I-MOe MS {alpha}.F.2.29 (Lat. 1232)

Biblioteca Estense, Modena, Italy

folios and fragments of partbooks: c. 1535

Archive	Biblioteca Estense, Modena, Italy (I-MOe)
Shelfmark	MS {alpha}.F.2.29 (Lat. 1232)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Parchment
Numbering System	Foliation
Measurements	137 x 212 or less mm
Other Identifiers	RISM: I-MOe F. 2.29 CCM: ModE F.2.29
Copyists	Michel, Jean Text and Music
Relationships	d'Este, Ercole I (1471–1505) (owner)
External Links	images images
Provenance	Italy
Contents	25 pieces from 15 composers

General Description

Recovered from binding of later book. Apparently the only surviving remnants of Tenor and Bassus partbooks, from a set originally of five volumes. Copied by Jean Michel, a copyist at the Este court in Ferrara (RifNL). Complete original contents known through 18th-century Catalogus estensum manuscriptorum codicum preserved in Archivio di Stato in Modena, which lists one of the partbooks as 'Codex DCCCXXXVI' (RifNL). Copied in Ferrara, for use at the court of Ercole II d'Este, Duke of Ferrara (1508-59). Este family library transferred from Ferrara to Modena in 1598; joined to Modena university library in 1892.

DIAMM, 2017

Binding

Modern covers of grey cardboard, with leather spine and corners.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Date

Dates 1678 and 1679 on several fragments probably indicate when folios were used as binding material

DIAMM, 2017

Foliation

16 ff

DIAMM, 2017

Foliation

Modern pencil foliation, 1-16

DIAMM, 2017

Decoration

Some inked calligraphic initials

DIAMM, 2017

Surface

parchment

DIAMM, 2017

RISM Description

RISM

XVIe s. 16ff. Parchemin, 138 x 214 mm. pour les ff. entiers. Foliotation moderne au bas des ff. Des ff. 4, 5, 6, 7, 8, 10, 11, 15 et 16, il ne reste que des fragments. Notation mesurée blanche. 4 portées par p. Capitales ornées à la plume. Partie de T seult.

Restes très abimés d'un manuscrit, réunis suivant un ordre anarchique, en un petit volume où l'on a reconnu récemment la partie de T appartenant au même ensemble que le ms. GB-Lbm 19583 qui, lui, ne contient que la partie d'A dont le début serait le ms. F-Pn 4599 (cf. L. Bernstein). On retrouve dans le ms. de Modène 18 pièces (toujours incompl.) sur 30 du ms. de Londres.

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

15 motets, 3 French secular pieces = 18 (most fragmentary)

(Bauldeweyn)-1, (Brunet)-1, (Carpentras)-1, (C. Festa)-1, (Gauvain)-1, (Jhan of Ferrara)-2, Josquin-2, (Moulu)-1, Mouton-2, Richafort-4, Willaert-1, anon-1

16 parchment folios or fragments of folios, recovered from binding of later book. Unmutilated folios measure 137 x 212; others are scraps, of irregular sizes. Apparently the only surviving remnants of T and B partbooks from an original set of 5; portions of A book now LonBL 19583 (LowMCE) and ParisBNN 4599 (RifNL); D and Q books apparently lost. Modern pencil foliation, 1-16. Modern covers of gray cardboard, with leather spine and corners. The scribe was Jean Michel, a copyist at the Este court in Ferrara (RifNL); see general index for other manuscripts copied by the same scribe. Some inked calligraphic initials. Complete original contents known through 18th-century Catalogus estensum manuscriptorum codicum preserved in Archivio di Stato in Modena, which lists one of the partbooks as "Codex DCCCXXXVI" (RifNL).

Ca. 1535 (Rifkin). Copied in Ferrara, for use at the court of Ercole II d'Este, Duke of Ferrara (1508-59). Este family library transferred from Ferrara to Modena in 1598; joined to Modena university library in 1892. Dates 1678 and 1679 on several fragments probably indicate when folios were used as binding material.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam Despres, Josquin (ca. 1450–1521) Appears on: 1 Genres: Miserere mei Deus, Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: [Miserere mei Deus] … Judicaris miserere General Note Publ. cf. FI 666 n° 41Fragments du T I"'
1v	Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium Despres, Josquin (ca. 1450–1521) Appears on: 1v Genres: Miserere mei Deus, Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Auditui meo dabis General Note Publ. cf. FI 666 n° 41 Concordances [= Add. 17]
2	O dulcis amica Dei solis rutilans aurora . . _ amen.	[P. MOULU]	Moulu, Pierre (ca. 1484–ca. 1550)
O dulcis amica Dei solis rutilans aurora . . _ amen. Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 2 Genres: Motet Source Attribution: [P. MOULU] Voice: [no designation] Languages: Latin Voice Text: [0 dulcis amica Dei] … solis rutilans aurora . . _ amen. General Note Publ. cf. Bc 19 n° 68 Concordances [=Add 20]
2v	Sub tuum praesidium confugimus benedicta.	-	Anonymous
Sub tuum praesidium confugimus benedicta. Anonymous Appears on: 2v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sub tuum presidium confugimus … benedicta. Concordances [= Add. 21]
3–4	Peccantem me quotidie nulla est redemptio quia in inferno ... et salva me	[JO. MOUTON?]*	Mouton, Jean (ca. 1459–1522) (?)
Peccantem me quotidie nulla est redemptio quia in inferno ... et salva me Mouton, Jean (ca. 1459–1522) (?) Appears on: 3–4 Genres: Motet Source Attribution: [JO. MOUTON?]* Voice: [no designation] Languages: Latin Voice Text: [Peccantem me quotidie] … nulla est redemptio quia in inferno ... et salva me. Concordances "cf. n° 6 [= Add. 23: JO. MOUTON]
3v	Moriens lux amantissima qui in cruce	JO. MOUTON	Mouton, Jean (ca. 1459–1522)
Moriens lux amantissima qui in cruce Mouton, Jean (ca. 1459–1522) Appears on: 3v Genres: Motet Source Attribution: JO. MOUTON Voice: [no designation] Languages: Latin Voice Text: Moriens lux amenissima General Note mutilePubl. cf. Bc 19 n° 2Inachevé.Musique illisible. Concordances [= Add. 24]
4	Peccantem me quotidie et non me poenitentem	JO. MOUTON [?]*	Mouton, Jean (ca. 1459–1522)
Peccantem me quotidie et non me poenitentem Mouton, Jean (ca. 1459–1522) Appears on: 4 Genres: Motet Source Attribution: JO. MOUTON [?]* Voice: [no designation] Languages: Latin Voice Text: Peccantem me quotidie General Note [mutilé] 2 lignes de musique seul' Concordances *Différent du motet publié dans Attaingnant III et Shine [= Add. 23]
4v	Veni sponsa Christi	RICHAFFORT	Richafort, Jean (ca. 1480–ca. 1550)
Veni sponsa Christi Richafort, Jean (ca. 1480–ca. 1550) Appears on: 4v Genres: Motet Source Attribution: RICHAFFORT Voice: [no designation] Languages: Latin Voice Text: Veni sponsa Christi . General Note 2 lignes de musique seul' Publ. cf. Bc 27' n" 56 Concordances [= Add. 22]
5	Pater noster qui es in caelis (2p. Panem nostrum quotidianum da nobis)	[RICHAFORT]	Richafort, Jean (ca. 1480–ca. 1550)
Pater noster qui es in caelis (2p. Panem nostrum quotidianum da nobis) Richafort, Jean (ca. 1480–ca. 1550) Appears on: 5 Genres: Motet Source Attribution: [RICHAFORT] Voice: [no designation] Languages: Latin Voice Text: [Pater noster] P[anem nostrum] quothidianum General Note Fragments of 2a pars Concordances [= Add. 25: RICHAFORT] Item Bibliography [No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: III.
5v	Veni sancte spiritus et emitte caelitus II: Sine tuo numine nichil est in lumine	[J. BRUNET]	Brunet, Johannes
Veni sancte spiritus et emitte caelitus II: Sine tuo numine nichil est in lumine Brunet, Johannes Appears on: 5v Genres: Motet, Veni sancte spiritus Source Attribution: [J. BRUNET] Voice: [no designation] Languages: Latin Voice Text: [Veni sancte spiritus] General Note Fragment peu lisible. Concordances [=Add.26]
6	Buvons ma commere nous ne bûmes point.	[P. GAUVAIN]	Gauvain, P.
Buvons ma commere nous ne bûmes point. Gauvain, P. Appears on: 6 Genres: Chanson Source Attribution: [P. GAUVAIN] Voice: [no designation] Languages: French Voice Text: Buvons ma commere … nous ne bûmes point. General Note [2 fragments déchirés] Concordances [=Add. 28: P. GAUVAIN]
6v	Cuidez vous que dieu nous faille	[RICHAFORT]*	Richafort, Jean (ca. 1480–ca. 1550)
Cuidez vous que dieu nous faille Richafort, Jean (ca. 1480–ca. 1550) Appears on: 6v Genres: Chanson Source Attribution: [RICHAFORT]* Voice: [no designation] Languages: French Voice Text: [Cuidés vous] que Dieu nous faille General Note [2 fragments déchirés] Incipit mq. Concordances [= Add. 29] *154315
7	J'ai veu le regnart et le loup et le lievre	MAITRE JEAN]	Ferrara, Maistre Jhan of (ca. 1485–1538)
J'ai veu le regnart et le loup et le lievre Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 7 Genres: Chanson Source Attribution: MAITRE JEAN] Voice: [no designation] Languages: French Voice Text: [J'ay veu le regnart et le loup] General Note trops? d'amors j'ey coeullay j'ay veu le regnart et j'ay veu … et le Loup chanter. Concordances = Add. 30: M" JAN]
8	Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam Despres, Josquin (ca. 1450–1521) Appears on: 8 Genres: Miserere mei Deus, Motet Source Attribution: JOSQUIN Voice: [no designation] Languages: Latin Voice Text: Miserere mei Deus General Note Publ. cf. FI 666 n° 41 2 lignes de musique. Concordances [= Add. 17] cf. n° 1
9–9v	[Deduc me domine] Quia speravi in sermonibus	[C. FESTA]	Festa, Costanzo (ca. 1485–1545)
[Deduc me domine] Quia speravi in sermonibus Festa, Costanzo (ca. 1485–1545) Appears on: 9–9v Genres: Hymn Source Attribution: [C. FESTA] Voice: [no designation] Languages: Latin Voice Text: [Deduc me domine] Quia speravi in sermonibus General Note Fragment de la 2a p.Publ. cf. FI 666 n° 6 Concordances [= Add. 8: Con. FESTA]
10	Sufficiebat nobis paupertas nostra senectutis nostrae	[J. RICHAFORT]	Richafort, Jean (ca. 1480–ca. 1550)
Sufficiebat nobis paupertas nostra senectutis nostrae Richafort, Jean (ca. 1480–ca. 1550) Appears on: 10 Genres: Motet Source Attribution: [J. RICHAFORT] Voice: [no designation] Languages: Latin Voice Text: [Sufficiebat nobis paupertas nostra] . . .senectutis nostre. General Note Publ. cf. Bc 19 n° 53 Concordances [= Add. 16: RICHAFORT]
11–11v	Adjutor in tribulationibus conturbati sunt montes cum fortitudine ... tabernaculum altissimus	[MAITRE JAN]	Ferrara, Maistre Jhan of (ca. 1485–1538)
Adjutor in tribulationibus conturbati sunt montes cum fortitudine ... tabernaculum altissimus Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 11–11v Genres: Motet Source Attribution: [MAITRE JAN] Voice: [no designation] Languages: Latin Voice Text: [Adjutor in tribulationibus] … conturbati sunt montes cum fortitudine ... tabernaculum … altissimus. General Note [Adjutor in tribulationibus] … conturbati sunt montes cum fortitudine … tabernaculum … altissimus. Concordances [= Add. 12: MAITRE JEAN]
12	Domine ne in furore 16.8 - 2a pars (of 2): Discedite a me omnes qui operamini	[JOSQUIN]	Baston, Josquin (fl. 1542–63) Verdelot, Philippe (ca. 1480–ca. 1532) Stoltzer, Thomas (ca. 1480–1526) Despres, Josquin (ca. 1450–1521)
Domine ne in furore 16.8 - 2a pars (of 2): Discedite a me omnes qui operamini Baston, Josquin (fl. 1542–63) Verdelot, Philippe (ca. 1480–ca. 1532) Stoltzer, Thomas (ca. 1480–1526) Despres, Josquin (ca. 1450–1521) Appears on: 12 Genres: Motet Source Attribution: [JOSQUIN] Voice: [no designation] Languages: Latin Voice Text: [Domine ne in furore tuo] … domine Deus, domine Deus salutis mee General Note Fragment du B de la 2a p. Concordances [= Add. 9: JOSQUIN] Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II.
12v	Quam pulchra es - 1a pars (of 2): Quam pulchra es	[N. BAULDUIN]*	Bauldeweyn, Noel (ca. 1480–1529)
Quam pulchra es - 1a pars (of 2): Quam pulchra es Bauldeweyn, Noel (ca. 1480–1529) Appears on: 12v Genres: Motet Source Attribution: [N. BAULDUIN]* Voice: [no designation] Languages: Latin Voice Text: Quampulchra es ... sicut turris eburnea Concordances [= Add. 10] . *A-Wn 15941; 15193
13	Deduc me domine sancto sicut erat tuorum	[C. FESTA]	Festa, Costanzo (ca. 1485–1545)
Deduc me domine sancto sicut erat tuorum Festa, Costanzo (ca. 1485–1545) Appears on: 13 Genres: Motet Source Attribution: [C. FESTA] Voice: [no designation] Languages: Latin Voice Text: [Deduc me domine] . . . sancto sicut erat … tuorum. Concordances [= Add. 8] cf. n' 14
13v–14	Domine ne in furore 16.6 - 1a pars (of 2): Domine ne in furore tua arguas me	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Domine ne in furore 16.6 - 1a pars (of 2): Domine ne in furore tua arguas me Despres, Josquin (ca. 1450–1521) Appears on: 13v–14 Genres: Motet Source Attribution: JOSQUIN Voice: [no designation] Languages: Latin Voice Text: Domine ne in furore tuo arguas me General Note B seul' Concordances [= Add. 9] cf. n° 17 Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam.
14v	Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est Despres, Josquin (ca. 1450–1521) Appears on: 14v Genres: Motet Source Attribution: JOSQUIN Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Cor meum conturbatum est General Note Inachevé. Concordances [= Add. 9] cf. n° 17 Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam.
15	Salve regina 'Clamamus exules fil' - 1a pars (of 2): Salve regina	[CARPENTRAS]	Carpentras, Elzear Genet (ca. 1470–1548)
Salve regina 'Clamamus exules fil' - 1a pars (of 2): Salve regina Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 15 Genres: BVM, Motet, Salve Regina Source Attribution: [CARPENTRAS] Voice: [no designation] Languages: Latin Voice Text: [Salve regina] Clamamus exules fil General Note Fragment. Concordances [= Add. 13: CARPENTRAS] Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58 ,V.
15v–16	Salve regina 'Clamamus exules fil' - 2a pars (of 2): Eya ergo	[CARPENTRAS]	Carpentras, Elzear Genet (ca. 1470–1548)
Salve regina 'Clamamus exules fil' - 2a pars (of 2): Eya ergo Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 15v–16 Genres: Motet Source Attribution: [CARPENTRAS] Voice: [no designation] Languages: Latin Voice Text: 2a p.: Eya ergo Concordances [= Add. 13: CARPENTRAS] Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58 ,V.
16v	Intercessio quaesumus Domine Beatae Barbarae	A. WILAERT	Willaert, Adrian (ca. 1490–1562)
Intercessio quaesumus Domine Beatae Barbarae Willaert, Adrian (ca. 1490–1562) Appears on: 16v Genres: Motet Source Attribution: A. WILAERT Voice: [no designation] Languages: Latin Voice Text: [Intercessió quesumus domine] beate Barbare General Note Fragment du T Publ. cf. Fl 666 n° 25 Concordances [= Add. 14]

Composer	Compositions
Anonymous	Sub tuum praesidium confugimus benedicta. – 2v
Baston, Josquin (fl. 1542–63)	Domine ne in furore 16.8 - 2a pars (of 2): Discedite a me omnes qui operamini – 12
Bauldeweyn, Noel (ca. 1480–1529)	Quam pulchra es - 1a pars (of 2): Quam pulchra es – 12v
Brunet, Johannes	Veni sancte spiritus et emitte caelitus II: Sine tuo numine nichil est in lumine – 5v
Carpentras, Elzear Genet (ca. 1470–1548)	Salve regina 'Clamamus exules fil' - 1a pars (of 2): Salve regina – 15 Salve regina 'Clamamus exules fil' - 2a pars (of 2): Eya ergo – 15v–16
Despres, Josquin (ca. 1450–1521)	Domine ne in furore 16.6 - 1a pars (of 2): Domine ne in furore tua arguas me – 13v–14 Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est – 14v Domine ne in furore 16.8 - 2a pars (of 2): Discedite a me omnes qui operamini – 12 Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam – 8 Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam – 1 Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium – 1v
Ferrara, Maistre Jhan of (ca. 1485–1538)	Adjutor in tribulationibus conturbati sunt montes cum fortitudine ... tabernaculum altissimus – 11–11v J'ai veu le regnart et le loup et le lievre – 7
Festa, Costanzo (ca. 1485–1545)	Deduc me domine sancto sicut erat tuorum – 13 [Deduc me domine] Quia speravi in sermonibus – 9–9v
Gauvain, P.	Buvons ma commere nous ne bûmes point. – 6
Moulu, Pierre (ca. 1484–ca. 1550)	O dulcis amica Dei solis rutilans aurora . . _ amen. – 2
Mouton, Jean (ca. 1459–1522)	Moriens lux amantissima qui in cruce – 3v Peccantem me quotidie et non me poenitentem – 4 (?) Peccantem me quotidie nulla est redemptio quia in inferno ... et salva me – 3–4
Richafort, Jean (ca. 1480–ca. 1550)	Cuidez vous que dieu nous faille – 6v Pater noster qui es in caelis (2p. Panem nostrum quotidianum da nobis) – 5 Sufficiebat nobis paupertas nostra senectutis nostrae – 10 Veni sponsa Christi – 4v
Stoltzer, Thomas (ca. 1480–1526)	Domine ne in furore 16.8 - 2a pars (of 2): Discedite a me omnes qui operamini – 12
Verdelot, Philippe (ca. 1480–ca. 1532)	Domine ne in furore 16.8 - 2a pars (of 2): Discedite a me omnes qui operamini – 12
Willaert, Adrian (ca. 1490–1562)	Intercessio quaesumus Domine Beatae Barbarae – 16v

Composition	Composers (? Uncertain)	Folios / Pages
[Deduc me domine] Quia speravi in sermonibus	Festa, Costanzo (ca. 1485–1545)	9–9v
Adjutor in tribulationibus conturbati sunt montes cum fortitudine ... tabernaculum altissimus	Ferrara, Maistre Jhan of (ca. 1485–1538)	11–11v
Buvons ma commere nous ne bûmes point.	Gauvain, P.	6
Cuidez vous que dieu nous faille	Richafort, Jean (ca. 1480–ca. 1550)	6v
Deduc me domine sancto sicut erat tuorum	Festa, Costanzo (ca. 1485–1545)	13
Domine ne in furore 16.6 - 1a pars (of 2): Domine ne in furore tua arguas me	Despres, Josquin (ca. 1450–1521)	13v–14
Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est	Despres, Josquin (ca. 1450–1521)	14v
Domine ne in furore 16.8 - 2a pars (of 2): Discedite a me omnes qui operamini	Baston, Josquin (fl. 1542–63) Verdelot, Philippe (ca. 1480–ca. 1532) Stoltzer, Thomas (ca. 1480–1526) Despres, Josquin (ca. 1450–1521)	12
Intercessio quaesumus Domine Beatae Barbarae	Willaert, Adrian (ca. 1490–1562)	16v
J'ai veu le regnart et le loup et le lievre	Ferrara, Maistre Jhan of (ca. 1485–1538)	7
Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam	Despres, Josquin (ca. 1450–1521)	1
Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam	Despres, Josquin (ca. 1450–1521)	8
Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium	Despres, Josquin (ca. 1450–1521)	1v
Moriens lux amantissima qui in cruce	Mouton, Jean (ca. 1459–1522)	3v
O dulcis amica Dei solis rutilans aurora . . _ amen.	Moulu, Pierre (ca. 1484–ca. 1550)	2
Pater noster qui es in caelis (2p. Panem nostrum quotidianum da nobis)	Richafort, Jean (ca. 1480–ca. 1550)	5
Peccantem me quotidie et non me poenitentem	Mouton, Jean (ca. 1459–1522)	4
Peccantem me quotidie nulla est redemptio quia in inferno ... et salva me	Mouton, Jean (ca. 1459–1522) (?)	3–4
Quam pulchra es - 1a pars (of 2): Quam pulchra es	Bauldeweyn, Noel (ca. 1480–1529)	12v
Salve regina 'Clamamus exules fil' - 1a pars (of 2): Salve regina	Carpentras, Elzear Genet (ca. 1470–1548)	15
Salve regina 'Clamamus exules fil' - 2a pars (of 2): Eya ergo	Carpentras, Elzear Genet (ca. 1470–1548)	15v–16
Sub tuum praesidium confugimus benedicta.	Anonymous	2v
Sufficiebat nobis paupertas nostra senectutis nostrae	Richafort, Jean (ca. 1480–ca. 1550)	10
Veni sancte spiritus et emitte caelitus II: Sine tuo numine nichil est in lumine	Brunet, Johannes	5v
Veni sponsa Christi	Richafort, Jean (ca. 1480–ca. 1550)	4v

Set: Ferrara partbooks

Type: Fragments of a whole

No images available

F-Pnm NAF 4599

No images available

GB-Lbl Add. MS 19583

No images available

I-MOe MS {alpha}.F.2.29 (Lat. 1232)

‡ denotes primary source study

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: II, 163.

Nowacki, Edward. 1979. The Latin Psalm Motet 1500-1535. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft. 159-84. Tutzing. Pages: 163. Notes: mention of MS; contents list (partial).

Rifkin, Joshua. 1974. New Light on Music Manuscripts at the Court of Ferrara in the Reigns of Alfonso I and Hercules II. Paper presented at the New England Renaissance Conference at Durham, New Hampshire, October 26, 1974, . Notes: physical description; mention of MS; discussion.

Bernstein, Lawrence F. 1973. La Courone et fleur des chansons a troys; A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano. Journal of the American Musicological Society, 1-68. Pages: 19-22. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music. Chicago. Pages: III, 117-8, 135ff. Notes: physical description (partial); contents list; concordances (partial); texts (partial); mention of MS; discussion.

Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music. Chicago and London. Pages: I, 117f.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: VIII,vi. Notes: physical description (partial); contents list (partial).

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II, p. VI.

Lodi, Pio. 1917. Catalogo delle Opere Musicali teoriche e pratiche ... Città di Modena R. Biblioteca Estense. Bollettino dell'Associazione dei Musicologi Italiani. Parma. Pages: 524. Notes: physical description (partial).

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Tuesday, 6 June, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description