Clamabat autem mulier Cananaea ad Dominum
Composers | |
---|---|
Genre | Motet |
Cycles |
|
Appears in
Source | Location | Voices |
---|---|---|
D-Dl MS Grimma 54 [Discantus] | 66–67 |
Voice:
[no designation]
Voice Text:
Clamabat autem mulier Cananaea ad dominum
|
D-Dl MS Grimma 54 [Altus] | 66–67 |
Voice:
[no designation]
Voice Text:
Clamabat autem mulier Cananaea ad dominum
|
D-Dl MS Grimma 54 [Tenor] | 60–61 |
Voice:
[no designation]
Voice Text:
Clamabat autem mulier Cananaea ad dominum
|
D-Dl MS Grimma 54 [Bassus] | 62–63 |
Voice:
[no designation]
Voice Text:
Clamabat autem mulier Cananaea ad dominum
|
D-Dl MS Grimma 54 [Quintus] | 45–46 |
Voice:
[no designation]
Voice Text:
Clamabat autem mulier Cananaea ad dominum
|
P-Pm 40 | 177v–179 | |
E-Tc Ms. 17 | 40v–44 |
Voice:
[no designation]
Voice Text:
Clamabat autem mulier Chananea ad dominum
|
Bibliography
Planchart, Alejandro Enrique. 2004. Problems of Authenticity, Transmission, and Performance in Morales. The echo of music: Essays in honor of Marie Louise Göllner, 125-141. Detroit: Harmonie Park Press. pp. 127-130.