Bloxam, Mary Jennifer. 2009. Uno gentile et subtile ingenio. Studies in Renaissance Music in Honour of Bonnie J. Blackburn, 271-282. Turnhout.
Bloxam, Mary Jennifer, Gioia Filocamo, and Leofranc Holford-Strevens (eds.) 2009. Uno gentile et subtile ingenio. Studies in Renaissance Music in Honour of Bonnie J. Blackburn. Turnhout.
Lodes, Birgit. 2009. Des Kaisers Alamire: Zur Entstehung des Chorbuchs Wien, Österreichische Nationalbibliothek, Mus. Hs. 15495. Uno Gentile et Subtile Ingenio. Studies in Renaissance Music in Honour of Bonnie J. Blackburn, edited by Mary Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens, 247-258. Turnhout: Brepols.
Wright, Peter. 2009. Polyphony for Corpus Christi in an Unknown Fragmentary Source from Mid-Fifteenth-Century Central Europe: An Interim Report. Uno gentile et subtile ingenio. Studies in Renaissance Music in Honour of Bonnie J. Blackburn, edited by Mary Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens, 271-82. Turnhout.
Bent, Margaret. 2008. Naming of Parts: Notes on the Contratenor, c. 1350-1450. Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie Blackburn, edited by Mary Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens, Turnhout.
Planchart, Alejandro Enrique. 2008. The Polyphonic Proses of Guillaume Du Fay. 'Uno gentile et subtile ingenio': Studies in Renaissance Music in Honour of Bonnie Blackburn, edited by Mary Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens, Tours.
Bloxam, Mary Jennifer. 1997. Obrecht as Exegete. Reading Factor orbis as a Christmas Sermon. Hearing the Motet. Essays on the Motet of the Middle Ages and Renaissance, edited by Dolores Pesce, 169-192. New York and Oxford: Oxford University Press.
Bloxam, Mary Jennifer. 1992. 'La Contenance Italienne': The Motets on 'Beata es Maria' by Compère, Obrecht and Brumel. Early Music History, 11: 39-89.
Bloxam, Mary Jennifer. 1949-79. Cantus Firmus. Die Musik in Geschichte und Gegenwart, 2nd Edition (Sachteil), 2: col.404-417.