Bent, Margaret. 2000. The Use of Cut Signatures in Sacred Music by Binchois. Binchois Studies, edited by Andrew Kirkman and Dennis Slavin, 277-312. Oxford.

Kirkman, Andrew. 2000. Binchois the Borrower. Binchois Studies, edited by Andrew Kirkman and Dennis Slavin, 119-35. Oxford.

Kirkman, Andrew, and Dennis Slavin (eds.) 2000. Binchois Studies.  Oxford.

Perkins, Leeman L. 2000. Towards a Theory of Text-Music Relations in the Music of the Renaissance. Binchois Studies. edited by Andrew Kirkman and Dennis Slavin, 313-329. Oxford.

Wright, Peter. 2000. Binchois and England: Some Questions of Style, Influence, and Attribution in his Sacred Works. Binchois Studies, edited by Andrew Kirkman and Dennis Slavin,  Oxford.

Kirkman, Andrew, and Philip Weller. 1996. Binchois's Texts. Music and Letters, 77: 566-596.

Kirkman, Andrew. 1992. The Style of Walter Frye and an Anonymous Mass in Brussels, Koninklijke Bibliotheek, Manuscript 5557. Early Music History, 11: 191-221.

Kirkman, Andrew. 1990. Some Early Fauxbourdons by Dufay and his Contemporaries: A Study in Liturgically-Motivated Musical Style. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 40: 3-35.