GB-Lbl Add. MS 31922 (Henry VIII Manuscript)

British Library, London, England

manuscript of polyphony: c. 1510-20

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 31922 (Henry VIII Manuscript)
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	309 x 211 mm
Other Identifiers	CCM: LonBL 31922
Relationships	Guildford, Sir Henry (1489–1532) (dedicatee) Fuller, M.D., Thomas (1654–1734) (owner) Fuller, of London, Stephen (owner) Archibald (1726–1796) (owner) Lamb, Sir Charles Montolieu (–1860) (owner) Henry VIII (1491–1547) (patron)
External Links	British Library online catalogue entry IIIF manifest
Provenance	court of King Henry VIII , London, England
Contents	109 pieces from 27 composers

General Description

Copied by a single scribe, except for two slightly later additions (f. 90 and ff. 124'-128), each in a different hand. Probably copied in London, as an anthology of repertory of court of King Henry VIII. StE suggests book was presentation or 'library' copy for a noble amateur associated with court, perhaps Sir Henry Guildford (1489-1532) of Benenden, Kent, Controller of the Royal Household; several names scribbled on back flyleaves refer to Benenden. Later owners include Thomas Fuller, M.D. (1654-1734), of Sevenoaks, Kent (bookplate); Stephen Fuller of London (inscription, dated 1762); Archibald, 11th Earl of Eglinton (1726-96); and Sir Charles Montolieu Lamb (d. 1860), of Beauport Park, East Sussex. Purchased by British Museum from Lamb family through firm of Quaritch in 1882

DIAMM, 2017

Binding

Modern covers of maroon leather and cloth on boards

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Date

Ca. 1510-20 (MB).

DIAMM, 2017

Foliation

Other numberings: Original ink numbering of pieces, i-lxxii, generally includes only texted works.

DIAMM, 2017

Foliation

i paper + ii parchment + ii paper + i parchment + 127 parchment + ii parchment + i paper folio

DIAMM, 2017

Foliation

Modern pencil pagination, 1-250, with errors, crossed out and replaced by modern pencil foliation, 1-130.

DIAMM, 2017

Decoration

Painted initials in blue, red, or gold, often ornamented with red ink.

DIAMM, 2017

Index

Original index on ff. 2'-3 lists only pieces having original ink numbering (inaccurate after #49).

DIAMM, 2017

Surface

i paper + ii parchment + ii paper + i parchment + 127 parchment + ii parchment + i paper

DIAMM, 2017

DIAMM Note

We are grateful to Dr Nicolas Bell for providing an updated bibliography for this MS.

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 motet, 1 motet-chanson, 1 English/Latin carol, 53 English secular pieces, 12 French secular pieces, 3 French/English secular pieces, 3 Dutch secular pieces (some of preceding have text incipits or titles only), 35 textless pieces (several have concordances with French or Latin texts, but most are unique to this source; probably intended for instrumental performance) = 109

(A. Agricola)-1, (A. Agricola/Compère)-1, (Barbireau/Isaac/Obrecht)-1, (Busnois-anon)-1, R. Cooper-3, W. Cornyshe-12, Daggere-1, Dunstable-1, Fardyng-7, Fayrfax-2, (A. Févin)-1, (Hayne van Ghizeghem)-2, Henry VIII [The Kynge h. viii]-34, (Isaac)-2, (Izagha/Le Heurteur/Moulu/Sermisy)-1, Kempe-1, Lloyd-3, (Prioris)-1, Pygott-1, Rysby-1, anon-32

i paper + ii parchment + ii paper + i parchment + 127 parchment + ii parchment + i paper folios, 309 x 211. Modern pencil pagination, 1-250, with errors, crossed out and replaced by modern pencil foliation, 1-130. Original ink numbering of pieces, i-lxxii, generally includes only texted works. Modern covers of maroon leather and cloth on boards. Original index on ff. 2'-3 lists only pieces having original ink numbering (inaccurate after #49). Copied by a single scribe, except for two slightly later additions (f. 90 and ff. 124'-128), each in a different hand. Painted initials in blue, red, or gold, often ornamented with red ink.

Ca. 1510-20 (MB). Probably copied in London, as an anthology of repertory of court of King Henry VIII. StE suggests book was presentation or "library" copy for a noble amateur associated with court, perhaps Sir Henry Guildford (1489-1532) of Benenden, Kent, Controller of the Royal Household; several names scribbled on back flyleaves refer to Benenden. Later owners include Thomas Fuller, M.D. (1654-1734), of Sevenoaks, Kent (bookplate); Stephen Fuller of London (inscription, dated 1762); Archibald, 11th Earl of Eglinton (1726-96); and Sir Charles Montolieu Lamb (d. 1860), of Beauport Park, East Sussex. Purchased by British Museum from Lamb family through firm of Quaritch in 1882.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
3v–4r	Missa Quant j'ai au coeur: Benedictus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Benedictus Isaac, Heinrich (ca. 1450–1517) Appears on: 3v–4r Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus
4v–5r	Fortuna desperata iniqua e maledecta	-	Busnoys, Antoine (ca. 1430–1492) (?)
Fortuna desperata iniqua e maledecta Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 4v–5r Genres: Italian secular
5v–6r	Allez regrets vuides de ma présence	-	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?)
Allez regrets vuides de ma présence Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 5v–6r Genres: Chanson, Rondeau
6v–7r	Ein frölich wesen hab ich erlesen	-	Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Barbireau, Jacobus (1455–1491) (?)
Ein frölich wesen hab ich erlesen Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Barbireau, Jacobus (1455–1491) (?) Appears on: 6v–7r Genres: Song
7v–9r	La mi la sol (= Rogamus te piissime)	-	Isaac, Heinrich (ca. 1450–1517)
La mi la sol (= Rogamus te piissime) Isaac, Heinrich (ca. 1450–1517) Appears on: 7v–9r Genres: Chanson, Contrafactum Voice: [no designation] Languages: Latin Voice Text: [Missa La mi la sol / 0 praeclara.Fragments du Credo]
9v–14r	Ffa la sol	-	Cornysh (Junior), William (–1523)
Ffa la sol Cornysh (Junior), William (–1523) Appears on: 9v–14r Genres: Song Concordances Appears in 'XX songes', RISM 1530-6, there attributed to 'Cornyshe'
14v–15r	Passetime with good company	The Kynge. H. viij	Henry VIII (1491–1547)
Passetime with good company Henry VIII (1491–1547) Appears on: 14v–15r Source Attribution: The Kynge. H. viij
15v–17r	Adieu mes amours et mon desire	Cornysch	Cornysh (Junior), William (–1523)
Adieu mes amours et mon desire Cornysh (Junior), William (–1523) Appears on: 15v–17r Genres: Chanson Source Attribution: Cornysch
17v–18r	Adieu madame et ma maistresse	The Kyng. H. viij	Henry VIII (1491–1547)
Adieu madame et ma maistresse Henry VIII (1491–1547) Appears on: 17v–18r Genres: Chanson Source Attribution: The Kyng. H. viij General Note Henry may just have added the (rather bad) Ct to an existing 3vv song
18v–19r	Helas madame cel que j'aime tant	The Kynge. H. viij	Henry VIII (1491–1547)
Helas madame cel que j'aime tant Henry VIII (1491–1547) Appears on: 18v–19r Genres: Chanson Source Attribution: The Kynge. H. viij General Note Henry may only have contributed the Ct to an existing song
19v–20r	[Consort I]	-	Anonymous
[Consort I] Anonymous Appears on: 19v–20r Genres: textless
20v–21r	Alas what shall I do for love	The Kyng. H. viij	Henry VIII (1491–1547)
Alas what shall I do for love Henry VIII (1491–1547) Appears on: 20v–21r Genres: Song Source Attribution: The Kyng. H. viij
21v	Hey nowe nowe	Kempe	Kempe, (John?)
Hey nowe nowe Kempe, (John?) Appears on: 21v Genres: Song Source Attribution: Kempe
22r	Alone I leffe alone	Doctor Cooper	Cowper (Cooper), Robert (ca. 1474–ca. 1540)
Alone I leffe alone Cowper (Cooper), Robert (ca. 1474–ca. 1540) Appears on: 22r Genres: Song Source Attribution: Doctor Cooper
22v–23r	O my hart and o my hart	The Kyng. H. viij	Henry VIII (1491–1547)
O my hart and o my hart Henry VIII (1491–1547) Appears on: 22v–23r Genres: Song Source Attribution: The Kyng. H. viij
23v–24r	Adew adew my hartis lust	Cornysch	Cornysh (Junior), William (–1523)
Adew adew my hartis lust Cornysh (Junior), William (–1523) Appears on: 23v–24r Genres: Song Source Attribution: Cornysch
24v	Aboffe all thynge now let us synge	Ffaredynge	Farthing, Thomas
Aboffe all thynge now let us synge Farthing, Thomas Appears on: 24v Genres: Song Source Attribution: Ffaredynge
25r	Downbery down now am I	Wylliam. Daggere	Daggere, William
Downbery down now am I Daggere, William Appears on: 25r Genres: Song Source Attribution: Wylliam. Daggere
25v	Hey now now hey now	Thomas. Ffaredyng	Farthing, Thomas
Hey now now hey now Farthing, Thomas Appears on: 25v Genres: Song Source Attribution: Thomas. Ffaredyng
26r	In May that lusty sesonn	T Ffaredyng	Farthing, Thomas
In May that lusty sesonn Farthing, Thomas Appears on: 26r Genres: Song Source Attribution: T Ffaredyng
26v–27r	[Puzzle-canon I]	Fflude	Lloyd, John (–1523)
[Puzzle-canon I] Lloyd, John (–1523) Appears on: 26v–27r Genres: Canon Source Attribution: Fflude
27v–28r	Who so that wyll hym selffe applye	Rysbye	Rysby(e), Henry?
Who so that wyll hym selffe applye Rysby(e), Henry? Appears on: 27v–28r Genres: Song Source Attribution: Rysbye
28v–29r	The tyme of youthe is to be spent	The Kynge. H. viij	Henry VIII (1491–1547)
The tyme of youthe is to be spent Henry VIII (1491–1547) Appears on: 28v–29r Genres: Song Source Attribution: The Kynge. H. viij
29v–30r	The thoughtes within my brest	T Ffardyng	Farthing, Thomas
The thoughtes within my brest Farthing, Thomas Appears on: 29v–30r Genres: Song Source Attribution: T Ffardyng
30v–31r	My love she morneth for me	Cornysh	Cornysh (Junior), William (–1523)
My love she morneth for me Cornysh (Junior), William (–1523) Appears on: 30v–31r Genres: Song Source Attribution: Cornysh
31v–32r	[Puzzle-canon II]	Fflud	Lloyd, John (–1523)
[Puzzle-canon II] Lloyd, John (–1523) Appears on: 31v–32r Genres: Canon Source Attribution: Fflud
32v–33r	A the syghs that come fro my hart	W. Cornysshe	Cornysh (Junior), William (–1523)
A the syghs that come fro my hart Cornysh (Junior), William (–1523) Appears on: 32v–33r Genres: Song Source Attribution: W. Cornysshe
33v–34r	With sorowfull syghs	T Ffardynge	Farthing, Thomas
With sorowfull syghs Farthing, Thomas Appears on: 33v–34r Genres: Song Source Attribution: T Ffardynge
34v–35r	Iff I had wytt for to endyght	-	Anonymous
Iff I had wytt for to endyght Anonymous Appears on: 34v–35r Genres: Song
35v	Alac alac what shall I do	The Kyng. H. viij	Henry VIII (1491–1547)
Alac alac what shall I do Henry VIII (1491–1547) Appears on: 35v Genres: Song Source Attribution: The Kyng. H. viij
36r	Hey nony nony no	-	Anonymous
Hey nony nony no Anonymous Appears on: 36r Genres: Carol
36v–37r	[Puzzle-canon III]	Dunstable	Dunstaple, John (ca. 1390–1453) (?)
[Puzzle-canon III] Dunstaple, John (ca. 1390–1453) (?) Appears on: 36v–37r Genres: Canon Source Attribution: Dunstable
37v–38r	Grene growith the holly	The Kyng. H. viij	Henry VIII (1491–1547)
Grene growith the holly Henry VIII (1491–1547) Appears on: 37v–38r Genres: Carol Source Attribution: The Kyng. H. viij
38v–39r	Who so that wyll all feattes optayne	The Kynge. H. viij	Henry VIII (1491–1547)
Who so that wyll all feattes optayne Henry VIII (1491–1547) Appears on: 38v–39r Genres: Song Source Attribution: The Kynge. H. viij
39v–40r	Blow thi horne hunter	W. Cornysh	Cornysh (Junior), William (–1523)
Blow thi horne hunter Cornysh (Junior), William (–1523) Appears on: 39v–40r Genres: Song Source Attribution: W. Cornysh
40v–41r	De tous biens plaine est ma maîtresse	-	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
De tous biens plaine est ma maîtresse Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 40v–41r Genres: Chanson
41v–42r	J'ai pris amours	-	Anonymous
J'ai pris amours Anonymous Appears on: 41v–42r Genres: Chanson
42v	Adew corage adew	W. Cornyshe	Cornysh (Junior), William (–1523)
Adew corage adew Cornysh (Junior), William (–1523) Appears on: 42v Genres: Song Source Attribution: W. Cornyshe
43v–44r	Trolly lolly loly lo	William. Cornyshe	Cornysh (Junior), William (–1523)
Trolly lolly loly lo Cornysh (Junior), William (–1523) Appears on: 43v–44r Genres: Song Source Attribution: William. Cornyshe
44v–45r	I love trewely without feyning	T Ffardynge	Farthing, Thomas
I love trewely without feyning Farthing, Thomas Appears on: 44v–45r Genres: Song Source Attribution: T Ffardynge
45v–46r	Yow and I and Amyas	Cornysh	Cornysh (Junior), William (–1523)
Yow and I and Amyas Cornysh (Junior), William (–1523) Appears on: 45v–46r Genres: Carol Source Attribution: Cornysh
46v–47r	O werder mundt von dir ist wundt	-	-
O werder mundt von dir ist wundt - Appears on: 46v–47r Genres: Song
47v–48r	La saison en est ou jamais que je cognoisce	-	Compère, Loyset (ca. 1445–1518) Agricola, Alexander (ca. 1445–1506) (?)
La saison en est ou jamais que je cognoisce Compère, Loyset (ca. 1445–1518) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 47v–48r Genres: Chanson
48v–49r	If love now reynyd	The Kynge. H. viij	Henry VIII (1491–1547)
If love now reynyd Henry VIII (1491–1547) Appears on: 48v–49r Genres: Song Source Attribution: The Kynge. H. viij
49v–50r	Gentil prince de renom	The Kynge. H. viij	Henry VIII (1491–1547)
Gentil prince de renom Henry VIII (1491–1547) Appears on: 49v–50r Genres: Song Source Attribution: The Kynge. H. viij General Note 3vv printed in Odhecaton A; presumably Henry added the 4th. Lute intabulation (of 3vv version) in Newberry VM C25
50v–51r	Sy Fortune m'a ce bien purchasé	-	Henry VIII (1491–1547) (?)
Sy Fortune m'a ce bien purchasé Henry VIII (1491–1547) (?) Appears on: 50v–51r Genres: Song
51v–52r	Wher to shuld I expresse	The Kynge. H. viij	Henry VIII (1491–1547)
Wher to shuld I expresse Henry VIII (1491–1547) Appears on: 51v–52r Genres: Song Source Attribution: The Kynge. H. viij
52v–53r	If love now reynyd	The Kynge. H. viij	Henry VIII (1491–1547)
If love now reynyd Henry VIII (1491–1547) Appears on: 52v–53r Genres: Song Source Attribution: The Kynge. H. viij Concordances Opening sections identical to previous version at 48v-49r; with additional sections at end
53v–54r	A Robyn gentyl Robyn	Cornysh	Cornysh (Junior), William (–1523)
A Robyn gentyl Robyn Cornysh (Junior), William (–1523) Appears on: 53v–54r Genres: Song Source Attribution: Cornysh
54v–55r	Whilles lyffe or breth	W. Cornyshe	Cornysh (Junior), William (–1523)
Whilles lyffe or breth Cornysh (Junior), William (–1523) Appears on: 54v–55r Genres: Carol Source Attribution: W. Cornyshe
55v–56r	Thow that men do call it dotage	The Kyng. H. viij	Henry VIII (1491–1547)
Thow that men do call it dotage Henry VIII (1491–1547) Appears on: 55v–56r Genres: Song Source Attribution: The Kyng. H. viij
56v–57r	[Consort II]	The Kyng. H. viij	Henry VIII (1491–1547)
[Consort II] Henry VIII (1491–1547) Appears on: 56v–57r Source Attribution: The Kyng. H. viij
57v–58r	Paramese Tenor [= Puzzle-canon IV]	Ffayrfax	Fayrfax, Robert (1464–1521)
Paramese Tenor [= Puzzle-canon IV] Fayrfax, Robert (1464–1521) Appears on: 57v–58r Genres: Canon Source Attribution: Ffayrfax
58v–59r	[Consort III]	The Kynge. H. viij	Henry VIII (1491–1547)
[Consort III] Henry VIII (1491–1547) Appears on: 58v–59r Source Attribution: The Kynge. H. viij
59v–60r	[Consort IV]	The Kynge. H. viij	Henry VIII (1491–1547)
[Consort IV] Henry VIII (1491–1547) Appears on: 59v–60r Source Attribution: The Kynge. H. viij
60v	Departure is my chef payne	The Kyng. H. viij	Henry VIII (1491–1547)
Departure is my chef payne Henry VIII (1491–1547) Appears on: 60v Genres: Song Source Attribution: The Kyng. H. viij
61r	It is to me a ryght gret joy	The Kynge. H. viij	Henry VIII (1491–1547)
It is to me a ryght gret joy Henry VIII (1491–1547) Appears on: 61r Genres: Song Source Attribution: The Kynge. H. viij
61v–62r	[Consort V]	The Kynge. H. viij	Henry VIII (1491–1547)
[Consort V] Henry VIII (1491–1547) Appears on: 61v–62r Source Attribution: The Kynge. H. viij
62v–63r	[Consort VI]	T Ffardyng	Farthing, Thomas
[Consort VI] Farthing, Thomas Appears on: 62v–63r Source Attribution: T Ffardyng
63v–64r	[Consort VII]	W. Cornysshe	Cornysh (Junior), William (–1523)
[Consort VII] Cornysh (Junior), William (–1523) Appears on: 63v–64r Source Attribution: W. Cornysshe
64v–65r	[Consort VIII]	The Kyng. H. viij	Henry VIII (1491–1547)
[Consort VIII] Henry VIII (1491–1547) Appears on: 64v–65r Source Attribution: The Kyng. H. viij
65v–66r	I have bene a foster	D. Cooper	Cowper (Cooper), Robert (ca. 1474–ca. 1540)
I have bene a foster Cowper (Cooper), Robert (ca. 1474–ca. 1540) Appears on: 65v–66r Genres: Song Source Attribution: D. Cooper
66v–68r	fare well my joy and my swete hart	D. Cooper	Cowper (Cooper), Robert (ca. 1474–ca. 1540)
fare well my joy and my swete hart Cowper (Cooper), Robert (ca. 1474–ca. 1540) Appears on: 66v–68r Genres: Song Source Attribution: D. Cooper
68v–69r	With owt dyscord and both acorde	The Kynge. H. viij	Henry VIII (1491–1547)
With owt dyscord and both acorde Henry VIII (1491–1547) Appears on: 68v–69r Genres: Song Source Attribution: The Kynge. H. viij
69v–71r	I am a joly foster	-	Anonymous
I am a joly foster Anonymous Appears on: 69v–71r Genres: Carol
71v–73r	Though sum saith that yough rulyth me	-	Henry VIII (1491–1547) (?)
Though sum saith that yough rulyth me Henry VIII (1491–1547) (?) Appears on: 71v–73r Genres: Carol
73v–74r	Madame d'amours all tymes or ours	-	Anonymous
Madame d'amours all tymes or ours Anonymous Appears on: 73v–74r Genres: Song
74v–75r	Adew adew le company	-	Anonymous
Adew adew le company Anonymous Appears on: 74v–75r Genres: Song General Note Bassus missing: reconstruicted in Steven 1962
75v–76r	[Consort IX]	-	Anonymous
[Consort IX] Anonymous Appears on: 75v–76r
76v	[Consort X]	-	Anonymous
[Consort X] Anonymous Appears on: 76v
77r	[Consort XI]	-	Vaet, Jacobus (ca. 1529–ca. 1567)
[Consort XI] Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 77r Concordances = Vaet's "Salve regina V"
77v–78r	[Consort XII]	The Kynge. H. viij	Henry VIII (1491–1547)
[Consort XII] Henry VIII (1491–1547) Appears on: 77v–78r Source Attribution: The Kynge. H. viij
78v–79r	[Consort XIII]	The Kynge. H. viij	Henry VIII (1491–1547)
[Consort XIII] Henry VIII (1491–1547) Appears on: 78v–79r Source Attribution: The Kynge. H. viij
79v	Deme the best of every dowt	J. Ffluyd	Lloyd, John (–1523)
Deme the best of every dowt Lloyd, John (–1523) Appears on: 79v Genres: Song Source Attribution: J. Ffluyd
80r	Hey troly loly loly	-	Henry VIII (1491–1547) (?)
Hey troly loly loly Henry VIII (1491–1547) (?) Appears on: 80r Genres: Song
80v–81r	[Consort XIV]	The Kynge. H. viij	Henry VIII (1491–1547)
[Consort XIV] Henry VIII (1491–1547) Appears on: 80v–81r Source Attribution: The Kynge. H. viij
81v–82r	[Consort XV]	The Kynge. H. viij	Henry VIII (1491–1547)
[Consort XV] Henry VIII (1491–1547) Appears on: 81v–82r Source Attribution: The Kynge. H. viij
82v–84r	Tannder naken	The Kynge. H. viij	Henry VIII (1491–1547)
Tannder naken Henry VIII (1491–1547) Appears on: 82v–84r Genres: Song Source Attribution: The Kynge. H. viij
84v–85r	Who so that wyll for grace sew	The Kynge. H. viij	Henry VIII (1491–1547)
Who so that wyll for grace sew Henry VIII (1491–1547) Appears on: 84v–85r Genres: Song Source Attribution: The Kynge. H. viij
85v–86r	[Consort XVI]	The Kyng. H. viij	Henry VIII (1491–1547)
[Consort XVI] Henry VIII (1491–1547) Appears on: 85v–86r Source Attribution: The Kyng. H. viij
86v–87r	[E]n vray amoure	The Kyng. H. viij	Henry VIII (1491–1547)
[E]n vray amoure Henry VIII (1491–1547) Appears on: 86v–87r Genres: Song Source Attribution: The Kyng. H. viij
87v–88r	Let not us that yong men be	-	Henry VIII (1491–1547) (?)
Let not us that yong men be Henry VIII (1491–1547) (?) Appears on: 87v–88r Genres: Song
88v–89r	Dulcis amica Dei rosa vernans stella	-	Prioris, Johannes (Denis, Dionisius) (–1515)
Dulcis amica Dei rosa vernans stella Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 88v–89r Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Dulcis amica dei rosa vernans stella
89v	[Consort XVII]	-	Anonymous
[Consort XVII] Anonymous Appears on: 89v
90r	Ami souffrez que je vous aime	-	Heurteur, Guillaume le (fl. 1530-1545) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Isaac, Heinrich (ca. 1450–1517) (?)
Ami souffrez que je vous aime Heurteur, Guillaume le (fl. 1530-1545) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 90r Genres: Chanson
90v	[Consort XVIII]	-	Anonymous
[Consort XVIII] Anonymous Appears on: 90v
91r	[Puzzle-canon V]	-	Anonymous
[Puzzle-canon V] Anonymous Appears on: 91r Genres: Canon
91r	Duas partes in unum	-	Anonymous
Duas partes in unum Anonymous Appears on: 91r Genres: Canon
91v–92r	[Consort XIX]	-	Anonymous
[Consort XIX] Anonymous Appears on: 91v–92r
92v–93r	[Consort XX]	-	Anonymous
[Consort XX] Anonymous Appears on: 92v–93r
93v–94r	The base of Spayne	-	Anonymous
The base of Spayne Anonymous Appears on: 93v–94r Genres: Dance
94v–97r	Lusti yough shuld us ensue	The Kyng. H. viij	Henry VIII (1491–1547)
Lusti yough shuld us ensue Henry VIII (1491–1547) Appears on: 94v–97r Genres: Song Source Attribution: The Kyng. H. viij
98r	Now	-	Anonymous
Now Anonymous Appears on: 98r Genres: Song
98v–99r	[Consort XXII]	The Kynge. H. viij	Henry VIII (1491–1547)
[Consort XXII] Henry VIII (1491–1547) Appears on: 98v–99r Source Attribution: The Kynge. H. viij
99v–100r	Belles sur toutes / Tota pulcrà es amica mea a 3	-	Agricola, Alexander (ca. 1445–1506)
Belles sur toutes / Tota pulcrà es amica mea a 3 Agricola, Alexander (ca. 1445–1506) Appears on: 99v–100r Genres: Chanson
100v–102r	Englond be glad pluk up thy lusty hart	-	Anonymous
Englond be glad pluk up thy lusty hart Anonymous Appears on: 100v–102r Genres: Carol
103r	Pray we to God that all may gyde	-	Anonymous
Pray we to God that all may gyde Anonymous Appears on: 103r Genres: Song
103v–104r	[Consort XXIII]	The Kynge. H. viij	Henry VIII (1491–1547)
[Consort XXIII] Henry VIII (1491–1547) Appears on: 103v–104r Source Attribution: The Kynge. H. viij
104v–105r	Fors seulement l'attente que je meure 27.10	-	Fevin, Robert de (fl. 1500-1515) (?) Despres, Josquin (ca. 1450–1521) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)
Fors seulement l'attente que je meure 27.10 Fevin, Robert de (fl. 1500-1515) (?) Despres, Josquin (ca. 1450–1521) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Appears on: 104v–105r Genres: Chanson
105v–106r	[Consort XXIV]	-	Anonymous
[Consort XXIV] Anonymous Appears on: 105v–106r
106v–107r	And I war a maydyn	-	Anonymous
And I war a maydyn Anonymous Appears on: 106v–107r Genres: Song
107v–108r	Why shall not I	-	Anonymous
Why shall not I Anonymous Appears on: 107v–108r Genres: Carol
108v–110r	What remedy what remedy	-	Anonymous
What remedy what remedy Anonymous Appears on: 108v–110r Genres: Carol
110v–112r	Wher be ye my love	-	Anonymous
Wher be ye my love Anonymous Appears on: 110v–112r Genres: Carol
112v–116r	Quid petis o fili?	-	Pygott, Richard (ca. 1485–1549)
Quid petis o fili? Pygott, Richard (ca. 1485–1549) Appears on: 112v–116r Genres: Carol
116v–120r	My thought oppressed	-	Anonymous
My thought oppressed Anonymous Appears on: 116v–120r Genres: Song
120v–122r	Somewhat musing and more mourning	-	Fayrfax, Robert (1464–1521)
Somewhat musing and more mourning Fayrfax, Robert (1464–1521) Appears on: 120v–122r Genres: Secular
122v–124r	I love unloved	-	Anonymous
I love unloved Anonymous Appears on: 122v–124r Genres: Song
124v–128r	Hey troly loly lo	-	Anonymous
Hey troly loly lo Anonymous Appears on: 124v–128r Genres: Song

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) Allez regrets vuides de ma présence – 5v–6r Belles sur toutes / Tota pulcrà es amica mea a 3 – 99v–100r (?) La saison en est ou jamais que je cognoisce – 47v–48r
Anonymous	Adew adew le company – 74v–75r And I war a maydyn – 106v–107r Duas partes in unum – 91r Englond be glad pluk up thy lusty hart – 100v–102r Hey nony nony no – 36r Hey troly loly lo – 124v–128r I am a joly foster – 69v–71r I love unloved – 122v–124r Iff I had wytt for to endyght – 34v–35r J'ai pris amours – 41v–42r Madame d'amours all tymes or ours – 73v–74r My thought oppressed – 116v–120r Now – 98r O werder mundt von dir ist wundt – 46v–47r Pray we to God that all may gyde – 103r The base of Spayne – 93v–94r What remedy what remedy – 108v–110r Wher be ye my love – 110v–112r Why shall not I – 107v–108r [Consort IX] – 75v–76r [Consort I] – 19v–20r [Consort XIX] – 91v–92r [Consort XVIII] – 90v [Consort XVII] – 89v [Consort XXIV] – 105v–106r [Consort XX] – 92v–93r [Consort X] – 76v [Puzzle-canon V] – 91r
Barbireau, Jacobus (1455–1491)	(?) Ein frölich wesen hab ich erlesen – 6v–7r
Busnoys, Antoine (ca. 1430–1492)	(?) Fortuna desperata iniqua e maledecta – 4v–5r
Compère, Loyset (ca. 1445–1518)	La saison en est ou jamais que je cognoisce – 47v–48r
Cornysh (Junior), William (–1523)	A Robyn gentyl Robyn – 53v–54r A the syghs that come fro my hart – 32v–33r Adew adew my hartis lust – 23v–24r Adew corage adew – 42v Adieu mes amours et mon desire – 15v–17r Blow thi horne hunter – 39v–40r Ffa la sol – 9v–14r My love she morneth for me – 30v–31r Trolly lolly loly lo – 43v–44r Whilles lyffe or breth – 54v–55r Yow and I and Amyas – 45v–46r [Consort VII] – 63v–64r
Cowper (Cooper), Robert (ca. 1474–ca. 1540)	Alone I leffe alone – 22r I have bene a foster – 65v–66r fare well my joy and my swete hart – 66v–68r
Daggere, William	Downbery down now am I – 25r
Despres, Josquin (ca. 1450–1521)	(?) Fors seulement l'attente que je meure 27.10 – 104v–105r
Dunstaple, John (ca. 1390–1453)	(?) [Puzzle-canon III] – 36v–37r
Farthing, Thomas	Aboffe all thynge now let us synge – 24v Hey now now hey now – 25v I love trewely without feyning – 44v–45r In May that lusty sesonn – 26r The thoughtes within my brest – 29v–30r With sorowfull syghs – 33v–34r [Consort VI] – 62v–63r
Fayrfax, Robert (1464–1521)	Paramese Tenor [= Puzzle-canon IV] – 57v–58r Somewhat musing and more mourning – 120v–122r
Fevin, Antoine de (ca. 1470–ca. 1512)	(?) Fors seulement l'attente que je meure 27.10 – 104v–105r
Fevin, Robert de (fl. 1500-1515)	(?) Fors seulement l'attente que je meure 27.10 – 104v–105r
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	(?) Allez regrets vuides de ma présence – 5v–6r De tous biens plaine est ma maîtresse – 40v–41r
Henry VIII (1491–1547)	Adieu madame et ma maistresse – 17v–18r Alac alac what shall I do – 35v Alas what shall I do for love – 20v–21r Departure is my chef payne – 60v Gentil prince de renom – 49v–50r Grene growith the holly – 37v–38r Helas madame cel que j'aime tant – 18v–19r (?) Hey troly loly loly – 80r If love now reynyd – 52v–53r If love now reynyd – 48v–49r It is to me a ryght gret joy – 61r (?) Let not us that yong men be – 87v–88r Lusti yough shuld us ensue – 94v–97r O my hart and o my hart – 22v–23r Passetime with good company – 14v–15r (?) Sy Fortune m'a ce bien purchasé – 50v–51r Tannder naken – 82v–84r The tyme of youthe is to be spent – 28v–29r (?) Though sum saith that yough rulyth me – 71v–73r Thow that men do call it dotage – 55v–56r Wher to shuld I expresse – 51v–52r Who so that wyll all feattes optayne – 38v–39r Who so that wyll for grace sew – 84v–85r With owt dyscord and both acorde – 68v–69r [Consort III] – 58v–59r [Consort II] – 56v–57r [Consort IV] – 59v–60r [Consort VIII] – 64v–65r [Consort V] – 61v–62r [Consort XIII] – 78v–79r [Consort XII] – 77v–78r [Consort XIV] – 80v–81r [Consort XVI] – 85v–86r [Consort XV] – 81v–82r [Consort XXIII] – 103v–104r [Consort XXII] – 98v–99r [E]n vray amoure – 86v–87r
Heurteur, Guillaume le (fl. 1530-1545)	(?) Ami souffrez que je vous aime – 90r
Isaac, Heinrich (ca. 1450–1517)	(?) Ami souffrez que je vous aime – 90r (?) Ein frölich wesen hab ich erlesen – 6v–7r La mi la sol (= Rogamus te piissime) – 7v–9r Missa Quant j'ai au coeur: Benedictus – 3v–4r
Kempe, (John?)	Hey nowe nowe – 21v
Lloyd, John (–1523)	Deme the best of every dowt – 79v [Puzzle-canon II] – 31v–32r [Puzzle-canon I] – 26v–27r
Moulu, Pierre (ca. 1484–ca. 1550)	(?) Ami souffrez que je vous aime – 90r
Obrecht, Jacobus (ca. 1457–1505)	(?) Ein frölich wesen hab ich erlesen – 6v–7r
Prioris, Johannes (Denis, Dionisius) (–1515)	Dulcis amica Dei rosa vernans stella – 88v–89r
Pygott, Richard (ca. 1485–1549)	Quid petis o fili? – 112v–116r
Rysby(e), Henry?	Who so that wyll hym selffe applye – 27v–28r
Sermisy, Claudin de (ca. 1490–1562)	(?) Ami souffrez que je vous aime – 90r
Vaet, Jacobus (ca. 1529–ca. 1567)	[Consort XI] – 77r

Composition	Composers (? Uncertain)	Folios / Pages
[Consort I]	Anonymous	19v–20r
[Consort II]	Henry VIII (1491–1547)	56v–57r
[Consort III]	Henry VIII (1491–1547)	58v–59r
[Consort IV]	Henry VIII (1491–1547)	59v–60r
[Consort IX]	Anonymous	75v–76r
[Consort V]	Henry VIII (1491–1547)	61v–62r
[Consort VI]	Farthing, Thomas	62v–63r
[Consort VII]	Cornysh (Junior), William (–1523)	63v–64r
[Consort VIII]	Henry VIII (1491–1547)	64v–65r
[Consort X]	Anonymous	76v
[Consort XI]	Vaet, Jacobus (ca. 1529–ca. 1567)	77r
[Consort XII]	Henry VIII (1491–1547)	77v–78r
[Consort XIII]	Henry VIII (1491–1547)	78v–79r
[Consort XIV]	Henry VIII (1491–1547)	80v–81r
[Consort XIX]	Anonymous	91v–92r
[Consort XV]	Henry VIII (1491–1547)	81v–82r
[Consort XVI]	Henry VIII (1491–1547)	85v–86r
[Consort XVII]	Anonymous	89v
[Consort XVIII]	Anonymous	90v
[Consort XX]	Anonymous	92v–93r
[Consort XXII]	Henry VIII (1491–1547)	98v–99r
[Consort XXIII]	Henry VIII (1491–1547)	103v–104r
[Consort XXIV]	Anonymous	105v–106r
[E]n vray amoure	Henry VIII (1491–1547)	86v–87r
[Puzzle-canon I]	Lloyd, John (–1523)	26v–27r
[Puzzle-canon II]	Lloyd, John (–1523)	31v–32r
[Puzzle-canon III]	Dunstaple, John (ca. 1390–1453) (?)	36v–37r
[Puzzle-canon V]	Anonymous	91r
A Robyn gentyl Robyn	Cornysh (Junior), William (–1523)	53v–54r
A the syghs that come fro my hart	Cornysh (Junior), William (–1523)	32v–33r
Aboffe all thynge now let us synge	Farthing, Thomas	24v
Adew adew le company	Anonymous	74v–75r
Adew adew my hartis lust	Cornysh (Junior), William (–1523)	23v–24r
Adew corage adew	Cornysh (Junior), William (–1523)	42v
Adieu madame et ma maistresse	Henry VIII (1491–1547)	17v–18r
Adieu mes amours et mon desire	Cornysh (Junior), William (–1523)	15v–17r
Alac alac what shall I do	Henry VIII (1491–1547)	35v
Alas what shall I do for love	Henry VIII (1491–1547)	20v–21r
Allez regrets vuides de ma présence	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?)	5v–6r
Alone I leffe alone	Cowper (Cooper), Robert (ca. 1474–ca. 1540)	22r
Ami souffrez que je vous aime	Heurteur, Guillaume le (fl. 1530-1545) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Isaac, Heinrich (ca. 1450–1517) (?)	90r
And I war a maydyn	Anonymous	106v–107r
Belles sur toutes / Tota pulcrà es amica mea a 3	Agricola, Alexander (ca. 1445–1506)	99v–100r
Blow thi horne hunter	Cornysh (Junior), William (–1523)	39v–40r
De tous biens plaine est ma maîtresse	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	40v–41r
Deme the best of every dowt	Lloyd, John (–1523)	79v
Departure is my chef payne	Henry VIII (1491–1547)	60v
Downbery down now am I	Daggere, William	25r
Duas partes in unum	Anonymous	91r
Dulcis amica Dei rosa vernans stella	Prioris, Johannes (Denis, Dionisius) (–1515)	88v–89r
Ein frölich wesen hab ich erlesen	Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Barbireau, Jacobus (1455–1491) (?)	6v–7r
Englond be glad pluk up thy lusty hart	Anonymous	100v–102r
fare well my joy and my swete hart	Cowper (Cooper), Robert (ca. 1474–ca. 1540)	66v–68r
Ffa la sol	Cornysh (Junior), William (–1523)	9v–14r
Fors seulement l'attente que je meure 27.10	Fevin, Robert de (fl. 1500-1515) (?) Despres, Josquin (ca. 1450–1521) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)	104v–105r
Fortuna desperata iniqua e maledecta	Busnoys, Antoine (ca. 1430–1492) (?)	4v–5r
Gentil prince de renom	Henry VIII (1491–1547)	49v–50r
Grene growith the holly	Henry VIII (1491–1547)	37v–38r
Helas madame cel que j'aime tant	Henry VIII (1491–1547)	18v–19r
Hey nony nony no	Anonymous	36r
Hey now now hey now	Farthing, Thomas	25v
Hey nowe nowe	Kempe, (John?)	21v
Hey troly loly lo	Anonymous	124v–128r
Hey troly loly loly	Henry VIII (1491–1547) (?)	80r
I am a joly foster	Anonymous	69v–71r
I have bene a foster	Cowper (Cooper), Robert (ca. 1474–ca. 1540)	65v–66r
I love trewely without feyning	Farthing, Thomas	44v–45r
I love unloved	Anonymous	122v–124r
If love now reynyd	Henry VIII (1491–1547)	48v–49r
If love now reynyd	Henry VIII (1491–1547)	52v–53r
Iff I had wytt for to endyght	Anonymous	34v–35r
In May that lusty sesonn	Farthing, Thomas	26r
It is to me a ryght gret joy	Henry VIII (1491–1547)	61r
J'ai pris amours	Anonymous	41v–42r
La mi la sol (= Rogamus te piissime)	Isaac, Heinrich (ca. 1450–1517)	7v–9r
La saison en est ou jamais que je cognoisce	Compère, Loyset (ca. 1445–1518) Agricola, Alexander (ca. 1445–1506) (?)	47v–48r
Let not us that yong men be	Henry VIII (1491–1547) (?)	87v–88r
Lusti yough shuld us ensue	Henry VIII (1491–1547)	94v–97r
Madame d'amours all tymes or ours	Anonymous	73v–74r
Missa Quant j'ai au coeur: Benedictus	Isaac, Heinrich (ca. 1450–1517)	3v–4r
My love she morneth for me	Cornysh (Junior), William (–1523)	30v–31r
My thought oppressed	Anonymous	116v–120r
Now	Anonymous	98r
O my hart and o my hart	Henry VIII (1491–1547)	22v–23r
O werder mundt von dir ist wundt	-	46v–47r
Paramese Tenor [= Puzzle-canon IV]	Fayrfax, Robert (1464–1521)	57v–58r
Passetime with good company	Henry VIII (1491–1547)	14v–15r
Pray we to God that all may gyde	Anonymous	103r
Quid petis o fili?	Pygott, Richard (ca. 1485–1549)	112v–116r
Somewhat musing and more mourning	Fayrfax, Robert (1464–1521)	120v–122r
Sy Fortune m'a ce bien purchasé	Henry VIII (1491–1547) (?)	50v–51r
Tannder naken	Henry VIII (1491–1547)	82v–84r
The base of Spayne	Anonymous	93v–94r
The thoughtes within my brest	Farthing, Thomas	29v–30r
The tyme of youthe is to be spent	Henry VIII (1491–1547)	28v–29r
Though sum saith that yough rulyth me	Henry VIII (1491–1547) (?)	71v–73r
Thow that men do call it dotage	Henry VIII (1491–1547)	55v–56r
Trolly lolly loly lo	Cornysh (Junior), William (–1523)	43v–44r
What remedy what remedy	Anonymous	108v–110r
Wher be ye my love	Anonymous	110v–112r
Wher to shuld I expresse	Henry VIII (1491–1547)	51v–52r
Whilles lyffe or breth	Cornysh (Junior), William (–1523)	54v–55r
Who so that wyll all feattes optayne	Henry VIII (1491–1547)	38v–39r
Who so that wyll for grace sew	Henry VIII (1491–1547)	84v–85r
Who so that wyll hym selffe applye	Rysby(e), Henry?	27v–28r
Why shall not I	Anonymous	107v–108r
With owt dyscord and both acorde	Henry VIII (1491–1547)	68v–69r
With sorowfull syghs	Farthing, Thomas	33v–34r
Yow and I and Amyas	Cornysh (Junior), William (–1523)	45v–46r

Images © The British Library

‡ denotes primary source study

‡ Fallows, David. 2014. The Henry VIII Book (British Library, Add. MS 31922): Facsimile with introduction.

Helms, Dietrich. 2009. Henry VIII's Book: Teaching Music to Royal Children. Musical Quarterly, 118-135.

Siemens, Raymond G. 2009. Henry VIII as Writer and Lyricist. Musical Quarterly, 136-166.

Herman, Peter C, and Raymond G Siemens. 2002. Henry VIII and the Poetry of Politics. Reading Monarchs Writings: The Poetry of Henry VIII, Mary Stuart, Elizabeth I, and James VI/I, edited by Peter C Herman and Raymond G Siemens, 13-16. Tempe: Arizona Center for Medieval and Renaissance Studies.

Helms, Dietrich. 1998. Heinrich VIII. und die Musik: Überlieferung, musikalische Bildung des Adels und Kompositionstechniken eines Königs. Eisenach: Wagner.

Siemens, Raymond G. 1997. The English Lyrics of the Henry VIII Manuscript. University of British Columbia, PhD dissertation.

Fallows, David. 1993. Henry VIII as a Composer. Sundry Sorts of Music Books: Essays on the British Library Collections Presented to O. W. Neighbour on his 70th Birthday, edited by David Fallows, 27-39. London.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II, 163,321-2.

Warwick, Edwards. 1978. The Instrumental Music of Henry VIII's Manuscript. The Consort, 274-82.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xxix,29,32-4,59.

Ward, John M. 1976. The maner of dauncying. Early Music, 127-42. Pages: 131-7.

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I, 65ff, 81ff, 126ff, 134-9.

Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Pages: l, 166-7 II,22ff.

Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica. London. Pages: VIII [rev. ed.], 94,193 XVIII, passim XXXVI,xv-xix, passim).

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents. American Institute of Musicology. Pages: 38,44,61, passim.

Greene, Richard Leighton. 1962. A Selection of English Carols. Oxford. Pages: 160-1, 174-5.

Stevens, John E. 1962. Music at the Court of Henry VIII. Musica Britannica. London.

Stevens, John E. 1961. Music & Poetry in the Early Tudor Court. Cambridge. Pages: 4-5,362,386-425, passim.

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 361.

Warrem, Edwin B (editor). 1959-66. Robert Fayrfax (ca. 1464-1521): Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, 14-8, 51, 54-5.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VIII, 144, 171.

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 141, 261 II, 26, 53,125-7 III,182, 201.

Stevens, John E. 1952. Early Tudor Songbooks. Cambridge University, Unpublished Ph.D. dissertation. Pages: I, 229-33, 480-2, passim II, 231-428, 497-528.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II,1340 VI,71-2 VIII,1176 XIII,938-9.

Greene, Richard Leighton (editor). 1935, 2nd 1977. The Early English Carols. Oxford. Pages: 311, passim.

Kinsky, Georg (editor). 1930. A History of Music in Pictures. London, New York, and Toronto. Pages: 98.

Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig. Copenhagen and Leipzig. Pages: lxxiv.lxxxii.

Trefusis, Lady Mary (editor). 1912. Songs, Ballads And Instrumental Pieces Composed by King Henry the Eighth Reproduced from the British Museum MS. 31922. Oxford.

Flügel, Ewald. 1889. Liedersammlungen des XVI. Jahrhunderts, besonders aus der Zeit Heinrich's VIII. Anglia: Zeitschrift für Englische Philologie, 225-72. Pages: 226-56.

Chappell, William. 1867. Some account of an Unpublished Collection of Songs and Ballads by King Henry VIII. and his Contemporaries. Archaeologia: Or, Miscellaneous Tracts Relating to Antiquities XLI, Archaeologia: Or, Miscellaneous Tracts Relating to Antiquities.

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1882-7],7-9.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description