Clamabat autem mulier Cananaea ad Dominum

Appears in

Source Location Source Attribution Voices
D-Dl MS Grimma 54 [Discantus] 66–67 Ciprianus de Rore/ [Jaquet of Mantua/ Morales]
Voice: [no designation]
Voice Text: Clamabat autem mulier Cananaea ad dominum
D-Dl MS Grimma 54 [Altus] 66–67 Ciprianus de Rore/ [Jaquet of Mantua/ Morales]
Voice: [no designation]
Voice Text: Clamabat autem mulier Cananaea ad dominum
D-Dl MS Grimma 54 [Tenor] 60–61 Ciprianus de Rore/ [Jaquet of Mantua/ Morales]
Voice: [no designation]
Voice Text: Clamabat autem mulier Cananaea ad dominum
D-Dl MS Grimma 54 [Bassus] 62–63 Ciprianus de Rore/ [Jaquet of Mantua/ Morales]
Voice: [no designation]
Voice Text: Clamabat autem mulier Cananaea ad dominum
D-Dl MS Grimma 54 [Quintus] 45–46 Ciprianus de Rore/ [Jaquet of Mantua/ Morales]
Voice: [no designation]
Voice Text: Clamabat autem mulier Cananaea ad dominum
P-Pm 40 177v–179 Morales
E-Tc Ms. 17 40v–44 Morales/[Jaquet of Mantua/Rore]
Voice: [no designation]
Voice Text: Clamabat autem mulier Chananea ad dominum

Bibliography

Planchart, Alejandro Enrique. 2004. Problems of Authenticity, Transmission, and Performance in Morales. The echo of music: Essays in honor of Marie Louise Göllner, 125-141. Detroit: Harmonie Park Press. pp. 127-130.