Lisa Colton
Wednesday, 21 August, 2019
This manuscript is currently being examined by the archivists at the Staatsbibliothek in order to prepare a full report on its watermarks, for publication by the archive online (August 2019).
Archive | Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs) |
---|---|
Shelfmark | Mus. MS 3154 (Leopold Codex) |
Image Availability | The images on this record are linked using IIIF. |
Surface | Paper |
Numbering System | Foliation |
Measurements | 314 x 220 (ff. 370-379 and 390-399 slightly smaller, c. 298 x 211) mm |
Other Identifiers |
|
Relationships |
|
External Links | |
External Authorities | |
Provenance |
|
Contents | 268 pieces from 31 composers |
One main scribe copied most of ff. 1-171'; 45 additional scribes, one of whom also wrote ff. 253-254' of BerlS 40021 and ff. 151, 241'-243, 246', and 249'-252 of LeipU 1494 (NoblDHM). Fascicles copied by main scribe have systematic ordering of pieces by genre (Magnificats, hymns, Marian antiphons, German secular pieces, etc.); remainder of manuscript is composite of many originally independent fascicles bound with first section c. 1511 (NoblDHM). Penultimate piece mentions Matthaeus Lang, Bishop of Gurk 1505-19. Probably copied in Innsbruck (and Augsburg?), perhaps by scribes associated with imperial court chapel. Several fascicles, possibly entire manuscript, once owned by Nikolaus Leopold of Innsbruck (later of Brescia), whose name appears on several folios (see FässNL for biographical details). Purchased by Bayerische Staatsbibliothek in 1874.
Restored original covers of leather over wooden boards
Forty-five patterns; see NoblDHM for list, discussion, and some reproductions.
not indicated
Other numberings: New pencil numbering of pieces, 1-189, by J. J. Maier.
Original ink foliation in two series: 1-200 (ff. 1-19, 88, 193 now missing) + 1-297 (ff. 56, 189, 199, 241, 266 missing; '225' applied to two consecutive folios; '294' applied to two folios, the second of which has been cut into three separate pieces inserted at various places between f. 290 and f. 296). New pencil foliation, 1-17; 17bis-47l, by J. J. Maier.
472 ff
Some folios (mainly those copied by main scribe) have inked calligraphic initials.
paper
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
(= MaiM 42) ("Chorbuch des Nikolaus Leopold")
22 Masses, 1 Kyrie-Gloria pair, 1 Sanctus-Agnus pair, 6 Kyries, 1 Gloria, 2 Credos, 1 Sanctus, 1 Agnus, 33 Mass Proper sections, 11 Magnificats, 1 psalm, 10 hymns, 2 motet cycles (substitutes for Mass Ordinary sections), 64 motets, 7 German secular pieces, 1 Dutch secular piece, 20 textless pieces, 3 unidentified fragments = 187+4 duplicates = 191
(A. Agricola)-1, (A. Agricola/Aulenus?*/Cuvenor)-1, (A. Agricola/Isaac)-1, (Busnois)-1, (N. Clibano)-1, Compère-1, Dufay(?)-1, Ar. Fer.-1, A. Fevin-1, Finck-2, (Forest?)-1, (G.F.)-1, P. Hol.-1, Isaac-6, Jo. de Salice-1, (Josquin)-2, Josquin/(Compère)-1, (Josquin/Weerbecke)-1, Jung-1, Martini-7 + 2?, (Ninot le Petit/ Obrecht)-1, Obrecht-6, (Paulus de Broda)-1, Raber-1, Veye-1, anon-142
*Mass on ff. 400-407 bears inscription "Officium Auleni" in several concordant sources; discussion of possible identity of composer in JustM.
i + 472 paper folios, 314 x 220 (ff. 370-379 and 390-399 slightly smaller, ca. 298 x 211). Original ink foliation in two series: 1-200 (ff. 1-19, 88, 193 now missing) + 1-297 (ff. 56, 189, 199, 241, 266 missing; "225" applied to two consecutive folios; "294" applied to two folios, the second of which has been cut into three separate pieces inserted at various places between f. 290 and f. 296). New pencil foliation, 1-17; 17bis-47l, by J. J. Maier. New pencil numbering of pieces, 1-189, also by Maier. Blank folios or blank staves only: new ff. 8', 17', 17bis-18', 21, 37, 49, 62, 75, 81, 82-83', 84'-86, 88', 1O4'-1O5, 1O8'-1O9', 113, 114'116', 117'-118, 126'-128, 155-155', 157'160, 178', 196'197, 199'-201, 204'-205, 214', 231', 232'-235', 261'-264, 288, 29O'-294, 301'-302, 328'-S29, SSO'-SSS, 353', 358', 411-412, 413', 420, 425-426, 428-428', 43O'-4S1, 439', 464, 468'-469, 47O'-471'. Restored original covers of leather over wooden boards. No index.
One main scribe copied most of ff. 1-171'; 45 additional scribes, one of whom also wrote ff. 253-254' of BerlS 40021 and ff. 151, 241'-243, 246', and 249'-252 of LeipU 1494 (NoblDHM). Some folios (mainly those copied by main scribe) have inked calligraphic initials. Forty-five watermarks; see NoblDHM for list, discussion, and some reproductions.
Fascicles copied by main scribe have systematic ordering of pieces by genre (Magnificats, hymns, Marian antiphons, German secular pieces, etc.); remainder of manuscript is composite of many originally independent fascicles bound with first section ca. 1511 (NoblDHM). Penultimate piece mentions Matthaeus Lang, Bishop of Gurk 1505-19.
Ca. 1466-1511 (NoblDHM). Probably copied in Innsbruck (and Augsburg?), perhaps by scribes associated with imperial court chapel. Several fascicles, possibly entire manuscript, once owned by Nikolaus Leopold of Innsbruck (later of Brescia), whose name appears on several folios (see FässNL for biographical details). Purchased by Bayerische Staatsbibliothek in 1874.
Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
1 | Christi corpus ave | - | Anonymous |
Christi corpus aveAnonymous
Appears on:
1
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Christi corpus ave
|
|||
1 | Verus homo | - | Anonymous |
Verus homoAnonymous
Appears on:
1
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Verus homo
|
|||
1v–3 | Anima mea - 1a pars (of 3): Anima mea liquefacta est | - | |
Appears on:
1v–3
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Anima mea liquefacta est
General NoteDTO, vol. 76, p. 87 |
|||
1v–3 | Anima mea - 2a pars (of 3): Tulerunt pallium meum | - | |
Appears on:
1v–3
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Tulerunt pallium meum
General NoteDTO, vol. 76, p. 87 |
|||
1v–3 | Anima mea - 3a pars (of 3): Filiae Jerusalem | - | |
Appears on:
1v–3
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Filiae Ierusalem
General NoteDTO, vol. 76, p. 87 |
|||
3v–4 | O plebs que Deum amas | - | Anonymous |
O plebs que Deum amasAnonymous
Appears on:
3v–4
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
O plebs que deum amas
|
|||
4v–6 | O beata infantia - 1a pars (of 2): O beata infantia | - | Anonymous |
Appears on:
4v–6
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
O beata infantia
|
|||
4v–6 | O beata infantia - 2a pars (of 2): O praesepe splendidum | - | Anonymous |
Appears on:
4v–6
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
O praesepe splendidum
|
|||
6v–8 | Virgo iustorum- 1a pars (of 2): Virgo iustorum decus et levamen virgo | - | Anonymous |
Appears on:
6v–8
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Virgo iustorum decus et levamen virgo
|
|||
6v–8 | Virgo iustorum- 2a pars (of 2): Nostra cantorum | - | Anonymous |
Appears on:
6v–8
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Nostra cantorum
|
|||
9 | Kyrie pascale | - | Anonymous |
Kyrie pascaleAnonymous
Appears on:
9
Genres:
Kyrie eleison, Mass Ordinary
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie Pascale
|
|||
9v | Missa Sine nomine: Agnus Dei | - | |
Appears on:
9v
Genres:
Agnus Dei, Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Agnus Dei
|
|||
9v–10 | Kyrie fons bonitatis recte: pascale | - | Anonymous |
Kyrie fons bonitatis recte: pascaleAnonymous
Appears on:
9v–10
Genres:
Mass Ordinary, Troped Kyrie
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie fons bonitatis (recte: pascale)
General NoteCodex Tridentinus 88, 225v |
|||
10v–11 | Gloria. Et in terra Sexti Toni | - | Anonymous |
Gloria. Et in terra Sexti ToniAnonymous
Appears on:
10v–11
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et in terra (=Gloria VI. toni)
General NoteCodex Tridentinus 88, 372v |
|||
11v | Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino | - | Anonymous |
Appears on:
11v
Genres:
Introit, Proper
Voice:
Triplum
Languages:
Latin
Voice Text:
Gaudeamus omnes in domino
|
|||
11v | Gaudeamus omnes - 2a pars (of 2): Eructavit cor meum | - | Anonymous |
Appears on:
11v
Genres:
Introit
Voice:
Triplum
Languages:
Latin
Voice Text:
Eructavit
|
|||
12 | Kyrie eleison de beata virgine | - | Anonymous |
Kyrie eleison de beata virgineAnonymous
Appears on:
12
Genres:
Kyrie eleison, Mass Ordinary
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrieleyson de beata virgine
|
|||
12 | Veni redemptor gencium / Christe redemptor omnium | - | Anonymous |
Appears on:
12
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Non ex virili (= Veni redemptor gentium)
|
|||
12v | Kyrie Angelicum | - | Anonymous |
Kyrie AngelicumAnonymous
Appears on:
12v
Genres:
Kyrie eleison, Mass Ordinary
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
[Kyrie] Angelicum
|
|||
13 | Kyrie Pascale | - | |
Appears on:
13
Genres:
Kyrie eleison, Mass Ordinary
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie pascale
General NoteCodex Tridentinus 90, 74v |
|||
13v–15 | Magnificat primi toni: Et exultavit [K.155] | - | Anonymous |
Appears on:
13v–15
Genres:
BVM, Canticle, Magnificat
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et exultavit spiritus (= Magnificat I. toni)
General NoteCodex Tridentinus 89, 394v |
|||
15v–16 | Magnificat octavi toni: Et exultavit [K.446] | - | Anonymous |
Appears on:
15v–16
Genres:
BVM, Canticle, Magnificat
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et exultavit spiritus (= Magnificat VIII. toni)
General NoteCodex Tridentinus 91, 209v |
|||
16v–17 | Magnificat Sexti Toni: Et exultavit [K.317] | - | Anonymous |
Appears on:
16v–17
Genres:
BVM, Canticle, Magnificat
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et exultavit spiritus (= Magnificat VI. toni)
|
|||
19 | untexted | - | - |
untexted
Appears on:
19
Voice:
[no designation]
Languages:
none
Voice Text:
end of a composition in the bass, no text
|
|||
19v–20v | Gaude Maria virgo - 1a pars (of 3): Gaude Maria virgo | - | Anonymous |
Appears on:
19v–20v
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Gaude maria virgo
|
|||
19v–20v | Gaude Maria virgo - 2a pars (of 3): Dum virgo Deum | - | Anonymous |
Appears on:
19v–20v
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Dum virgo deum
|
|||
19v–20v | Gaude Maria virgo - 3a pars (of 3): Dei genitrix intercede | - | Anonymous |
Appears on:
19v–20v
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dei genitrix intercede
|
|||
21v–23 | En lectulum Salomonis - 1a pars (of 2): En lectulum Salomonis | - | Anonymous |
Appears on:
21v–23
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
En lectulum Salomonis
|
|||
21v–23 | En lectulum Salomonis - 2a pars (of 2): Egredimini et videte | - | Anonymous |
Appears on:
21v–23
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Egredimini et videte
|
|||
23v–25 | Ave salve gaude - 1a pars (of 2): Ave salve gaude vale O Maria | - | |
Appears on:
23v–25
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Ave salve gaude vale O Maria
General NoteEdM XXXIV, p. 347 |
|||
23v–25 | Ave salve gaude - 2a pars (of 2): Ave caelum Deitatis | - | |
Appears on:
23v–25
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Ave celum deitatis
General NoteEdM XXXIV, p. 347 |
|||
25v–26 | untexted | - | |
Appears on:
25v–26
Genres:
Motet
Voice:
[no designation]
Languages:
none
|
|||
26v–27 | untexted | - | |
Appears on:
26v–27
Genres:
Motet
Voice:
[no designation]
Languages:
none
|
|||
27v–29 | In hydraulis - 1a pars (of 2): In hydraulis quondam Pythagora admirante | - | |
Appears on:
27v–29
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
In hydraulis quondam Pythagora admirante
General NoteDTO vol. 14/15, p. 105 |
|||
27v–29 | In hydraulis - 2a pars (of 2): Heg ockeghem cunctis | - | |
Appears on:
27v–29
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Heg oggeghem cunctis
General NoteDTO vol. 14/15, p. 105 |
|||
29v–30 | Ave mundi spes Maria / In Gottes Namen | - | Anonymous |
Ave mundi spes Maria / In Gottes NamenAnonymous
Appears on:
29v–30
Genres:
Ave Maria, Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Ave mundi spes Maria/In Gottes Namen
General NoteDTO vol. 14/15, p. 266 |
|||
30v–32 | Regina caeli - 1a pars (of 3): Regina caeli laetare alleluia | - | Anonymous |
Appears on:
30v–32
Genres:
Motet, Regina caeli laetare
Voice:
Triplum
Languages:
Latin
Voice Text:
Regina caeli laetare alleluia
|
|||
30v–32 | Regina caeli - 2a pars (of 3): Resurrexit sicut dixit | - | Anonymous |
Appears on:
30v–32
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Resurrexit sicut dixit
|
|||
30v–32 | Regina caeli - 3a pars (of 3): Ora pro nobis [at the end trope Domine nate matris] | - | Anonymous |
Appears on:
30v–32
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ora pro nobis (at the end trope Domine nate matris)
|
|||
32v–33 | O quam pulchra - 1a pars (of 2): O quam pulchra | - | Anonymous |
Appears on:
32v–33
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
O quam pulchra
|
|||
32v–33 | O quam pulchra - 2a pars (of 2): Quoniam et apud | - | Anonymous |
Appears on:
32v–33
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Quoniam et apud
|
|||
33v–35 | untexted | - | - |
untexted
Appears on:
33v–35
Voice:
[no designation]
Languages:
none
|
|||
35v–36 | untexted | - | - |
untexted
Appears on:
35v–36
Voice:
[no designation]
Languages:
none
|
|||
37v–38 | O beatorum supernorum civium concreata | - | Anonymous |
O beatorum supernorum civium concreataAnonymous
Appears on:
37v–38
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
O beatorum supernorum civium concreata
|
|||
38v–39 | Gaude flore virginali - 1a pars (of 6): Gaude flore virginali | - | |
Appears on:
38v–39
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Gaude flore virginali
General NoteT.L. Noblitt, The motetti missales of the late 15th century (Diss. Austin/Texas, 1963), p. 270 |
|||
39 | Tantum ergo sacramentum = Pange lingua gloriosi | - | Anonymous |
Appears on:
39
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tantum ergo sacramentum (=Pange lingua gloriosi)
|
|||
39v–40 | Gaude flore virginali - 2a pars (of 6): Gaude sponsa cara dei | - | |
Appears on:
39v–40
Genres:
Motet
|
|||
39v–40 | Gaude flore virginali - 3a pars (of 6): Gaude splendens vas virtutum | - | |
Appears on:
39v–40
Genres:
Motet
|
|||
40v–41 | Gaude flore virginali - 4a pars (of 6): Gaude nexu voluntatis | loco offertorii | |
Appears on:
40v–41
Genres:
Motet
Source Attribution:
loco offertorii
|
|||
41v–42 | Gaude flore virginali - 5a pars (of 6): Gaude mater miserorum - Domine Iesu - Meruisti maxima | loco sanctus | |
Appears on:
41v–42
Genres:
Motet
Source Attribution:
loco sanctus
|
|||
42v–43 | Gaude flore virginali - 6a pars (of 6): Gaude virgo mater pura | loco Agnus | |
Appears on:
42v–43
Genres:
Motet
Source Attribution:
loco Agnus
|
|||
43v | Natus sapientia - 1a pars (of 8): Natus sapientia veritas divina Deus | loco Introitus | |
Appears on:
43v
Genres:
Motet
Source Attribution:
loco Introitus
Voice:
Triplum
Languages:
Latin
Voice Text:
Natus sapientia veritas divina deus
General NoteT.L. Noblitt, The motetti missales of the late 15th century (Diss. Austin/Texas, 1963), p. 305 |
|||
44r | Natus sapientia - 2a pars (of 8): Cito derelictus | - | |
Appears on:
44r
Genres:
Motet
|
|||
44v | Natus sapientia - 3a pars (of 8): Hora prima ductus est | loco patrem | |
Appears on:
44v
Genres:
Motet
Source Attribution:
loco patrem
|
|||
45r | Natus sapientia - 4a pars (of 8): Iesus dominus exspiravit | post elevationem | |
Appears on:
45r
Genres:
Motet
Source Attribution:
post elevationem
|
|||
45v–46r | Natus sapientia - 5a pars (of 8): Crucifige clamitant | loco offertorii | |
Appears on:
45v–46r
Genres:
Motet
Source Attribution:
loco offertorii
|
|||
46v–47r | Natus sapientia - 6a pars (of 8): Iugi est cruci conclavatus | - | |
Appears on:
46v–47r
Genres:
Motet
|
|||
47v–48r | Natus sapientia - 7a pars (of 8): Fortitudo latuit | - | |
Appears on:
47v–48r
Genres:
Motet
|
|||
48v | Natus sapientia - 8a pars (of 8): Datur sepulturae corpus | - | |
Appears on:
48v
Genres:
Motet
|
|||
50v–51 | untexted | - | - |
untexted
Appears on:
50v–51
Voice:
[no designation]
Languages:
none
|
|||
49v–50 | De tous biens plaine - 1a pars (of 2): De tous biens plaine est ma maîtresse | - | Anonymous |
Appears on:
49v–50
Genres:
Chanson
Voice:
[no designation]
Languages:
French
Voice Text:
De tous bien
|
|||
51v | Se stee ich hie | - | Anonymous |
Se stee ich hieAnonymous
Appears on:
51v
Genres:
Song
Voice:
[no designation]
Languages:
German
Voice Text:
Se stee ich hie
|
|||
52 | Ich sachs eins mals | - | Anonymous |
Ich sachs eins malsAnonymous
Appears on:
52
Genres:
Song
Voice:
[no designation]
Languages:
German
Voice Text:
Ich sachs eins mals
|
|||
52v | Gespile liebe gespile | - | Anonymous |
Gespile liebe gespileAnonymous
Appears on:
52v
Genres:
Song
Voice:
[no designation]
Languages:
German
Voice Text:
Gespile liebe gespile
|
|||
53 | Tanhauser Ir seit mir | - | Anonymous |
Tanhauser Ir seit mirAnonymous
Appears on:
53
Genres:
Song
Voice:
[no designation]
Languages:
German
Voice Text:
Tanhauser Ir seit mir
|
|||
53 | Es sassen höld | - | Anonymous |
Es sassen höldAnonymous
Appears on:
53
Genres:
Song
Voice:
[no designation]
Languages:
German
Voice Text:
Es sassen höld
|
|||
53v | O Venus bant 27.29 | - | |
Appears on:
53v
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
O venus pant
General NoteHarmonice musices odhecaton, p. 383 |
|||
54 | untexted | - | |
Appears on:
54
Genres:
textless
Voice:
[no designation]
Languages:
none
General NoteEdM IV, p. 95 |
|||
54v–55 | De tous biens plaine - 2a pars (of 2): untexted | - | Anonymous |
Appears on:
54v–55
Genres:
textless
Voice:
[no designation]
Languages:
none
Voice Text:
no text / second part of De tous bien
|
|||
55v–56 | untexted | - | |
Appears on:
55v–56
Genres:
textless
Voice:
[no designation]
Languages:
none
|
|||
56v–58 | no text two parts | - | - |
no text two parts
Appears on:
56v–58
Voice:
[no designation]
Languages:
none
Voice Text:
no text (two parts)
|
|||
58v–60 | Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix Maria | - | Anonymous |
Appears on:
58v–60
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Beata dei genitrix Maria
|
|||
58v–60 | Beata Dei genitrix - 2a pars (of 2): Ora pro populo | - | Anonymous |
Appears on:
58v–60
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Ora pro populo
|
|||
60v–61 | Alma chorus - 1a pars (of 2): Alma chorus Domini nunc | - | Anonymous |
Appears on:
60v–61
Genres:
Sequence
Voice:
Triplum
Languages:
Latin
Voice Text:
Alma chorus domini nunc
|
|||
60v–61 | Alma chorus - 2a pars (of 2): Os verbum splendor | - | Anonymous |
Appears on:
60v–61
Genres:
Sequence
Voice:
Triplum
Languages:
Latin
Voice Text:
Os verbum splendor
|
|||
62v–64 | O Jesu clementissime | - | Anonymous |
O Jesu clementissimeAnonymous
Appears on:
62v–64
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
O Iesu clementissime
|
|||
64v–65 | Rex regum Christe | - | Anonymous |
Rex regum ChristeAnonymous
Appears on:
64v–65
Genres:
Hymn
Voice:
Triplum
Languages:
Latin
Voice Text:
Rex regum Christe
|
|||
65v–67 | Ista est speciosa odor fragrans velud | - | Anonymous |
Ista est speciosa odor fragrans veludAnonymous
Appears on:
65v–67
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Ista est speciosa odor fragrans velud
|
|||
65v–67 | Et beatissimam te supplex | - | Anonymous |
Et beatissimam te supplexAnonymous
Appears on:
65v–67
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Et beatissimam te supplex
|
|||
67v–69 | Salve mundi gloria - 1a pars (of 2): Salve mundi gloria regina caelorum | - | Anonymous |
Appears on:
67v–69
Genres:
Hymn
Voice:
Triplum
Languages:
Latin
Voice Text:
Salve mundi gloria regina caelorum
|
|||
67v–69 | Salve mundi gloria - 2a pars (of 2): Pietatis oculos | - | Anonymous |
Appears on:
67v–69
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Pietatis oculos
|
|||
69v–70 | Der Bauer in dem Graben Rock | - | Anonymous |
Der Bauer in dem Graben RockAnonymous
Appears on:
69v–70
Genres:
Song
Voice:
[no designation]
Languages:
German
Voice Text:
Der pawr in dem graben rock
|
|||
70v–72 | Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus = Regali quam decet [= contrafact of Isaac's Ave ancilla trinitas] | - | |
Appears on:
70v–72
Genres:
Contrafactum
Voice:
Triplum
Languages:
Latin
Voice Text:
Caecus non iudicat de coloribus
General Notetext here: Gaudent in caelis |
|||
70v–72 | Caecus non iudicat - 2a pars (of 2): (no text) = Gaude virgo singularis (=Ave mundi domina Maria) | - | |
Appears on:
70v–72
Genres:
textless
Voice:
[no designation]
Languages:
none
|
|||
72v–73 | Argentum et aurum | H. Ysac | |
Appears on:
72v–73
Genres:
Troped ite
Source Attribution:
H. Ysac
Voice:
Triplum
Languages:
Latin
Voice Text:
Argentum et aurum
General NoteEdM XXXIII, p. 270 |
|||
73v–74 | Ecce sacerdos magnus [Ecce dilectus meus] | - | |
Appears on:
73v–74
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Ecce sacerdos magnus
General NoteEdM XXXIII, p. 264 |
|||
74v | Inviolata integra et casta es Maria | - | |
Appears on:
74v
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Inviolata integra et casta es Maria
|
|||
75v | no text Alto and Bass on f. 84 | - | - |
no text Alto and Bass on f. 84
Appears on:
75v
Voice:
[no designation]
Languages:
none
Voice Text:
no text [Alto and Bass on f. 84]
|
|||
76–77v | Patrem omnipotentem [Credo] VIII toni | - | Anonymous |
Patrem omnipotentem [Credo] VIII toniAnonymous
Appears on:
76–77v
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Patrem omnipotentem (= Credo VIII. toni)
|
|||
78 | Two lines of a Canto or Tenor | - | - |
Two lines of a Canto or Tenor
Appears on:
78
Voice:
[no designation]
Languages:
Latin
Voice Text:
Two lines of a Canto or Tenor with substantial corrections (fair copy on f. 81v)
|
|||
78v–80 | Patrem omnipotentem [Credo] IV toni | - | Anonymous |
Patrem omnipotentem [Credo] IV toniAnonymous
Appears on:
78v–80
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Patrem omnipotentem (= Credo IV. toni)
General NoteCodex Tridentinus 89, 404v |
|||
81v | - | - | Anonymous |
[Unknown Title]
Appears on:
81v
|
|||
86v–88 | Salve regina - 1a pars (of 3): Salve regina misericordiae | - | |
Appears on:
86v–88
Genres:
BVM, Motet, Salve Regina
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve regina misericordiae [1a pars]
|
|||
86v–88 | Salve regina - 2a pars (of 3): Eya ergo advocata | - | |
Appears on:
86v–88
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Eya ergo advocata
|
|||
86v–88 | Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia | - | |
Appears on:
86v–88
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et ihesum benedictum
|
|||
89–93 | Salve regina - 1a pars (of 5): Salve regina misercicordiae | Jo. M. [= Martini] | |
Appears on:
89–93
Genres:
Motet, Salve Regina
Source Attribution:
Jo. M. [= Martini]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve regina/Da pacem domine/O crux ave/Vos amici/Da tuis fidelibus
|
|||
89–93 | Salve regina - 2a pars (of 5): O crux ave | - | |
Appears on:
89–93
Genres:
Motet, Salve Regina
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve regina misericordiae: O crux ave
|
|||
89–93 | Salve regina - 3a pars (of 5): Vos amici | - | |
Appears on:
89–93
Genres:
Motet, Salve Regina
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve regina misericordiae: Vos amici
|
|||
89–93 | Salve regina - 4a pars (of 5): Gloria laus et honor | - | |
Appears on:
89–93
Genres:
Motet, Salve Regina
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve regina misericordiae: Gloria laus et honor
|
|||
89–93 | Salve regina - 5a pars (of 5): Da tuis fidelibus | - | |
Appears on:
89–93
Genres:
Motet, Salve Regina
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve regina misericordiae: Da tuis fidelibus
|
|||
93v–95 | Salve regina mater misericordiae | - | |
Appears on:
93v–95
Genres:
Motet, Salve Regina
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve regina
|
|||
95v–98 | Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater | Cornelius de Veye | |
Appears on:
95v–98
Genres:
Alma redemptoris mater, Motet
Source Attribution:
Cornelius de Veye
Voice:
Triplum
Languages:
Latin
Voice Text:
Alma redemptoris mater
|
|||
95v–98 | Alma redemptoris mater - 2a pars (of 2): Surgere qui curas | - | |
Appears on:
95v–98
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Surgere qui curas
|
|||
98v–101 | Salve regina misericordiae / Le serviteur - 1a pars (of 6): Salve regina misericordiae | Ar. Fer. |
Fernandez, Aires
(?)
|
Salve regina misericordiae / Le serviteur - 1a pars (of 6): Salve regina misericordiae
|
|||
98v–101 | Salve regina misericordiae / Le serviteur - 2a pars (of 6): Zu iagen | - | |
Appears on:
98v–101
Genres:
Motet, Salve Regina
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve regina misericordie: Zu iagen
|
|||
98v–101 | Salve regina misericordiae / Le serviteur - 3a pars (of 6): Genepris amor | - | |
Appears on:
98v–101
Genres:
Motet, Salve Regina
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve regina misericordie: Genepris amor
|
|||
98v–101 | Salve regina misericordiae / Le serviteur - 4a pars (of 6): Glick walt der rays | - | |
Appears on:
98v–101
Genres:
Motet, Salve Regina
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve regina misericordie: Glick walt der rays
|
|||
98v–101 | Salve regina misericordiae / Le serviteur - 5a pars (of 6): Wunschlich schon | - | |
Appears on:
98v–101
Genres:
Motet, Salve Regina
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve regina misericordie: Wunschlich schon
|
|||
98v–101 | Salve regina misericordiae / Le serviteur - 6a pars (of 6): Wes ich mich leid | - | |
Appears on:
98v–101
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve regina misericordie: Wes ich mich leid
|
|||
101v–103 | Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia | - | Anonymous |
Appears on:
101v–103
Genres:
Motet, Regina caeli laetare
Voice:
Triplum
Languages:
Latin
Voice Text:
Regina caeli laetare alleluia
|
|||
101v–103 | Regina caeli - 2a pars (of 2): Ora pro nobis | - | Anonymous |
Appears on:
101v–103
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Ora pro nobis
|
|||
103v–104 | Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia | - | |
Appears on:
103v–104
Genres:
Alleluia, Motet, Regina caeli laetare
Voice:
Triplum
Languages:
Latin
Voice Text:
Regina caeli laetare alleluia
General NoteCMM 22/IV, p. 7 |
|||
103v–104 | Regina caeli - 2a pars (of 2): Resurrexit sicut dixit | - | |
Appears on:
103v–104
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Resurrexit sicut dixt
General NoteCMM 22/IV, p. 7 |
|||
105v–108 | Salve regina - 1a pars (of 3): Salve regina mater misericordiae | - | Anonymous |
Appears on:
105v–108
Genres:
Motet, Salve Regina
Voice:
Triplum
Languages:
Latin
Voice Text:
Salve regina
|
|||
105v–108 | Salve regina - 2a pars (of 3): Eya ergo advocata | - | Anonymous |
Appears on:
105v–108
Genres:
Salve Regina
Voice:
Triplum
Languages:
Latin
Voice Text:
Eya ergo advocata
|
|||
105v–108 | Salve regina - 3a pars (of 3): O clemens o pia | - | Anonymous |
Appears on:
105v–108
Genres:
Salve Regina
Voice:
Triplum
Languages:
Latin
Voice Text:
O clemens o pia
|
|||
110v–112v | Magnificat Sexti Toni: Et exultavit [K.297] | - | Anonymous |
Appears on:
110v–112v
Genres:
BVM, Canticle, Magnificat
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et exultavit spiritus (= Magnificat VI. toni)
|
|||
113v–114 | untexted | - | - |
untexted
Appears on:
113v–114
Voice:
[no designation]
Languages:
none
|
|||
117 | Magnificat sexti toni: Et exultavit [K.698] | - | |
Appears on:
117
Genres:
BVM, Canticle, Magnificat
Voice:
[no designation]
Languages:
Latin
Voice Text:
Magnificat Sexti toni
General NoteCMM 15/III, p. 37 |
|||
118v–120v | Magnificat quarti toni:: Et exultavit [K.908] | - | |
Appears on:
118v–120v
Genres:
BVM, Canticle, Magnificat
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et exultavit spiritus (= Magnificat IV. toni)
|
|||
121–122v | Magnificat tertii toni: Anima mea [K.906] | - | |
Appears on:
121–122v
Genres:
BVM, Canticle, Magnificat
Voice:
[no designation]
Languages:
Latin
Voice Text:
Anima mea dominum (= Magnificat III. toni)
General NoteChorwerk H. XLVI, p. 14 |
|||
123–124 | Magnificat sexti toni: Anima mea [K.909] | - | |
Appears on:
123–124
Genres:
BVM, Canticle, Magnificat
Voice:
[no designation]
Languages:
Latin
Voice Text:
Anima mea dominum (= Magnificat VI. toni)
|
|||
124v–126 | Magnificat octavi toni: Anima mea [K.911] | - | |
Appears on:
124v–126
Genres:
BVM, Canticle, Magnificat
Voice:
[no designation]
Languages:
Latin
Voice Text:
Anima mea dominum (= Magnificat VIII. toni)
|
|||
128v–131 | Salve regina mater misericordiae | - | Anonymous |
Salve regina mater misericordiaeAnonymous
Appears on:
128v–131
Genres:
Motet, Salve Regina
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve regina
|
|||
131v–137 | Missa Je ne vis oncques | - | |
Appears on:
131v–137
Genres:
Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa Je ne vis oncques
|
|||
137v–141 | Sanctus Iste per magnus Pleni and Benedictus for three parts | - | Anonymous |
Appears on:
137v–141
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sanctus Iste per magnus (Pleni and Benedictus for three parts)
|
|||
141v–147 | Missa Tertii Toni (with two Agnus Dei) | - | Anonymous |
Missa Tertii Toni (with two Agnus Dei)Anonymous
Appears on:
141v–147
Genres:
Agnus Dei, Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa III. toni (with two Agnus dei)
|
|||
147v–148 | Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) | - | |
Appears on:
147v–148
Genres:
Ave Maria, Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave Maria ... virgo serena
General NoteJosquin GA, Motetten I, p. 1 |
|||
148v–149 | O propugnator noster O consolator | - | Anonymous |
O propugnator noster O consolatorAnonymous
Appears on:
148v–149
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
O propugnator noster O consolator
|
|||
149v–150 | untexted | - | - |
untexted
Appears on:
149v–150
Voice:
[no designation]
Languages:
none
|
|||
150v–151 | Festum nunc celebre | - | |
Appears on:
150v–151
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Festum nunc celebre
|
|||
151 | Veni creator spiritus mentes tuorum | - | Anonymous |
Veni creator spiritus mentes tuorumAnonymous
Appears on:
151
Genres:
Veni creator spiritus
Voice:
Triplum
Languages:
Latin
Voice Text:
Veni creator spiritus
General NoteChorwerk H. XXXII, p. 18 |
|||
151v | Tantum ergo sacramentum = Pange lingua gloriosi | - | Anonymous |
Appears on:
151v
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Tantum ergo sacramentum (= Pange lingua gloriosi)
|
|||
152 | Hostis Herodes impie | - | Anonymous |
Hostis Herodes impieAnonymous
Appears on:
152
Genres:
Hymn
Voice:
Triplum
Languages:
Latin
Voice Text:
Ibant magis quam (= Hostis Herodes impie)
Concordancestext here: Ibant magi quam (Hostis Herodes impie) as also in Stuttgart 24; in Munich 1/D/506, "Tu gloriose bajule" |
|||
152v–153 | Iste confessor Domini | - | Anonymous |
Iste confessor DominiAnonymous
Appears on:
152v–153
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Iste confessor domini
|
|||
153v | Ave maris stella | - | |
Appears on:
153v
Genres:
Ave maris stella, Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Ave maris stella
|
|||
154 | Jesu corona virginum | - | Anonymous |
Jesu corona virginumAnonymous
Appears on:
154
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Ihesu corona virginum
General NoteChorwerk H. XXXII, p. 16 |
|||
154v | Hodie Deus homo factus / Gaude visceribus | - | Anonymous |
Appears on:
154v
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Hodie deus homo factus/Gaude visceribus
|
|||
156v–157 | Domus mea domus orationis vocabitur | - | Anonymous |
Domus mea domus orationis vocabiturAnonymous
Appears on:
156v–157
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Domus mea domus orationis vocabitur
|
|||
160v–161 | Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum | - | Anonymous |
Appears on:
160v–161
Genres:
Introit, Proper
Voice:
Triplum
Languages:
Latin
Voice Text:
Resurrexi et adhuc tecum sum
|
|||
160v–161 | Resurrexi et adhuc - 2a pars (of 2): Domine probasti me | - | Anonymous |
Appears on:
160v–161
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Domine probasti me
|
|||
161v–168 | Missa paschalis no Credo, with two Agnus Dei | - | Anonymous |
Appears on:
161v–168
Genres:
Agnus Dei, Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa paschalis (no Credo, with two Agnus dei)
|
|||
163v–164 | Kyrie pascale | - | Anonymous |
Kyrie pascaleAnonymous
Appears on:
163v–164
Genres:
Kyrie eleison, Mass Ordinary
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie pascale (identical with no. 8)
General NoteCodex Tridentinus 88, 225v |
|||
168v–169 | Christus surrexit - 1a pars (of 2): Christus surrexit mala nostra texit | - | Anonymous |
Appears on:
168v–169
Genres:
Cantio
Voice:
Triplum
Languages:
Latin
Voice Text:
Christus surrexit mala nostra texit
|
|||
170v | Christus surrexit - 2a pars (of 2):Alleluia. Des solln wir alle | - | Anonymous |
Appears on:
170v
Genres:
Alleluia, Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alleluia. Des sol wir alle
|
|||
169v–170 | Regina caeli laetare alleluia | - | Anonymous |
Regina caeli laetare alleluiaAnonymous
Appears on:
169v–170
Genres:
Motet, Regina caeli laetare
Voice:
[no designation]
Languages:
Latin
Voice Text:
Regina caeli laetare alleluia
General NoteCodex Tridentinus 91, 95v |
|||
171–171v | Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens | - | Anonymous |
Appears on:
171–171v
Genres:
Sequence
Voice:
Triplum
Languages:
Latin
Voice Text:
Victimae paschali laudes
|
|||
172–178 | Missa Fortuna desperata 8.2 | - | |
Appears on:
172–178
Genres:
Kyrie eleison, Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa Fortuna desperata 8.2
General NoteJosquin GA Missen I, p. 81 |
|||
179–196 | Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv) | - | |
Appears on:
179–196
Genres:
Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa Wol auff gesell (= Missa Comment poit avoir), (with two Osanna and three Agnus dei)
|
|||
197v–199 | Patrem omnipotentem [Credo] (M12) | - | |
Appears on:
197v–199
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Patrem omnipotentem (= Credo VI. toni)
General NoteMD VII, p. 80 |
|||
201v–204 | Magnificat Sexti Toni: Et exultavit [K.318] | - | Anonymous |
Appears on:
201v–204
Genres:
BVM, Canticle, Magnificat
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et exultavit spiritus (= Magnificat VI. toni)
|
|||
205v–213 | Missa O osterreich | - | Anonymous |
Missa O osterreichAnonymous
Appears on:
205v–213
Genres:
Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa O osterreich
|
|||
213v–214 | Jesu fili patris / O Venus Kraft | - | |
Appears on:
213v–214
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Iesu fili patris/O Venus Kraft
|
|||
215–224 | Missa tous biens plaine: with two Osanna and two Agnus Dei | - | Anonymous |
Appears on:
215–224
Genres:
Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa De tous biens (with two Osanna and two Agnus dei)
|
|||
224v | untexted | - | |
Appears on:
224v
Genres:
textless
Voice:
[no designation]
Languages:
none
General NoteObrecht GA (Wolf), Wereldlijke werken, p. 48 |
|||
225–231 | Missa Primi Toni (no Credo, no Agnus Dei) | - | Anonymous |
Appears on:
225–231
Genres:
Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa I. toni ( no Credo, no Agnus dei)
|
|||
232 | Salve sancta parens - 1a pars (of 3): Salve sancta parens enixa puerpera Vs: Sentiant omnes Quicunque celebrant | - | |
Appears on:
232
Genres:
Introit, Proper
Voice:
Triplum
Languages:
Latin
Voice Text:
Salve sancta parens
|
|||
232 | Salve sancta parens - 2a pars (of 3): Sentiant omnes tuum | - | |
Appears on:
232
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Sentiant omnes tuum
|
|||
232 | Salve sancta parens - 3a pars (of 3): Gloria patri | - | |
Appears on:
232
Genres:
Doxology, Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Gloria patri
|
|||
236–237 | Missa Rose playsante | - | |
Appears on:
236–237
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa Rose playsante
General NoteVan Ockeghem tot Sweelinck, H. 2, p. 58 |
|||
237v–245v | Missa Schoen lief | - | |
Appears on:
237v–245v
Genres:
Kyrie eleison, Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa Scoen lief (with three Agnus dei)
General NoteObrecht GA (Wolf), Missen IV, p. 129 |
|||
246–253 | Missa Beata viscera: with three Agnus Dei; Gloria and Credo | - | |
Appears on:
246–253
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa Beata viscera (with three Agnus dei; Gloria and Credo incomplete)
General NoteObrecht GA (Wolf), Missen V, p. 97 |
|||
253v | Ave maris stella | - | |
Appears on:
253v
Genres:
Ave maris stella, Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Ave maris stella (identical with no. 83)
|
|||
254–261 | Concentu parili hic de Maria | - | Anonymous |
Concentu parili hic de MariaAnonymous
Appears on:
254–261
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Concentu parili hic de Maria
|
|||
264 | Magistri nicolai leipoldi ex ynsprugga | - | Anonymous |
Magistri nicolai leipoldi ex ynspruggaAnonymous
Appears on:
264
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
presumably: Magistri nicolai leipoldi ex ynsprugga
|
|||
264v–273 | Missa L'homme armé 6.1 | - | |
Appears on:
264v–273
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa L'homme armé (with two Agnus dei)
General NoteCMM 15/I, p. 1 |
|||
273v–281 | Missa Primi Toni (with two Agnus Dei) | - | Anonymous |
Missa Primi Toni (with two Agnus Dei)Anonymous
Appears on:
273v–281
Genres:
Agnus Dei, Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa I. toni (with two Agnus dei)
|
|||
281v–287 | Missa I. toni, fragment Aliud officium | - | Anonymous |
Missa I. toni, fragment Aliud officiumAnonymous
Appears on:
281v–287
Genres:
Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Aliud officium (= Missa I. toni), fragment
|
|||
288v–289 | Mihi autem nimis - 1a pars (of 2): Mihi autem nimis | - | Anonymous |
Appears on:
288v–289
Genres:
Introit, Proper
Voice:
Triplum
Languages:
Latin
Voice Text:
Mihi autem nimis
|
|||
288v–289 | Mihi autem nimis - 2a pars (of 2): Domine probasti me | - | Anonymous |
Appears on:
288v–289
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Domine probasti me
|
|||
289v–290 | Kyrie eleison | - | Anonymous |
Kyrie eleisonAnonymous
Appears on:
289v–290
Genres:
Kyrie eleison, Mass Ordinary
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie
|
|||
289v–290 | Gloria. Et in terra IV. toni, fragment | - | Anonymous |
Gloria. Et in terra IV. toni, fragmentAnonymous
Appears on:
289v–290
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et in terra (= Gloria IV. toni), fragment
|
|||
294v–301 | Missa Petite camusette | - | Anonymous |
Missa Petite camusetteAnonymous
Appears on:
294v–301
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa Petite camusette (with three Agnus dei)
General NoteKGCS only |
|||
302v–306 | Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia | - | Anonymous |
Appears on:
302v–306
Genres:
Motet, Regina caeli laetare
Voice:
Triplum
Languages:
Latin
Voice Text:
Regina caeli laetare alleluia
|
|||
302v–306 | Regina caeli - 2a pars (of 2): Resurrexi et adhuc tecum sum | - | Anonymous |
Appears on:
302v–306
Genres:
Introit, Proper
Voice:
Triplum
Languages:
Latin
Voice Text:
Resurrexi et adhuc tecum sum
|
|||
306v–308 | Resurrexi et adhuc - 1a pars (of 2): Resurrexi et adhuc tecum sum | - | Anonymous |
Appears on:
306v–308
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Et adhuc tecum (= Resurrexi et adhuc)
|
|||
306v–308 | Resurrexi et adhuc - 2a pars (of 2): Tu cognovisti sessionem = Domine probasti me | - | Anonymous |
Appears on:
306v–308
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Tu cognovisti sessionem (= Domine probasti me)
|
|||
308v–315 | Missa paschalis with three: Kyrie; Christe tropes Qui super me scandis; Agnus Dei not entered | - | Anonymous |
Missa paschalis with three: Kyrie; Christe tropes Qui super me scandis; Agnus Dei not enteredAnonymous
Appears on:
308v–315
Genres:
Kyrie eleison, Mass Ordinary, Troped Kyrie
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa paschalis (with three Kyrie; Christe tropes Qui super me scandis; Agnus dei not entered
|
|||
319v–328 | Missa paschalis with three: Kyrie; Christe tropes Qui super me scandis; Agnus Dei not entered | - | Anonymous |
Missa paschalis with three: Kyrie; Christe tropes Qui super me scandis; Agnus Dei not enteredAnonymous
Appears on:
319v–328
Genres:
Kyrie eleison, Mass Ordinary, Troped Kyrie
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa paschalis (with three Kyrie; Christe tropes Qui super me scandis; Agnus dei not entered
|
|||
315v–317 | Alleluia. Pascha nostrum immolatus est | - | Anonymous |
Alleluia. Pascha nostrum immolatus estAnonymous
Appears on:
315v–317
Genres:
Alleluia, Proper
Voice:
Triplum
Languages:
Latin
Voice Text:
Alleluia. Pascha nostrum immolatus est
|
|||
317v–319 | Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens | - | Anonymous |
Appears on:
317v–319
Genres:
Sequence
Voice:
Triplum
Languages:
Latin
Voice Text:
Victimae paschali laudes
|
|||
329v–330 | Pascha nostrum immolatus est Christus | - | Anonymous |
Pascha nostrum immolatus est ChristusAnonymous
Appears on:
329v–330
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Pascha nostrum immolatus est Christus
|
|||
328v–329 | Viri Galilaei - 1a pars (of 2): Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo | - | Anonymous |
Appears on:
328v–329
Genres:
Introit, Proper
Voice:
Triplum
Languages:
Latin
Voice Text:
Viri Galilaei
|
|||
328v–329 | Viri Galilaei - 2a pars (of 2): Omnes gentes plaudite manibus jubilate II: Ascendit Deus in jubilo et Dominus | - | Anonymous |
Appears on:
328v–329
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Omnes gentes plaudite
|
|||
339v–340 | Alleluia. Ascendit Deus in jubilatione | - | Anonymous |
Alleluia. Ascendit Deus in jubilationeAnonymous
Appears on:
339v–340
Genres:
Alleluia, Proper
Voice:
Triplum
Languages:
Latin
Voice Text:
Alleluia. Ascendit deus in iubilatione
|
|||
340v–343 | Summi triumphi regis prosequamur laude | - | Anonymous |
Summi triumphi regis prosequamur laudeAnonymous
Appears on:
340v–343
Genres:
Sequence
Voice:
Triplum
Languages:
Latin
Voice Text:
Summi triumphum
|
|||
342v–343 | Psallite Domino nostro qui ascendit | - | Anonymous |
Psallite Domino nostro qui ascenditAnonymous
Appears on:
342v–343
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Psallite domino nostro qui ascendit
|
|||
343v–344 | Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto tuo | - | Anonymous |
Appears on:
343v–344
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Spiritus domini replevit
|
|||
344v–345 | Alleluia. Veni sancte spiritus | - | Anonymous |
Alleluia. Veni sancte spiritusAnonymous
Appears on:
344v–345
Genres:
Alleluia, Proper, Veni sancte spiritus
Voice:
Triplum
Languages:
Latin
Voice Text:
Alleluia. Veni sancte spiritus
|
|||
345v–347 | Veni sancte spiritus reple tuorum corda | - | Anonymous |
Veni sancte spiritus reple tuorum cordaAnonymous
Appears on:
345v–347
Genres:
Motet, Proper, Veni sancte spiritus
Voice:
Triplum
Languages:
Latin
Voice Text:
Veni sancte spiritus reple
|
|||
347v–348 | Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo Jubilate deo Jacob [Proprium de Corpore Christi] | H. Ysaac | |
Appears on:
347v–348
Genres:
Introit
Source Attribution:
H. Ysaac
Voice:
Triplum
Languages:
Latin
Voice Text:
Cibavit eos ex adipe
General Note6vv. Version in Mü31: CW (119), 17-22; (konk?) |
|||
348v–349 | Alleluia. Caro mea vere est cibus | Fingk | |
Appears on:
348v–349
Genres:
Alleluia, Proper
Source Attribution:
Fingk
Voice:
Triplum
Languages:
Latin
Voice Text:
Alleluia. Caro mea vere est cibus
General NoteEdM LVII, p. 93 |
|||
349v | Qui manducat carnem | - | |
Appears on:
349v
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Qui manducat carnem
General Noteonly Canto and Tenor |
|||
350–356 | Missa Maria zart Agnus Dei not noted | - | Anonymous |
Missa Maria zart Agnus Dei not notedAnonymous
Appears on:
350–356
Genres:
Mass Ordinary
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa Maria zart (Agnus dei not noted)
|
|||
356v–357 | Jubilate Deo omnis terra | - | Anonymous |
Jubilate Deo omnis terraAnonymous
Appears on:
356v–357
Genres:
Psalm
Voice:
Triplum
Languages:
Latin
Voice Text:
Iubilate deo omnis terra
|
|||
357v–358 | Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia | - | |
Appears on:
357v–358
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Si oblitus fuero tui
General NoteCMM 87, p. 96 |
|||
359 | Ecce concipies- 1a pars (of 3): Ecce concipies et paries filium et vocabis | - | Anonymous |
Appears on:
359
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Ecce concipies et paries filium et vocabis
|
|||
359 | Ecce concipies- 2a pars (of 3): Et vocabis nomen | - | Anonymous |
Appears on:
359
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et vocabis nomen
|
|||
359 | Ecce concipies- 3a pars (of 3): Hic erit magnus | - | Anonymous |
Appears on:
359
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Hic erit magnus
|
|||
359v–362 | Sancti spiritus assit nobis gratia | - | Anonymous |
Sancti spiritus assit nobis gratiaAnonymous
Appears on:
359v–362
Genres:
Sequence
Voice:
Triplum
Languages:
Latin
Voice Text:
Sancti spiritus assit nobis gratia
|
|||
362v | Omnes sancti seraphim | - | Anonymous |
Omnes sancti seraphimAnonymous
Appears on:
362v
Genres:
Sequence
Voice:
Triplum
Languages:
Latin
Voice Text:
Omnes sancti seraphim
|
|||
363 | Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem | - | Anonymous |
Appears on:
363
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Ecce Maria genuit nobis salvatorem
|
|||
363 | Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei | - | Anonymous |
Appears on:
363
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Ecce agnus dei
|
|||
363v | Grates nunc omnes - 1a pars (of 2): Grates nunc omnes | - | Anonymous |
Appears on:
363v
Genres:
Sequence
Voice:
Triplum
Languages:
Latin
Voice Text:
Grates nunc omnes
|
|||
363v | Grates nunc omnes - 2a pars (of 2): Huic opportet ut canamus | - | Anonymous |
Appears on:
363v
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Huic opportet ut canamus
|
|||
364 | Gaude Dei genitrix - 1a pars (of 2): Gaude Dei genitrix quam circumstant | - | Anonymous |
Appears on:
364
Genres:
Sequence
Voice:
Triplum
Languages:
Latin
Voice Text:
Gaude dei genitrix quam circumstant
|
|||
364 | Gaude Dei genitrix - 2a pars (of 2): Et quorum participem | - | Anonymous |
Appears on:
364
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Et quorum participem
|
|||
364v | Viderunt omnes fines terrae salutare | - | Anonymous |
Viderunt omnes fines terrae salutareAnonymous
Appears on:
364v
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Viderunt omnes fines terrae salutare
|
|||
364v | Alleluia. Laudate pueri - 1a pars (of 2): Alleluia. Laudate pueri Dominum laudate | - | Anonymous |
Appears on:
364v
Genres:
Alleluia, Proper
Voice:
Triplum
Languages:
Latin
Voice Text:
Alleluia. Laudate pueri dominum laudate
|
|||
364v | Alleluia. Laudate pueri - 2a pars (of 2): Laudate pueri Dominum | - | Anonymous |
Appears on:
364v
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Laudate pueri dominum
|
|||
365 | Alleluia. Laudate pueri - 1a pars (of 2): Alleluia. Laudate pueri Dominum laudate | - | Anonymous |
Appears on:
365
Genres:
Alleluia, Proper
Voice:
Triplum
Languages:
Latin
Voice Text:
Alleluia. Laudate pueri dominum laudate
|
|||
365 | Alleluia. Laudate pueri - 2a pars (of 2): Laudate pueri Dominum | - | Anonymous |
Appears on:
365
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Laudate pueri dominum
|
|||
365 | Lux perpetua lucebit sanctis tuis | - | Anonymous |
Lux perpetua lucebit sanctis tuisAnonymous
Appears on:
365
Genres:
Responsory
Voice:
Triplum
Languages:
Latin
Voice Text:
Lux perpetua lucebit sanctis tuis
|
|||
365v–366 | Iusti autem - 1a pars (of 2): Iusti autem in perpetuum vivunt | - | Anonymous |
Appears on:
365v–366
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Iusti autem in perpetuum vivunt
|
|||
365v–366 | Iusti autem - 2a pars (of 2): Gloria patri | - | Anonymous |
Appears on:
365v–366
Genres:
Doxology, Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gloria patri
|
|||
366 | Iustorum autem animae | - | Anonymous |
Iustorum autem animaeAnonymous
Appears on:
366
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Iustorum autem animae
|
|||
366v | Sancti tui Domine benedicent te gloriam | - | Anonymous |
Sancti tui Domine benedicent te gloriamAnonymous
Appears on:
366v
Genres:
Introit, Proper
Voice:
Triplum
Languages:
Latin
Voice Text:
Sancti tui domine benedicent te gloriam
|
|||
367 | Ego vos elegi de mundo ut eatis | - | Anonymous |
Ego vos elegi de mundo ut eatisAnonymous
Appears on:
367
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Ego vos elegi de mundo ut eatis
|
|||
367v | Alleluia. Gaudete justi in Domino | - | Anonymous |
Alleluia. Gaudete justi in DominoAnonymous
Appears on:
367v
Genres:
Alleluia, Proper
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alleluia. Gaudete iusti in domino
|
|||
367v–368 | Alleluia. Ascendit Deus in jubilatione | - | Anonymous |
Alleluia. Ascendit Deus in jubilationeAnonymous
Appears on:
367v–368
Genres:
Alleluia, Proper
Voice:
Triplum
Languages:
Latin
Voice Text:
Alleluia. Ascendit deus in iubilatione
|
|||
368 | Alleluia. Dominus in Sina in sancto | - | Anonymous |
Alleluia. Dominus in Sina in sanctoAnonymous
Appears on:
368
Genres:
Alleluia, Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Alleluia. Dominus in Sina in sancto
|
|||
368 | Alleluia. Dominus in Sina in sancto | - | Anonymous |
Alleluia. Dominus in Sina in sanctoAnonymous
Appears on:
368
Genres:
Alleluia, Proper
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alleluia. Dominus in Sina in sancto
|
|||
368v–369 | Kyrie fons bonitatis | - | Anonymous |
Kyrie fons bonitatisAnonymous
Appears on:
368v–369
Genres:
Kyrie eleison, Mass Ordinary
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie fons bonitatis
|
|||
369v | Hodie Deus homo factus | - | Anonymous |
Hodie Deus homo factusAnonymous
Appears on:
369v
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Hodie deus homo factus
|
|||
369v | Gloria laus et honor | - | Anonymous |
Gloria laus et honorAnonymous
Appears on:
369v
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gloria laus et honor
|
|||
370 | Magister nicolaus leopoldi ex ynsprugga | - | Anonymous |
Magister nicolaus leopoldi ex ynspruggaAnonymous
Appears on:
370
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
presumably: Magister nicolaus leopoldi ex ynsprugga
|
|||
370–379 | Missa Je ne demande: Kyrie and Agnus III (fragments) | - | |
Appears on:
370–379
Genres:
Agnus Dei, Kyrie eleison, Mass Ordinary
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa Je ne demande (Kyrie and Agnus III fragments)
General NoteObrecht GA (Wolf), Missen I, p. 1 |
|||
380–388 | Missa Primi Toni: Agnus not noted | - | Anonymous |
Missa Primi Toni: Agnus not notedAnonymous
Appears on:
380–388
Genres:
Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa I. toni (Agnus not noted)
|
|||
388v–389 | Benedicite Dominum - 1a pars (of 2): Benedicite Dominum | - |
Merques, Nicolas
(?)
|
Appears on:
388v–389
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Benedicite domino omnes angeli
|
|||
388v–389 | Benedicite dominum - 2a pars (of 2): Benedic anima mea | - |
Merques, Nicolas
(?)
|
Appears on:
388v–389
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Benedic anima mea
|
|||
390–395v | Missa Salve regina | - | Anonymous |
Missa Salve reginaAnonymous
Appears on:
390–395v
Genres:
Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Salve Regina, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa Salve regina (fragment: Kyrie and Agnus dei missing, Gloria and Sanctus fragments)
|
|||
396–399 | Missa Tertii Toni (Kyrie missing, Gloria fragment, two Osanna) | - | Anonymous |
Appears on:
396–399
Genres:
Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa III. toni (fragment: Kyrie missing, Gloria fragment, two osanna)
|
|||
398v–399v | Es wolt ein maidlein Nach grasse gann | - | Anonymous |
Es wolt ein maidlein Nach grasse gannAnonymous
Appears on:
398v–399v
Genres:
Song
Voice:
[no designation]
Languages:
German
Voice Text:
Es wolt eynn Maidlenn Nach grasse gann
|
|||
400–407 | Missa Secundi Toni ('Missa Auleni'): lacks Kyrie, beginning of Gloria and Agnus II | - | |
Appears on:
400–407
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa II. toni (fragment: Kyrie and Agnus II missing, Gloria fragment)
General NoteChorwerk H. XXXI |
|||
408–409 | Salve regina misericordiae [7 partes] | - | |
Appears on:
408–409
Genres:
Motet, Salve Regina
Voice:
Triplum
Languages:
Latin
Voice Text:
Salve regina
|
|||
410–410v | Salve regina mater misericordiae | - | Anonymous |
Salve regina mater misericordiaeAnonymous
Appears on:
410–410v
Genres:
Motet, Salve Regina
Voice:
Triplum
Languages:
Latin
Voice Text:
Salve regina
|
|||
412v | [untexted] | - | - |
[untexted]
Appears on:
412v
Voice:
Canon
Languages:
none
|
|||
413 | Salve regina misericordiae [7 partes] | - | |
Appears on:
413
Genres:
Motet, Salve Regina
Voice:
[no designation]
Languages:
Latin
Voice Text:
part of no. 160 (Salve Regina)
|
|||
414–419v | [Victimae paschali] Agnus redemit oves | - | Anonymous |
[Victimae paschali] Agnus redemit ovesAnonymous
Appears on:
414–419v
Genres:
Hymn
Voice:
Triplum
Languages:
Latin
Voice Text:
Victimae paschali laudes
|
|||
414v–419 | Benedicta semper sancta sit trinitas | - | |
Appears on:
414v–419
Genres:
Hymn
Voice:
Triplum
Languages:
Latin
Voice Text:
Benedicta semper sancta sit trinitas
General NoteEdM XXXIII, p. 131 |
|||
421–422 | Alleluia. Vox exultationis et salutis | - | Anonymous |
Alleluia. Vox exultationis et salutisAnonymous
Appears on:
421–422
Genres:
Alleluia, Proper
Voice:
Triplum
Languages:
Latin
Voice Text:
Alleluia. Vox exultationis et salutis
|
|||
422v–424 | Omnes sancti seraphim | - | Anonymous |
Omnes sancti seraphimAnonymous
Appears on:
422v–424
Genres:
Sequence
Voice:
Triplum
Languages:
Latin
Voice Text:
Omnes sancti seraphim
|
|||
424v | Alleluia. Martinus episcopus | - | Anonymous |
Alleluia. Martinus episcopusAnonymous
Appears on:
424v
Genres:
Alleluia, Proper
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alleluia. Martinus episcopus
|
|||
426v–427 | Benedicite Dominum - 1a pars (of 2): Benedicite Dominum | - |
Merques, Nicolas
(?)
|
Appears on:
426v–427
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Benedicite domino omnes angeli
|
|||
426v–427 | Benedicite dominum - 2a pars (of 2): Benedic anima mea | - |
Merques, Nicolas
(?)
|
Appears on:
426v–427
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Benedic anima mea
|
|||
429 | Gaudent chori - 1a pars (of 2): Gaudent chori angelorum consortes et concives = Super salutem | - | Anonymous |
Gaudent chori - 1a pars (of 2): Gaudent chori angelorum consortes et concives = Super salutemAnonymous
Appears on:
429
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Gaudent chori angelorum consortes et concives [= Super salutem]
|
|||
429v–430 | Gaudent chori - 2a pars (of 2): Paradisi porta per evam | - | Anonymous |
Appears on:
429v–430
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Paradisi porta per evam (= part two of no. 169)
|
|||
431v–432 | Calicem Domini - 1a pars (of 3): Calicem Domini biberunt et amici Dei = Fuerunt sine querela | - | Anonymous |
Calicem Domini - 1a pars (of 3): Calicem Domini biberunt et amici Dei = Fuerunt sine querelaAnonymous
Appears on:
431v–432
Genres:
Responsory
Voice:
Triplum
Languages:
Latin
Voice Text:
Calicem domini biberunt et amici dei [= Fuerunt sine querela]
|
|||
432v–434 | Calicem Domini - 2a pars (of 3): Tradiderunt corpora sua | - | Anonymous |
Appears on:
432v–434
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Tradiderunt corpora sua (= part two of no. 171)
|
|||
432v–434 | Calicem Domini - 3a pars (of 3): Gloria patri | - | Anonymous |
Appears on:
432v–434
Genres:
Doxology
Voice:
[no designation]
Languages:
Latin
Voice Text:
Gloria patri (= part three of no. 171)
|
|||
434v–435 | In patientia vestra possidebitis animas | - | Anonymous |
In patientia vestra possidebitis animasAnonymous
Appears on:
434v–435
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
In patientia vestra possidebitis animas
|
|||
435v–436 | Ecce ego mitto vos sicut oves in medio | - | Anonymous |
Ecce ego mitto vos sicut oves in medioAnonymous
Appears on:
435v–436
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Ecce ego mitto vos sicut oves in medio
|
|||
436v–439 | Magnificat octavi toni: Et exultavit [K.401] | - | Anonymous |
Appears on:
436v–439
Genres:
BVM, Canticle, Magnificat
Voice:
[no designation]
Languages:
Latin
Voice Text:
Et exultavit spiritus (= Magnificat VIII. toni)
|
|||
440–441v | Sanctae Annae devotus decantet chorus Cuius partus salutem produxit mundo | - | Anonymous |
Appears on:
440–441v
Genres:
Sequence
Voice:
Triplum
Languages:
Latin
Voice Text:
Sanctae Annae devotus decantet chorus
|
|||
441v–443 | Gaude Sion quod egressum (= Stabat mater) | - | |
Appears on:
441v–443
Genres:
Contrafactum, Sequence
Voice:
Triplum
Languages:
Latin
Voice Text:
Gaude Sion quod egressum
|
|||
443–443v | Deus in tua virtute sanctus | Andreas | |
Appears on:
443–443v
Genres:
Sequence
Source Attribution:
Andreas
Voice:
Triplum
Languages:
Latin
Voice Text:
Deus in tua virtute sanctus Andreas
|
|||
444 | Salve regina | Wilhelma Duffay | |
Appears on:
444
Genres:
Motet, Salve Regina
Source Attribution:
Wilhelma Duffay
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve regina
|
|||
444v–445 | Virgo Dei genitrix te rogitamus | - | Anonymous |
Virgo Dei genitrix te rogitamusAnonymous
Appears on:
444v–445
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Virgo dei genitrix te rogitamus
|
|||
445v–446 | Gaude virgo mater Jesu Christi | - | Anonymous |
Gaude virgo mater Jesu ChristiAnonymous
Appears on:
445v–446
Genres:
Sequence
Voice:
Triplum
Languages:
Latin
Voice Text:
Gaude virgo mater Iesu Christi
|
|||
446v–447 | untexted | - | - |
untexted
Appears on:
446v–447
Voice:
[no designation]
Languages:
none
|
|||
447v–448 | Da pater omnipotens firmam jam pectore | - | Anonymous |
Da pater omnipotens firmam jam pectoreAnonymous
Appears on:
447v–448
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
Da pater omnipotens firmam iam pectore
|
|||
448v | untexted | - | - |
untexted
Appears on:
448v
Voice:
[no designation]
Languages:
none
|
|||
449 | untexted | - | - |
untexted
Appears on:
449
Voice:
[no designation]
Languages:
none
|
|||
447–456 | Missa Si dedero somnum: with two Agnus Dei | - | |
Appears on:
447–456
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Missa Si dedero sommum (with two Agnus dei)
General NoteObrecht GA (Wolf), Missen III, p. 1 |
|||
456v–463 | Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus | - | |
Appears on:
456v–463
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa Wohlauf Gesell (= Missa Comment poit avoir), (with two Osanna and three Agnus dei; Agnus dei II fragment)
|
|||
464v–468 | Ave mundi spes Maria - 1a pars (of 2): Ave mundi spes Maria | - | |
Appears on:
464v–468
Genres:
Sequence
Voice:
Triplum
Languages:
Latin
Voice Text:
Ave mundi spes Maria
General NoteDie Kantorei der Spätgotik, ed. by H.J. Moser (Berlin, 1928), p. 7 |
|||
464v–468 | O dulcedo virginalis | - | Anonymous |
O dulcedo virginalisAnonymous
Appears on:
464v–468
Genres:
Motet
Voice:
Triplum
Languages:
Latin
Voice Text:
O dulcedo virginalis
|
|||
469v–470 | untexted | - | |
Appears on:
469v–470
Genres:
textless
Voice:
[no designation]
Languages:
none
|
Images © Bayerische Staatsbibliothek, Munich
‡ denotes primary source study
Cassia, Cristina (editor). 2023. Natus sapientia: A Motetti Missales Cycle form Munich, Bayerische Staatsbibliothek, Mus. Ms. 3154. Middleton (Wisconsin): A-R Editions.
Pavanello, Agnese (editor). 2023. Gaude, flore virginali: A Motetti Missales Cycle from Munich, Bayerische Staatsbibliothek, Mus. Ms. 3154. Middleton (Wisconsin): A-R Editions.
Diergarten, Felix. 2019. "Gaude flore virginali": Message from the "Black Hole"? Motet Cycles between Devotion and Liturgy, edited by Felix Diergarten, 429-455. Basel: Schwabe.
Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.
Maas, Chris J (editor). 1983-. New Obrecht Edition. Utrecht. Pages: II,xi-ff, [xxvi-xxvii], 1-31; V,xvii-xlii,[xlvi-xlvii],35-81. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Noblitt, Thomas L. 1981. Textual Criticism of Selected Works Published by Petrucci. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 201-42. Munich. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).
Noblitt, Thomas L. 1977. Problems of Transmission in Obrecht's Missa Je ne Demande. The Musical Quarterly, 211-23. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xxxiii, 30, 44, 49,74-5,78,86; III,14,46-8,203-5. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies. Brooklyn. Pages: I,222-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Fässler, Ewald. 1975. Zur Lebensgeschichte des Nicolaus Leopold aus Innsbruck. Festschrift Walter Senn zum 70. Geburtstag, 29-35. Munich and Salzburg. Notes: facsimile (partial); mention of MS; discussion.
Noblitt, Thomas L. 1974. Die Datierung der Handschrift Mus. ms. 3154 der Staatsbibliothek München. Die Musikforschung, 36-56. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.
Ingram, Sonja S. 1973. The Polyphonic Salve Regina, 1425-1550. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 69, 71, 75, 80, 89.
Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 150-l. Notes: physical description; mention of MS; discussion.
Noblitt, Thomas L. 1969. Das Chorbuch des Nikolaus Leopold (München, Staatsbibliothek, Mus. Ms. 3154): Repertorium. Archiv für Musikwissenschaft, 169-208. Notes: physical description; contents list; concordances; incipits; mention of MS; discussion.
Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 126-9, 144-9,158-60,259ff. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.
Brawley, John Gray, Jr. 1968. The Magnificats, Hymns, Motets, and Secular Compositions of Johannes Martini. Yale University, Unpublished Ph.D. dissertation. Pages: I,24ff, passim; II,6ff,52-79,111-5). Prof. Thomas L. Noblitt has prepared an edition of the manuscript, with commentary, to appear in EDMR. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 150. Notes: contents list (partial); concordances (partial); incipits (partial).
Noblitt, Thomas L. 1963. The Motetti Missales of the Late Fifteenth Century. University of Texas at Austin, Unpublished Ph.D. dissertation. Pages: 8-10,59-150, 270-338. Notes: physical description; contents list; incipitsst of contents (partial); transcription (partial); texts (partial); mention of MS; discussion.
Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VII,91-2,97. Notes: physical description; contents list (partial); concordances (partial).
Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia. Amsterdam. Pages: I, fasc. 1, v. Notes: physical description; contents list (partial); concordances (partial).
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II,1339; VI,1023; IX,903, Tafel 56, 116. Notes: physical description (partial); facsimile (partial).
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXXIV, 397; LVII,93-4,99. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).
Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XXXI; XXXII,3, 16-8; XLVI; CI, iii. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).
Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: I,x [incorrectly referred to as MS 3134],xiii. Notes: physical description; contents list (partial); concordances (partial).
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,386,404-9,455. Notes: physical description (partial); transcription (partial); facsimile (partial).
Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: I,iii-iv; Anhang, iv-vii; Xll.vii-viii; XV/XVI,vii,48-9; XXII,[v],179-88; XXVII, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).
Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen. Munich. Pages: 19-22. Notes: physical description; contents list (partial); concordances (partial).
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