Bent, Margaret. 2000. The Use of Cut Signatures in Sacred Music by Binchois. Binchois Studies, edited by Margaret Bent, 277-312. Oxford.

Kirkman, Andrew. 2000. Binchois the Borrower. Binchois Studies, edited by Andrew Kirkman, 119-35. Oxford.

Perkins, Leeman L. 2000. Towards a Theory of Text-Music Relations in the Music of the Renaissance. Binchois Studies. edited by Leeman L Perkins, 313-329. Oxford.

Kirkman, Andrew, and Dennis Slavin (editors). 2000. Binchois Studies.  Oxford.

Wright, Peter. 2000. Binchois and England: Some Questions of Style, Influence, and Attribution in his Sacred Works. Binchois Studies, edited by Peter Wright,  Oxford.

Kirkman, Andrew, and Philip Weller. 1996. Binchois's Texts. Music and Letters, 566-596.

Kirkman, Andrew. 1992. The Style of Walter Frye and an Anonymous Mass in Brussels, Koninklijke Bibliotheek, Manuscript 5557. Early Music History, 191-221.

Kirkman, Andrew. 1990. Some Early Fauxbourdons by Dufay and his Contemporaries: A Study in Liturgically-Motivated Musical Style. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 3-35.