GB-Lbl Egerton 2615

British Library, London, England

chant book with added polyphonic sections: 13th century

Archive British Library, London, England (GB-Lbl)
Shelfmark Egerton 2615
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Parchment
Numbering System None
Measurements 218 x 140 mm
Other Identifiers
  • RISM: LoA
Notations
  • neumatic choral
  • square
Relationships
External Links
Provenance
  • France
Contents 20 pieces from 2 composers
Notation

simple or rhomboid neumes; various kinds of square notation

DIAMM, 2017
Foliation

110 ff

DIAMM, 2017
Surface

parchment

DIAMM, 2017
RISM Description

RISM B/IV 1: A 13th century parchment manuscript meas. 218 x 140 mm. and containing 110 folios. Originally there were 119 or 120 folios, but now more than 8 or 9 are missing. The codex was written during the pontificate of Gregory IX (1227-1241) and probably before the marriage of Louis IX with Margaret of Provence (1234), in other words near the time when the cathedral foundation stone was laid at Beauvais, for this is a Beauvais manuscript. LoA remained in this town till the French Revolution; in the mid-19th century it belonged to the Pacchiarotti Library in Padua, and was finally incorporated into the British Museum holdings in 1883. There is an 18th century ink foliation, which numbers off 109 folios, while a modern pencil foliation at t.r.r. goes up to 110 (excluding the empty final page of part 1). There is one new unnumbered parchment flyleaf at each end as well. The binding is of original thick wooden boards with a modern dark blue leather spine. - The three parts of the ms are differently notated. Part 1 originally comprised 11 fascicles, of which no. 6 is now missing (f. 40-41); now there are 9 quaternios (f. 1-72) and an irregular fascicle of 7 folios (f. 73-78bis), all marked with fascicle numbers at the end of each fascicle (I-V, VII-XI). The contents are made up of the New Year Office (f. 1-68v) and the first group of polyphonic compositions (f. 69-78). In the Office and on f. 69 there are 10, from f. 69v onwards 12 systems per page in 4 or 6 accolades of 2 or 3 systems. The notation of the Office is in neume-like rhombs throughout. The organa and motets are sometimes in simple or rhomboid neumes, or in various kinds of square notation, or both. The T notes are often oblongs with or without a short descending tail on the right. - Part 2 (f. 79-84) consists of 2 quaternios, which do not continue the old fascicle numbering. Both have an old numeration from I-IIII for the first four pages. The rest of this part is lacking. The contents are polyphonic organa, conductus and motets from the Notre Dame repertoire, some of them repeating examples from part 1. The good quality square modal notation reveals that this part was copied slightly later than part 1. The miniatures have been mostly cut away in this section. - Part 3 is again made up of 2 quaternios. The first has the number I in red at the bottom of f. 102v. Hence this part was originally separate from the rest, but must have soon been joined with parts 1 and 2. The contents are the Daniel play (f.95-108) and 2 lections (f.108v-110); in the play there are 10 staves of 4 lines, in the lections 11. There is no polyphony here, and the script too suggests that this is the oldest part of the ms. This part as well as part 1 is for the New Year. In addition to the written-out polyphony, there are 10 pieces in part 1 which bear the words cum organo.

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Répertoire International des Sources Musicales

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Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
43v Orientis partibus adventavit asinus - Anonymous
Appears on: 43v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: none
Clef: c4

Voice: [no designation]
Languages: Latin
Clef: f3
Voice Text: Orientis partibus adventavit asinus
Layout

score

69–71v Veni, dotor previe spiritus / Veni, sancte spiritus - Anonymous
Appears on: 69–71v
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: none
Clef: c4

Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: Veni, sancte spiritus

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Veni, dotor previe spiritus
Layout

score

71v–72v Christus manens quod erat - Anonymous
Appears on: 71v–72v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: [c3]

Voice: [no designation]
Languages: none
Clef: [c3]

Voice: [no designation]
Languages: Latin
Clef: [c3]
Voice Text: Christus manens quod erat
Layout

score

73–73v Confirma nos, Christe, tua - Anonymous
Appears on: 73–73v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: [C]onfirma nos, Christe, tua
General Note

second part "Quem tremit" à 2, third part "Et honore" à 3

Layout

score

74–74v Gaude Maria. V. Gabrielem archangelum. Gloria - Anonymous
Appears on: 74–74v
Genres: Doxology, Motet
Voice: [no designation]
Languages: Latin
Clef: f3
Voice Text: [Gaude Maria. V. Gabrielem archangelum. Gloria]

Voice: [no designation]
Languages: none
Clef: c4

Voice: [no designation]
Languages: none
Clef: c3
General Note

textless

Layout

score

74v–76v Serena virginum, lux luminum plena / Manere - Anonymous
Appears on: 74v–76v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c2

Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: [Serena virginum, lux luminum plena]

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: [Manere]
General Note

textless

Layout

score

76v Sanctorum meritis inclita gaudia - Anonymous
Appears on: 76v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Sanctorum meritis inclita gaudia

Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: none
Clef: c4
Layout

score

77 text unclear - Anonymous

text unclear

Anonymous
Appears on: 77
Genres: Motet
Voice: [no designation]
Languages: insufficient
Voice Text: (none indicated; unclear)
General Note

second part "Quam tremit" of 4, this time à 3

79–82 Viderunt omnes. V. Notum fecit -
Appears on: 79–82
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Viderunt. V. Notum fecit

Voice: [no designation]
Languages: none
Clef: c3
Layout

score

82–83v Descendit de caelis. V. Tamquam sponsus - Anonymous
Appears on: 82–83v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Descendit de celis. V. Tamquam sponsus

Voice: [no designation]
Languages: none
Clef: c4

Voice: [no designation]
Languages: none
Clef: c5
Layout

score

83v–84v Christus manens quod erat - Anonymous
Appears on: 83v–84v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: [c3]

Voice: [no designation]
Languages: none
Clef: [c3]

Voice: [no designation]
Languages: Latin
Clef: [c3]
Voice Text: C[h]ristus manens quod erat
General Note

refers forward to F

Layout

score

84v–86 Veni, dotor previe spiritus / Veni, sancte spiritus - Anonymous
Appears on: 84v–86
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: none
Clef: c4

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: [Veni], doctor previe spiritus

Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: [Veni, sancte spiritus]
General Note

first two notes missing in Tr and Mot

Layout

score

86v–87v Salvatoris hodie sanguis pregustatur -
Appears on: 86v–87v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c4

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: [Salv]atoris bodie sanguis pregustatur

Voice: [no designation]
Languages: none
Clef: c3
General Note

first or first two notes missing in each part

Layout

score

87v–88v Presul nostri temporis - Anonymous
Appears on: 87v–88v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c4

Voice: [no designation]
Languages: none
Clef: c4

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: [Pr]esul nostri temporis
Layout

score

88v–89 Dic Christi veritas - Anonymous
Appears on: 88v–89
Genres: Conductus
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Dic Christi veritas

Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: none
Clef: c3
Layout

score

89v–90 Relegentur ab area - Anonymous

Relegentur ab area

Anonymous
Appears on: 89v–90
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c4

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Relegentur ab area

Voice: [no designation]
Languages: none
Clef: c4
Layout

score

90–90v Transgressus legem Domini - Anonymous
Appears on: 90–90v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Transgressus legem domini

Voice: [no designation]
Languages: none
Clef: c4
Layout

score

91–92 Agmina militiae caelestis omnia / Agmina - Anonymous
Appears on: 91–92
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c2

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Agmina militie celestis omnia

Voice: Tenor
Languages: Latin
Clef: c5
Voice Text: [Agmina]
General Note

all three voices are in score with the main text under the lowest one like a conductus

Layout

score

92–93v Serena virginum, lux luminum plena / Manere - Anonymous
Appears on: 92–93v
Genres: Motet
Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: [Manere]

Voice: [no designation]
Languages: none
Clef: c2

Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: [Sere]na virginum, lux luminum plena
General Note

first three notes in Tr and Mot, and first note in T missing

Layout

score

94–94v Gaude Maria. V. Gabrielem archangelum. Gloria - Anonymous
Appears on: 94–94v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c4

Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: Latin
Clef: f3
Voice Text: [G]aude, Maria. V. Gabrielem archangelum. [G]loria patri
General Note

the ending of the "Gloria patri" is missing

Layout

score

denotes primary source study

Smoldon, W L. 1960. The Play of Daniel.

Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XL etc.

Dittmer, Luther A. 1957. Publications of Mediaeval Musical Manuscripts I: Madrid 20486. Publications of Mediaeval Music Manuscripts.  Brooklyn: Institute of Mediaeval Music. Pages: (facsimile of LoA pieces in Ma).

Hughes, Dom Anselm. 1954-60. New Oxford History of Music. Pages: 365 (first half of LoA 18 in transcription).

Hughes, Dom Anselm. 1953. History of Music in Sound III: Ars Nova and the Renaissance, 1300-1540 . Pages: II, 41 (transcription of LoA 1); II, 42.

Handschin, Jacques. 1949. The Summer Canon and its Background. Musica Disciplina, 55-94, volume 5 (1951), 65-113. Pages: II, 95.

Ellinwood, Leonard. 1941. The Conductus. Musical Quarterly, 165ff. Pages: 197ff (transcription of LoA 15).

Husmann, Heinrich. 1940. Die drei- und vierstimmigen Notre-Dame-Organa. Pages: organum 8,10,3 and 2 (transcription of LoA 3 ( = 10), 5 ( = 19), 8 and 9); XlVf, XIX.

Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: IV, 72, 173.

Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: II-III, no. 89 (facsimile and transcription of LoA 17 after Hu); I, 114, 224, 248, 310.

Baxter, J. H. 1931. An Old St. Andrew Music Book. Pages: (facsimile of LoA pieces in W2).

Gennrich, Friedrich. 1926. Trouvère-Lieder und Motettenrepertoire. Zeitschrift für Musikwissenschaft, 8and65. Pages: 284 (transcription of LoA 17); 281f.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 190, 199, 291, 296.

Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation.  Halle: Niemayer. Pages: 229-243 and passim.

Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: I-II, no. 6 (facsimile and transcription of LoA 17 after Ba); III, 62.

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Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description