Bent, Margaret. 2000. The Use of Cut Signatures in Sacred Music by Binchois. Binchois Studies, edited by Margaret Bent, 277-312. Oxford.

Kirkman, Andrew. 2000. Binchois the Borrower. Binchois Studies, edited by Andrew Kirkman, 119-35. Oxford.

Perkins, Leeman L. 2000. Towards a Theory of Text-Music Relations in the Music of the Renaissance. Binchois Studies. edited by Leeman L Perkins, 313-329. Oxford.

Kirkman, Andrew, and Dennis Slavin (editors). 2000. Binchois Studies.  Oxford.

Wright, Peter. 2000. Binchois and England: Some Questions of Style, Influence, and Attribution in his Sacred Works. Binchois Studies, edited by Peter Wright,  Oxford.

Slavin, Dennis. 1991. In support of 'heresy': manuscript evidence for the a cappella performance of early 15th-century songs. Early Music, 178-190.

Slavin, Dennis. 1987. Binchois' Songs, the Binchois Fragment, and the Two Layers of Escorial A (Burgundy, France, Spain). Princeton University, Ph. D.

Slavin, Dennis. 1986. Communication. Journal of the American Musicological Society, 217-22.