D-Ju MS 31 - DIAMM

D-Ju MS 31

Universitätsbibliothek, Jena, Germany

manuscript of polyphony: 1500-20 (MGG)

Archive	Universitätsbibliothek, Jena, Germany (D-Ju)
Shelfmark	MS 31
Surface	Paper
Numbering System	Foliation
Measurements	420 x 285 mm
Other Identifiers	CCM: JenaU 31
Notations	black void mensural
Copyists	scribal concordance [20] Music
Relationships	All Saints' Church, Wittenberg (= Schlosskirche, or Castle Chapel) (commissioned/made for)
External Links	images
Provenance	All Saints' Church, Wittenberg (= Schlosskirche, or Castle Chapel) , Wittenberg, Saxony, Germany
Contents	72 pieces from 8 composers

General Description

Scribal concordance with JenaU 30, 32, 33, and WeimB A. Copied for the All Saints Church in Wittenberg (GerkPC). Composed of several fascicles subsequently bound together. See the entry for JenaU 30 for further information concerning this manuscript and its subsequent history.

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014279, July 2012

Binding

Original covers of gray-brown tooled leather over boards

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014279, July 2012

Notation

not indicated

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014279, July 2012

Foliation

Modern pencil foliation 1-221 (including front & rear endpapers). Masses are also numbered sequentially. 2 small loose fragments are preserved with the book, here catalogued as ff.135a & 145a

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014279, July 2012

Decoration

Inked calligraphic initials.

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014279, July 2012

Surface

Paper

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014279, July 2012

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

14 Masses (1 incomplete)

(A. Agrícola)-1, Brumel-3, (Compère-Josquin)-1, (Isaac)-1 + 1 Credo, (Josquin)-1, (Obrecht)-1, (Weerbecke)-1, anon-5

*The Credo (and only the Credo) of the anonymous Mass on ff. 78-87 is attributed to "Yzaac" in VienNB 1783. This Credo, which is based on the secular melody "Tmeiskin was jonck," appears in VienNB 1783 as part of a different Mass whose other four movements are attributed to Brumel. The movements by Brumel are unrelated to the ones which appear with the "Credo Tmeiskin" in JenaU 31.

221 paper folios, 420 x 285. Modern(?) foliation. Original covers of gray-brown tooled leather over boards. Scribal concordance with JenaU 30, 32, 33, and WeimB A. Inked calligraphic initials.

1500-20 (MGG). Copied for the All Saints Church in Wittenberg (GerkPC). See the entry for JenaU 30 for further information concerning this manuscript and its subsequent history.

Vol 4

Contents: 14 Masses (1 incomplete), 1 Credo = 15

Composers: (A. Agricola)-1, Brumel-3, (Compère)-1, (Isaac)-2, (Josquin)-2, (Obrecht)-1, (Weerbecke)-1, anon-4

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
6–8	Missa Tant que nostre argent: Kyrie	Anon.	Anonymous
Missa Tant que nostre argent: Kyrie Anonymous Appears on: 6–8 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Tant que nostre argent]
8v–11	Missa Tant que nostre argent: Gloria	-	Anonymous
Missa Tant que nostre argent: Gloria Anonymous Appears on: 8v–11 Genres: Gloria (et in terra pax), Mass Ordinary
11v–15	Missa Tant que nostre argent: Credo	-	Anonymous
Missa Tant que nostre argent: Credo Anonymous Appears on: 11v–15 Genres: Credo (patrem omnipotentem), Mass Ordinary
15v–19	Missa Tant que nostre argent: Sanctus	-	Anonymous
Missa Tant que nostre argent: Sanctus Anonymous Appears on: 15v–19 Genres: Mass Ordinary, Sanctus [& Benedictus]
19v–22	Missa Tant que nostre argent: Agnus Dei	-	Anonymous
Missa Tant que nostre argent: Agnus Dei Anonymous Appears on: 19v–22 Genres: Agnus Dei, Mass Ordinary
22v–23	Missa Sine nomine (Re fa mi re fa): Kyrie	[A. Agricola]	Agricola, Alexander (ca. 1445–1506)
Missa Sine nomine (Re fa mi re fa): Kyrie Agricola, Alexander (ca. 1445–1506) Appears on: 22v–23 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [A. Agricola] Voice: [no designation] Languages: Latin Voice Text: [Missa Sine nomine]
23v–25	Missa Sine nomine (Re fa mi re fa): Gloria	-	Agricola, Alexander (ca. 1445–1506)
Missa Sine nomine (Re fa mi re fa): Gloria Agricola, Alexander (ca. 1445–1506) Appears on: 23v–25
25v–30	Missa Sine nomine (Re fa mi re fa): Credo	-	Agricola, Alexander (ca. 1445–1506)
Missa Sine nomine (Re fa mi re fa): Credo Agricola, Alexander (ca. 1445–1506) Appears on: 25v–30
30v–33	Missa Sine nomine (Re fa mi re fa): Sanctus	-	Agricola, Alexander (ca. 1445–1506)
Missa Sine nomine (Re fa mi re fa): Sanctus Agricola, Alexander (ca. 1445–1506) Appears on: 30v–33 Genres: Mass Ordinary, Sanctus [& Benedictus]
33v–35	Missa Sine nomine (Re fa mi re fa): Agnus Dei	-	Agricola, Alexander (ca. 1445–1506)
Missa Sine nomine (Re fa mi re fa): Agnus Dei Agricola, Alexander (ca. 1445–1506) Appears on: 33v–35 Genres: Agnus Dei, Mass Ordinary
36–37	Missa Quant j'ai au coeur: Kyrie	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 36–37 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Missa Quant j'ay au cueur]
37v–39	Missa Quant j'ai au coeur: Gloria: 3 partes.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Gloria: 3 partes. Isaac, Heinrich (ca. 1450–1517) Appears on: 37v–39 Genres: Gloria (et in terra pax), Mass Ordinary
39v–44	Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces. Isaac, Heinrich (ca. 1450–1517) Appears on: 39v–44 Genres: Credo (patrem omnipotentem), Mass Ordinary
44v–48	Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces. Isaac, Heinrich (ca. 1450–1517) Appears on: 44v–48 Genres: Mass Ordinary, Sanctus [& Benedictus]
48v–50	Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III. Isaac, Heinrich (ca. 1450–1517) Appears on: 48v–50 Genres: Agnus Dei, Mass Ordinary
50v–53	Missa Sine nomine: Kyrie	Anon.	Anonymous
Missa Sine nomine: Kyrie Anonymous Appears on: 50v–53 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Missa Sine nomine]
53v–56	Missa Sine nomine: Gloria	-	Anonymous
Missa Sine nomine: Gloria Anonymous Appears on: 53v–56 Genres: Gloria (et in terra pax), Mass Ordinary
56v–61	Missa Sine nomine: Credo	-	Anonymous
Missa Sine nomine: Credo Anonymous Appears on: 56v–61 Genres: Credo (patrem omnipotentem), Mass Ordinary
61v–65	Missa Sine nomine: Sanctus	-	Anonymous
Missa Sine nomine: Sanctus Anonymous Appears on: 61v–65 Genres: Mass Ordinary, Sanctus [& Benedictus]
65v–66	Missa Sine nomine: Agnus Dei	-	Anonymous
Missa Sine nomine: Agnus Dei Anonymous Appears on: 65v–66 Genres: Agnus Dei, Mass Ordinary
67–68	Missa Ad fugam = Missa sine nomine 12.1: Kyrie	[Josquin]	Despres, Josquin (ca. 1450–1521)
Missa Ad fugam = Missa sine nomine 12.1: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 67–68 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Josquin] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Ad fugam] [KGSA] 12.1
68v–70	Missa Ad fugam = Missa sine nomine 12.1: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Ad fugam = Missa sine nomine 12.1: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 68v–70 Genres: Gloria (et in terra pax), Mass Ordinary
70v–72	Missa Ad fugam = Missa sine nomine 12.1: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Ad fugam = Missa sine nomine 12.1: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 70v–72 Genres: Mass Ordinary, Sanctus [& Benedictus]
72v–73	Missa Ad fugam = Missa sine nomine 12.1: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Ad fugam = Missa sine nomine 12.1: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 72v–73 Genres: Agnus Dei, Mass Ordinary
73v–77	Missa Sine nomine. Credo	[Compère]	Compère, Loyset (ca. 1445–1518)
Missa Sine nomine. Credo Compère, Loyset (ca. 1445–1518) Appears on: 73v–77 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [Compère] Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem omnipotentem
78–79	Missa Tmeiskin was jonck: Kyrie	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa Tmeiskin was jonck: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 78–79 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Missa Tmeiskin was jonck]
79v–81	Missa Tmeiskin was jonck: Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa Tmeiskin was jonck: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 79v–81 Genres: Gloria (et in terra pax), Mass Ordinary
81v–83	Missa Tmeiskin was jonck: Patrem omnipotentem [Credo]	-	Isaac, Heinrich (ca. 1450–1517)
Missa Tmeiskin was jonck: Patrem omnipotentem [Credo] Isaac, Heinrich (ca. 1450–1517) Appears on: 81v–83 Genres: Credo (patrem omnipotentem), Mass Ordinary
83v–86	Missa Tmeiskin was jonck: Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Tmeiskin was jonck: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 83v–86 Genres: Mass Ordinary, Sanctus [& Benedictus]
86v–87	Missa Tmeiskin was jonck: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa Tmeiskin was jonck: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 86v–87 Genres: Agnus Dei, Mass Ordinary
88–90	Missa Schoen lief: Kyrie	[Obrecht]	Obrecht, Jacobus (ca. 1457–1505)
Missa Schoen lief: Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 88–90 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Obrecht] Voice: [no designation] Languages: Latin Voice Text: [Missa Plurimorum carminum II] [= Missa Schoen lief]
90v–94	Missa Schoen lief: Gloria	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Schoen lief: Gloria Obrecht, Jacobus (ca. 1457–1505) Appears on: 90v–94 Genres: Gloria (et in terra pax), Mass Ordinary
94v–99	Missa Schoen lief: Credo	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Schoen lief: Credo Obrecht, Jacobus (ca. 1457–1505) Appears on: 94v–99 Genres: Credo (patrem omnipotentem), Mass Ordinary
99v–103	Missa Schoen lief: Sanctus	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Schoen lief: Sanctus Obrecht, Jacobus (ca. 1457–1505) Appears on: 99v–103 Genres: Mass Ordinary, Sanctus [& Benedictus]
103v–107	Missa Schoen lief: Agnus Dei	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Schoen lief: Agnus Dei Obrecht, Jacobus (ca. 1457–1505) Appears on: 103v–107 Genres: Agnus Dei, Mass Ordinary
109–111	Missa L'homme armé: Kyrie	[Brumel]	Brumel, Antoine (ca. 1460–ca. 1513) (?)
Missa L'homme armé: Kyrie Brumel, Antoine (ca. 1460–ca. 1513) (?) Appears on: 109–111 Source Attribution: [Brumel] Voice: [no designation] Languages: Latin Voice Text: [Missa L'homme armé]
111v–115	Missa L'homme armé: Gloria	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa L'homme armé: Gloria Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 111v–115
115v–120	Missa L'homme armé. Patrem omnipotentem [Credo]	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa L'homme armé. Patrem omnipotentem [Credo] Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 115v–120
120v–123	Missa L'homme armé: Sanctus	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa L'homme armé: Sanctus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 120v–123
123v–125	Missa L'homme armé: Agnus Dei	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa L'homme armé: Agnus Dei Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 123v–125
125v–128	Missa Bon temps reviendra tu jamais: Kyrie	[Brumel]	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Bon temps reviendra tu jamais: Kyrie Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 125v–128 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Brumel] Voice: [no designation] Languages: Latin Voice Text: [Missa Bon temps]
128v–132	Missa Bon temps reviendra tu jamais: Gloria	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Bon temps reviendra tu jamais: Gloria Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 128v–132 Genres: Gloria (et in terra pax), Mass Ordinary
132v–138	Missa Bon temps reviendra tu jamais: Credo	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Bon temps reviendra tu jamais: Credo Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 132v–138 Genres: Credo (patrem omnipotentem), Mass Ordinary General Note an additional (smaller) loose sheet has been enclosed in the book, containing a transcription of the cantus firmus of the Credo; it is foliated as f.135a (r-v) here
138v–142	Missa Bon temps reviendra tu jamais: Sanctus	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Bon temps reviendra tu jamais: Sanctus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 138v–142 Genres: Mass Ordinary, Sanctus [& Benedictus]
142v–144	Missa Bon temps reviendra tu jamais: Agnus Dei	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Bon temps reviendra tu jamais: Agnus Dei Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 142v–144 Genres: Agnus Dei, Mass Ordinary
144v–147	Missa Victime paschali laudes: Kyrie	Ant. Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Victime paschali laudes: Kyrie Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 144v–147 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Ant. Brumel Voice: [no designation] Languages: Latin Voice Text: [Missa Victime paschali laudes]
145a–145a v	small fragment of writing	-	Anonymous
small fragment of writing Anonymous Appears on: 145a–145a v
147v–151	Missa Victime paschali laudes: Gloria	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Victime paschali laudes: Gloria Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 147v–151 Genres: Gloria (et in terra pax), Mass Ordinary
151v–157	Missa Victime paschali laudes: Credo	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Victime paschali laudes: Credo Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 151v–157 Genres: Credo (patrem omnipotentem), Mass Ordinary
157v–161	Missa Victime paschali laudes: Sanctus	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Victime paschali laudes: Sanctus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 157v–161 Genres: Mass Ordinary, Sanctus [& Benedictus]
161v–163	Missa Victime paschali laudes: Agnus Dei	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Victime paschali laudes: Agnus Dei Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 161v–163 Genres: Agnus Dei, Mass Ordinary
163v–166	Missa Princesse d'amourettes: Kyrie	[Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Princesse d'amourettes: Kyrie Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 163v–166 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Weerbecke] Voice: [no designation] Languages: Latin Voice Text: [Missa Princesse d'amourettes]
166v–170	Missa Princesse d'amourettes: Gloria	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Princesse d'amourettes: Gloria Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 166v–170 Genres: Gloria (et in terra pax), Mass Ordinary
170v–175	Missa Princesse d'amourettes: Credo	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Princesse d'amourettes: Credo Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 170v–175 Genres: Credo (patrem omnipotentem), Mass Ordinary
175v–179	Missa Princesse d'amourettes: Sanctus	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Princesse d'amourettes: Sanctus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 175v–179 Genres: Mass Ordinary, Sanctus [& Benedictus]
179v–182	Missa Princesse d'amourettes: Agnus Dei	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Princesse d'amourettes: Agnus Dei Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 179v–182 Genres: Agnus Dei, Mass Ordinary
182v–185	Missa Papalis (Octavi toni): Kyrie	[Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Papalis (Octavi toni): Kyrie Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 182v–185 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Weerbecke] Voice: [no designation] Languages: Latin Voice Text: [Missa Octavi toni]
185v–188	Missa Papalis (Octavi toni): Gloria	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Papalis (Octavi toni): Gloria Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 185v–188 Genres: Gloria (et in terra pax), Mass Ordinary
188v–192	Missa Papalis (Octavi toni): Credo	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Papalis (Octavi toni): Credo Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 188v–192 Genres: Credo (patrem omnipotentem), Mass Ordinary
192v–195	Missa Papalis (Octavi toni): Sanctus	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Papalis (Octavi toni): Sanctus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 192v–195 Genres: Mass Ordinary, Sanctus [& Benedictus]
195v–198	Missa Papalis (Octavi toni): Agnus Dei	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Papalis (Octavi toni): Agnus Dei Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 195v–198 Genres: Agnus Dei, Mass Ordinary
199–200	Missa L'homme armé sexti toni 6.2: Kyrie	[Josquin]	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 199–200 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: [Missa L'homme armé sexti toni] 6.2
200v–203	Missa L'homme armé sexti toni 6.2: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 200v–203 Genres: Gloria (et in terra pax), Mass Ordinary
203v–208	Missa L'homme armé sexti toni 6.2: Credo	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Credo Despres, Josquin (ca. 1450–1521) Appears on: 203v–208 Genres: Credo (patrem omnipotentem), Mass Ordinary
208v–210	Missa L'homme armé sexti toni 6.2: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 208v–210 Genres: Mass Ordinary, Sanctus [& Benedictus]
210v–211	Missa L'homme armé sexti toni 6.2: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 210v–211 Genres: Agnus Dei, Mass Ordinary
212v–213	Missa D'un autre amer(?): Kyrie	Anon.	Anonymous
Missa D'un autre amer(?): Kyrie Anonymous Appears on: 212v–213 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Sine nomine] [KGC, C incomplete]
213v–214	Missa D'un autre amer 7.3: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa D'un autre amer 7.3: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 213v–214 Genres: Gloria (et in terra pax), Mass Ordinary
214v–215	Missa D'un autre amer(?): Credo	-	Anonymous
Missa D'un autre amer(?): Credo Anonymous Appears on: 214v–215 Genres: Credo (patrem omnipotentem), Mass Ordinary General Note 'short' Credo, to 'Et homo factus est' only. "Appears to be related to what would become the Credo of the Josquin Missa D'un autre amer" (Emily Zazulia).
219	[untexted fragment]	-	Anonymous
[untexted fragment] Anonymous Appears on: 219
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
221	untexted fragment	-	-
untexted fragment - Appears on: 221 Genres: textless Voice: [no designation] Languages: none Voice Text: Textless fragment

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Missa Sine nomine (Re fa mi re fa): Agnus Dei – 33v–35 Missa Sine nomine (Re fa mi re fa): Credo – 25v–30 Missa Sine nomine (Re fa mi re fa): Gloria – 23v–25 Missa Sine nomine (Re fa mi re fa): Kyrie – 22v–23 Missa Sine nomine (Re fa mi re fa): Sanctus – 30v–33
Anonymous	Missa D'un autre amer(?): Credo – 214v–215 Missa D'un autre amer(?): Kyrie – 212v–213 Missa Sine nomine: Agnus Dei – 65v–66 Missa Sine nomine: Credo – 56v–61 Missa Sine nomine: Gloria – 53v–56 Missa Sine nomine: Kyrie – 50v–53 Missa Sine nomine: Sanctus – 61v–65 Missa Tant que nostre argent: Agnus Dei – 19v–22 Missa Tant que nostre argent: Credo – 11v–15 Missa Tant que nostre argent: Gloria – 8v–11 Missa Tant que nostre argent: Kyrie – 6–8 Missa Tant que nostre argent: Sanctus – 15v–19 [untexted fragment] – 219 small fragment of writing – 145a–145a v untexted fragment – 221
Brumel, Antoine (ca. 1460–ca. 1513)	Missa Bon temps reviendra tu jamais: Agnus Dei – 142v–144 Missa Bon temps reviendra tu jamais: Credo – 132v–138 Missa Bon temps reviendra tu jamais: Gloria – 128v–132 Missa Bon temps reviendra tu jamais: Kyrie – 125v–128 Missa Bon temps reviendra tu jamais: Sanctus – 138v–142 Missa L'homme armé. Patrem omnipotentem [Credo] – 115v–120 Missa L'homme armé: Agnus Dei – 123v–125 Missa L'homme armé: Gloria – 111v–115 (?) Missa L'homme armé: Kyrie – 109–111 Missa L'homme armé: Sanctus – 120v–123 Missa Victime paschali laudes: Agnus Dei – 161v–163 Missa Victime paschali laudes: Credo – 151v–157 Missa Victime paschali laudes: Gloria – 147v–151 Missa Victime paschali laudes: Kyrie – 144v–147 Missa Victime paschali laudes: Sanctus – 157v–161
Compère, Loyset (ca. 1445–1518)	Missa Sine nomine. Credo – 73v–77
Despres, Josquin (ca. 1450–1521)	Missa Ad fugam = Missa sine nomine 12.1: Agnus Dei – 72v–73 Missa Ad fugam = Missa sine nomine 12.1: Gloria – 68v–70 Missa Ad fugam = Missa sine nomine 12.1: Kyrie – 67–68 Missa Ad fugam = Missa sine nomine 12.1: Sanctus – 70v–72 Missa D'un autre amer 7.3: Gloria – 213v–214 Missa L'homme armé sexti toni 6.2: Agnus Dei – 210v–211 Missa L'homme armé sexti toni 6.2: Credo – 203v–208 Missa L'homme armé sexti toni 6.2: Gloria – 200v–203 Missa L'homme armé sexti toni 6.2: Kyrie – 199–200 Missa L'homme armé sexti toni 6.2: Sanctus – 208v–210
Isaac, Heinrich (ca. 1450–1517)	Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III. – 48v–50 Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces. – 39v–44 Missa Quant j'ai au coeur: Gloria: 3 partes. – 37v–39 Missa Quant j'ai au coeur: Kyrie – 36–37 Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces. – 44v–48 Missa Tmeiskin was jonck: Agnus Dei – 86v–87 Missa Tmeiskin was jonck: Gloria – 79v–81 Missa Tmeiskin was jonck: Kyrie – 78–79 Missa Tmeiskin was jonck: Patrem omnipotentem [Credo] – 81v–83 Missa Tmeiskin was jonck: Sanctus – 83v–86
Obrecht, Jacobus (ca. 1457–1505)	Missa Schoen lief: Agnus Dei – 103v–107 Missa Schoen lief: Credo – 94v–99 Missa Schoen lief: Gloria – 90v–94 Missa Schoen lief: Kyrie – 88–90 Missa Schoen lief: Sanctus – 99v–103
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	Missa Papalis (Octavi toni): Agnus Dei – 195v–198 Missa Papalis (Octavi toni): Credo – 188v–192 Missa Papalis (Octavi toni): Gloria – 185v–188 Missa Papalis (Octavi toni): Kyrie – 182v–185 Missa Papalis (Octavi toni): Sanctus – 192v–195 Missa Princesse d'amourettes: Agnus Dei – 179v–182 Missa Princesse d'amourettes: Credo – 170v–175 Missa Princesse d'amourettes: Gloria – 166v–170 Missa Princesse d'amourettes: Kyrie – 163v–166 Missa Princesse d'amourettes: Sanctus – 175v–179

Composition	Composers (? Uncertain)	Folios / Pages
[untexted fragment]	Anonymous	219
Missa Ad fugam = Missa sine nomine 12.1: Agnus Dei	Despres, Josquin (ca. 1450–1521)	72v–73
Missa Ad fugam = Missa sine nomine 12.1: Gloria	Despres, Josquin (ca. 1450–1521)	68v–70
Missa Ad fugam = Missa sine nomine 12.1: Kyrie	Despres, Josquin (ca. 1450–1521)	67–68
Missa Ad fugam = Missa sine nomine 12.1: Sanctus	Despres, Josquin (ca. 1450–1521)	70v–72
Missa Bon temps reviendra tu jamais: Agnus Dei	Brumel, Antoine (ca. 1460–ca. 1513)	142v–144
Missa Bon temps reviendra tu jamais: Credo	Brumel, Antoine (ca. 1460–ca. 1513)	132v–138
Missa Bon temps reviendra tu jamais: Gloria	Brumel, Antoine (ca. 1460–ca. 1513)	128v–132
Missa Bon temps reviendra tu jamais: Kyrie	Brumel, Antoine (ca. 1460–ca. 1513)	125v–128
Missa Bon temps reviendra tu jamais: Sanctus	Brumel, Antoine (ca. 1460–ca. 1513)	138v–142
Missa D'un autre amer 7.3: Gloria	Despres, Josquin (ca. 1450–1521)	213v–214
Missa D'un autre amer(?): Credo	Anonymous	214v–215
Missa D'un autre amer(?): Kyrie	Anonymous	212v–213
Missa L'homme armé sexti toni 6.2: Agnus Dei	Despres, Josquin (ca. 1450–1521)	210v–211
Missa L'homme armé sexti toni 6.2: Credo	Despres, Josquin (ca. 1450–1521)	203v–208
Missa L'homme armé sexti toni 6.2: Gloria	Despres, Josquin (ca. 1450–1521)	200v–203
Missa L'homme armé sexti toni 6.2: Kyrie	Despres, Josquin (ca. 1450–1521)	199–200
Missa L'homme armé sexti toni 6.2: Sanctus	Despres, Josquin (ca. 1450–1521)	208v–210
Missa L'homme armé. Patrem omnipotentem [Credo]	Brumel, Antoine (ca. 1460–ca. 1513)	115v–120
Missa L'homme armé: Agnus Dei	Brumel, Antoine (ca. 1460–ca. 1513)	123v–125
Missa L'homme armé: Gloria	Brumel, Antoine (ca. 1460–ca. 1513)	111v–115
Missa L'homme armé: Kyrie	Brumel, Antoine (ca. 1460–ca. 1513) (?)	109–111
Missa L'homme armé: Sanctus	Brumel, Antoine (ca. 1460–ca. 1513)	120v–123
Missa Papalis (Octavi toni): Agnus Dei	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	195v–198
Missa Papalis (Octavi toni): Credo	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	188v–192
Missa Papalis (Octavi toni): Gloria	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	185v–188
Missa Papalis (Octavi toni): Kyrie	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	182v–185
Missa Papalis (Octavi toni): Sanctus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	192v–195
Missa Princesse d'amourettes: Agnus Dei	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	179v–182
Missa Princesse d'amourettes: Credo	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	170v–175
Missa Princesse d'amourettes: Gloria	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	166v–170
Missa Princesse d'amourettes: Kyrie	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	163v–166
Missa Princesse d'amourettes: Sanctus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	175v–179
Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III.	Isaac, Heinrich (ca. 1450–1517)	48v–50
Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces.	Isaac, Heinrich (ca. 1450–1517)	39v–44
Missa Quant j'ai au coeur: Gloria: 3 partes.	Isaac, Heinrich (ca. 1450–1517)	37v–39
Missa Quant j'ai au coeur: Kyrie	Isaac, Heinrich (ca. 1450–1517)	36–37
Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces.	Isaac, Heinrich (ca. 1450–1517)	44v–48
Missa Schoen lief: Agnus Dei	Obrecht, Jacobus (ca. 1457–1505)	103v–107
Missa Schoen lief: Credo	Obrecht, Jacobus (ca. 1457–1505)	94v–99
Missa Schoen lief: Gloria	Obrecht, Jacobus (ca. 1457–1505)	90v–94
Missa Schoen lief: Kyrie	Obrecht, Jacobus (ca. 1457–1505)	88–90
Missa Schoen lief: Sanctus	Obrecht, Jacobus (ca. 1457–1505)	99v–103
Missa Sine nomine (Re fa mi re fa): Agnus Dei	Agricola, Alexander (ca. 1445–1506)	33v–35
Missa Sine nomine (Re fa mi re fa): Credo	Agricola, Alexander (ca. 1445–1506)	25v–30
Missa Sine nomine (Re fa mi re fa): Gloria	Agricola, Alexander (ca. 1445–1506)	23v–25
Missa Sine nomine (Re fa mi re fa): Kyrie	Agricola, Alexander (ca. 1445–1506)	22v–23
Missa Sine nomine (Re fa mi re fa): Sanctus	Agricola, Alexander (ca. 1445–1506)	30v–33
Missa Sine nomine. Credo	Compère, Loyset (ca. 1445–1518)	73v–77
Missa Sine nomine: Agnus Dei	Anonymous	65v–66
Missa Sine nomine: Credo	Anonymous	56v–61
Missa Sine nomine: Gloria	Anonymous	53v–56
Missa Sine nomine: Kyrie	Anonymous	50v–53
Missa Sine nomine: Sanctus	Anonymous	61v–65
Missa Tant que nostre argent: Agnus Dei	Anonymous	19v–22
Missa Tant que nostre argent: Credo	Anonymous	11v–15
Missa Tant que nostre argent: Gloria	Anonymous	8v–11
Missa Tant que nostre argent: Kyrie	Anonymous	6–8
Missa Tant que nostre argent: Sanctus	Anonymous	15v–19
Missa Tmeiskin was jonck: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	86v–87
Missa Tmeiskin was jonck: Gloria	Isaac, Heinrich (ca. 1450–1517)	79v–81
Missa Tmeiskin was jonck: Kyrie	Isaac, Heinrich (ca. 1450–1517)	78–79
Missa Tmeiskin was jonck: Patrem omnipotentem [Credo]	Isaac, Heinrich (ca. 1450–1517)	81v–83
Missa Tmeiskin was jonck: Sanctus	Isaac, Heinrich (ca. 1450–1517)	83v–86
Missa Victime paschali laudes: Agnus Dei	Brumel, Antoine (ca. 1460–ca. 1513)	161v–163
Missa Victime paschali laudes: Credo	Brumel, Antoine (ca. 1460–ca. 1513)	151v–157
Missa Victime paschali laudes: Gloria	Brumel, Antoine (ca. 1460–ca. 1513)	147v–151
Missa Victime paschali laudes: Kyrie	Brumel, Antoine (ca. 1460–ca. 1513)	144v–147
Missa Victime paschali laudes: Sanctus	Brumel, Antoine (ca. 1460–ca. 1513)	157v–161
small fragment of writing	Anonymous	145a–145a v
untexted fragment	-	221

Images © Universitätsbibliothek, Jena

‡ denotes primary source study

Heidrich, Jürgen. 1996. Jena: Musikhandschriften. Musik in Geschichte und Gegenwart: Sachteil, fourth edition. columns 1451-1455. Kassel. Pages: columns 1453-1454.

Duffy, Kathryn Ann P. 1995. The Jena Choirbooks: Music and Liturgy at the Castle Church in Wittenberg under Frederick the Wise, Elector of Saxony. University of Chicago, Ph.D. diss., 5 vols.

Heidrich, Jürgen. 1993. Die deutschen Chorbücher aus der Hofkapelle Friedrich des Weisen. Sammlung Musikwissenschaftlicher Abhandlungen. Baden-Baden. Pages: 27ff.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xxv-xxvi,32-4,61,68; III,76-7,99-100. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VII,xix-xxi,xxxvii,84-113. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Staehelin, Martin. 1973. Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 79-91. Pages: 82.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xviii.xx II,xi.

Gerken, Robert E. 1969. The Polyphonic Cycles of the Proper of the Mass in the Trent Codex 88 and Jena Choirbooks 30 and 35. Indiana University, Unpublished Ph.D. dissertation. Pages: I, 104-5.

Parker, Robert LeRoy (editor). 1964-. Collected Works of Adam Rener. Brooklyn. Pages: I,xiii-xiv, passim.

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents. American Institute of Musicology. Pages: 43.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II.i,vii,78-93.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VI,1874.

Roediger, Karl Erich. 1935. Die geistlichen Musikhandschriften der Universitätsbibliothek Jena. 2 vols. Jena: Frommannsche Buchhandlung. Pages: i, 52-3; 73-9.

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Emily Zazulia

Wednesday, 18 May, 2022

fols. 213v–214r is the Gloria of Josquin's Missa D'ung aultre amer, and the Credo on 214v–215 appears to be related to what would become the Credo of the same mass.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description