da Bologna, Bartholomeus (fl. c1405-1427) Appears on: 37v–38 Genres: Ballade Source Attribution: Idem frater [ie Bartholomeus de Bononia] Voice: Tenor Languages: Latin Clef: c3 Voice Text: Que pena maior. Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Que pena maior. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Que pena maior agitando menti ... Layout parts General Note Canon virilarie. Ad figuram .2. in dupla proporzione cantetur. Ad .3. vero in proporzione emiolia.
38	Dame souveraine de beauté	de Perusio	Perugia, Mattheus de
Dame souveraine de beauté Perugia, Mattheus de Appears on: 38 Genres: Virelai Source Attribution: de Perusio Voice: [no designation] Languages: French Clef: c2 Voice Text: Dame souvrayne de beaute' ... Voice: Contratenor Languages: French Clef: c4 Voice Text: Dame souvrayne. Voice: Tenor Languages: French Clef: f2 Voice Text: Dame souvrayne.
38v	Dame gentille en qui est ma sperance	Anthonellus	Caserta, Antonello da (fl. c1400)
Dame gentille en qui est ma sperance Caserta, Antonello da (fl. c1400) Appears on: 38v Genres: Rondeau Source Attribution: Anthonellus Voice: [no designation] Languages: French Clef: c1 Voice Text: Dame zentil en qui est ma sperance ... Voice: Contratenor Languages: French Clef: c3 Voice Text: Dame zentil. Voice: Tenor Languages: French Clef: c3 Voice Text: Dame zentil.
38v–39	Helas merci merci pour dieu merci	de Perusio	Perugia, Mattheus de
Helas merci merci pour dieu merci Perugia, Mattheus de Appears on: 38v–39 Genres: Rondeau Source Attribution: de Perusio Voice: [no designation] Languages: French Clef: c3 Voice Text: Helas merci merci pour dieu merci ... Voice: Tenor Languages: French Clef: f3 Voice Text: helas merci.
39	Perche cançato [cangiato] è 'l mondo dall' anticho	Frater Bartholinus	Padua, Bartolinus de (fl. 1365-1405)
Perche cançato [cangiato] è 'l mondo dall' anticho Padua, Bartolinus de (fl. 1365-1405) Appears on: 39 Genres: Ballata Source Attribution: Frater Bartholinus Voice: [no designation] Languages: French Clef: c1 Voice Text: En attendant esperance Voice: Tenor Languages: French Clef: c4 Voice Text: En attendant esperance Voice: Contratenor Languages: French Clef: c3 Voice Text: En attendant esperance
39v–40	En attendant esperance, conforte en attendant se deduc et deporte	Jacopinus Selesses	Galiot, Johannes (fl. 1380-1395) (?) Senleches, Jacob
En attendant esperance, conforte en attendant se deduc et deporte Galiot, Johannes (fl. 1380-1395) (?) Senleches, Jacob Appears on: 39v–40 Genres: Ballade Source Attribution: Jacopinus Selesses Voice: [no designation] Languages: French Voice Text: En atendant esperance
40	Tel me voit et me regarde	Idem (ie Senleches)	Senleches, Jacob
Tel me voit et me regarde Senleches, Jacob Appears on: 40 Genres: Virelai Source Attribution: Idem (ie Senleches) Voice: [no designation] Languages: French Clef: c3 Voice Text: Tel me voit et me regarde ... Voice: Contratenor Languages: French Clef: f3 Voice Text: Tel me voit. Voice: Tenor Languages: French Clef: f3 Voice Text: Tel me voit et me regarde ...
40	En atendant d'avoir (d'aimer) la douce vie	-	Galiot, Johannes (fl. 1380-1395)
En atendant d'avoir (d'aimer) la douce vie Galiot, Johannes (fl. 1380-1395) Appears on: 40 Genres: Rondeau Voice: [no designation] Languages: French Voice Text: En atendant d'avoir la douce vie...
40v	Dame d'honneur en qui tout mon coeur	Anthonello	Caserta, Antonello da (fl. c1400)
Dame d'honneur en qui tout mon coeur Caserta, Antonello da (fl. c1400) Appears on: 40v Genres: Ballade Source Attribution: Anthonello Voice: Contratenor Languages: none Mensuration: 2 / 3 Voice: [no designation] Languages: French Mensuration: 3 / 2 Voice Text: Dame d'onour en qui tout mon cuer ... Voice: Tenor Languages: French Voice Text: Dame d'onour .
40v	Andray soulet au mielz que ie pouray	de Perusio	Perugia, Mattheus de
Andray soulet au mielz que ie pouray Perugia, Mattheus de Appears on: 40v Genres: Canon Source Attribution: de Perusio Voice: Canon Languages: French Clef: c1 Voice Text: Andray soulet au mielz que ie pouray Voice: Canon Languages: French Clef: c1 Voice Text: Andray soulet au mielz que ie pouray Voice: Canon Languages: French Clef: c1 Voice Text: Andray soulet au mielz que ie pouray General Note Andray soulet au mielz que ie pouray. Jusque a le tamps premier de la sol re. Lors tu prendras desus a la mi re. S'ainsi fera le tierz canterons gay.
41	Pour Dieu vous pri haulte dame	M de Perusio	Perugia, Mattheus de
Pour Dieu vous pri haulte dame Perugia, Mattheus de Appears on: 41 Genres: Rondeau Source Attribution: M de Perusio Voice: Contratenor Languages: none Clef: c4 Voice: Tenor Languages: none Clef: c4 Voice: [no designation] Languages: French Clef: c2 Voice Text: Pour dieu vous pri haulte dame ...
41v	Heylas que ferai je maintenant	Idem (ie de Perusio)	Perugia, Mattheus de
Heylas que ferai je maintenant Perugia, Mattheus de Appears on: 41v Genres: Virelai Source Attribution: Idem (ie de Perusio) Voice: Tenor Languages: none Clef: f5 Voice: Contratenor Languages: none Clef: f5 Voice: [no designation] Languages: French Clef: f3 Voice Text: Heylas que feray ie maintenant ...
42	Belle sans per d'haulte douchour parée	Idem (ie de Perusio)	Perugia, Mattheus de
Belle sans per d'haulte douchour parée Perugia, Mattheus de Appears on: 42 Genres: Virelai Source Attribution: Idem (ie de Perusio) Voice: [no designation] Languages: French Clef: c2 Voice Text: Belle sans per d'haulte douchour parée Voice: Contratenor Languages: none Clef: c4 Voice: Tenor Languages: none Clef: c4 Layout parts
42v–43	Se je me plaing de fortune	-	Perugia, Mattheus de
Se je me plaing de fortune Perugia, Mattheus de Appears on: 42v–43 Genres: Ballade Voice: Tenor Languages: none Clef: c4 Voice: [no designation] Languages: French Clef: c3 Voice Text: Se ie me plaing de fortune ... Voice: Contratenor Languages: none Clef: c4
43	A qui fortune ne se vuelt amer	-	Perugia, Mattheus de
A qui fortune ne se vuelt amer Perugia, Mattheus de Appears on: 43 Genres: Rondeau Voice: [no designation] Languages: French Clef: c2 Voice Text: A qui ortune ne se vuelt amer ... Voice: Contratenor Languages: none Clef: c4 Voice: Tenor Languages: none Clef: c4
43v	Se pour loyaulement servir	-	Perugia, Mattheus de
Se pour loyaulement servir Perugia, Mattheus de Appears on: 43v Genres: Rondeau Voice: [no designation] Languages: French Clef: c1 Voice Text: Se pour loyaulement servir ... Voice: Tenor Languages: none Clef: c3 Voice: Contratenor Languages: none Clef: c3
43v–44	Puisque je sui pour loyaulte tenir	-	Perugia, Mattheus de
Puisque je sui pour loyaulte tenir Perugia, Mattheus de Appears on: 43v–44 Genres: Virelai Voice: Tenor Languages: French Clef: c3 Voice Text: Puisque je suy etc. Voice: [no designation] Languages: French Clef: c1 Voice Text: Puisque je sui pour loyaulte tenir ... Voice: Contratenor Languages: French Clef: c3 Voice Text: Puis etc.
44v	Pour bel accueil suis je las	-	Perugia, Mattheus de
Pour bel accueil suis je las Perugia, Mattheus de Appears on: 44v Genres: Rondeau Voice: Contratenor Languages: none Clef: f4 Voice: [no designation] Languages: French Clef: c4 Voice Text: Pour bel acueil suy ie las ... Voice: Tenor Languages: none Clef: f4
44v	Tu me solevi donna	-	Perugia, Mattheus de (?)
Tu me solevi donna Perugia, Mattheus de (?) Appears on: 44v Genres: Ballata Voice: Contratenor Languages: Italian Clef: c3 Voice Text: Tu me solevi donna. General Note Contratenor only
45	Helas avril par ton doulz revenir	-	Perugia, Mattheus de
Helas avril par ton doulz revenir Perugia, Mattheus de Appears on: 45 Genres: Virelai Voice: [no designation] Languages: French Clef: c1 Voice Text: Helas auril par ton doulz revenir ... Voice: Tenor Languages: none Clef: c4 Voice: Contratenor Languages: none Clef: c4
45v	Je ne requier de ma dame et m'amie	Grenon	Grenon, Nicolas
Je ne requier de ma dame et m'amie Grenon, Nicolas Appears on: 45v Genres: Ballade Source Attribution: Grenon Voice: Tenor Languages: none Clef: c3 Voice: Contratenor Languages: none Clef: c3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Ie ne reuier de ma dame ... General Note added contratenor by Matteo da Perugia
46	Trover ne puis aucunemant confort	M. d. P(erusio)	Perugia, Mattheus de
Trover ne puis aucunemant confort Perugia, Mattheus de Appears on: 46 Genres: Rondeau Source Attribution: M. d. P(erusio) Voice: Contratenor Languages: none Clef: f3 Voice: [no designation] Languages: French Clef: f3 Voice Text: Trover ne puis aucunemant confort ... Voice: [no designation] Languages: French Clef: c3 Voice Text: Trover ne puis aucunemant confort ...
46v	Già da rete d'amor libera	Idem (ie de Perusio)	Perugia, Mattheus de
Già da rete d'amor libera Perugia, Mattheus de Appears on: 46v Genres: Ballata Source Attribution: Idem (ie de Perusio) Voice: Tenor Languages: Italian Clef: f5 Voice Text: Gjå da rete d'amor ... Voice: [no designation] Languages: Italian Clef: c5 Voice Text: Gjå da rete d'amor libera ... Voice: Contratenor Languages: none Clef: f5 Layout parts
47	D... fragment	-	Perugia, Mattheus de
D... fragment Perugia, Mattheus de Appears on: 47 Genres: unknown Voice: [no designation] Languages: insufficient Clef: c1 Voice Text: D General Note (fragment) Layout parts
47v–48	Serà quel zorno mai dolze	-	Perugia, Mattheus de
Serà quel zorno mai dolze Perugia, Mattheus de Appears on: 47v–48 Genres: Ballata Voice: Contratenor Languages: none Clef: f3 Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Serå quel zorno may dolze ... Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Serå quel zorno may dolze ... Layout parts
48	Ne me chaut vostre man parler	-	Perugia, Mattheus de
Ne me chaut vostre man parler Perugia, Mattheus de Appears on: 48 Genres: Virelai Voice: Tenor Languages: none Clef: c3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Ne me chaut vostre man parler ... Layout parts
48v–49	Et in terra pax [Gloria] (VI)	-	Perugia, Mattheus de
Et in terra pax [Gloria] (VI) Perugia, Mattheus de Appears on: 48v–49 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra pax hominibus bone voluntatis ... Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Et in terra pax. Voice: Tenor Languages: Latin Clef: c3 Voice Text: Et in terra pax. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra pax hominibus bone voluntatis ... Layout parts
48v–49	Jusqu'a tant que vous verrez	-	Perugia, Mattheus de
Jusqu'a tant que vous verrez Perugia, Mattheus de Appears on: 48v–49 Genres: Rondeau Voice: Contratenor Languages: French Clef: c4 Voice Text: Jusque a tant. Voice: [no designation] Languages: French Clef: c3 Voice Text: Iusque a tant que vous verray ... Voice: Tenor Languages: French Clef: f3 Voice Text: Jusque a tant.
49v–50	Et in terra pax [Gloria] (VII)	Idem (ie de Perusio)	Perugia, Mattheus de
Et in terra pax [Gloria] (VII) Perugia, Mattheus de Appears on: 49v–50 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Idem (ie de Perusio) Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et in terra pax hominibus bone voluntatis ... Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra pax hominibus ... Voice: Tenor Languages: none Clef: c3 Layout parts
50v	Gratiosus fervidus fidei zelator / Magnanimus opere Capadocus genere miles	-	Padova, Grazioso de (?)
Gratiosus fervidus fidei zelator / Magnanimus opere Capadocus genere miles Padova, Grazioso de (?) Appears on: 50v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Magnanimus opere Capadocus genere miles ... Voice: Tenor Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Gratiosus fervidus fidei zelator ... Layout parts
z	Dame d'honneur plaisante et gracieuse	M. d. P(erusio)	Perugia, Mattheus de
Dame d'honneur plaisante et gracieuse Perugia, Mattheus de Appears on: z Genres: Rondeau Source Attribution: M. d. P(erusio) Voice: Tenor Languages: none Clef: f3 Voice: Contratenor Languages: none Clef: f3 Voice: [no designation] Languages: French Clef: c3 Voice Text: Dame de homour plesant et gracieuxe ... Layout parts

Composer	Compositions
Ammon, Blasius (fl. c1440)	Ore Pandulfum modulare dulci cantibus – 33
Anonymous	A qui fortune est tout dis ennemie – 19v–20 Amour dois-je servir – 30v En un vergier cols par mesure – 18v Hors suis je bien – 12v–13 Je la remire sans mesure – 34 Je ne puis avoir plaisir – 20v La grande beaute de vous – 36 Langue puens envenimee – 14 Puer natus in Betheleem unde gaude Jerusalem – 19 Soit tart tempre, main ou soir – 27v–28 Tres douce regard amoreux – 30v
Argentorato, Henricus Hessman de (fl. late 14th century)	(?) Amour me fait desirer loyalement – 29
Caserta, Antonello da (fl. c1400)	Amour m'a le coeur mis en tel martire – 32v–33 Beauté porfaite bonté souvraine – 13 Dame d'honneur en qui tout mon coeur – 40v Dame d'honneur qu'on ne peut esprixier – 19v Dame gentille en qui est ma sperance – 38v Du ciel (val) perileus ou pourpris de genese / Sti ? cantus / superstite balate – 12v Notes pour moi ceste ballade – 13v Tres noble dame souveraine – 28v
Caserta, Philippot de (fl. c1370)	De ma dolour ne puis trouver confort languir m’estuet, car mis sui a tel port – 26v En atendant souffrir m’estuet grief payne Puis qu’avenir ne puis a la fonytayne – 20 En remirant vo douce pourtraiture m’a point au coeur d’une tele pointure – 34v–35 Par les bons Gedeons et Sanson du mortes servitu anquel estoit – 31
Ciconia, Johannes (ca. 1370–1412)	Quod jactatur a virtus opere non demonstratur – 20v Sus une fontaine en remirant – 26v–27
Cividale, Antonius de	(?) Dame d'honneur qu'on ne peut esprixier – 19v Dame sans per en qui est ma sperance – 28v–29
Conradus, Frater	Ce douce espoir ne me donne comfort – 31v Veri almi pastoris musicale collegium – 36v
Egardus	Et in terra pax [Gloria] – 21v–22 Furnis regliquisti quare queso fratrem / Equum est et salutare Inprimis te salutare – 35v–36
Francia, Egidius de	Courtois et sages et a tous doit plasir – 35 Franchois franchois sunt nobles – 11
Galiot, Johannes (fl. 1380-1395)	En atendant d'avoir (d'aimer) la douce vie – 40 (?) En atendant souffrir m’estuet grief payne Puis qu’avenir ne puis a la fonytayne – 20 (?) En attendant esperance, conforte en attendant se deduc et deporte – 39v–40
Grenon, Nicolas	Je ne requier de ma dame et m'amie – 45v
Hasprois, Johannes Symonis (fl. 1378-1428)	Ma douce amour, je me dois – 28
Janua, Johannes de	Ma douce amour et ma sperance – 27v Une dame requis lautrier d'amer – 12
Landini, Francesco (ca. 1325–1397)	Se pronto non sarà l'uom a ben fare – 14v
Machaut, Guillaume de (ca. 1300–1377)	De petit peu, de nient volenté – 26r De toutes flours n'avoit et de tous fruits / gastés estoit li seurplus et destruis – 25 Gais et jolis, lies, chantans / pleins de desir et en coeur – 29v Se vous n’estes pour mon guerredon – 5v Se vous n’estes pour mon guerredon – 34
Padova, Grazioso de	(?) Gratiosus fervidus fidei zelator / Magnanimus opere Capadocus genere miles – 50v
Padua, Bartolinus de (fl. 1365-1405)	I bei sembianti con busiardi efetti – 21 Imperiale sedendo fra piu stelle – 29v–30 Perche cançato [cangiato] è 'l mondo dall' anticho – 39
Perugia, Mattheus de	A qui fortune ne se vuelt amer – 43 Andray soulet au mielz que ie pouray – 40v Ave sancta mundi salus panis / Agnus dei qui tollis – av–1 Belle sans per d'haulte douchour parée – 42 D... fragment – 47 Dame d'honneur plaisante et gracieuse – z Dame que j'aime sour toutes – 10v–11 Dame souveraine de beauté – 38 (?) El no me çova ne val donna fuçire – 3v–4 Et in terra pax [Gloria] (I) – 1v–2 (?) Et in terra pax [Gloria] (II) – 2v–3 (?) Et in terra pax [Gloria] (III) – 3v–4 Et in terra pax [Gloria] (IV) – 9v–10 Et in terra pax [Gloria] (V) – 22v–23 Et in terra pax [Gloria] (VI) – 48v–49 Et in terra pax [Gloria] (VII) – 49v–50 Già da rete d'amor libera – 46v Helas avril par ton doulz revenir – 45 Helas merci merci pour dieu merci – 38v–39 Heylas que ferai je maintenant – 41v Jusqu'a tant que vous verrez – 48v–49 Laurea martirii verna est corona / Conlaudanda est corporis / Tenor Proba me domine – 4v–5 Le grand desir que j'ai – 33v Le greygnour bien que nature fist – 31v–32 Ne me chaut vostre man parler – 48 Par vous m'estuet languir et soupirer / Soyes par moi mon amy gracieux – 10 (?) Patrem omnipotentem [Credo] (I) – 5v–6v (?) Patrem omnipotentem [Credo] (II) – 7v–9 Plus lies des lies plus joieux / Plus lies. Car la douchour – 23 (?) Plus onques dame – 7v, 8v–9 Pour Dieu vous pri haulte dame – 41 Pour bel accueil suis je las – 44v Pres du soloil deduissant – 16 Puisque je sui pour loyaulte tenir – 43v–44 (?) Puisque la mort – 6v–7 Se je me plaing de fortune – 42v–43 Se pour loyaulement servir – 43v Serà quel zorno mai dolze – 47v–48 Trover ne puis aucunemant confort – 46 (?) Tu me solevi donna – 44v
Sancto Johanne, Matheus de (–ca. 1391)	Inclite flos orti Gebennensis prestantibus roribus immensis / Papa Clemente – 15 Sans vous ne puis, tres douce car quand ne suis pres de vostre – 15v
Senleches, Jacob	En attendant esperance, conforte en attendant se deduc et deporte – 39v–40 En ce gracieux temps – 25v Fuions de ci, fuions, povre companigns En Aragon, en France ou en Bretaingne – 14v–15 Sans mal penser et sans – 25v Tel me voit et me regarde – 40
Vitry, Philippe de (1291–1361)	(?) Apta caro plumis ingenii / Flos virginum, decus et species / Alma redemptoris mater – 17v–18
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	Benche lontan mi trov'in – 22 Cacciando per gustar di quel tesoro / Ai cenci ai toppi ai vetro ai ferro – 16v–17 Patrem omnipotentem [Credo] (III) – 23v–25 Sol mi trafigge 'l cor l'aquila bella – 13v–14 Sumite karissimi – 11v–12
da Bologna, Bartholomeus (fl. c1405-1427)	Arte psallentes – 37v–38 Que pena major agitando menti – 36v–37

Composition	Composers (? Uncertain)	Folios / Pages
A qui fortune est tout dis ennemie	Anonymous	19v–20
A qui fortune ne se vuelt amer	Perugia, Mattheus de	43
Amour dois-je servir	Anonymous	30v
Amour m'a le coeur mis en tel martire	Caserta, Antonello da (fl. c1400)	32v–33
Amour me fait desirer loyalement	Argentorato, Henricus Hessman de (fl. late 14th century) (?)	29
Andray soulet au mielz que ie pouray	Perugia, Mattheus de	40v
Apta caro plumis ingenii / Flos virginum, decus et species / Alma redemptoris mater	Vitry, Philippe de (1291–1361) (?)	17v–18
Arte psallentes	da Bologna, Bartholomeus (fl. c1405-1427)	37v–38
Ave sancta mundi salus panis / Agnus dei qui tollis	Perugia, Mattheus de	av–1
Beauté porfaite bonté souvraine	Caserta, Antonello da (fl. c1400)	13
Belle sans per d'haulte douchour parée	Perugia, Mattheus de	42
Benche lontan mi trov'in	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	22
Cacciando per gustar di quel tesoro / Ai cenci ai toppi ai vetro ai ferro	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	16v–17
Ce douce espoir ne me donne comfort	Conradus, Frater	31v
Courtois et sages et a tous doit plasir	Francia, Egidius de	35
D... fragment	Perugia, Mattheus de	47
Dame d'honneur en qui tout mon coeur	Caserta, Antonello da (fl. c1400)	40v
Dame d'honneur plaisante et gracieuse	Perugia, Mattheus de	z
Dame d'honneur qu'on ne peut esprixier	Cividale, Antonius de (?) Caserta, Antonello da (fl. c1400)	19v
Dame gentille en qui est ma sperance	Caserta, Antonello da (fl. c1400)	38v
Dame que j'aime sour toutes	Perugia, Mattheus de	10v–11
Dame sans per en qui est ma sperance	Cividale, Antonius de	28v–29
Dame souveraine de beauté	Perugia, Mattheus de	38
De ma dolour ne puis trouver confort languir m’estuet, car mis sui a tel port	Caserta, Philippot de (fl. c1370)	26v
De petit peu, de nient volenté	Machaut, Guillaume de (ca. 1300–1377)	26r
De toutes flours n'avoit et de tous fruits / gastés estoit li seurplus et destruis	Machaut, Guillaume de (ca. 1300–1377)	25
Du ciel (val) perileus ou pourpris de genese / Sti ? cantus / superstite balate	Caserta, Antonello da (fl. c1400)	12v
El no me çova ne val donna fuçire	Perugia, Mattheus de (?)	3v–4
En atendant d'avoir (d'aimer) la douce vie	Galiot, Johannes (fl. 1380-1395)	40
En atendant souffrir m’estuet grief payne Puis qu’avenir ne puis a la fonytayne	Caserta, Philippot de (fl. c1370) Galiot, Johannes (fl. 1380-1395) (?)	20
En attendant esperance, conforte en attendant se deduc et deporte	Galiot, Johannes (fl. 1380-1395) (?) Senleches, Jacob	39v–40
En ce gracieux temps	Senleches, Jacob	25v
En remirant vo douce pourtraiture m’a point au coeur d’une tele pointure	Caserta, Philippot de (fl. c1370)	34v–35
En un vergier cols par mesure	Anonymous	18v
Et in terra pax [Gloria]	Egardus	21v–22
Et in terra pax [Gloria] (I)	Perugia, Mattheus de	1v–2
Et in terra pax [Gloria] (II)	Perugia, Mattheus de (?)	2v–3
Et in terra pax [Gloria] (III)	Perugia, Mattheus de (?)	3v–4
Et in terra pax [Gloria] (IV)	Perugia, Mattheus de	9v–10
Et in terra pax [Gloria] (V)	Perugia, Mattheus de	22v–23
Et in terra pax [Gloria] (VI)	Perugia, Mattheus de	48v–49
Et in terra pax [Gloria] (VII)	Perugia, Mattheus de	49v–50
Franchois franchois sunt nobles	Francia, Egidius de	11
Fuions de ci, fuions, povre companigns En Aragon, en France ou en Bretaingne	Senleches, Jacob	14v–15
Furnis regliquisti quare queso fratrem / Equum est et salutare Inprimis te salutare	Egardus	35v–36
Gais et jolis, lies, chantans / pleins de desir et en coeur	Machaut, Guillaume de (ca. 1300–1377)	29v
Già da rete d'amor libera	Perugia, Mattheus de	46v
Gratiosus fervidus fidei zelator / Magnanimus opere Capadocus genere miles	Padova, Grazioso de (?)	50v
Helas avril par ton doulz revenir	Perugia, Mattheus de	45
Helas merci merci pour dieu merci	Perugia, Mattheus de	38v–39
Heylas que ferai je maintenant	Perugia, Mattheus de	41v
Hors suis je bien	Anonymous	12v–13
I bei sembianti con busiardi efetti	Padua, Bartolinus de (fl. 1365-1405)	21
Imperiale sedendo fra piu stelle	Padua, Bartolinus de (fl. 1365-1405)	29v–30
Inclite flos orti Gebennensis prestantibus roribus immensis / Papa Clemente	Sancto Johanne, Matheus de (–ca. 1391)	15
Je la remire sans mesure	Anonymous	34
Je ne puis avoir plaisir	Anonymous	20v
Je ne requier de ma dame et m'amie	Grenon, Nicolas	45v
Jusqu'a tant que vous verrez	Perugia, Mattheus de	48v–49
La grande beaute de vous	Anonymous	36
Langue puens envenimee	Anonymous	14
Laurea martirii verna est corona / Conlaudanda est corporis / Tenor Proba me domine	Perugia, Mattheus de	4v–5
Le grand desir que j'ai	Perugia, Mattheus de	33v
Le greygnour bien que nature fist	Perugia, Mattheus de	31v–32
Ma douce amour et ma sperance	Janua, Johannes de	27v
Ma douce amour, je me dois	Hasprois, Johannes Symonis (fl. 1378-1428)	28
Ne me chaut vostre man parler	Perugia, Mattheus de	48
Notes pour moi ceste ballade	Caserta, Antonello da (fl. c1400)	13v
Ore Pandulfum modulare dulci cantibus	Ammon, Blasius (fl. c1440)	33
Par les bons Gedeons et Sanson du mortes servitu anquel estoit	Caserta, Philippot de (fl. c1370)	31
Par vous m'estuet languir et soupirer / Soyes par moi mon amy gracieux	Perugia, Mattheus de	10
Patrem omnipotentem [Credo] (I)	Perugia, Mattheus de (?)	5v–6v
Patrem omnipotentem [Credo] (II)	Perugia, Mattheus de (?)	7v–9
Patrem omnipotentem [Credo] (III)	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	23v–25
Perche cançato [cangiato] è 'l mondo dall' anticho	Padua, Bartolinus de (fl. 1365-1405)	39
Plus lies des lies plus joieux / Plus lies. Car la douchour	Perugia, Mattheus de	23
Plus onques dame	Perugia, Mattheus de (?)	7v, 8v–9
Pour bel accueil suis je las	Perugia, Mattheus de	44v
Pour Dieu vous pri haulte dame	Perugia, Mattheus de	41
Pres du soloil deduissant	Perugia, Mattheus de	16
Puer natus in Betheleem unde gaude Jerusalem	Anonymous	19
Puisque je sui pour loyaulte tenir	Perugia, Mattheus de	43v–44
Puisque la mort	Perugia, Mattheus de (?)	6v–7
Que pena major agitando menti	da Bologna, Bartholomeus (fl. c1405-1427)	36v–37
Quod jactatur a virtus opere non demonstratur	Ciconia, Johannes (ca. 1370–1412)	20v
Sans mal penser et sans	Senleches, Jacob	25v
Sans vous ne puis, tres douce car quand ne suis pres de vostre	Sancto Johanne, Matheus de (–ca. 1391)	15v
Se je me plaing de fortune	Perugia, Mattheus de	42v–43
Se pour loyaulement servir	Perugia, Mattheus de	43v
Se pronto non sarà l'uom a ben fare	Landini, Francesco (ca. 1325–1397)	14v
Se vous n’estes pour mon guerredon	Machaut, Guillaume de (ca. 1300–1377)	5v
Se vous n’estes pour mon guerredon	Machaut, Guillaume de (ca. 1300–1377)	34
Serà quel zorno mai dolze	Perugia, Mattheus de	47v–48
Soit tart tempre, main ou soir	Anonymous	27v–28
Sol mi trafigge 'l cor l'aquila bella	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	13v–14
Sumite karissimi	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	11v–12
Sus une fontaine en remirant	Ciconia, Johannes (ca. 1370–1412)	26v–27
Tel me voit et me regarde	Senleches, Jacob	40
Tres douce regard amoreux	Anonymous	30v
Tres noble dame souveraine	Caserta, Antonello da (fl. c1400)	28v
Trover ne puis aucunemant confort	Perugia, Mattheus de	46
Tu me solevi donna	Perugia, Mattheus de (?)	44v
Une dame requis lautrier d'amer	Janua, Johannes de	12
Veri almi pastoris musicale collegium	Conradus, Frater	36v

‡ denotes primary source study

Clercx-Lejeune, Suzanne, and Suzanne Clercx. None. Clercx ? Pages: 111ff.

Stone, Anne. 2005. The Manuscript Modena, Biblioteca Estense, [alpha].M.5.24: Commentary. Ars nova, n.s. 1b. Lucca: Libreria musicale italiana. Notes: inventory.

Milano, Ernesto (editor). 2003. Il codice α.M.5.24 (ModA) [Facsimile Edition]. Ars nova, n.s. 1a. Lucca: Libreria musicale italiana. Notes: new foliation.

Stoessel, Jason. 2002. The Captive Scribe: The Context and Culture of Scribal and Notational Process in the Music of the Ars Subtilior. University of New England, Ph.D. dissertation. Pages: i, 94-183.

Memelsdorff, Pedro. 2001. What's in a Sign? The [natural sign] and the Copying Process of a Medieval Manuscript: The Codex Modena, Biblioteca Estense, [alpha].M.5.24 (Olim Lat. 568). Studi Musicali, 255-80.

Stone, Anne. 1994. Writing Rhythm in Late Medieval Italy: Notation and Musical Style in the Manuscript Modena, Biblioteca Estense, (.M.5.24). Harvard University, Ph.D.

Fischer, Kurt von. 1979. The Mass Cycle of the Trecento Manuscript F-Pn568(Pit). Essays on Music for Charles Warren Fox, 1-13. Rochester, N.Y. Pages: 185.

Hagopian, Viola L. 1973. Italian Ars Nova Musik: A Bibliographic Guide to Modem Editions and Related Literature. 2nd ed. Berkeley, Los Angeles, and London. Pages: 61-2. Notes: additional bibliography.

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I. Kassel. Pages: B IV/4,950-81.

‡ Günther, Ursula. 1970. Das Manuskript Modena, Biblioteca Estense, a.M.5,24 (olimlat. 568 = Mod). Musica Disciplina, 17-67. Notes: physical description; contents list; concordances; transcription (partial); mention of MS; discussion.

Günther, Ursula. 1970. Zur Datierung des Manuskripts Modena, Biblioteca Estense, a M. 5, 24 (olim Lat. 568). Bericht über den internationalen Musikwissenschaftlichen Kongress Leipzig 1966, 175-81. Kassel: Bärenreiter. Notes: physical description; mention of MS; discussion.

Günther, Ursula (editor). 1965. The Motets of the Manuscripts Chantilly, musée condé, 564 (olim 1047) and Modena, Biblioteca estense, a. M. 5, 24 (olim lat. 568). Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xxiv-xxvii,xlix-l,lv-lvii,8-13,46-8,53-6. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Marrocco, W. Thomas. 1961. Fourteenth-Century Italian Cacce. Cambridge, Massachusetts. Pages: xii,xxii, Plate II. Notes: contents list (partial); concordances (partial); facsimile (partial).

Clercx-Lejeune, Suzanne, and Suzanne Clercx. 1960. Johannes Ciconia, un musicien liégois et son temps. Académie Royale de Belgique, Classe des Beaux-Arts: Mémoires: Collection in-4, II série, vol. X, fasc. 1a/1b. 2 vols. Brussels: Palais des Académies. Pages: I,56-7,71-4, passim; 11,19-22,78-84,88-90. Notes: contents list (partial); concordances (partial); transcriptions (partial); incipits (partial); mention of MS; discussion.

Fischer, Kurt von. 1959. Review of FanoC. Die Musikforschung, 223-30. Notes: physical description; mention of MS; discussion.

Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain. London: Routledge. Pages: Übertragung von Nr. 29.

Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 27-58.

Schrade, Leo. 1958. Übertragungen der Werke Landinis. Pages: Übertragung von Nr. 33.

Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. Pages: Commentary to Vols. II and III, 49-50,108,115,118,126-7; 111,90-1,118-9,128-9,146-7; IV,32-3; Commentary to Vol. IV, 53-5; V,17-23,193; IX.22-7,51-2,196-8; XII,21-4,188,193,205 Übertragungen von Nr. 43, 46, 55, 60 nach andern Handschriften. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Fano, Fabio. 1956. La Cappella Musicale del Duomo di Milano. Parte Prima: Le Origini e II Primo Maestro di Cappella: Matteo da Perugia. Instituzioni e Monumenti dell'Arte Musicale Italiana. Milan. Pages: 109-38,173ff,191ff, Tav. XXI, XIII, XV-XX. Notes: physical description; contents list; transcription (partial); facsimile (partial); texts (partial).

Fischer, Kurt von. 1956. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Publikationen der Schweizerischen Musikforschenden Gesellschaft. Bern: Paul Haupt. Pages: 96f.

Sartori, Claudio. 1956. Matteo da Perugia e Bertrand Feraguti due primi Maestri di Cappella del Duomo di Milano. Acta Musicologica, 12-27. Pages: 16,19-20. Notes: physical description; mention of MS; discussion.

Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae. Rome: American Institute of Musicology. Pages: II,xxiv,lxv; V, xxvi, 47-53; VI, ix, xi, xxiv-xxv, xxxi-xxxii, xxxviii-xxxix, 77-85, 126-36; VII, xiv, xxii, 4-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Fano, Fabio. 1953. Note su Franchino Gaffurio. Rivista Musicale Italiana, 225ff. Pages: Tf. X, XI, XIII, XV-XX (Faksimiles von Nr. 1, 99, 100, 102, 74, 6, 95, 81, 82, 101); p. 191ff. (Übertragungen von Nr. 1-4, 6-9, 11, 12, 27, 40, 41, 74, 76, 82, 83, 85, 87, 90, 93, 95, 97-103).

Fano, Fabio. 1953. Origini della Cappella Musicale del Duomo di Milano: II primo Maestro di Cappella: Matteo da Perugia (1402-16). Rivista Musicale Italiana, 1-27. Pages: 7-14. Notes: physical description; contents list.

Giazotto, Remo. 1951. La musica a Genova nella vita pubblica e privata dal XIII al XVIII secolo. 93ff. Genova. Pages: 78ff, Tav. V-VI. Notes: contents list (partial); facsimile (partial); mention of MS; discussion.

Fava, Domenico, and Mario Salmi. 1950-73. Manoscritti Miniati della Biblioteca Estense di Modena. Florence. Pages: I, 44-5. Notes: physical description (partial).

Apel, Willi (editor). 1950. French Secular Music of the Late Fourteenth Century. Cambridge, Massachusetts: The Medieval Academy of America. Pages: 3ff, 27-8, Plates I-III, 1-44*, 77-8*, 81-2*, 86-7*, 94-5*. 98-101*, 108-9*. Notes: contents list (partial); concordances (partial); transcription (partial); facsimile (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VI, Tafel 68. Notes: facsimile (partial).

Pirrotta, Nino. 1944-45. Il codice Estense 568 e la musica francese al principio del '400. Atti della Reale Accademia di Scienze, Lettere e Arti di Palermo, . Pages: 101ff.

‡ Pirrotta, Nino. 1944-5. II Codice Estense Lat. 568 e la Musica Francese in Italia al Principio del '400. Atti della Reale Accademia di Scienze Lettere e Arti di Palermo Serie IV. 101-54. Notes: physical description; contents list; concordances; additional bibliography; mention of MS; discussion.

Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: Faksimiles 82, 84, 87 (Faksimiles von Nr. 65/66, 75, 78).

Ellinwood, Leonard. 1941. The Conductus. Musical Quarterly, 165ff. Pages: Übertragung von Nr. 33.

Marix, Jeanne (editor). 1937. Les musiciens de la cour de Bourgogne au XVe siècle (1420-1467) : Messes, motets, chansons. Paris. Pages: 1 (Übertragung von Nr. 93).

Korte, Werner F. 1932. Contributi alla storia della musica in Italia, I: La musica nelle città dell'Italia settentrionale dal 1400 al 1425. Rivista musicale italiana, 513–530.

Schering, Arnold. 1931. Geschichte der Musik in Beispielen. Liepzig. Pages: Nr. 24 (Übertragung von Nr. 90).

Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. Pages: II,24,30-1,48,50. Notes: physical description; contents list (partial); concordances (partial).

Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 137-258. Pages: (Übertragung von Nr. 29).

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 230.

Ludwig, Friedrich. 1925. Die mehrstimmige Messe des 14. Jahrhunderts. Archiv für Musikwissenschaft, 417ff. Pages: Übertragungen von Nr. 43, 44, 46, 55, 60 nach andern Handschriften.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 285 (Anmerkung 1).

Bertoni, Giulio. 1917. Poesie musicali francesi nel Cod. Est. lat. 568. Archivium romanicum, 21ff.

Lodi, Pio. 1917. Catalogo delle Opere Musicali teoriche e pratiche ... Città di Modena R. Biblioteca Estense. Bollettino dell'Associazione dei Musicologi Italiani. Parma. Pages: 522-4. Notes: physical description; contents list.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 329, 352.

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: Bände II/III, 118ff./l58ff. (dipi. U. und Übertragungen von Nr. 59, 71, 72, 10, 15).

Public Comments

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

jos haring

Monday, 26 May, 2025

A kind request to include our complete edition in the Bibliography:

Kees Boeke and Jos Haring, Modena Codex – New, Complete Edition with Commentary, Olive Music Editions, Arezzo/Dordrecht (2019)

jos haring

Monday, 27 November, 2017

Folio numbering is outdated. The commonly used folio numbering is based on that used by Anne Stone in her monograph on ModA from 2005, as well as in the facsimile edition by LIM. That foliation starts with fol. av., 1r, 1v .... and ends with 50v, zr, zv; it corresponds to your fol 1v, 2r, 2v .... to 51v, 52r, 52v

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Lachlan Hughes

Sunday, 19 March, 2023

added image link @ Estense Digital Library

David Wyatt

Sunday, 7 June, 2020

Added to inventory the many omitted attributions from the ms. Corrected some errors & duplications in inventory. Tidied up concordances with other mss.

Antonio Calvia

Wednesday, 3 June, 2020

The inventory incorrectly states that Zacara's 'Gloria Laus et honor' is at f. 23v-25; it is instead the 'Credo Laus et honor' which is there.

Karen Cook

Monday, 12 March, 2018

Fixed broken images list.

jos haring

Saturday, 10 February, 2018

Foliation updated to reflect standard adopted in new (2003) facsimile & commentary

Elisabeth Hufnagel

Monday, 4 September, 2017

Two works added to inventory

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description