B-Baeb Fonds Sint-Goedele, 5170

Algemeen Rijksarchief, Brussels, Belgium

Cartulary: 14th century

Archive	Algemeen Rijksarchief, Brussels, Belgium (B-Baeb)
Shelfmark	Fonds Sint-Goedele, 5170
Image Availability	DIAMM does not have images of this source.
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Format	varying from 8vo to 4to
Measurements	inserted bifolio maximum 295 x 220 mm
Other Identifiers	RISM: B-Ba 758 olim (Former shelfmark): Archives du Royaume, Archives Ecclésiastiques , AE 758
Notations	Ars Nova
Relationships	Church of St Gudule (owner)
External Links	catalogue entry in archive
Provenance	Low Countries
Contents	Contains 4 compositions, 2 from 1 composer, 2 are anonymous.

General Description

A bifolio of polyphonic music bound into a cartulary of St. Gudule. Written by multiple scribes. The only unique work is no. 3, but nos. 1 and 4 are indicative of the wide dissemination of Philippe de Vitry's motets.

DIAMM, 2017

Physical Description

Though the bottom of the page is torn, no music is missing on the two leaves, but the top of f. 53 in particular is faded and to some extent erased.

DIAMM, 2017

Binding

brown mottled paper over pulp boards; c. 1800

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Liminary Note

f. 2: Fructus capellanie Sancti Anthonii in ecclesia beate Gudile Bruxelle (1563)

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Notation

Ars Nova

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Date

The large writing at the top of f. 53 is obviously the same as that dated 1563

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Ruling

9 or 10 red four- and five-line staves per page

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Foliation

53rv, 67rv

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Foliation

The bifolio is foliated f. 53 and 67 bis. The MS is otherwise paginated at t.r.r. in a brown ink, c. 1800 contemporary with the binding (does not include f. 67 bis).

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Index

Two leaves following the front flyleaf bear a list of contents.

DIAMM, 2017

Surface

i paper + 157 parchment and paper + i paper

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RISM Description

RISM B/IV 2: A cartulary of the church of St. Gudule in parchment and paper and in many hands dating from the 15th and 16th century. There are 157 numbered leaves plus 1 blank ribbed paper flyleaf at each end. The pagination, which does not include f. 67 bis, is at t.r.r. in a brown ink of c. 1800 contemporary with the binding of brown mottled paper over pulp boards. Following the front flyleaf are two similar leaves containing a list of contents. The pages vary in size from 8vo to 4to. A 14th century bifolio of polyphonic music is bound in with the rest as f. 53 and 67 bis. The large writing at the top of f. 53 is obviously the same as that dated 1563 on f. 2. It reads: "Fructus capellanie Sancti Anthonii in ecclesia beate Gudile Bruxelle". The parchment bifolio has a maximum measurement of 295 x 220 mm. Though the bottom of the page is torn, no music is missing on the two leaves, but the top of f. 53 in particular is faded and to some extent erased. The Ars Nova notation, which probably dates from about the middle of the century, employs 9 red five-line staves per page, except for f. 53 which has 10. The only unique work is no. 3, but nos. 1 and 4 are further evidence of the wide diffusion of Philippe de Vitry's motets.

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Répertoire International des Sources Musicales

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Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
53	Impudenter circuivi solum / Virtutibus laudabilis, moribus / Alma redemptoris mater	-	Vitry, Philippe de (1291–1361)
Impudenter circuivi solum / Virtutibus laudabilis, moribus / Alma redemptoris mater Vitry, Philippe de (1291–1361) Appears on: 53 Genres: Alma redemptoris mater, BVM, Motet Number of voices: 5 Voice: Triplum Languages: Latin Clef: c1 Voice Text: [Impudenter circuivi solum] Voice: Motetus Languages: Latin Clef: c1 Voice Text: Virtutibus laudabilis, moribus Voice: Contratenor Languages: none Clef: c3 Voice: Solus Tenor Languages: none Clef: c3 Voice: Tenor Languages: Latin Clef: c3 Voice Text: Alma redemptoris mater General Note end of Tr and complete Mot and Solus T only Layout parts
53v	Degentis vita quid prodest arte / Cum vix artidici promoti sint / Vera pudicitia	-	Anonymous
Degentis vita quid prodest arte / Cum vix artidici promoti sint / Vera pudicitia Anonymous Appears on: 53v Genres: Motet Number of voices: 4 Voice: Triplum Languages: Latin Clef: c2 Voice Text: Degentis vita quid prodest arte Voice: Motetus Languages: Latin Clef: c4 Voice Text: [Cum vix artidici promoti sint] Voice: Tenor Languages: Latin Clef: f3 Voice Text: [vera pudicitia] Voice: Contratenor Languages: none Clef: c4 General Note Tr only Layout parts
67 bis	… vita, spes clamantium Expl. redemptoris	-	Anonymous
… vita, spes clamantium Expl. redemptoris Anonymous Appears on: 67 bis Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: … vita, spes clamantium … [Expl.] … redemptoris. Voice: Contratenor Languages: none Clef: c3 General Note two undesignated voices, which may lack opening; the second voice is labelled “Contratenor”, and then the word has been crossed out Layout parts
67 bis v	Vos quid admiramini virgines / Gratissima virginis species quam decorat	-	Vitry, Philippe de (1291–1361)
Vos quid admiramini virgines / Gratissima virginis species quam decorat Vitry, Philippe de (1291–1361) Appears on: 67 bis v Genres: Motet Number of voices: 2 Voice: Triplum Languages: Latin Clef: c1 Voice Text: Vos quid admiramini virgines Voice: Motetus Languages: Latin Clef: c3 Voice Text: Gratissima virginis species quam decorat General Note Tr + 32 bars of Mot, up to word ‘centrum’ Layout parts Item Bibliography Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: 26, facs. plates 158-9.

Composer	Compositions
Anonymous	Degentis vita quid prodest arte / Cum vix artidici promoti sint / Vera pudicitia – 53v … vita, spes clamantium Expl. redemptoris – 67 bis
Vitry, Philippe de (1291-1361)	Impudenter circuivi solum / Virtutibus laudabilis, moribus / Alma redemptoris mater – 53 Vos quid admiramini virgines / Gratissima virginis species quam decorat – 67 bis v

Composition	Composers (? Uncertain)	Folios / Pages
Degentis vita quid prodest arte / Cum vix artidici promoti sint / Vera pudicitia	Anonymous	53v
Impudenter circuivi solum / Virtutibus laudabilis, moribus / Alma redemptoris mater	Vitry, Philippe de (1291–1361)	53
Vos quid admiramini virgines / Gratissima virginis species quam decorat	Vitry, Philippe de (1291–1361)	67 bis v
… vita, spes clamantium Expl. redemptoris	Anonymous	67 bis

Set: Books prepared by the Alamire workshop

Type: Linked by Origin or Contents

No images available

A-Wn Mus.Hs. 15495 (Maximilian Codex)

A-Wn Mus.Hs. 15496

A-Wn Mus.Hs. 15497

A-Wn Mus.Hs. 15941 (B)

A-Wn Mus.Hs. 15941 (Contratenor)

A-Wn Mus.Hs. 15941 Mus (T)

A-Wn Mus.Hs. 18746 (Altus/Contratenor)

A-Wn Mus.Hs. 18746 (Bassus)

A-Wn Mus.Hs. 18746 (Superius/Cantus)

A-Wn Mus.Hs. 18746 (Tenor 1)

A-Wn Mus.Hs. 18746 (Tenor 2/Quintus)

A-Wn Mus.Hs. 18825 (Bassus)

A-Wn Mus.Hs. 18825 (Contratenor)

A-Wn Mus.Hs. 18825 (Discantus)

A-Wn Mus.Hs. 18825 (Tenor)

A-Wn Mus.Hs. 18832 (Lower Voice)

A-Wn Mus.Hs. 18832 (Upper Voice)

B-Amp MS M18.13 (fragment 1)

B-Amp MS M18.13 (fragment 2)

B-BRra Aanwisten 756

No images available

B-Baeb Fonds Sint-Goedele, 5170

B-Baeb Fonds Sint-Goedele, 9423

B-Baeb Fonds Sint-Goedele, 9424

No images available

B-Bcpas H 1135

No images available

B-Br MS 215-216

No images available

B-Br MS 228 (Chansonnier of Margaret of Austria)

No images available

B-Br MS 6428

No images available

B-Br MS 9126

No images available

B-Br MS 15075

No images available

B-Br MS IV.922 (Occo Codex)

B-Gra Varia D.3360 B

B-MEa s.s.

B-TOsa Oud regime MS 183

No images available

No images available

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GB-Lbl Royal 8 G. vii

GB-Ob MS. Ashmole 831

GB-Ob MS. Lat. liturg. a. 8

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I-Fc MS Basevi 2439 (Basevi Codex)

No images available

NL-Urc Hs. 47 (fragments 1 and 2)

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V-CVbav MS Capp. Sist. 34

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V-CVbav MS Capp. Sist. 36

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V-CVbav MS Capp. Sist. 160

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V-CVbav MS Pal. lat. 1976

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V-CVbav MS Pal. lat. 1977

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V-CVbav MS Pal. lat. 1978

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V-CVbav MS Pal. lat. 1979

‡ denotes primary source study

Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation.

Haggh, Barbara H. 1995. Motets and Marian worship in the 14th century: Brussels, Algemeen Rijksarchief, Archief Sint-Goedele, 5170. Music fragments and manuscripts in the Low Countries, Yearbook of the Alamire Foundation, vol. 2. 53-66.(incl.Inventory).

Günther, Ursula (editor). 1965. The Motets of the Manuscripts Chantilly, musée condé, 564 (olim 1047) and Modena, Biblioteca estense, a. M. 5, 24 (olim lat. 568). Corpus mensurabilis musicae, vol. 39. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: no. 2 (transcription of Ba 758 2); XXIff.

Reaney, Gilbert. 1965. New sources of Ars nova music. Musica Disciplina, 19: 53-68.

Bussche, J van den. 1957. Mensurale Fragmenten uit een Cartularium van de St. Goedele Kerk te Brussel. Handelingen van het XXII. Vlaamse Filologencongres, Ghent. Pages: 24-26.

Schrade, Leo. 1956. Philippe de Vitry: Some New Discoveries. Musical Quarterly, 42: 330ff. Pages: 343ff.

Hoppin, Richard H. 1955. A Musical Rotulus of the Fourteenth Century. Revue Belge de Musicologie, 9: 131ff. Pages: 135.

Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. Pages: I, 91 ff, 76 ff (transcription of Ba 7581 and 4 after other sources).

Gastoué, Amédée (editor). 1936. Le manuscrit de musique polyphonique du trésor d'Apt. 10 vols. Paris: La société française de musicologie. Pages: no. 16 (transcription of Ba 758 1 after F-APT 16 bis);.

Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. Pages: II, 196-204; 250ff (transcription of Ba7584 after I-IF).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Liminary Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Contents Note; Surface Note

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description