D-Ju MS 32

Universitätsbibliothek, Jena, Germany

manuscript of polyphony: 1500-20 (MGG)

Archive Universitätsbibliothek, Jena, Germany (D-Ju)
Shelfmark MS 32
Surface Paper
Numbering System Foliation
Measurements 435 x 290 mm
Other Identifiers
  • CCM: JenaU 32
Copyists
Relationships
External Links
Provenance
Contents Contains 75 compositions, 57 from 9 composers, 18 are anonymous.
General Description

Copied by a single scribe, whose hand also appears in JenaU 30, JenaU 31, JenaU 33, and WeimB A.

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014283, July 2012
Binding

Original covers of grey-brown tooled leather over boards.

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014283, July 2012
Notation

not indicated

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014283, July 2012
Foliation

Modern foliation, 1-280

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014283, July 2012
Foliation

282

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014283, July 2012
Decoration

Coloured initials and floral border on f. 1'; other folios have black inked calligraphic initials.

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014283, July 2012
Surface

Paper

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014283, July 2012
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

15 Masses, 1 Credo = 16

(Brumel)-1, (Compère)-1, (Ghiselin)-1, (Isaac)-1, (Josquin)-3, (Martini)-1, (Obrecht)-2, (Orto)-1, (Pipelare)-1, anon-4

282 paper folios, 435 x 290. Modern foliation, 1-280. Original covers of gray-brown tooled leather over boards. Scribal concordance with JenaU 30, 31, 33, and WeimB A. Simple calligraphic initials.

1500-20 (MGG). Copied for the All Saints Church in Wittenberg. See the entry for JenaU 30 for further information concerning this manuscript and its subsequent history.

Vol 4

Composers: (Brumel)-1, (Compère/Josquin)-1, (Ghiselin)-1, (Isaac)-1, (Josquin)-2, (Josquin/Ockeghem)-1, (Martini)-1, (Obrecht)-2, (Orto)-1, (Pipelare)-1, anon-4

Physical: 282 paper folios, 435 x 290. Modern pencil foliation, 1-282. Original covers of gray-brown tooled leather over boards. No index. Copied by a single scribe, whose hand also appears in JenaU 30, JenaU 31, JenaU 33, and WeimB A. Colored initials and floral border on f. 1'; other folios have black inked calligraphic initials.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

75

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–4 Missa L'homme armé super voces musicales 6.3: Kyrie [Josquin]
Appears on: 1v–4
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa L'homme armé super voces musicales] 6.3
4v–8 Missa L'homme armé super voces musicales 6.3: Gloria -
Appears on: 4v–8
Genres: Gloria (et in terra pax), Mass Ordinary
8v–12 Missa L'homme armé super voces musicales 6.3: Patrem omnipotentem [Credo] -
Appears on: 8v–12
Genres: Credo (patrem omnipotentem), Mass Ordinary
12v–16 Missa L'homme armé super voces musicales 6.3: Sanctus & Benedictus -
Appears on: 12v–16
Genres: Mass Ordinary, Sanctus [& Benedictus]
16v–21 Missa L'homme armé super voces musicales 6.3: Agnus Dei -
Appears on: 16v–21
Genres: Agnus Dei, Mass Ordinary
21v–23 Missa La sol fa re mi 11.2: Kyrie [Josquin]
Appears on: 21v–23
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa La sol fa re mi] 11.2
23v–26 Missa La sol fa re mi 11.2: Gloria -
Appears on: 23v–26
Genres: Gloria (et in terra pax), Mass Ordinary
26v–32 Missa La sol fa re mi 11.2: Credo -
Appears on: 26v–32
Genres: Credo (patrem omnipotentem), Mass Ordinary
32v–37 Missa La sol fa re mi 11.2: Sanctus -
Appears on: 32v–37
Genres: Mass Ordinary, Sanctus [& Benedictus]
37v–39 Missa La sol fa re mi 11.2: Agnus Dei -
Appears on: 37v–39
Genres: Agnus Dei, Mass Ordinary
39v–40 [blank pages] - -

[blank pages]

Appears on: 39v–40
40v–42 Missa Petite camusette: Kyrie [Orto]
Appears on: 40v–42
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Orto]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Petite camusette]
42v–46 Missa Petite camusette: Gloria -
Appears on: 42v–46
Genres: Gloria (et in terra pax), Mass Ordinary
46v–52 Missa Petite camusette: Credo -
Appears on: 46v–52
Genres: Credo (patrem omnipotentem), Mass Ordinary
52v–56 Missa Petite camusette: Sanctus -
Appears on: 52v–56
Genres: Mass Ordinary, Sanctus [& Benedictus]
56v–59 Missa Petite camusette: Agnus Dei -
Appears on: 56v–59
Genres: Agnus Dei, Mass Ordinary
59v–61 Missa L'homme armé 6.1: Kyrie [Compère/Josquin]
Appears on: 59v–61
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Compère/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa L'homme armé] 6.1
61v–65 Missa L'homme armé 6.1: Gloria -
Appears on: 61v–65
Genres: Gloria (et in terra pax), Mass Ordinary
65v–69 Missa L'homme armé 6.1: Credo -
Appears on: 65v–69
Genres: Credo (patrem omnipotentem), Mass Ordinary
69v–74 Missa L'homme armé 6.1: Sanctus -
Appears on: 69v–74
Genres: Mass Ordinary, Sanctus [& Benedictus]
74v–77 Missa L'homme armé 6.1: Agnus Dei -
Appears on: 74v–77
Genres: Mass Ordinary
77v–79 Missa Petite camusette: Kyrie Anon. Anonymous
Appears on: 77v–79
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Petite camusette]
79v–83 Missa Petite camusette: Gloria - Anonymous
Appears on: 79v–83
Genres: Gloria (et in terra pax), Mass Ordinary
83v–88 Missa Petite camusette: Credo - Anonymous
Appears on: 83v–88
Genres: Credo (patrem omnipotentem), Mass Ordinary
88v–93 Missa Petite camusette: Sanctus - Anonymous
Appears on: 88v–93
Genres: Mass Ordinary, Sanctus [& Benedictus]
93v–95 Missa Petite camusette: Agnus Dei - Anonymous
Appears on: 93v–95
Genres: Agnus Dei, Mass Ordinary
95v–98 Missa Sine nomine (4vv): Kyrie [Brumel]
Appears on: 95v–98
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Brumel]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sine nomine]
98v–102 Missa Sine nomine (4vv): Gloria -
Appears on: 98v–102
Genres: Gloria (et in terra pax), Mass Ordinary
102v–107 Missa Sine nomine (4vv): Credo -
Appears on: 102v–107
Genres: Credo (patrem omnipotentem), Mass Ordinary
107v–111 Missa Sine nomine (4vv): Sanctus -
Appears on: 107v–111
Genres: Mass Ordinary, Sanctus [& Benedictus]
111v–114 Missa Sine nomine (4vv): Agnus Dei -
Appears on: 111v–114
Genres: Agnus Dei, Mass Ordinary
114v–117 Missa La belle se siet: Kyrie [Ghiselin]
Appears on: 114v–117
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Ghiselin]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa La belle se sied]
117v–122 Missa La belle se siet: Gloria -
Appears on: 117v–122
Genres: Gloria (et in terra pax), Mass Ordinary
122v–126 Missa La belle se siet: Credo -
Appears on: 122v–126
Genres: Credo (patrem omnipotentem), Mass Ordinary
126v–131 Missa La belle se siet: Sanctus -
Appears on: 126v–131
Genres: Mass Ordinary, Sanctus [& Benedictus]
131v–134 Missa La belle se siet: Agnus Dei -
Appears on: 131v–134
Genres: Agnus Dei, Mass Ordinary
134v–138 Patrem omnipotentem [Credo sexti toni] (M12) [Isaac]
Appears on: 134v–138
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
138v–142 [blank pages] - -

[blank pages]

Appears on: 138v–142
142v–144 Missa Adieu mes amours: Kyrie [Obrecht]
Appears on: 142v–144
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: [Obrecht]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Adieu mes amours]
144v–148 Missa Adieu mes amours: Gloria (2 partes) -
Appears on: 144v–148
Genres: Gloria (et in terra pax), Mass Ordinary
148v–152 Missa Adieu mes amours: Credo: 2 partes Et incarnatus: 5 voces. -
Appears on: 148v–152
Genres: Credo (patrem omnipotentem), Mass Ordinary
152v–156 Missa Adieu mes amours: Sanctus -
Appears on: 152v–156
Genres: Mass Ordinary, Sanctus [& Benedictus]
156v–158 Missa Adieu mes amours: Agnus Dei -
Appears on: 156v–158
Genres: Agnus Dei, Mass Ordinary
158v–159 [blank pages] - -

[blank pages]

Appears on: 158v–159
159v–162 Missa Beata progenies: Kyrie Anon. Anonymous
Appears on: 159v–162
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Beata progenies]
162v–166 Missa Beata progenies: Gloria - Anonymous
Appears on: 162v–166
Genres: Gloria (et in terra pax), Mass Ordinary
166v–171 Missa Orsus orsus: Kyrie -
Appears on: 166v–171
Genres: Kyrie eleison, Mass Ordinary
171v–175 Missa Beata progenies: Sanctus - Anonymous
Appears on: 171v–175
Genres: Mass Ordinary, Sanctus [& Benedictus]
175v–179 Missa Beata progenies: Agnus Dei - Anonymous
Appears on: 175v–179
Genres: Agnus Dei, Mass Ordinary
179v–182 Missa O beate pater Donatiane: Kyrie [Obrecht]
Appears on: 179v–182
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Obrecht]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa O beate pater Donatiane]
182v–186 Missa O beate pater Donatiane: Gloria -
Appears on: 182v–186
Genres: Gloria (et in terra pax), Mass Ordinary
186v–192 Missa O beate pater Donatiane: Credo -
Appears on: 186v–192
Genres: Credo (patrem omnipotentem), Mass Ordinary
192v–196 Missa O beate pater Donatiane: Sanctus -
Appears on: 192v–196
Genres: Mass Ordinary, Sanctus [& Benedictus]
196v–199 Missa O beate pater Donatiane: Agnus Dei -
Appears on: 196v–199
Genres: Agnus Dei
199v–200 [blank pages] - -

[blank pages]

Appears on: 199v–200
200v–202 Missa Gaudeamus 4.2: Kyrie [Josquin/Ockeghem]
Appears on: 200v–202
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Josquin/Ockeghem]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Gaudeamus] 4.2
202v–206 Missa Gaudeamus 4.2: Gloria -
Appears on: 202v–206
Genres: Gloria (et in terra pax), Mass Ordinary
206v–213 Missa Gaudeamus 4.2: Patrem omnipotentem [Credo] -
Appears on: 206v–213
Genres: Credo (patrem omnipotentem), Mass Ordinary
213v–217 Missa Gaudeamus 4.2: Sanctus -
Appears on: 213v–217
Genres: Mass Ordinary, Sanctus [& Benedictus]
217v–219 Missa Gaudeamus 4.2: Agnus Dei -
Appears on: 217v–219
Genres: Agnus Dei, Mass Ordinary
219v [blank page] - -

[blank page]

Appears on: 219v
220–221 Missa Orsus orsus [Martini]
Appears on: 220–221
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Martini]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Orsus orsus]
221v–224 Missa Orsus orsus: Gloria -
Appears on: 221v–224
Genres: Gloria (et in terra pax), Mass Ordinary
224v–228 Missa Orsus orsus: Credo -
Appears on: 224v–228
Genres: Credo (patrem omnipotentem), Mass Ordinary
228v–231 Missa Orsus orsus: Sanctus -
Appears on: 228v–231
Genres: Mass Ordinary, Sanctus [& Benedictus]
231v–233 Missa Orsus orsus: Agnus Dei -
Appears on: 231v–233
Genres: Agnus Dei, Mass Ordinary
233v–236 Missa Sine nomine (I): Kyrie [Pipelare]
Appears on: 233v–236
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Pipelare]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sine nomine]
236v–239 Missa Sine nomine (I): Gloria: 2 partes -
Appears on: 236v–239
Genres: Gloria (et in terra pax), Mass Ordinary
239v–244 Missa Sine nomine (I): Credo: 3 partes Etiterum: 3 voces -
Appears on: 239v–244
Genres: Credo (patrem omnipotentem), Mass Ordinary
244v–248 Missa Sine nomine (I): Sanctus, with: Pleni: 3 voces,Osanna, Benedictus: 3 voces -
Appears on: 244v–248
Genres: Mass Ordinary, Sanctus [& Benedictus]
248v–250 Missa Sine nomine (I): Agnus I: 3 voces. Agnus III -
Appears on: 248v–250
Genres: Agnus Dei, Mass Ordinary
250v–252 Missa Bergerette Savoyenne: Kyrie Anon. Anonymous
Appears on: 250v–252
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Bergerette savoyenne]
252v–254 Missa Bergerette Savoyenne: Gloria - Anonymous
Appears on: 252v–254
Genres: Gloria (et in terra pax), Mass Ordinary
254v–258 Missa Bergerette Savoyenne: Credo - Anonymous
Appears on: 254v–258
Genres: Credo (patrem omnipotentem), Mass Ordinary
258v–262 Missa Bergerette Savoyenne: Sanctus - Anonymous
Appears on: 258v–262
Genres: Mass Ordinary, Sanctus [& Benedictus]
262v–264 Missa Bergerette Savoyenne: Agnus Dei - Anonymous
Appears on: 262v–264
Genres: Agnus Dei, Mass Ordinary
264v–266 Missa Sine nomine: Kyrie Anon. Anonymous
Appears on: 264v–266
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sine nomine]
266v–270 Missa sine nomine: Gloria - Anonymous
Appears on: 266v–270
Genres: Gloria (et in terra pax), Mass Ordinary
270v–276 Missa Sine nomine: Credo - Anonymous
Appears on: 270v–276
Genres: Credo (patrem omnipotentem), Mass Ordinary
276v–280 Missa Sine nomine: Sanctus - Anonymous
Appears on: 276v–280
Genres: Mass Ordinary, Sanctus [& Benedictus]
280v–282v [blank pages] - -

[blank pages]

Appears on: 280v–282v
Composer Compositions
Anonymous
Brumel, Antoine (ca. 1460-ca. 1513)
Compère, Loyset (ca. 1445-1518)
Despres, Josquin (ca. 1450-1521)
Ghiselin (Verbonnet), Johannes
Isaac, Heinrich (ca. 1450-1517)
Martini, Johannes (ca. 1430-1497)
Obrecht, Jacobus (ca. 1457-1505)
Orto, Marbrianus de
Pipelare, Mattheus (ca. 1450-ca. 1515)
Composition Composers (? Uncertain) Folios / Pages
Missa Adieu mes amours: Agnus Dei 156v–158
Missa Adieu mes amours: Credo: 2 partes Et incarnatus: 5 voces. 148v–152
Missa Adieu mes amours: Gloria (2 partes) 144v–148
Missa Adieu mes amours: Kyrie 142v–144
Missa Adieu mes amours: Sanctus 152v–156
Missa Beata progenies: Agnus Dei Anonymous 175v–179
Missa Beata progenies: Gloria Anonymous 162v–166
Missa Beata progenies: Kyrie Anonymous 159v–162
Missa Beata progenies: Sanctus Anonymous 171v–175
Missa Bergerette Savoyenne: Agnus Dei Anonymous 262v–264
Missa Bergerette Savoyenne: Credo Anonymous 254v–258
Missa Bergerette Savoyenne: Gloria Anonymous 252v–254
Missa Bergerette Savoyenne: Kyrie Anonymous 250v–252
Missa Bergerette Savoyenne: Sanctus Anonymous 258v–262
Missa Gaudeamus 4.2: Agnus Dei 217v–219
Missa Gaudeamus 4.2: Gloria 202v–206
Missa Gaudeamus 4.2: Kyrie 200v–202
Missa Gaudeamus 4.2: Patrem omnipotentem [Credo] 206v–213
Missa Gaudeamus 4.2: Sanctus 213v–217
Missa L'homme armé 6.1: Agnus Dei 74v–77
Missa L'homme armé 6.1: Credo 65v–69
Missa L'homme armé 6.1: Gloria 61v–65
Missa L'homme armé 6.1: Kyrie 59v–61
Missa L'homme armé 6.1: Sanctus 69v–74
Missa L'homme armé super voces musicales 6.3: Agnus Dei 16v–21
Missa L'homme armé super voces musicales 6.3: Gloria 4v–8
Missa L'homme armé super voces musicales 6.3: Kyrie 1v–4
Missa L'homme armé super voces musicales 6.3: Patrem omnipotentem [Credo] 8v–12
Missa L'homme armé super voces musicales 6.3: Sanctus & Benedictus 12v–16
Missa La belle se siet: Agnus Dei 131v–134
Missa La belle se siet: Credo 122v–126
Missa La belle se siet: Gloria 117v–122
Missa La belle se siet: Kyrie 114v–117
Missa La belle se siet: Sanctus 126v–131
Missa La sol fa re mi 11.2: Agnus Dei 37v–39
Missa La sol fa re mi 11.2: Credo 26v–32
Missa La sol fa re mi 11.2: Gloria 23v–26
Missa La sol fa re mi 11.2: Kyrie 21v–23
Missa La sol fa re mi 11.2: Sanctus 32v–37
Missa O beate pater Donatiane: Agnus Dei 196v–199
Missa O beate pater Donatiane: Credo 186v–192
Missa O beate pater Donatiane: Gloria 182v–186
Missa O beate pater Donatiane: Kyrie 179v–182
Missa O beate pater Donatiane: Sanctus 192v–196
Missa Orsus orsus 220–221
Missa Orsus orsus: Agnus Dei 231v–233
Missa Orsus orsus: Credo 224v–228
Missa Orsus orsus: Gloria 221v–224
Missa Orsus orsus: Kyrie 166v–171
Missa Orsus orsus: Sanctus 228v–231
Missa Petite camusette: Agnus Dei 56v–59
Missa Petite camusette: Agnus Dei Anonymous 93v–95
Missa Petite camusette: Credo 46v–52
Missa Petite camusette: Credo Anonymous 83v–88
Missa Petite camusette: Gloria 42v–46
Missa Petite camusette: Gloria Anonymous 79v–83
Missa Petite camusette: Kyrie 40v–42
Missa Petite camusette: Kyrie Anonymous 77v–79
Missa Petite camusette: Sanctus 52v–56
Missa Petite camusette: Sanctus Anonymous 88v–93
Missa Sine nomine (4vv): Agnus Dei 111v–114
Missa Sine nomine (4vv): Credo 102v–107
Missa Sine nomine (4vv): Gloria 98v–102
Missa Sine nomine (4vv): Kyrie 95v–98
Missa Sine nomine (4vv): Sanctus 107v–111
Missa Sine nomine (I): Agnus I: 3 voces. Agnus III 248v–250
Missa Sine nomine (I): Credo: 3 partes Etiterum: 3 voces 239v–244
Missa Sine nomine (I): Gloria: 2 partes 236v–239
Missa Sine nomine (I): Kyrie 233v–236
Missa Sine nomine (I): Sanctus, with: Pleni: 3 voces,Osanna, Benedictus: 3 voces 244v–248
Missa Sine nomine: Credo Anonymous 270v–276
Missa sine nomine: Gloria Anonymous 266v–270
Missa Sine nomine: Kyrie Anonymous 264v–266
Missa Sine nomine: Sanctus Anonymous 276v–280
Patrem omnipotentem [Credo sexti toni] (M12) 134v–138

Images © Universitätsbibliothek, Jena

denotes primary source study

Heidrich, Jürgen. 1996. Jena: Musikhandschriften. Musik in Geschichte und Gegenwart: Sachteil, fourth edition. columns 1451-1455. Kassel. Pages: columns 1453-1454.

Duffy, Kathryn Ann P. 1995. The Jena Choirbooks: Music and Liturgy at the Castle Church in Wittenberg under Frederick the Wise, Elector of Saxony. University of Chicago, Ph.D. diss., 5 vols.

Heidrich, Jürgen. 1993. Die deutschen Chorbücher aus der Hofkapelle Friedrich des Weisen. Sammlung Musikwissenschaftlicher Abhandlungen, vol. 84.  Baden-Baden. Pages: 129ff.

Burkholder, J Peter. 1985. Johannes Martini and the Imitation Mass of the Late Fifteenth Century. Journal of the American Musicological Society, 38: 470-523. Pages: 477, 512,518. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Maas, Chris J (editor). 1983-. New Obrecht Edition.  Utrecht. Pages: I,xi-ff,[xxxvi], 1-29; III.xi-ff, [xxxviii-xxxix], 1-32. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III.  Bern and Stuttgart. Pages: I,xxvi,44,68, 75; III, 142ff. Notes: physical description; contents list (partial); concordances (partial).

Lowinsky, Edward E. 1976. Problems in Editing the Music of Josquin des Prez: A Critique of the First Edition and Proposals for the Second Edition [Symposium]. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 723-54. London, New York, and Toronto. Pages: 734.

Picker, Martin. 1976. Josquiniana in Some Manuscripts at Piacenza. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25June 1971, 247-60. London, New York, and Toronto. Pages: 253.

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae, vol. 65.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V.xiii. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II.xvii,74-97.

Gerken, Robert E. 1969. The Polyphonic Cycles of the Proper of the Mass in the Trent Codex 88 and Jena Choirbooks 30 and 35. Indiana University, Unpublished Ph.D. dissertation. Pages: I, 104-5.

Cross, Ronald (editor). 1966-. Matthaeus Pipelare: Opera Omnia. Corpus mensurabilis musicae, vol. 34.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, xi,71-93. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Parker, Robert LeRoy (editor). 1964-. Collected Works of Adam Rener.  Brooklyn. Pages: I,xiii-xiv, passim.

Cross, Ronald. 1963. The Life and Works of Matthaeus Pipelare. Musica Disciplina, 17: 97-114. Pages: 114.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler.  Mainz. Pages: VII,91.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: VI,1874.

Roediger, Karl Erich. 1935. Die geistlichen Musikhandschriften der Universitätsbibliothek Jena. 2 vols. Jena: Frommannsche Buchhandlung. Pages: i, 53; 80-7.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen.  Amsterdam. Pages: I,viii.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description