Scribal concordance with JenaU 30, 32, 33, and WeimB A. Copied for the All Saints Church in Wittenberg (GerkPC). Composed of several fascicles subsequently bound together. See the entry for JenaU 30 for further information concerning this manuscript and its subsequent history.
| Archive | Universitätsbibliothek, Jena, Germany (D-Ju) |
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| Shelfmark | MS 31 |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 420 x 285 mm |
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| Contents | Contains 71 compositions, 56 from 7 composers, 15 are anonymous. |
General Description
Binding
Original covers of gray-brown tooled leather over boards
Notation
not indicated
Foliation
Modern pencil foliation 1-221 (including front & rear endpapers). Masses are also numbered sequentially. 2 small loose fragments are preserved with the book, here catalogued as ff.135a & 145a
Decoration
Inked calligraphic initials.
Surface
Paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
14 Masses (1 incomplete)
(A. Agrícola)-1, Brumel-3, (Compère-Josquin)-1, (Isaac)-1 + 1 Credo*, (Josquin)-1, (Obrecht)-1, (Weerbecke)-1, anon-5*
*The Credo (and only the Credo) of the anonymous Mass on ff. 78-87 is attributed to "Yzaac" in VienNB 1783. This Credo, which is based on the secular melody "Tmeiskin was jonck," appears in VienNB 1783 as part of a different Mass whose other four movements are attributed to Brumel. The movements by Brumel are unrelated to the ones which appear with the "Credo Tmeiskin" in JenaU 31.
221 paper folios, 420 x 285. Modern(?) foliation. Original covers of gray-brown tooled leather over boards. Scribal concordance with JenaU 30, 32, 33, and WeimB A. Inked calligraphic initials.
1500-20 (MGG). Copied for the All Saints Church in Wittenberg (GerkPC). See the entry for JenaU 30 for further information concerning this manuscript and its subsequent history.
Vol 4
Contents: 14 Masses (1 incomplete), 1 Credo = 15
Composers: (A. Agricola)-1, Brumel-3, (Compère)-1, (Isaac)-2, (Josquin)-2, (Obrecht)-1, (Weerbecke)-1, anon-4
129v
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‡ denotes primary source study
Heidrich, Jürgen. 1996. Jena: Musikhandschriften. Musik in Geschichte und Gegenwart: Sachteil, fourth edition. columns 1451-1455. Kassel. Pages: columns 1453-1454.
Duffy, Kathryn Ann P. 1995. The Jena Choirbooks: Music and Liturgy at the Castle Church in Wittenberg under Frederick the Wise, Elector of Saxony. University of Chicago, Ph.D. diss., 5 vols.
Heidrich, Jürgen. 1993. Die deutschen Chorbücher aus der Hofkapelle Friedrich des Weisen. Sammlung Musikwissenschaftlicher Abhandlungen, vol. 84. Baden-Baden. Pages: 27ff.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I,xxv-xxvi,32-4,61,68; III,76-7,99-100. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae, vol. 65. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VII,xix-xxi,xxxvii,84-113. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Staehelin, Martin. 1973. Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 23: 79-91. Pages: 82.
Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xviii.xx II,xi.
Gerken, Robert E. 1969. The Polyphonic Cycles of the Proper of the Mass in the Trent Codex 88 and Jena Choirbooks 30 and 35. Indiana University, Unpublished Ph.D. dissertation. Pages: I, 104-5.
Parker, Robert LeRoy (editor). 1964-. Collected Works of Adam Rener. Brooklyn. Pages: I,xiii-xiv, passim.
Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents, vol. 12. American Institute of Musicology. Pages: 43.
Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II.i,vii,78-93.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VI,1874.
Roediger, Karl Erich. 1935. Die geistlichen Musikhandschriften der Universitätsbibliothek Jena. 2 vols. Jena: Frommannsche Buchhandlung. Pages: i, 52-3; 73-9.
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Emily Zazulia
Wednesday, 18 May, 2022
fols. 213v–214r is the Gloria of Josquin's Missa D'ung aultre amer, and the Credo on 214v–215 appears to be related to what would become the Credo of the same mass.
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description