In natali Domini Vs. Virgo mater peperit

Composer Anonymous
Genre Lauda
Cycles
In natali domini (Motet cycle)

Appears in

Source Location Voices
D-B MS Germ. 8º 190 24–24v
Voice: [no designation]
Clef: f2
Voice Text: In natali domini gaudent omnes ...

Voice: [no designation]
Clef: f1
Voice Text: In natali domini gaudent omnes ...
I-Bc Q.15 217v–218r
Voice: Tenor
Clef: f3
Voice Text: Jn nataly domini

Voice: Contratenor
Clef: c4
Voice Text: Jn nataly domini

Voice: I
Clef: c2
Voice Text: Jn natali dominj

Voice: II
Clef: c1
Voice Text: Jn natale domini
I-Bu MS 2216 57v
Voice: [no designation]
Voice Text: In natali domini
I-TRbc MS 1374 [87] (Trent 87) 219
Voice: [no designation]
Voice Text: JN natale domini

Voice: [no designation]
Voice Text: JN natale dominj

Voice: [no designation]
Voice Text: JN natale dominj
I-PAVu MS Aldini 361 9v–10
Voice: [no designation]
Voice Text: In natali domini
D-TRs Ms. 516/1595 137–137v
Voice: [no designation]
Clef: f2
Voice Text: In natale domini gaudent omnes angeli ...

Voice: [no designation]
Clef: f3
Voice Text: In natale domini gaudent omnes angeli ...

Bibliography

Diederichs, Elisabeth. 1986. Die Anfänge der mehrstimmigen Lauda vom Ende des 14. bis zur Mitte des 15. Jahrhunderts. Münchner Veröffentlichungen zur Musikgeschichte.  Tutzing. pp. 324-329; p. 324 (BU version with Pavia361 annotations. Versions from Q15, Tr87 and Trier are on pp. 325-329)..

White, Richard James. 1975. The Battre Section of Trent Codex 87. Indiana University, Unpublished Ph.D. dissertation. pp. (2), 5;.

Cattin, Giulio. 1968. Le composizioni musicali del ms. Pavia Aldini 361. L'Ars Nova italiana del Trecento, 1-21. pp. p. 15 (Pavia361 version).

Wolf, Johannes. 1923), second, un-revised edition (Bückeburg und Leipzig: Kistner and Siegel 1927. Musikalische Schrifttafeln für den Unterricht in der Notationskunde.  Leipzig. pp. pl. 58 (Ber190 version, with some rhythmic variants).