Polyphonic pieces on ff. l'-17, 23'-24, and 29'-30. Polyphony copied by two scribes. Probably copied at a monastery in Veneto region of northern Italy. Owned in early 19th century by the scholar and book collector Pier Vittorio Aldini (1773-1842) of Pavia; passed to Pavia University Library in 1840.
I-PAVu MS Aldini 361
Biblioteca Universitaria, Pavia, Italy
theory treatise with polyphony: Mid 15th century
| Archive | Biblioteca Universitaria, Pavia, Italy (I-PAVu) |
|---|---|
| Shelfmark | MS Aldini 361 |
| Image Availability | DIAMM does not have images of this source. |
| Numbering System | Foliation |
| Measurements | 150 x 110-5 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| Provenance |
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| Contents | Contains 17 compositions, 1 from 1 composer, 16 are anonymous. |
General Description
Binding
Rebound in new leather covers.
Notation
black full mensural; black void mensural (only for textless piece on f. 6 and Kyrie on ff. 29'-30)
Date
Mid 15th century (DamF).
Foliation
Modern foliation, 1-81.
Foliation
1-3v
Decoration
No initials or decoration.
RISM Description
RISM
XVe s. 81 ff. Papier, 150 x 115 mm. Foliotation moderne. Les ff. 31 à 33v sont blancs. Notation mesurée noire (Nos 6 et 18, notation mesurée blanche; no 16, notation grégorienne). 2 à 4 portées par p.
Ce ms., très probablement originaire de Vénétie, appartenait à Petrus de Fossis, maître de chapelle à St. Marc (de 1491 à 1527), qui le laissa au monastère de S. Salvatore à Venise. Il contient une majorité de laude en latin et en italien, dont 3 se retrouvent dans I-Vm145 (nos 2, 5, 7), les 2 mss. présentant beaucoup de similitudes. Outre les pièces musicales, on y trouve des ouvrages théoriques qui sont décrits par P. Fischer (cf. Bibliogr.). Monterosso en situe la copie entre 1440 et 1460.
Editions
Toutes les pièces (sauf le nos 5, 6, 12, 16 et 17) ont été publiées dans CattinLEC. Voir en outre à chaque pièce.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
Theoretical treatises by Marchettus of Padua, Jacobus Theatinus, and Jean de Muris, with polyphony:
1 Kyrie, 2 hymns, 1 Lamentation, 8 Latin laude, 4 Italian laude, 2 textless pieces = 18
Anonymous
81 paper folios, 150 x 110-5. Modern foliation, 1-81. Blank staves on ff. 24', 29, 31-35', 52'. Rebound in new leather covers. Polyphonic pieces on ff. l'-17, 23'-24, and 29'-30, copied in black mensural notation, except for textless piece on f. 6 and Kyrie on ff. 29'-30, in white mensural notation. Polyphony copied by two scribes. No initials or decoration.
Mid 15th century (DamF). Probably copied at a monastery in Veneto region of northern Italy. Owned in early 19th century by the scholar and book collector Pier Vittorio Aldini (1773-1842) of Pavia; passed to Pavia University Library in 1840.
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‡ denotes primary source study
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: III, 41.
Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS, vol. 3. American Institute of Musicology. Notes: contents list (partial); incipits (partial).
Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century. Oxford. Pages: 646-9. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.
Cambon, Elise M. 1975. The Italian and Latin Lauda of the Fifteenth Century. Tulane University, Unpublished Ph.D. dissertation. Pages: 128-32. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Galuzzi, Angiolamaria Guarneri. 1975. Il "De Partitione Licterarum Monocordi" di Jacobus Theatinus. Instituía et Monumenta issued by the University of Padua: Series II, vol. 4. Cremona: University of Padua. Notes: physical description (partial); facsimile (partial); + edition of Theatinus treatise.
Cattin, Giulio. 1974. Un Processionale Fiorentino per la Settimana Santa: Studio Liturgico-Musicale sul Ms. 21 dell'Opera di S. Maria del Fiore. Quadrivium, 15/2: 53-204. Pages: 121, 138-42. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Cattin, Giulio. 1973. Nuova Fonte Italiana della Polifonia intorno al 1500 (MS. Cape Town, Grey 3.b.l2). Acta Musicologica, 45: 165-221. Pages: 192. Notes: contents list (partial); concordances (partial).
Cattin, Giulio. 1972. Canti polifonici del repertorio benedettino in uno sconosciuto 'Liber quadragesimalis' e in altre fonti italiane dei secoli XV e XVI ine. Benedictina, 14: 445-527. Pages: 468-70. Notes: contents list (partial); concordances (partial).
Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I, vol. Einzeldrucke vor 1800. Kassel. Pages: P. Fischer, in RISM Bill2, 74ff.
Gallo, Franco Alberto. 1971. Due trattatelli sulla notazione del primo trecento. Quadrivium, 12: 119-130. Pages: 120f (avec pubi, du petit traité copié aux ff. 58-67v).
Ghisi, Federico. 1969. Di una lauda nel Codice Pavese Aldini. Essays in musicology in honor of Dragan Plamenac on his 70th birthday, 61ff. University of Pittsburgh press. Pages: 61ff (Studi e testi, 147ff).
Cattin, Giulio. 1968. Le composizioni musicali del ms. Pavia Aldini 361. L'Ars Nova italiana del Trecento, 2 [Convegni di Studio 1961-1967] : 1-21.
Monterosso, Raffaele. 1966. Un compendio inedito del «Luci darium» di Marchetto da Padova. Studi medievali Series III, vol. VII. 914ff. Pages: (avec pubi, du traité de Marchetto da Padova, ff. 25-29).
Damilano, Don Piero. 1963. Fonti musicali della lauda polifonica intorno alla metà del sec. XV. Collectanea Historiae Musicae III, Pages: 62. Notes: contents list (partial); incipits (partial); mention of MS; discussion.
Cattin, Giulio. 1958. Contributi alla storia della lauda spirituale: Sulla evoluzione musicale e letteraria della lauda nei secoli XIV e XV. Quadrivium, 2: 45-75. Pages: 55, 68. Notes: mention of MS; contents list (partial); transcription (partial).
Marchi, Luigi De, and G Bertolani. 1894. Inventario dei manoscritti della R. Biblioteca Universitaria di Pavia. Milano. Pages: I, 200ff.
Aldini, Pier Vittorio. 1840. Manuscriptorum Codicum Series apud Petrem Victorium Aldinium. Pavia. Pages: 56-7, #277. Notes: physical description (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description