D-Ju MS 32

Universitätsbibliothek, Jena, Germany

manuscript of polyphony: 1500-20 (MGG)

Archive Universitätsbibliothek, Jena, Germany (D-Ju)
Shelfmark MS 32
Surface Paper
Numbering System Foliation
Measurements 435 x 290 mm
Other Identifiers
  • CCM: JenaU 32
Copyists
Relationships
External Links
Provenance
Contents 81 pieces from 10 composers
General Description

Copied by a single scribe, whose hand also appears in JenaU 30, JenaU 31, JenaU 33, and WeimB A.

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014283, July 2012
Binding

Original covers of grey-brown tooled leather over boards.

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014283, July 2012
Notation

not indicated

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014283, July 2012
Foliation

Modern foliation, 1-280

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014283, July 2012
Foliation

282

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014283, July 2012
Decoration

Coloured initials and floral border on f. 1'; other folios have black inked calligraphic initials.

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014283, July 2012
Surface

Paper

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014283, July 2012
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

15 Masses, 1 Credo = 16

(Brumel)-1, (Compère)-1, (Ghiselin)-1, (Isaac)-1, (Josquin)-3, (Martini)-1, (Obrecht)-2, (Orto)-1, (Pipelare)-1, anon-4

282 paper folios, 435 x 290. Modern foliation, 1-280. Original covers of gray-brown tooled leather over boards. Scribal concordance with JenaU 30, 31, 33, and WeimB A. Simple calligraphic initials.

1500-20 (MGG). Copied for the All Saints Church in Wittenberg. See the entry for JenaU 30 for further information concerning this manuscript and its subsequent history.

Vol 4

Composers: (Brumel)-1, (Compère/Josquin)-1, (Ghiselin)-1, (Isaac)-1, (Josquin)-2, (Josquin/Ockeghem)-1, (Martini)-1, (Obrecht)-2, (Orto)-1, (Pipelare)-1, anon-4

Physical: 282 paper folios, 435 x 290. Modern pencil foliation, 1-282. Original covers of gray-brown tooled leather over boards. No index. Copied by a single scribe, whose hand also appears in JenaU 30, JenaU 31, JenaU 33, and WeimB A. Colored initials and floral border on f. 1'; other folios have black inked calligraphic initials.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

228

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–4 Missa L'homme armé super voces musicales 6.3: Kyrie [Josquin]
Appears on: 1v–4
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa L'homme armé super voces musicales] 6.3
4v–8 Missa L'homme armé super voces musicales 6.3: Gloria -
Appears on: 4v–8
Genres: Gloria (et in terra pax), Mass Ordinary
8v–12 Missa L'homme armé super voces musicales 6.3: Patrem omnipotentem [Credo] -
Appears on: 8v–12
Genres: Credo (patrem omnipotentem), Mass Ordinary
12v–16 Missa L'homme armé super voces musicales 6.3: Sanctus & Benedictus -
Appears on: 12v–16
Genres: Mass Ordinary, Sanctus [& Benedictus]
16v–21 Missa L'homme armé super voces musicales 6.3: Agnus Dei -
Appears on: 16v–21
Genres: Agnus Dei, Mass Ordinary
21v–23 Missa La sol fa re mi 11.2: Kyrie [Josquin]
Appears on: 21v–23
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa La sol fa re mi] 11.2
23v–26 Missa La sol fa re mi 11.2: Gloria -
Appears on: 23v–26
Genres: Gloria (et in terra pax), Mass Ordinary
26v–32 Missa La sol fa re mi 11.2: Credo -
Appears on: 26v–32
Genres: Credo (patrem omnipotentem), Mass Ordinary
32v–37 Missa La sol fa re mi 11.2: Sanctus -
Appears on: 32v–37
Genres: Mass Ordinary, Sanctus [& Benedictus]
37v–39 Missa La sol fa re mi 11.2: Agnus Dei -
Appears on: 37v–39
Genres: Agnus Dei, Mass Ordinary
39v–40 [blank pages] - -

[blank pages]

Appears on: 39v–40
40v–42 Missa Petite camusette: Kyrie [Orto]
Appears on: 40v–42
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Orto]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Petite camusette]
42v–46 Missa Petite camusette: Gloria -
Appears on: 42v–46
Genres: Gloria (et in terra pax), Mass Ordinary
46v–52 Missa Petite camusette: Credo -
Appears on: 46v–52
Genres: Credo (patrem omnipotentem), Mass Ordinary
52v–56 Missa Petite camusette: Sanctus -
Appears on: 52v–56
Genres: Mass Ordinary, Sanctus [& Benedictus]
56v–59 Missa Petite camusette: Agnus Dei -
Appears on: 56v–59
Genres: Agnus Dei, Mass Ordinary
59v–61 Missa L'homme armé 6.1: Kyrie [Compère/Josquin]
Appears on: 59v–61
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Compère/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa L'homme armé] 6.1
61v–65 Missa L'homme armé 6.1: Gloria -
Appears on: 61v–65
Genres: Gloria (et in terra pax), Mass Ordinary
65v–69 Missa L'homme armé 6.1: Credo -
Appears on: 65v–69
Genres: Credo (patrem omnipotentem), Mass Ordinary
69v–74 Missa L'homme armé 6.1: Sanctus -
Appears on: 69v–74
Genres: Mass Ordinary, Sanctus [& Benedictus]
74v–77 Missa L'homme armé 6.1: Agnus Dei -
Appears on: 74v–77
Genres: Mass Ordinary
77v–79 Missa Petite camusette: Kyrie Anon. Anonymous
Appears on: 77v–79
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Petite camusette]
79v–83 Missa Petite camusette: Gloria - Anonymous
Appears on: 79v–83
Genres: Gloria (et in terra pax), Mass Ordinary
83v–88 Missa Petite camusette: Credo - Anonymous
Appears on: 83v–88
Genres: Credo (patrem omnipotentem), Mass Ordinary
88v–93 Missa Petite camusette: Sanctus - Anonymous
Appears on: 88v–93
Genres: Mass Ordinary, Sanctus [& Benedictus]
93v–95 Missa Petite camusette: Agnus Dei - Anonymous
Appears on: 93v–95
Genres: Agnus Dei, Mass Ordinary
95v–98 Missa Sine nomine (4vv): Kyrie [Brumel]
Appears on: 95v–98
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Brumel]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sine nomine]
98v–102 Missa Sine nomine (4vv): Gloria -
Appears on: 98v–102
Genres: Gloria (et in terra pax), Mass Ordinary
102v–107 Missa Sine nomine (4vv): Credo -
Appears on: 102v–107
Genres: Credo (patrem omnipotentem), Mass Ordinary
107v–111 Missa Sine nomine (4vv): Sanctus -
Appears on: 107v–111
Genres: Mass Ordinary, Sanctus [& Benedictus]
111v–114 Missa Sine nomine (4vv): Agnus Dei -
Appears on: 111v–114
Genres: Agnus Dei, Mass Ordinary
114v–117 Missa La belle se siet: Kyrie [Ghiselin]
Appears on: 114v–117
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Ghiselin]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa La belle se sied]
117v–122 Missa La belle se siet: Gloria -
Appears on: 117v–122
Genres: Gloria (et in terra pax), Mass Ordinary
122v–126 Missa La belle se siet: Credo -
Appears on: 122v–126
Genres: Credo (patrem omnipotentem), Mass Ordinary
126v–131 Missa La belle se siet: Sanctus -
Appears on: 126v–131
Genres: Mass Ordinary, Sanctus [& Benedictus]
131v–134 Missa La belle se siet: Agnus Dei -
Appears on: 131v–134
Genres: Agnus Dei, Mass Ordinary
134v–138 Patrem omnipotentem [Credo] (M12) [Isaac]
Appears on: 134v–138
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
138v–142 [blank pages] - -

[blank pages]

Appears on: 138v–142
142v–144 Missa Adieu mes amours: Kyrie [Obrecht]
Appears on: 142v–144
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: [Obrecht]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Adieu mes amours]
144v–148 Missa Adieu mes amours: Gloria (2 partes) -
Appears on: 144v–148
Genres: Gloria (et in terra pax), Mass Ordinary
148v–152 Missa Adieu mes amours: Credo: 2 partes Et incarnatus: 5 voces. -
Appears on: 148v–152
Genres: Credo (patrem omnipotentem), Mass Ordinary
152v–156 Missa Adieu mes amours: Sanctus -
Appears on: 152v–156
Genres: Mass Ordinary, Sanctus [& Benedictus]
156v–158 Missa Adieu mes amours: Agnus Dei -
Appears on: 156v–158
Genres: Agnus Dei, Mass Ordinary
158v–159 [blank pages] - -

[blank pages]

Appears on: 158v–159
159v–162 Missa Beata progenies: Kyrie Anon. Anonymous
Appears on: 159v–162
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Beata progenies]
162v–166 Missa Beata progenies: Gloria - Anonymous
Appears on: 162v–166
Genres: Gloria (et in terra pax), Mass Ordinary
166v–171 Missa Orsus orsus: Kyrie -
Appears on: 166v–171
Genres: Kyrie eleison, Mass Ordinary
171v–175 Missa Beata progenies: Sanctus - Anonymous
Appears on: 171v–175
Genres: Mass Ordinary, Sanctus [& Benedictus]
175v–179 Missa Beata progenies: Agnus Dei - Anonymous
Appears on: 175v–179
Genres: Agnus Dei, Mass Ordinary
179v–182 Missa O beate pater Donatiane: Kyrie [Obrecht]
Appears on: 179v–182
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Obrecht]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa O beate pater Donatiane]
182v–186 Missa O beate pater Donatiane: Gloria -
Appears on: 182v–186
Genres: Gloria (et in terra pax), Mass Ordinary
186v–192 Missa O beate pater Donatiane: Credo -
Appears on: 186v–192
Genres: Credo (patrem omnipotentem), Mass Ordinary
192v–196 Missa O beate pater Donatiane: Sanctus -
Appears on: 192v–196
Genres: Mass Ordinary, Sanctus [& Benedictus]
196v–199 Missa O beate pater Donatiane: Agnus Dei -
Appears on: 196v–199
Genres: Agnus Dei
199v–200 [blank pages] - -

[blank pages]

Appears on: 199v–200
200v–202 Missa Gaudeamus 4.2: Kyrie [Josquin/Ockeghem]
Appears on: 200v–202
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Josquin/Ockeghem]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Gaudeamus] 4.2
202v–206 Missa Gaudeamus 4.2: Gloria -
Appears on: 202v–206
Genres: Gloria (et in terra pax), Mass Ordinary
206v–213 Missa Gaudeamus 4.2: Patrem omnipotentem [Credo] -
Appears on: 206v–213
Genres: Credo (patrem omnipotentem), Mass Ordinary
213v–217 Missa Gaudeamus 4.2: Sanctus -
Appears on: 213v–217
Genres: Mass Ordinary, Sanctus [& Benedictus]
217v–219 Missa Gaudeamus 4.2: Agnus Dei -
Appears on: 217v–219
Genres: Agnus Dei, Mass Ordinary
219v [blank page] - -

[blank page]

Appears on: 219v
220–221 Missa Orsus orsus [Martini]
Appears on: 220–221
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Martini]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Orsus orsus]
221v–224 Missa Orsus orsus: Gloria -
Appears on: 221v–224
Genres: Gloria (et in terra pax), Mass Ordinary
224v–228 Missa Orsus orsus: Credo -
Appears on: 224v–228
Genres: Credo (patrem omnipotentem), Mass Ordinary
228v–231 Missa Orsus orsus: Sanctus -
Appears on: 228v–231
Genres: Mass Ordinary, Sanctus [& Benedictus]
231v–233 Missa Orsus orsus: Agnus Dei -
Appears on: 231v–233
Genres: Agnus Dei, Mass Ordinary
233v–236 Missa Sine nomine (I): Kyrie [Pipelare]
Appears on: 233v–236
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Pipelare]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sine nomine]
236v–239 Missa Sine nomine (I): Gloria: 2 partes -
Appears on: 236v–239
Genres: Gloria (et in terra pax), Mass Ordinary
239v–244 Missa Sine nomine (I): Credo: 3 partes Etiterum: 3 voces -
Appears on: 239v–244
Genres: Credo (patrem omnipotentem), Mass Ordinary
244v–248 Missa Sine nomine (I): Sanctus, with: Pleni: 3 voces,Osanna, Benedictus: 3 voces -
Appears on: 244v–248
Genres: Mass Ordinary, Sanctus [& Benedictus]
248v–250 Missa Sine nomine (I): Agnus I: 3 voces. Agnus III -
Appears on: 248v–250
Genres: Agnus Dei, Mass Ordinary
250v–252 Missa Bergerette Savoyenne: Kyrie Anon. Anonymous
Appears on: 250v–252
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Bergerette savoyenne]
252v–254 Missa Bergerette Savoyenne: Gloria - Anonymous
Appears on: 252v–254
Genres: Gloria (et in terra pax), Mass Ordinary
254v–258 Missa Bergerette Savoyenne: Credo - Anonymous
Appears on: 254v–258
Genres: Credo (patrem omnipotentem), Mass Ordinary
258v–262 Missa Bergerette Savoyenne: Sanctus - Anonymous
Appears on: 258v–262
Genres: Mass Ordinary, Sanctus [& Benedictus]
262v–264 Missa Bergerette Savoyenne: Agnus Dei - Anonymous
Appears on: 262v–264
Genres: Agnus Dei, Mass Ordinary
264v–266 Missa Sine nomine: Kyrie Anon. Anonymous
Appears on: 264v–266
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sine nomine]
266v–270 Missa sine nomine: Gloria - Anonymous
Appears on: 266v–270
Genres: Gloria (et in terra pax), Mass Ordinary
270v–276 Missa Sine nomine: Credo - Anonymous
Appears on: 270v–276
Genres: Credo (patrem omnipotentem), Mass Ordinary
276v–280 Missa Sine nomine: Sanctus - Anonymous
Appears on: 276v–280
Genres: Mass Ordinary, Sanctus [& Benedictus]
280v–282v [blank pages] - -

[blank pages]

Appears on: 280v–282v
Composer Compositions
Anonymous
Brumel, Antoine (ca. 1460–ca. 1513)
Compère, Loyset (ca. 1445–1518)
Despres, Josquin (ca. 1450–1521)
Ghiselin (Verbonnet), Johannes
Isaac, Heinrich (ca. 1450–1517)
Martini, Johannes (ca. 1430–1497)
Obrecht, Jacobus (ca. 1457–1505)
Orto, Marbrianus de
Pipelare, Mattheus (ca. 1450–ca. 1515)
Composition Composers (? Uncertain) Folios / Pages
Missa Adieu mes amours: Agnus Dei 156v–158
Missa Adieu mes amours: Credo: 2 partes Et incarnatus: 5 voces. 148v–152
Missa Adieu mes amours: Gloria (2 partes) 144v–148
Missa Adieu mes amours: Kyrie 142v–144
Missa Adieu mes amours: Sanctus 152v–156
Missa Beata progenies: Agnus Dei Anonymous 175v–179
Missa Beata progenies: Gloria Anonymous 162v–166
Missa Beata progenies: Kyrie Anonymous 159v–162
Missa Beata progenies: Sanctus Anonymous 171v–175
Missa Bergerette Savoyenne: Agnus Dei Anonymous 262v–264
Missa Bergerette Savoyenne: Credo Anonymous 254v–258
Missa Bergerette Savoyenne: Gloria Anonymous 252v–254
Missa Bergerette Savoyenne: Kyrie Anonymous 250v–252
Missa Bergerette Savoyenne: Sanctus Anonymous 258v–262
Missa Gaudeamus 4.2: Agnus Dei 217v–219
Missa Gaudeamus 4.2: Gloria 202v–206
Missa Gaudeamus 4.2: Kyrie 200v–202
Missa Gaudeamus 4.2: Patrem omnipotentem [Credo] 206v–213
Missa Gaudeamus 4.2: Sanctus 213v–217
Missa L'homme armé 6.1: Agnus Dei 74v–77
Missa L'homme armé 6.1: Credo 65v–69
Missa L'homme armé 6.1: Gloria 61v–65
Missa L'homme armé 6.1: Kyrie 59v–61
Missa L'homme armé 6.1: Sanctus 69v–74
Missa L'homme armé super voces musicales 6.3: Agnus Dei 16v–21
Missa L'homme armé super voces musicales 6.3: Gloria 4v–8
Missa L'homme armé super voces musicales 6.3: Kyrie 1v–4
Missa L'homme armé super voces musicales 6.3: Patrem omnipotentem [Credo] 8v–12
Missa L'homme armé super voces musicales 6.3: Sanctus & Benedictus 12v–16
Missa La belle se siet: Agnus Dei 131v–134
Missa La belle se siet: Credo 122v–126
Missa La belle se siet: Gloria 117v–122
Missa La belle se siet: Kyrie 114v–117
Missa La belle se siet: Sanctus 126v–131
Missa La sol fa re mi 11.2: Agnus Dei 37v–39
Missa La sol fa re mi 11.2: Credo 26v–32
Missa La sol fa re mi 11.2: Gloria 23v–26
Missa La sol fa re mi 11.2: Kyrie 21v–23
Missa La sol fa re mi 11.2: Sanctus 32v–37
Missa O beate pater Donatiane: Agnus Dei 196v–199
Missa O beate pater Donatiane: Credo 186v–192
Missa O beate pater Donatiane: Gloria 182v–186
Missa O beate pater Donatiane: Kyrie 179v–182
Missa O beate pater Donatiane: Sanctus 192v–196
Missa Orsus orsus 220–221
Missa Orsus orsus: Agnus Dei 231v–233
Missa Orsus orsus: Credo 224v–228
Missa Orsus orsus: Gloria 221v–224
Missa Orsus orsus: Kyrie 166v–171
Missa Orsus orsus: Sanctus 228v–231
Missa Petite camusette: Agnus Dei 56v–59
Missa Petite camusette: Agnus Dei Anonymous 93v–95
Missa Petite camusette: Credo 46v–52
Missa Petite camusette: Credo Anonymous 83v–88
Missa Petite camusette: Gloria 42v–46
Missa Petite camusette: Gloria Anonymous 79v–83
Missa Petite camusette: Kyrie 40v–42
Missa Petite camusette: Kyrie Anonymous 77v–79
Missa Petite camusette: Sanctus 52v–56
Missa Petite camusette: Sanctus Anonymous 88v–93
Missa Sine nomine (4vv): Agnus Dei 111v–114
Missa Sine nomine (4vv): Credo 102v–107
Missa Sine nomine (4vv): Gloria 98v–102
Missa Sine nomine (4vv): Kyrie 95v–98
Missa Sine nomine (4vv): Sanctus 107v–111
Missa Sine nomine (I): Agnus I: 3 voces. Agnus III 248v–250
Missa Sine nomine (I): Credo: 3 partes Etiterum: 3 voces 239v–244
Missa Sine nomine (I): Gloria: 2 partes 236v–239
Missa Sine nomine (I): Kyrie 233v–236
Missa Sine nomine (I): Sanctus, with: Pleni: 3 voces,Osanna, Benedictus: 3 voces 244v–248
Missa Sine nomine: Credo Anonymous 270v–276
Missa sine nomine: Gloria Anonymous 266v–270
Missa Sine nomine: Kyrie Anonymous 264v–266
Missa Sine nomine: Sanctus Anonymous 276v–280
Patrem omnipotentem [Credo] (M12) 134v–138

Images © Universitätsbibliothek, Jena

denotes primary source study

Heidrich, Jürgen. 1996. Jena: Musikhandschriften. Musik in Geschichte und Gegenwart: Sachteil, fourth edition. columns 1451-1455. Kassel. Pages: columns 1453-1454.

Duffy, Kathryn Ann P. 1995. The Jena Choirbooks: Music and Liturgy at the Castle Church in Wittenberg under Frederick the Wise, Elector of Saxony. University of Chicago, Ph.D. diss., 5 vols.

Heidrich, Jürgen. 1993. Die deutschen Chorbücher aus der Hofkapelle Friedrich des Weisen. Sammlung Musikwissenschaftlicher Abhandlungen.  Baden-Baden. Pages: 129ff.

Burkholder, J Peter. 1985. Johannes Martini and the Imitation Mass of the Late Fifteenth Century. Journal of the American Musicological Society, 470-523. Pages: 477, 512,518. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Maas, Chris J (editor). 1983-. New Obrecht Edition.  Utrecht. Pages: I,xi-ff,[xxxvi], 1-29; III.xi-ff, [xxxviii-xxxix], 1-32. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I,xxvi,44,68, 75; III, 142ff. Notes: physical description; contents list (partial); concordances (partial).

Lowinsky, Edward E. 1976. Problems in Editing the Music of Josquin des Prez: A Critique of the First Edition and Proposals for the Second Edition [Symposium]. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 723-54. London, New York, and Toronto. Pages: 734.

Picker, Martin. 1976. Josquiniana in Some Manuscripts at Piacenza. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25June 1971, 247-60. London, New York, and Toronto. Pages: 253.

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V.xiii. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II.xvii,74-97.

Gerken, Robert E. 1969. The Polyphonic Cycles of the Proper of the Mass in the Trent Codex 88 and Jena Choirbooks 30 and 35. Indiana University, Unpublished Ph.D. dissertation. Pages: I, 104-5.

Cross, Ronald (editor). 1966-. Matthaeus Pipelare: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, xi,71-93. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Parker, Robert LeRoy (editor). 1964-. Collected Works of Adam Rener.  Brooklyn. Pages: I,xiii-xiv, passim.

Cross, Ronald. 1963. The Life and Works of Matthaeus Pipelare. Musica Disciplina, 97-114. Pages: 114.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler.  Mainz. Pages: VII,91.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: VI,1874.

Roediger, Karl Erich. 1935. Die geistlichen Musikhandschriften der Universitätsbibliothek Jena. 2 vols. Jena: Frommannsche Buchhandlung. Pages: i, 53; 80-7.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen.  Amsterdam. Pages: I,viii.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description