Bloxam, Mary Jennifer, Gioia Filocamo, and Leofranc Holford-Strevens (editors). 2009. Uno gentile et subtile ingenio. Studies in Renaissance Music in Honour of Bonnie J. Blackburn.  Turnhout.

Lodes, Birgit. 2009. Des Kaisers Alamire: Zur Entstehung des Chorbuchs Wien, Österreichische Nationalbibliothek, Mus. Hs. 15495. Uno Gentile et Subtile Ingenio. Studies in Renaissance Music in Honour of Bonnie J. Blackburn, edited by Birgit Lodes, 247-258. Turnhout: Brepols.

Wright, Peter. 2009. Polyphony for Corpus Christi in an Unknown Fragmentary Source from Mid-Fifteenth-Century Central Europe: An Interim Report. Uno gentile et subtile ingenio. Studies in Renaissance Music in Honour of Bonnie J. Blackburn, edited by Peter Wright, 271-82. Turnhout.

Bloxam, Mary Jennifer. 2009. Uno gentile et subtile ingenio. Studies in Renaissance Music in Honour of Bonnie J. Blackburn, 271-282. Turnhout.

Bent, Margaret. 2008. Naming of Parts: Notes on the Contratenor, c. 1350-1450. Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie Blackburn, edited by Margaret Bent,  Turnhout.

Planchart, Alejandro Enrique. 2008. The Polyphonic Proses of Guillaume Du Fay. 'Uno gentile et subtile ingenio': Studies in Renaissance Music in Honour of Bonnie Blackburn, edited by Alejandro Enrique Planchart,  Tours.

Bloxam, Mary Jennifer. 1997. Obrecht as Exegete. Reading Factor orbis as a Christmas Sermon. Hearing the Motet. Essays on the Motet of the Middle Ages and Renaissance, edited by Mary Jennifer Bloxam, 169-192. New York and Oxford: Oxford University Press.

Bloxam, Mary Jennifer. 1992. 'La Contenance Italienne': The Motets on 'Beata es Maria' by Compère, Obrecht and Brumel. Early Music History, 39-89.

Bloxam, Mary Jennifer. 1949-79. Cantus Firmus. Die Musik in Geschichte und Gegenwart, 2nd Edition (Sachteil), col.404-417.