I-Fn MS Magl. XIX.112bis

Biblioteca Nazionale Centrale, Firenze (Florence), Italy

manuscript of polyphony: 1460-70

Archive Biblioteca Nazionale Centrale, Firenze (Florence), Italy (I-Fn)
Shelfmark MS Magl. XIX.112bis
Image Availability DIAMM does not have images of this source.
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 290 x 205 mm
Other Identifiers
  • RISM: I-Fn 112 bis
  • CCM: FlorBN Magl. 112bis
Notations
  • black void mensural
Copyists
Provenance
  • Italy
Contents 60 pieces from 8 composers
General Description

Copied by three scribes, one of whom was probably Antonius Janue (KanAJ). Probably copied in Genoa (GiazM and KanAJ, based upon identification of one of the scribes as Antonius Janue, a musician traced to Genoa through records of payment to him for services at the Genoese ducal palace in 1456).

DIAMM, 2017
Binding

Leather-covered binding

DIAMM, 2017
Watermark

similar to Briquet #5904, 5908, and 5909 (KanAJ).

DIAMM, 2017
Liminary Note

title on flyleaf: "Liber musice sinie nomine."

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Modern foliation

DIAMM, 2017
Surface

i parchment + 80 paper + i parchment

DIAMM, 2017
RISM Description

RISM

XVe s. 80ff. + 2ff. parchemin n.ch. au début et à la fin. Papier, 290 x 205 mm. Foliotation moderne au bas des ff. Les ff. 1, 61v à 80 sont blancs. Notation mesurée blanche. 8 portées par p. Capitales ornées à la plume. Reliure ancienne cuir estampé, dos restauré.

Malgré le tampon au f. 2: «MED.PALAT.BIBL.CAES.» qui indique que ce ms. a appartenu à la bibliothèque des Médicis, on le considère généralement comme provenant d'Italie du nord plutôt que de Toscane, quelquefois même plus précisément de Gênes (Giazotto, Kanazawa), spécialement à cause de la présence de 14 pièces de Antonius de Janue qui fut en 1456 dans cette ville «cantor magiscolae in palácio». En outre, le fait que 11 de ces compositions de Janue ne se trouvent dans aucune autre source, tendrait à prouver que le compositeur était peu connu en dehors de Gênes et par là même à situer le ms. dans cette ville. La date de ca. 1460, généralement admise pour la copie du ms., trouve sa justification, et dans les filigranes que l'on retrouve sur des papiers utilisés en Italie de 1451 à 1468, et dans le répertoire. La plus grande partie (jusqu'au f. 59v) est de la main d'un même scribe, les 2 pièces finales ayant été ajoutées plus tard (no 50 vers la fin du XVe s.; no 51 vers 1520). Les révisions importantes apportées durant la copie par le scribe à certaines pièces de Antonius de Janue ont suggéré à Kanazawa la conviction que le ms. aurait été écrit par le compositeur lui-même, hypothèse que tendent à justifier de nombreuses observations concernant certaines particularités de la copie (cf. Bibliographie).

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

8 Magnificats, 1 psalm, 16 office hymns, 1 processional hymn, 21 motets, 1 textless piece = 48 + 2 duplicates = 50

(Binchois)-2, Dufay-6, Dunstable-3, (Frye)-1, Janue-13 + 2?, Power [Leonel]-2, Quadris-1, anon-18

i parchment + 80 paper + i parchment folios, 286 x 203. Ff. 61'-80' are blank. Modern foliation. Leather-covered binding. No index. Copied by three scribes, one of whom was probably Antonius Janue (KanAJ). Watermark similar to Briquet #5904, 5908, and 5909 (KanAJ). Title on flyleaf: "Liber musice sine nomine."

1460-70 (WrdH). Probably copied in Genoa (GiazM and KanAJ, based upon identification of one of the scribes as Antonius Janue, a musician traced to Genoa through records of payment to him for services at the Genoese ducal palace in 1456).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
Iv–1 In exitu Israel de Aegypto domus Jacob [G. BINCHOIS]
Appears on: Iv–1
Genres: Benedicamus Domino
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin
Voice Text: [/n exitu Israel de Egipto] Domus Jacob de populo barbaro …

Voice: [no designation]
Languages: Latin
Voice Text: [/n exitu Israel de Egipto] Domus Jacob de populo barbaro …

Voice: [no designation]
Languages: Latin
Voice Text: [/n exitu Israel de Egipto] Domus Jacob de populo barbaro …

Item Bibliography

Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music.  London.

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.

4v–5 Lucis creator. Qui mane junctum vesperi A. JAN[UE]
Appears on: 4v–5
Genres: Motet
Source Attribution: A. JAN[UE]
Voice: [no designation]
Languages: Latin
Voice Text: Lucis creator. Qui mane junctum vesperi …

Voice: [no designation]
Languages: Latin
Voice Text: Lucis creator. Qui mane junctum vesperi …

Voice: [no designation]
Languages: Latin
Voice Text: Lucis creator. Qui mane junctum vesperi …

Item Bibliography

Kanazawa, Masakata. 1971. Antonius Janue and Revisions of His Music. Quadrivium, 177-94. Pages: (version originale et révisée par le scribe).

Giazotto, Remo. 1951. La musica a Genova nella vita pubblica e privata dal XIII al XVIII secolo. 93ff. Genova. Pages: (Ut queant laxis).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

4v Sancte Petre ora pro nobis - Anonymous
Appears on: 4v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sancte Petre ora pro nobis …

Voice: [no designation]
Languages: Latin
Voice Text: Sancte Petre ora pro nobis …

Voice: [no designation]
Languages: Latin
Voice Text: Sancte Petre ora pro nobis …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

5v–6 Christe redemptor omnium. Tu lumen tu splendor [A. JAN[UE]]
Appears on: 5v–6
Genres: Motet
Source Attribution: [A. JAN[UE]]
Voice: [no designation]
Languages: Latin
Voice Text: Christe redemptor omnium. Tu lumen tu splendor …

Voice: [no designation]
Languages: Latin
Voice Text: Christe redemptor omnium. Tu lumen tu splendor …

Voice: [no designation]
Languages: Latin
Voice Text: Christe redemptor omnium. Tu lumen tu splendor …
General Note

[A. JAN[UE]]

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

5v–6 Veni creator spiritus DUFAY
Appears on: 5v–6
Genres: Hymn, Veni creator spiritus
Source Attribution: DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: Venti creator spiritus. Qui paraclitus diceris …

Voice: [no designation]
Languages: Latin
Voice Text: Venti creator spiritus. Qui paraclitus diceris …

Voice: [no designation]
Languages: Latin
Voice Text: Venti creator spiritus. Qui paraclitus diceris …
General Note

Publ. cf. Bc 15 n° 299

Item Bibliography

Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.

6v–7 Pange lingua. Nobis datus nobis natus - Anonymous
Appears on: 6v–7
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Pange lingua. Nobis datus nobis natus . . .

Voice: [no designation]
Languages: Latin
Voice Text: Pange lingua. Nobis datus nobis natus . . .

Voice: [no designation]
Languages: Latin
Voice Text: Pange lingua. Nobis datus nobis natus . . .

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70(attrib. à A. Janue).

6v A faulx bordon. Jesu corona virginum A JANUE
Appears on: 6v
Genres: Fauxbourdon/faburden, Motet
Source Attribution: A JANUE
Voice: [no designation]
Languages: Latin
Voice Text: A faulx bordon. Jesu corona virginum …

Voice: [no designation]
Languages: Latin
Voice Text: A faulx bordon. Jesu corona virginum …

Voice: [no designation]
Languages: Latin
Voice Text: A faulx bordon. Jesu corona virginum …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

7v Ut queant lapsis. Nuntius celso veniens olimpo A. JAN[UE
Appears on: 7v
Genres: Motet
Source Attribution: A. JAN[UE
Voice: [no designation]
Languages: Latin
Voice Text: Ut queant lapsis. Nuntius celso veniensolimpo …

Voice: [no designation]
Languages: Latin
Voice Text: Ut queant lapsis. Nuntius celso veniensolimpo …

Voice: [no designation]
Languages: Latin
Voice Text: Ut queant lapsis. Nuntius celso veniensolimpo …
General Note

T: A faulx bordon.

Item Bibliography

Giazotto, Remo. 1951. La musica a Genova nella vita pubblica e privata dal XIII al XVIII secolo. 93ff. Genova. Pages: (avec facs.).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

8 Ut queant lapsis resonare fibris - Anonymous
Appears on: 8
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Vt queant lapsis resonare fibris …

Voice: [no designation]
Languages: Latin
Voice Text: Vt queant lapsis resonare fibris …

Voice: [no designation]
Languages: Latin
Voice Text: Vt queant lapsis resonare fibris …
General Note

Strophes imp.

Item Bibliography

Giazotto, Remo. 1951. La musica a Genova nella vita pubblica e privata dal XIII al XVIII secolo. 93ff. Genova. Pages: facs.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

8v Ut queant laxis. Nuntius celso veniens olimpo - Anonymous
Appears on: 8v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Ut queant laxis] Nuntius celso veniens olimpo …

Voice: [no designation]
Languages: Latin
Voice Text: [Ut queant laxis] Nuntius celso veniens olimpo …

Voice: [no designation]
Languages: Latin
Voice Text: [Ut queant laxis] Nuntius celso veniens olimpo …
General Note

Strophes paires.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

9 Ave maris stella. Sumens illud ave Gabrielis ore DUMSTAPLE
Appears on: 9
Genres: Ave maris stella, BVM, Motet
Source Attribution: DUMSTAPLE
Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella. Sumens Mud ave Gabrielisore …

Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella. Sumens Mud ave Gabrielisore …

Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella. Sumens Mud ave Gabrielisore …

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

9v–10 Ave maris stella - Anonymous

Ave maris stella

Anonymous
Appears on: 9v–10
Genres: Ave maris stella, BVM, Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella. Sumens illud ave Gabrielis ore …

Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella. Sumens illud ave Gabrielis ore …

Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella. Sumens illud ave Gabrielis ore …

Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella. Sumens illud ave Gabrielis ore …

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 53 (XXVII).

10v Quem terra pontus ethera A. JAN[UE]
Appears on: 10v
Genres: Motet
Source Attribution: A. JAN[UE]
Voice: [no designation]
Languages: Latin
Voice Text: Quem terra pontus ethera …

Voice: [no designation]
Languages: Latin
Voice Text: Quem terra pontus ethera …

Voice: [no designation]
Languages: Latin
Voice Text: Quem terra pontus ethera …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

11 Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon] DUFAY
Appears on: 11
Genres: Hymn
Source Attribution: DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: Vos secli justi judices …

Voice: [no designation]
Languages: Latin
Voice Text: Vos secli justi judices …

Voice: [no designation]
Languages: Latin
Voice Text: Vos secli justi judices …
General Note

A faulx bordon. . Publ. cf. Bc 15 n» 310

Item Bibliography

Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.

11v Deus tuorum nulitum. Hic nempe mundi gaudia A. JANUE
Appears on: 11v
Genres: Motet
Source Attribution: A. JANUE
Voice: [no designation]
Languages: Latin
Voice Text: Deus tuorum nulitum. Hic nempe mundi gaudia …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

12 Sanctorum meritis. Hi sunt quos retinens mundus - Anonymous
Appears on: 12
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sanctorum meritis. Hi sunt quos retinens mundus …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70 (attrib. à A. Janue).

12v Iste confessor. Ad sacrum cuius A. JANUE
Appears on: 12v
Genres: Motet
Source Attribution: A. JANUE
Voice: [no designation]
Languages: Latin
Voice Text: Iste confessor. Ad sacrum cujus …
General Note

T: A faulx bordon.

Item Bibliography

Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

12v–13 Iste confessor Domini sacratus JO. DE QUADRIS
Appears on: 12v–13
Genres: Motet
Source Attribution: JO. DE QUADRIS
Voice: [no designation]
Languages: Latin
Voice Text: Iste confessor domini sacratus …

Item Bibliography

Cattin, Giulio (editor). 1972. Johannis de Quadris: Opera. Antiquat Musicae Italicae, Monumenta Veneta Sacra.  Bologna.

Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: Ms 871.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

13 A faulx bordon. Jesu corona virginum ANTO. JANUE
Appears on: 13
Genres: Fauxbourdon/faburden, Motet
Source Attribution: ANTO. JANUE
Voice: [no designation]
Languages: Latin
Voice Text: A faulx bordon. Jesu corona virginum . . .

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

13v–15 Magnificat primi toni: Anima mea [K.746] [G. BINCHOIS ou G. DUFAY]
Appears on: 13v–15
Genres: BVM, Magnificat, Motet
Source Attribution: [G. BINCHOIS ou G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Anima mea
General Note

Tous les versets 3vx.Publ cf. Bu 2216 no 68

15v–17v Magnificat secundi toni: Anima mea [K.617] [G. BINCHOIS]
Appears on: 15v–17v
Genres: BVM, Canticle, Magnificat
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Anima mea
General Note

Tous les versets. 2 et 3vx

Item Bibliography

Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music.  London.

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.

17v–21 Magnificat sexti toni: Anima mea [K.749] [G. DUFAY ou G. BINCHOIS ou J. DUNSTABLE*]
Appears on: 17v–21
Genres: BVM, Canticle, Magnificat
Source Attribution: [G. DUFAY ou G. BINCHOIS ou J. DUNSTABLE*]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Anima mea
Concordances

D-brd-Mbs 3232a

General Note

Tous les versets. 2 et 3 vx. Publ. cf. Bc 15 n° 162

Item Bibliography

Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.

21v–22 Magnificat octavi toni: Anima mea [K.750] [G. DUFAY]
Appears on: 21v–22
Genres: BVM, Canticle, Magnificat
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Anima meapairs.

Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Anima meapairs.

Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Anima meapairs.
General Note

Versets 1 and 3 pairs

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15 (VII).

22v–24 Angelorum esca nutrivisti - 1a pars (of 2): Angelorum esca nutrivisti - Anonymous
Appears on: 22v–24
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Angelorum esca nutrivisti

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50, I (attrib a L.Power).

22v–24 Angelorum esca nutrivisti - 2a pars (of 2): - Anonymous
Appears on: 22v–24
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Angelorum esca nutrivisti

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50, I (attrib a L.Power).

24v–27 Ave regina caelorum -
Appears on: 24v–27
Genres: BVM, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum …

Voice: Tenor
Languages: Latin
Voice Text: Fons totius puritatis . . .

Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum …
General Note

Tr: Fons totius puritatis . . .+

27v–29 Ave regina caelorum [J. DUNSTABLE]
Appears on: 27v–29
Genres: BVM, Motet
Source Attribution: [J. DUNSTABLE]
Voice: [no designation]
Languages: Latin
Voice Text: [Ave regina] celorum .

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 76 (XL).

29v–30 Ave regina caelorum I [W. FRYE]*
Appears on: 29v–30
Genres: BVM
Source Attribution: [W. FRYE]*
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina cetorum mater regis angelorum …

Voice: [no designation]
Languages: Latin
Voice Text: Ave regina cetorum mater regis angelorum …

Voice: [no designation]
Languages: Latin
Voice Text: Ave regina cetorum mater regis angelorum …
Concordances

*D-brd-Mbs 3232

Item Bibliography

Carapezza, Paolo Emilio. 1975. Regina angelorum in musica pietà, Walter Frye e il "Maître au feuillage brodé". Revista Italiana di Musicologia, 134ff.

Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation.

Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation.

Reese, Gustave. 1954. Music in the Renaissance.  New York.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 19.

30v–32 Ave regina caelorum I -
Appears on: 30v–32
Genres: BVM
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum mater regis angelorum …

Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum mater regis angelorum …

Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum mater regis angelorum …

Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum mater regis angelorum …
32v–34 Anima mea liquefacta est [L. POWER]
Appears on: 32v–34
Genres: Motet
Source Attribution: [L. POWER]
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea liquefacta est …

Voice: [no designation]
Languages: Latin
Voice Text: Anima mea liquefacta est …

Voice: [no designation]
Languages: Latin
Voice Text: Anima mea liquefacta est …
General Note

Publ. cf. Bu 2216 n° 64

34v–35 Gloriosae virginis Mariae - 1a pars (of 2): Gloriosae virginis Mariae Leonel
Appears on: 34v–35
Genres: Motet
Source Attribution: Leonel
Voice: [no designation]
Languages: Latin
Voice Text: Gloriose virginia Marine …

Voice: [no designation]
Languages: Latin
Voice Text: Gloriose virginia Marine …

Voice: [no designation]
Languages: Latin
Voice Text: Gloriose virginia Marine …

Voice: [no designation]
Languages: Latin
Voice Text: Gloriose virginia Marine …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50, I.

35v–37 Gaude Maria virgo - Anonymous

Gaude Maria virgo

Anonymous
Appears on: 35v–37
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gaude Maria virgo …

Voice: [no designation]
Languages: Latin
Voice Text: Gaude Maria virgo …

Voice: [no designation]
Languages: Latin
Voice Text: Gaude Maria virgo …
37v–42 Salve regina mater misericordiae - Anonymous
Appears on: 37v–42
Genres: BVM, Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 53, (XXVII).

42v–44 Sicut malus inter ligna silvarum -
Appears on: 42v–44
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sicut malus inter ligna silvarum …

Voice: [no designation]
Languages: Latin
Voice Text: Sicut malus inter ligna silvarum …

Voice: [no designation]
Languages: Latin
Voice Text: Sicut malus inter ligna silvarum …
44v–47 Regina caeli laetare (2p. Resurrexit sicut dixit) [J. DUNSTABLE]
Appears on: 44v–47
Genres: Lauda, Motet, Regina caeli laetare
Source Attribution: [J. DUNSTABLE]
Voice: [no designation]
Languages: Latin
Voice Text: Regina caeli laetare alleluia
General Note

Publ. cf. AOs n" 143. Facs.: EEH

Item Bibliography

Wooldridge, Harry Ellis, and H V Hughes (editors). 1897 and 1913. Early English Harmony from the 10th to the 15th Century. 2 vols. London: The Plainsong and Medieval Music Society. Pages: facs.

47v–48v Verbum caro factum est de virgine Maria P.A. JANUE
Appears on: 47v–48v
Genres: Lauda
Source Attribution: P.A. JANUE
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est de virgine Maria

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

49 Crucifixum in carne -
Appears on: 49
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Crucifixum in carne
General Note

A faulx bordon.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70 (attrib a A. Janue0.

49v–50 Gloria laus et honor P. ANTO. JAN[UE]
Appears on: 49v–50
Genres: Hymn
Source Attribution: P. ANTO. JAN[UE]
Voice: [no designation]
Languages: Latin
Voice Text: Gloria laus et honor
General Note

A faulx bordon.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

50v–51 O redemptor sume - 1a pars (of 9): O redemptor sume carnem sic P. ANTO. JAN[UE]
Appears on: 50v–51
Genres: Motet
Source Attribution: P. ANTO. JAN[UE]
Voice: [no designation]
Languages: Latin
Voice Text: O redemptor sume carnem
General Note

Publ. cf. Fd 21 n° 1.

Item Bibliography

Giazotto, Remo. 1951. La musica a Genova nella vita pubblica e privata dal XIII al XVIII secolo. 93ff. Genova. Pages: Facs.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: IV, col. 1761-1762.

50v–51 O redemptor sume - 2a pars (of 9): Audi judex sic mortuorum P. ANTO. JAN[UE]
Appears on: 50v–51
Genres: Motet
Source Attribution: P. ANTO. JAN[UE]
Voice: [no designation]
Languages: Latin
Voice Text: O redemptor sume carnem
General Note

Publ. cf. Fd 21 n° 1.

Item Bibliography

Giazotto, Remo. 1951. La musica a Genova nella vita pubblica e privata dal XIII al XVIII secolo. 93ff. Genova. Pages: Facs.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: IV, col. 1761-1762.

50v–51 O redemptor sume - 3a pars (of 9): Arbor feta alma luce P. ANTO. JAN[UE]
Appears on: 50v–51
Genres: Motet
Source Attribution: P. ANTO. JAN[UE]
Voice: [no designation]
Languages: Latin
Voice Text: O redemptor sume carnem
General Note

Publ. cf. Fd 21 n° 1.

Item Bibliography

Giazotto, Remo. 1951. La musica a Genova nella vita pubblica e privata dal XIII al XVIII secolo. 93ff. Genova. Pages: Facs.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: IV, col. 1761-1762.

50v–51 O redemptor sume - 4a pars (of 9): Stans ad aram P. ANTO. JAN[UE]
Appears on: 50v–51
Genres: Motet
Source Attribution: P. ANTO. JAN[UE]
Voice: [no designation]
Languages: Latin
Voice Text: O redemptor sume carnem
General Note

Publ. cf. Fd 21 n° 1.

Item Bibliography

Giazotto, Remo. 1951. La musica a Genova nella vita pubblica e privata dal XIII al XVIII secolo. 93ff. Genova. Pages: Facs.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: IV, col. 1761-1762.

50v–51 O redemptor sume - 5a pars (of 9): Consecrare tu dignare P. ANTO. JAN[UE]
Appears on: 50v–51
Genres: Motet
Source Attribution: P. ANTO. JAN[UE]
Voice: [no designation]
Languages: Latin
Voice Text: O redemptor sume carnem
General Note

Publ. cf. Fd 21 n° 1.

Item Bibliography

Giazotto, Remo. 1951. La musica a Genova nella vita pubblica e privata dal XIII al XVIII secolo. 93ff. Genova. Pages: Facs.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: IV, col. 1761-1762.

50v–51 O redemptor sume - 6a pars (of 9): Ut novetur P. ANTO. JAN[UE]
Appears on: 50v–51
Genres: Motet
Source Attribution: P. ANTO. JAN[UE]
Voice: [no designation]
Languages: Latin
Voice Text: O redemptor sume carnem
General Note

Publ. cf. Fd 21 n° 1.

Item Bibliography

Giazotto, Remo. 1951. La musica a Genova nella vita pubblica e privata dal XIII al XVIII secolo. 93ff. Genova. Pages: Facs.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: IV, col. 1761-1762.

50v–51 O redemptor sume - 7a pars (of 9): Lota mente P. ANTO. JAN[UE]
Appears on: 50v–51
Genres: Motet
Source Attribution: P. ANTO. JAN[UE]
Voice: [no designation]
Languages: Latin
Voice Text: O redemptor sume carnem
General Note

Publ. cf. Fd 21 n° 1.

Item Bibliography

Giazotto, Remo. 1951. La musica a Genova nella vita pubblica e privata dal XIII al XVIII secolo. 93ff. Genova. Pages: Facs.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: IV, col. 1761-1762.

50v–51 O redemptor sume - 8a pars (of 9): Corde natus P. ANTO. JAN[UE]
Appears on: 50v–51
Genres: Motet
Source Attribution: P. ANTO. JAN[UE]
Voice: [no designation]
Languages: Latin
Voice Text: O redemptor sume carnem
General Note

Publ. cf. Fd 21 n° 1.

Item Bibliography

Giazotto, Remo. 1951. La musica a Genova nella vita pubblica e privata dal XIII al XVIII secolo. 93ff. Genova. Pages: Facs.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: IV, col. 1761-1762.

50v–51 O redemptor sume - 9a pars (of 9): Sit dies haec festa P. ANTO. JAN[UE]
Appears on: 50v–51
Genres: Motet
Source Attribution: P. ANTO. JAN[UE]
Voice: [no designation]
Languages: Latin
Voice Text: O redemptor sume carnem
General Note

Publ. cf. Fd 21 n° 1.

Item Bibliography

Giazotto, Remo. 1951. La musica a Genova nella vita pubblica e privata dal XIII al XVIII secolo. 93ff. Genova. Pages: Facs.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: IV, col. 1761-1762.

51v Crucifixum in carne -
Appears on: 51v
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Crucifixum in carne
General Note

A faulx bordon.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70 (attrib. à A. Janue.

52–53 Magnificat sexti toni: Anima mea [K.749] [G. DUFAY ou G. BINCHOIS ou J. DUNSTABLE*]
Appears on: 52–53
Genres: BVM, Canticle, Magnificat
Source Attribution: [G. DUFAY ou G. BINCHOIS ou J. DUNSTABLE*]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Et exultavit
General Note

Versets pairs.Publ. cf. Bc 15 n" 162[Versets pairs du n° 22]

Concordances

*D-brd-Mbs 3232a

52v–53 Tota pulchra es amica mea et macula [A. JANUE ? - G. DUFAY]
Appears on: 52v–53
Genres: BVM, Magnificat, Motet
Source Attribution: [A. JANUE ? - G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es amica mea et macula
General Note

Versets pairs.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70 (Les versets 2 et 8 attrib. à A. Janue. Les autres versets empruntés à Dufay).

53v–54v Tota pulchra es amica mea et macula - Anonymous
Appears on: 53v–54v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es amica mea et macula
55 Hosties Herodes impie Ibant magi quam viderunt stellam. P.A. JANUE
Appears on: 55
Genres: Motet
Source Attribution: P.A. JANUE
Voice: [no designation]
Languages: Latin
Voice Text: [Hosties Herodes impie] Ibant magi quam viderunt stellam.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

55v–56 Propter nimiam caritatem ANTO. JAN[UE]
Appears on: 55v–56
Genres: BVM, Magnificat, Motet
Source Attribution: ANTO. JAN[UE]
Voice: [no designation]
Languages: Latin
Voice Text: Propter nimiam caritatem
General Note

... A faulx bordon. ... Versets pairs

Item Bibliography

Giazotto, Remo. 1951. La musica a Genova nella vita pubblica e privata dal XIII al XVIII secolo. 93ff. Genova.

56v Propter nimiam caritatem [G. DUFAY]
Appears on: 56v
Genres: Offertory, Proper
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: Propter nimiam caritatem
General Note

T: «A faulx bordon»

Item Bibliography

Besseler, Heinrich. 1950; Reprinted: 1974. Bourdon und Fauxbourdon, Studien zum Ursprung der niederländischen Musik.  Leipzig.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V.

57 Magi videntes stellam [G. DUFAY]
Appears on: 57
Genres: Motet
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: Videntes stellam magi

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V(Magi videntes stellam).

57v–58 Magnificat: Et exultavit spiritus meus P.A. JAN[UE]
Appears on: 57v–58
Genres: BVM, Canticle, Magnificat
Source Attribution: P.A. JAN[UE]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Et exultavit
General Note

Versets pairs.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

58v–59 Verbum caro factum est de virgine Maria - Anonymous
Appears on: 58v–59
Genres: BVM, Lauda, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est de virgine Maria
General Note

Versets pairs.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70 (attrib. à A. Janue).

59v Verbum caro factum est de virgine Maria - Anonymous
Appears on: 59v
Genres: Lauda
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est de virgine Maria

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

60 Verbum caro factum est de virgine Maria - Anonymous
Appears on: 60
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est de virgine Maria

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 70.

60v–61 Verbum caro factum est de virgine Maria - Anonymous
Appears on: 60v–61
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Verbum caro factum est]

Item Bibliography

Romano, H T, David H M Brown, and Edward E. Lowinsky (editors). 1975. Eustachio Romano, Musica duorum. Rome 1521. Monuments of Renaissance Music.  Chicago and London.

Composer Compositions
Anonymous
Binchois, Gilles (ca. 1400–1460)
Du Fay, Guillaume (1397–1474)
Dunstaple, John (ca. 1390–1453)
Frye, Walter (–ca. 1475)
Janue, Antonius
Power, Leonel (–1445)
Quadris, Johannes de
Composition Composers (? Uncertain) Folios / Pages
A faulx bordon. Jesu corona virginum 6v
A faulx bordon. Jesu corona virginum 13
Angelorum esca nutrivisti - 1a pars (of 2): Angelorum esca nutrivisti Anonymous 22v–24
Angelorum esca nutrivisti - 2a pars (of 2): Anonymous 22v–24
Anima mea liquefacta est 32v–34
Ave maris stella Anonymous 9v–10
Ave maris stella. Sumens illud ave Gabrielis ore 9
Ave regina caelorum 24v–27
Ave regina caelorum 27v–29
Ave regina caelorum I 29v–30
Ave regina caelorum I 30v–32
Christe redemptor omnium. Tu lumen tu splendor 5v–6
Crucifixum in carne 49
Crucifixum in carne 51v
Deus tuorum nulitum. Hic nempe mundi gaudia 11v
Exultet caelum laudibus [2 versions, with Ct or with faulxbourdon] 11
Gaude Maria virgo Anonymous 35v–37
Gloria laus et honor 49v–50
Gloriosae virginis Mariae - 1a pars (of 2): Gloriosae virginis Mariae 34v–35
Hosties Herodes impie Ibant magi quam viderunt stellam. 55
In exitu Israel de Aegypto domus Jacob Iv–1
Iste confessor Domini sacratus 12v–13
Iste confessor. Ad sacrum cuius 12v
Lucis creator. Qui mane junctum vesperi 4v–5
Magi videntes stellam 57
Magnificat octavi toni: Anima mea [K.750] 21v–22
Magnificat primi toni: Anima mea [K.746] 13v–15
Magnificat secundi toni: Anima mea [K.617] 15v–17v
Magnificat sexti toni: Anima mea [K.749] 17v–21
Magnificat sexti toni: Anima mea [K.749] 52–53
Magnificat: Et exultavit spiritus meus 57v–58
O redemptor sume - 1a pars (of 9): O redemptor sume carnem sic 50v–51
O redemptor sume - 2a pars (of 9): Audi judex sic mortuorum 50v–51
O redemptor sume - 3a pars (of 9): Arbor feta alma luce 50v–51
O redemptor sume - 4a pars (of 9): Stans ad aram 50v–51
O redemptor sume - 5a pars (of 9): Consecrare tu dignare 50v–51
O redemptor sume - 6a pars (of 9): Ut novetur 50v–51
O redemptor sume - 7a pars (of 9): Lota mente 50v–51
O redemptor sume - 8a pars (of 9): Corde natus 50v–51
O redemptor sume - 9a pars (of 9): Sit dies haec festa 50v–51
Pange lingua. Nobis datus nobis natus Anonymous 6v–7
Propter nimiam caritatem 55v–56
Propter nimiam caritatem 56v
Quem terra pontus ethera 10v
Regina caeli laetare (2p. Resurrexit sicut dixit) 44v–47
Salve regina mater misericordiae Anonymous 37v–42
Sancte Petre ora pro nobis Anonymous 4v
Sanctorum meritis. Hi sunt quos retinens mundus Anonymous 12
Sicut malus inter ligna silvarum 42v–44
Tota pulchra es amica mea et macula 52v–53
Tota pulchra es amica mea et macula Anonymous 53v–54v
Ut queant lapsis resonare fibris Anonymous 8
Ut queant lapsis. Nuntius celso veniens olimpo 7v
Ut queant laxis. Nuntius celso veniens olimpo Anonymous 8v
Veni creator spiritus 5v–6
Verbum caro factum est de virgine Maria 47v–48v
Verbum caro factum est de virgine Maria Anonymous 58v–59
Verbum caro factum est de virgine Maria Anonymous 59v
Verbum caro factum est de virgine Maria Anonymous 60
Verbum caro factum est de virgine Maria Anonymous 60v–61

denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 224.

Cattin, Giulio. 1974. Un Processionale Fiorentino per la Settimana Santa: Studio Liturgico-Musicale sul Ms. 21 dell'Opera di S. Maria del Fiore. Quadrivium, 53-204. Pages: 88-92,96,151,184,186,200. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kanazawa, Masakata (editor). 1974. Antonii Janue: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Notes: transcription (partial).

Loyan, Richard K. 1973. The Music in the Manuscript Florence, Biblioteca Nazionale Centrale, Fondo Magliabechiano XIX, 112bis. University of California at Berkeley, Ph.D. Pages: I, 1-41; II, passim. Notes: physical description; contents list; concordances; texts; facsimile; discussion.

Cattin, Giulio (editor). 1972. Johannis de Quadris: Opera. Antiquat Musicae Italicae, Monumenta Veneta Sacra.  Bologna. Notes: transcription (partial).

Kanazawa, Masakata. 1971. Antonius Janue and Revisions of His Music. Quadrivium, 177-94. Pages: I, 177ff. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica.  London. Pages: VIII [rev. ed.], xxii,95,193-4. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Cattin, Giulio. 1969. II Presbyter Johannes de Quadris. Quadrivium, 5-47. Pages: Tav. II. Notes: facsimile (partial).

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 47-51, passim. Notes: physical description; mention of MS; discussion; contents list (partial); incipits (partial); concordances (partial).

Hamm, Charles E. 1968. A Catalogue of Anonymous English Music in Fifteenth-Century Continental Manuscripts. Musica Disciplina, 47-76. Pages: 55, passim. Notes: contents list (partial); concordances (partial).

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: 178-83. Notes: physical description; contents list; incipitsst of contents (partial); transcription (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 136. Notes: contents list (partial); concordances (partial); incipits (partial).

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: 92-4. Notes: concordances (partial).

Kenney, Sylvia W. 1964. Four Settings of 'Ave Regina Coelorum. Liber Amicorum Charles van den Borren, 98-104. Antwerp. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kenney, Sylvia W (editor). 1960. Walter Frye: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: ix, 8-9. Notes: concordances (partial); transcription (partial).

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze.  Kassel. Pages: 47-8. Notes: physical description; contents list.

Gerber, Rudolf. 1956. Zur italienischen Hymnenkomposition im 15. Jahrhundert. Acta Musicologica, 75-86. Pages: 75ff (repris dans GerberZG, 96). Notes: physical description; mention of MS; discussion; contents list (partial); incipits (partial).

Giazotto, Remo. 1951. La musica a Genova nella vita pubblica e privata dal XIII al XVIII secolo. 93ff. Genova. Pages: 93ff (avec facs. des nos 8, 9, 38).

Lowinsky, Edward E. 1950. A Newly Discovered Sixteenth-Century Motet Manuscript at the Biblioteca Vallicelliana in Rome. Journal of the American Musicological Society, 173-232. Pages: 197.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: IV, 1761-2. Notes: facsimile (partial).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: M. Kanazawa, in CMM 70, p. Xff.

Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600.  Cambridge, Massachusetts. Pages: 135. Notes: facsimile (partial).

Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 165-81. Pages: 173-4. Notes: contents list (partial).

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 238f.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description