Copied by a single scribe, who also wrote ff. 63'-64 and ff. 65'-66 of VerBC 759 (Call). Probably copied in Verona (KanTV), but close repertorial associations with several Roman sources (PrestV, ReynoldsM).
I-VEc MS DCCLXI
Biblioteca Capitolare di Verona, Verona, Italy
manuscript of polyphony: first quarter 16th century
| Archive | Biblioteca Capitolare di Verona, Verona, Italy (I-VEc) |
|---|---|
| Shelfmark | MS DCCLXI |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Mixed Paper and Parchment |
| Numbering System | Foliation |
| Measurements | 568 x 426-30 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 21 compositions, 17 from 13 composers, 4 are anonymous. |
General Description
Binding
Original covers of brown leather over wooden boards, blind tooled with diamond-shaped ornamental designs; metal bosses and corners; leather ties now missing
Watermark
(1) fleur-de-lis in circle; (2) resembles Zonghi #1207-8.
Notation
black void mensural
Ruling
Staff height 26.
Foliation
224 ff
Foliation
Original ink foliation, 1-226 (some original numbers obliterated by trimming replaced with new pencil foliation).
Decoration
Painted initials, miniatures, and borders in gold, blue, orange, and black on ff. 1'-2; remaining folios have inked calligraphic initials. Coats of arms of Maffei and Brenzoni families on f. 2 (KanTV).
Index
Original index on f. 225' lists pieces in order of appearance
Surface
2 parchment + 224 paper
RISM Description
RISM
XVIe s. 225ff. Papier (Parchemin aux 2 premiers ff.), 570 x 422 mm. Foliotation moderne avec quelques vestiges de foliotation ancienne généralement rognée par le relieur. Le f. 1 est blanc. Notation mesurée blanche. 10 portées par p. Miniatures aux ff. lv et 2. Capitales ornées de figures et sujets en couleurs. Au f. 225v, table contemporaine du ms.: «Omnes Misse per ordinem sicut sunt in libro scripte.» Reliure ancienne cuir brun, coins et bouillon central cuivre.
Ce luxueux ms. est un autre témoin de la place prépondérante que tenaient les compositeurs franco-flamands dans le répertoire liturgique de la cathédrale de Vérone. Les armes de deux célèbres familles véronaises au f. 2, celles des Maffei et des Brenzoni, laissent supposer que le ms. a été copié dans la région.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
17 Masses, 4 Credos, 1 Te Deum = 22
(Basiron)-1, (Binchois)-1, (Brumel)-3, (Busnois)-1, (N. Clibano)-1, (Faugues)-1, (Josquin)-1, (Josquin/Martini)-1, (Martini)-2, (Obrecht)-1, (Orto)-1, (Prioris)-1, (Weerbecke)-1, anon-6
2 parchment + 224 paper folios, 568 x 426-30. Original ink foliation, 1-226 (some original numbers obliterated by trimming replaced with new pencil foliation). Original covers of brown leather over wooden boards, blind tooled with diamond-shaped ornamental designs; metal bosses and corners; leather ties now missing. Original index on f. 225' lists pieces in order of appearance. Copied by a single scribe, who also wrote ff. 63'-64 and ff. 65'-66 of VerBC 759 (Call). Staff height 26. Painted initials, miniatures, and borders in gold, blue, orange, and black on ff. 1'-2; remaining folios have inked calligraphic initials. Coats of arms of Maffei and Brenzoni families on f. 2 (KanTV). Watermarks: (1) fleur-de-lis in circle; (2) resembles Zonghi #1207-8.
First quarter of 16th century. Probably copied in Verona (KanTV), but close repertorial associations with several Roman sources (PrestV, ReynoldsM).
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‡ denotes primary source study
Burkholder, J Peter. 1985. Johannes Martini and the Imitation Mass of the Late Fifteenth Century. Journal of the American Musicological Society, 38: 470-523. Pages: 477,506-7,518. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Josephson, Nors S (editor). 1982-. Early Sixteenth-Century Sacred Music from the Papal Chapel. Corpus mensurabilis musicae, vol. 95. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xi, 147-63. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Reynolds, Christopher Alan. 1982. The Music Chapel at San Pietro in Vaticano in the Later Fifteenth Century. Princeton University, Unpublished Ph.D. dissertation. Pages: 154, 236, 259. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Roth, Adalbert. 1982. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 209-11, 258,350,373,376, 391,393,398-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Reynolds, Christopher Alan. 1981. The Origins of San Pietro B 80 and the Development of a Roman Sacred Repertory. Early Music History, 1: 257-304. Pages: 303. Notes: contents list (partial); concordances (partial).
Strohm, Reinhard. 1979. Die Missa super 'Nos amis' von Johannes Tinctoris. Die Musikforschung, 32: 34-51. Pages: 50-l. Notes: contents list (partial).
Gore, Glenn Leon. 1978. The Works of Philippe Basiron (Philippon?): Transcription and Commentary. West Virginia University, Unpublished Ph.D. dissertation. Pages: I,6,16-7,50ff; II,xiv. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.
Paganuzzi, Enrico, C Bologna, and L; Cambié, G M; Conati, M Rognini. 1976. La musica a Verona. Verona. Pages: 87 (avec facs. du f. lv).
Kanazawa, Masakata. 1975. Two Vesper Repertories from Verona, ca. 1500. Revista Italiana di Musicologia, 10: 155-73. Pages: 159. Notes: physical description (partial).
Staehelin, Martin. 1975. Obrechtiana. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 25/1: 1-37. Pages: 20,31. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Miller, Ronald Lee. 1974. The Musical Works of Marbriano de Orto: Transcription and Commentary. Indiana University, Unpublished Ph.D. dissertation. Pages: I,16-8,92ff; II, 235-92. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.
Douglas, Conrad Edward Mary. 1969. The motets of Johannes Prioris with a prefatory bio-bibliographical study. University of Illinois, Ph.D. Dissertation. Pages: 82-3. Notes: physical description; mention of MS; discussion.
Preston, Alan Herbert. 1969. Sacred Polyphony in Renaissance Verona: A Liturgical and Stylistic Study. University of Illinois, Unpublished Ph.D. dissertation. Pages: 135,367-8 passim. Notes: physical description; contents list; concordances; mention of MS; discussion.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 172. Notes: contents list (partial); concordances (partial); incipits (partial).
Schuetze, George C, Jr (editor). 1960. Faugues. No. I of Collected Works. The Collected Works of Faugues, vol. I. Brooklyn. Pages: 85-116. Notes: contents list (partial); transcription (partial).
Schuetze, George C, Jr. 1960. An Introduction to Faugues. Musicological Studies, vol. 2. Brooklyn. Notes: transcription (partial); mention of MS; discussion.
Schuetze, George C, Jr. 1960. The Works of Guillaume Faugues. New York University, Unpublished Ph.D. dissertation. Pages: 14-5, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Schuetze, George C, Jr (editor). 1959. Opera Omnia Faugues. Publications of Mediaeval Musical Manuscripts, vol. 7. Brooklyn. Pages: vi,xi-xii,68-78. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).
Schuetze, George C, Jr (editor). 1959. Opera omnia Faugues, Facsimile of the compositions of Faugues from the mss. Trent 88, Trent 91, Cappella Sistina 14, Cappella Sistina 51, Verona 761, Modena a M. 1. 13. Publications of Mediaeval Musical Manuscripts [Veröffentlichungen mittelalterlicher Musikhandschriften], vol. 7. Pages: G. C. Schueltze, in PMMM 7, p. VI.
Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia. Amsterdam. Pages: I, fasc. 5, xxvii-xxix. Notes: physical description; contents list; concordances (partial).
Biggie, Lloyd Jr. 1953. The Masses of Antoine Brumel. University of Michigan, Unpublished Ph.D. dissertation. Pages: I, 210, 291-2. Notes: contents list (partial); concordances (partial); facsimile (partial).
Turrini, Giuseppe. 1953. II Patrimonio Musicale della Biblioteca Capitolare di Verona dal Sec. XV al XIX. Atti e Memorie della Accademia di Agricoltura Scienze e Lettere di Verona, 127: 95-176. Pages: 5, 11, 12, 14. 99,105-6,108. Notes: physical description; contents list.
Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 14: 165-81. Pages: 179.
Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: IX,vi-xi. Notes: physical description; contents list; concordances (partial).
Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: A. Smijers, in JosquinMI II, IX, p. VI.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description