Se paour d’umble astinance par douce atrenpance / Dieux, tant desir estre amé de m’amis / Concupisco
Composer | Anonymous |
---|---|
Genre | Motet |
Cycles |
|
Appears in
Source | Location | Voices |
---|---|---|
GB-Odiamm Virtual Reconstruction of Cambrai fragments (F-CA(n)) | (11v) F-CA MS B 1328, 3v–(12r) F-CA MS B 1328, 4r | |
F-CA MS B 1328 | 3v (L-I:11v)–4 (L-I:12) |
Voice:
[no designation]
Clef:
c3
Voice Text:
Se paour d’umble astinance par douce atrenpance
Voice:
[no designation]
Clef:
c4
Voice Text:
Diex, tant desir estre amé de m’amis
Voice:
Tenor
Clef:
f3
Voice Text:
Concupisco
|
F-CA MS C 647 | front board (=L-I:11v) |
Voice:
[no designation]
Voice Text:
Se paour d’umble astinance par douce atrenpance / Diex, tant desir estre amé de m’amis / Concupisco
|
F-CA MS C 647 | back board (=L-I:12) | |
F-Pnm NAF 23190 (Trémoille) | xiv |
Voice:
[no designation]
Voice Text:
diex tant desir
|
I-IV MS CXV (115) (Ivrea Codex) | 25v–26 |
Voice:
[no designation]
Clef:
c3
Voice Text:
Se paour d'umble astinance par douce atrenpance
Voice:
[no designation]
Clef:
c4
Voice Text:
Diex, tan desir estre amés de m'amour
Voice:
Tenor
Clef:
f3
Voice Text:
Concupisco
|
Bibliography
Lerch, Irmgard. 1987. Fragmente aus Cambrai: Ein Beitrag zur Rekonstruktion einer Handschrift mit spätmittelalterlicher Polyphonie. Göttinger Musikwissenschaftliche Arbeiten. 2 vols. Kassel: Bärenreiter. pp. 137; 2: 137-148.
Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. (5), 84-87.