Patrem omnipotentem [Credo]

Composer
Genres Credo (patrem omnipotentem), Mass Ordinary

Appears in

Source Location Source Attribution Voices
D-Mbs Clm. 14274 (Codex Sankt Emmeram) 42v–43 -
Voice: [no designation]
Voice Text: Patrem omnipotentem (= Credo)
I-AO Cod. 15 (Aosta Manuscript) 30v–32 G. DU FAY
Voice: [no designation]
Voice Text: Credo] Patrem
I-AO Cod. 15 (Aosta Manuscript) 104v–106 DUFAY
Voice: [no designation]
Voice Text: [Credo] Patrem
I-Bc Q.15 41v–43r .G. du fay
Voice: I
Clef: c2
Voice Text: Patrem

Voice: Contratenor
Clef: c4

Voice: Tenor
Clef: c4
Voice Text: Patrem
I-TRbc MS 1374 [87] (Trent 87) 249v–251 [G. DUFAY]
Voice: [no designation]
Voice Text: Chomos condrosi
I-TRbc MS 1377 [90] (Trent 90) 200–202 [G. DUFAY]
Voice: [no designation]
Voice Text: [Credo] Patrem
I-TRcap MS BL [Trent 93] (Trent 93) 270–272 [G. DUFAY]
Voice: [no designation]
Voice Text: [Credo]
I-TRcap MS BL [Trent 93] (Trent 93) 234v [G. DUFAY]
Voice: [no designation]
Voice Text: no text [Credo]

Bibliography

Planchart, Alejandro Enrique (editor). 2009. Guillaume Du Fay, Opera Omnia.  Grove online. pp. 5/3.

White, Richard James. 1975. The Battre Section of Trent Codex 87. Indiana University, Unpublished Ph.D. dissertation. pp. (2), 125-128.

Loyan, Richard K (editor). 1967. Canons in the Trent Codices. Corpus mensurabilis musicae, vol. 38.  Neuhausen nr. Stuttgart: American Institute of Musicology. pp. 38.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. pp. 1/4 #3.2.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. pp. 61, 73-4.