Copied by a single scribe, whose hand also appears in JenaU 30, JenaU 31, JenaU 33, and WeimB A.
| Archive | Universitätsbibliothek, Jena, Germany (D-Ju) |
|---|---|
| Shelfmark | MS 32 |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 435 x 290 mm |
| Other Identifiers |
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| Copyists |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 75 compositions, 56 from 9 composers, 19 are anonymous. |
General Description
Binding
Original covers of grey-brown tooled leather over boards.
Notation
not indicated
Foliation
Modern foliation, 1-280
Foliation
282
Decoration
Coloured initials and floral border on f. 1'; other folios have black inked calligraphic initials.
Surface
Paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
15 Masses, 1 Credo = 16
(Brumel)-1, (Compère)-1, (Ghiselin)-1, (Isaac)-1, (Josquin)-3, (Martini)-1, (Obrecht)-2, (Orto)-1, (Pipelare)-1, anon-4
282 paper folios, 435 x 290. Modern foliation, 1-280. Original covers of gray-brown tooled leather over boards. Scribal concordance with JenaU 30, 31, 33, and WeimB A. Simple calligraphic initials.
1500-20 (MGG). Copied for the All Saints Church in Wittenberg. See the entry for JenaU 30 for further information concerning this manuscript and its subsequent history.
Vol 4
Composers: (Brumel)-1, (Compère/Josquin)-1, (Ghiselin)-1, (Isaac)-1, (Josquin)-2, (Josquin/Ockeghem)-1, (Martini)-1, (Obrecht)-2, (Orto)-1, (Pipelare)-1, anon-4
Physical: 282 paper folios, 435 x 290. Modern pencil foliation, 1-282. Original covers of gray-brown tooled leather over boards. No index. Copied by a single scribe, whose hand also appears in JenaU 30, JenaU 31, JenaU 33, and WeimB A. Colored initials and floral border on f. 1'; other folios have black inked calligraphic initials.
44v
The inventory could not be loaded.
‡ denotes primary source study
Heidrich, Jürgen. 1996. Jena: Musikhandschriften. Musik in Geschichte und Gegenwart: Sachteil, fourth edition. columns 1451-1455. Kassel. Pages: columns 1453-1454.
Duffy, Kathryn Ann P. 1995. The Jena Choirbooks: Music and Liturgy at the Castle Church in Wittenberg under Frederick the Wise, Elector of Saxony. University of Chicago, Ph.D. diss., 5 vols.
Heidrich, Jürgen. 1993. Die deutschen Chorbücher aus der Hofkapelle Friedrich des Weisen. Sammlung Musikwissenschaftlicher Abhandlungen, vol. 84. Baden-Baden. Pages: 129ff.
Burkholder, J Peter. 1985. Johannes Martini and the Imitation Mass of the Late Fifteenth Century. Journal of the American Musicological Society, 38: 470-523. Pages: 477, 512,518. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Maas, Chris J (editor). 1983-. New Obrecht Edition. Utrecht. Pages: I,xi-ff,[xxxvi], 1-29; III.xi-ff, [xxxviii-xxxix], 1-32. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I,xxvi,44,68, 75; III, 142ff. Notes: physical description; contents list (partial); concordances (partial).
Lowinsky, Edward E. 1976. Problems in Editing the Music of Josquin des Prez: A Critique of the First Edition and Proposals for the Second Edition [Symposium]. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 723-54. London, New York, and Toronto. Pages: 734.
Picker, Martin. 1976. Josquiniana in Some Manuscripts at Piacenza. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25June 1971, 247-60. London, New York, and Toronto. Pages: 253.
Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae, vol. 65. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V.xiii. Notes: contents list (partial); concordances (partial).
Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II.xvii,74-97.
Gerken, Robert E. 1969. The Polyphonic Cycles of the Proper of the Mass in the Trent Codex 88 and Jena Choirbooks 30 and 35. Indiana University, Unpublished Ph.D. dissertation. Pages: I, 104-5.
Cross, Ronald (editor). 1966-. Matthaeus Pipelare: Opera Omnia. Corpus mensurabilis musicae, vol. 34. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, xi,71-93. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Parker, Robert LeRoy (editor). 1964-. Collected Works of Adam Rener. Brooklyn. Pages: I,xiii-xiv, passim.
Cross, Ronald. 1963. The Life and Works of Matthaeus Pipelare. Musica Disciplina, 17: 97-114. Pages: 114.
Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VII,91.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VI,1874.
Roediger, Karl Erich. 1935. Die geistlichen Musikhandschriften der Universitätsbibliothek Jena. 2 vols. Jena: Frommannsche Buchhandlung. Pages: i, 53; 80-7.
Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: I,viii.
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Daniel Koplitz
Sunday, 24 May, 2026
Corrected eror in inventory - f. Fols. 167v–171r now correctly catalogued as the Credo/Patrem of the Missa Beata progenies.
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description