In natali Domini Vs. Virgo mater peperit
| Composer | Anonymous |
|---|---|
| Genre | Lauda |
| Cycles |
|
Appears in
| Source | Location | Source Attribution | Voices |
|---|---|---|---|
| D-B MS Germ. 8º 190 | 24–24v | - |
Voice:
[no designation]
Clef:
f2
Voice Text:
In natali domini gaudent omnes ...
Voice:
[no designation]
Clef:
f1
Voice Text:
In natali domini gaudent omnes ...
|
| I-Bc Q.15 | 217v–218r | - |
Voice:
I
Clef:
c2
Voice Text:
Jn natali dominj
Voice:
II
Clef:
c1
Voice Text:
Jn natale domini
Voice:
Contratenor
Clef:
c4
Voice Text:
Jn nataly domini
Voice:
Tenor
Clef:
f3
Voice Text:
Jn nataly domini
|
| I-Bu MS 2216 | 57v | - |
Voice:
[no designation]
Voice Text:
In natali domini
|
| I-TRbc MS 1374 [87] (Trent 87) | 219 | - |
Voice:
[no designation]
Voice Text:
JN natale domini
Voice:
[no designation]
Voice Text:
JN natale dominj
Voice:
[no designation]
Voice Text:
JN natale dominj
|
| I-PAVu MS Aldini 361 | 9v–10 | - |
Voice:
[no designation]
Voice Text:
In natali domini
|
| D-TRs Ms. 516/1595 | 137–137v | - |
Voice:
[no designation]
Clef:
f2
Voice Text:
In natale domini gaudent omnes angeli ...
Voice:
[no designation]
Clef:
f3
Voice Text:
In natale domini gaudent omnes angeli ...
|
Bibliography
Diederichs, Elisabeth. 1986. Die Anfänge der mehrstimmigen Lauda vom Ende des 14. bis zur Mitte des 15. Jahrhunderts. Münchner Veröffentlichungen zur Musikgeschichte, vol. 41. Tutzing. pp. 324-329; p. 324 (BU version with Pavia361 annotations. Versions from Q15, Tr87 and Trier are on pp. 325-329)..
White, Richard James. 1975. The Battre Section of Trent Codex 87. Indiana University, Unpublished Ph.D. dissertation. pp. (2), 5;.
Cattin, Giulio. 1968. Le composizioni musicali del ms. Pavia Aldini 361. L'Ars Nova italiana del Trecento, 2 [Convegni di Studio 1961-1967] : 1-21. pp. p. 15 (Pavia361 version).
Wolf, Johannes. 1923), second, un-revised edition (Bückeburg und Leipzig: Kistner and Siegel 1927. Musikalische Schrifttafeln für den Unterricht in der Notationskunde. Leipzig. pp. pl. 58 (Ber190 version, with some rhythmic variants).