Benedicta semper sancta sit trinitas
| Composer | |
|---|---|
| Genre | Hymn |
| Cycles |
|
Pars
Sequence: the verses are - 1. Benedicta semper, 4. Non tres tamen, 7. Proprietas in personis, 9. Sidera maria, 11. Nunc omnis vox, 13. Et nos voce praecelsa, 15. O adoranda trinitas, 17. Per te sumus creati, 19. Populum cunctum, 21. Te adoramus cunctipotens, Doxology: Per inifinita saecula.
Appears in
| Source | Location | Source Attribution | Voices |
|---|---|---|---|
| D-B MS Mus. 40021 | 164v–168 | - |
Voice:
[no designation]
Voice Text:
Benedicta semper sancta sit trinitas
|
| D-Mbs Mus. MS 3154 (Leopold Codex) | 414v–419 | - |
Voice:
Discantus
Mensuration:
cut-c
Clef:
c1
Voice Text:
Semper sancta sit trinitas
Voice:
Tenor
Mensuration:
cut-c
Clef:
c4
Voice Text:
[Benedicta - intonation untexted] Semper sancta sit trinitas
Voice:
Altus
Mensuration:
cut-c
Clef:
c4
Voice Text:
Semper sancta sit trinitas [text incipit only]
Voice:
Bassus
Mensuration:
cut-c
Clef:
f3
Voice Text:
Semper sancta sit trinitas
|
| I-Bc Q.18 | 38v–39 | - |
Voice:
[no designation]
Voice Text:
Benedicta semper sancta sit trinitas
|
| CZ-HKm Hr-7 (MS II A 7) (Codex Speciálník) | 126–137 | - |
Voice:
[no designation]
Voice Text:
Benedicta semper sancta sit trinitas
|
| D-LEu MS 1494 (Apel Codex) | 103v–108 | - |
Voice:
[no designation]
Voice Text:
Benedicta semper sancta sit trinitas
|
| D-LEu MS Thomaskirche 49 (1) | 269v–273v | G. F. (11 verses, 3 of them the same as the setting at f.33v) |
Voice:
[no designation]
Voice Text:
(Benedicta) Semper sancta sit trinitas
|
| D-LEu MS Thomaskirche 49 (2) | 252v–254v | G. F. (11 verses, 3 of them the same as the setting at f.41v) |
Voice:
[no designation]
Voice Text:
(Benedicta) Semper sancta sit trinitas
|
| D-LEu MS Thomaskirche 49 (3) | 277–280 | G. F. (11 verses, 3 of them the same as the setting at f.45v) |
Voice:
[no designation]
Voice Text:
(Benedicta) Semper sancta sit trinitas
|
| D-LEu MS Thomaskirche 50 | 297v–301v | G. F. (11 verses, 3 of them the same as the setting at f.42) |
Voice:
[no designation]
Voice Text:
(Benedicta) Semper sancta sit trinitas
|
| PL-Wu RM 5892 | 77v–82 | - |
Voice:
[no designation]
Voice Text:
Benedicta semper sancta sit trinitas
|
| PL-Wu RM 5892 | 156 | - | |
| A-LIb 529 | 12 | - |
Voice:
[no designation]
Voice Text:
Sequence Benedicta semper sit sancta Trinitas
|
Bibliography
[No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik, vol. 1 & Vols 4 & 8. Das Glogauer Liederbuch, hrsg. von H. Ringmann. 2 vol. 1936/37 32, 33 & 34. Der Mensuralkodex des Nicolaus Apel, hrsg. von R. Gerber, 3 vol. 1956 37, 38 & 39. Das Buxheimer Orgelbuch, hrsg. von Bertha Antonia Wallner. 1959. pp. XXXIII, p. 131.
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. pp. (77), 242, (83), 146-160.
Feldmann, Fritz. 1932. Der Codex Mf. 2016 des Musikalischen Instituts bei der Universiftät Breslau: Eine palaeographische und stilistische Beschreibung. 2 vols. Breslau. pp. (2), 71-72 ("Sidera Maria").