| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Ballade |
| Appears in |
Monod, Bernard (ed.) 1903. Quize poésies inédites de Guillaume de Mauchault, poète champenois du XIVe siècle, publiées d'après les manuscrits 843, 1584 et 1586 du fonds français de la Bibliothèque Nationale. Versailles: Cerf. pp. no.5.
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 1:160 no.177.
Wilkins, Nigel E (ed.) 1969. One Hundred Ballades, Rondeaux and Virelais from the Late Middle Ages. Cambridge: Cambridge University Press. pp. 25-26 no.15.
Wilkins, Nigel E (ed.) 1972. Guillaume de Machaut. La Louange des dames. Edinburgh: Scottish Academic Press and London, Chatto and Windus. pp. 53-54 no.14.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 1:20.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:92-93.
Wilson, David Fenwick. 1990. Music of the Middle Ages: An Anthology for Performance and Study. New York: Schirmer Books. pp. 242-44 no. 72.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:33.
Wykes, Robert Arthur. 1956. onal Movement in the Polyphonic Ballades, Rondeaux, and Virelais of Guillaume de Machaut. DMA dissertation, University of Illinois. pp. 58-62.
Salop, Arnold. 1971. Studies in the History of Musical Style. Detroit: Wayne State University Press. pp. 68-69.
Kühn, Hellmut. 1973. Die Harmonik der Ars Nova. Zur Theorie der isorhythmischen Motette. Berliner musikwisseschaftliche Arbeiten. Munich: Katzbichler. pp. 219-20.
Lühmann, Rose. 1978. Versdeklamation bei Guillaume de Machaut. PhD Dissertation, Ludwig-Maximilians-Universität Munich. pp. 175-81.
Arlt, Wulf, and Mathias Stauffacher (eds.) 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. pp. 258-60.
Arlt, Wulf. 1983. Musik und Text: Verstellte Perspektiven einer Grundlageneinheit. Musica [Kassel], 37: 497-503. pp. 500.
Karp, Theodore. 1988. Compositional Process in Machaut's Ballades'. Music from the Middle Ages through the Twentieth Century: Essays in Honor of Gwynn S. McPeek, Monographs on Musicology. edited by Carmelo Peter Comberiati and Matthew Steel, 64-78. New York: Gordon and Breach. pp. 72.
Cross, Lucy E. 1990. Chromatic Alteration and Extrahexachordal Intervals in Fourteenth-Century Polyphonic Repertories. PhD Dissertation, Columbia University. pp. 52-53, 99-100,231, 259-61, 264.